Dining Room Sets

Amazing & elegant Dinning Room Set. Designed by de Belgium industrial designer Rudi Verelst for Novalux. The set consists of round dining table and 4 swivel armchairs. These Eye-cat...

Magnificent 1970s original Spaghetti chairs and matching square table with grid glass set in all white by Giandomenico Belotti. Manufacturer is Fly Line by CMP Padova. Made in Italy. Rare full set in white lacquered steel. Gorgeous Minimalist Italian design from the Pop Art era. Very good condition with barely any wear or use to table and chairs - they were only used inside since new. All four chairs and table are in the same condition. All rubber straps are whole and not torn or worn or faded. Square metal...

Dining room set containing Angelo Mangiarotti for Skipper set of six chairs with Pierre Chapo dining table model T21D Angelo Mangiarotti for Skipper, set of six chairs, model 'Tre ...

Late 70’s Pacific Green dining suite Made from coconut palm wood, leather and steel. All in very good condition. We would consider selling the table and chairs seperatly if you woul...

This dining set is a fully original set that attributed to Boris Tabacoff for 'Mobilier Modulaire Moderne' (MMM) from France. Boris Tabacoff, a French designer of Bulgarian origin. ...

A bentwood table and four chairs designed by Czech architect Jan Bočan for the Czechoslovak Embassy in Stockholm. Designed in 1970 by Jan Bočan, Jan Šrámek, Zdenka Rothbauer and Jiř...

Maison Regain, dining room table, solid elm, France, 1970s Beautiful dining table by Maison Regain. The base is expressed through clear lines and symmetrical features. The strict an...

Table with 6 chairs naval style 1970 - 1980 More information about the conditions Solid mahogany dining table with 6 chairs Table size: H78 x L175 x D85 - Kg80 Chair size: H95 x W51 ...

1970s Round chrome and burl dining table, quarter panels of burl on the round top with squared robust legs. A sleek modern design from the period.

A Francois Sermijn classic mid century bistro table and chairs which all fold for easy storage. Incredible time aged patina and natural wood l...

1970's Ultra Modern 11 Piece Dining Set by Century Furniture. Exotic Burlwood with bevelled bronze toned glass top. 8 chairs, stunning bent burlwood design. 2 armchairs and 6 side ch...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Guido Faleschini for i4 Mariani, dining or conference table, leather, wood, metal, Italy, 1970s, with Giovanni Battista Bassi for Poltronova, set of ten armchairs model 'Elisa', velv...

Rare "Delta" set by belgian designer Rudi Verelst for Novalux Belgium produced in the 70s. Set composed of 4 tubular chairs in White/red Agape Boucle fabric by Aristide as well as a...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Round Table T 21 E Round SFAX Pierre CHAPO 1979 In French Elm. Table diameter 160 cm with a thickness of 7 cm, central leg in removable beam, 12 place settings. in a very beautiful p...

Mid-70's Set of tub chairs and table. Apparently custon designed by an architect for his own home. Wooden frames on swivel bases. Table is a laminex top on polished chrome legs. One ...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Danny Ho Fong, the king of wicker designed this dining set with 6 stools. Dining table base and stools are made of iron. The table top is a strong wicker structure, with a thin glas...

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

Hello, We would like to offer you this fine walnut Biedermeier set of five chairs and the large round table. The set was made in Vienna circa 1825. Viennese Biedermeier is distingui...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning Vintage Robert Mouseman Thompson hand made in made-in-England dining table and chairs set that was part of a suite Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote, please send me your postcode and I’ll provide you with the exact price. This table and chair set is part of a suite, I have the matching Sideboard which comes with an original vintage newspaper cutting listed...

Add a bold pop of color to your summer with this lime green patio set! Includes 4 Chinese chippendale style chairs with newly upholstered seats and brass finials, and round faux bamboo table...

This is an unusual set of 4 Chinese Chippendale cast aluminum side chairs in the Chinese Chippendale style together with a matching cast aluminum faux bamboo table with a glass top. ...

Sensational Scandinavian Modern dining table with handsome rosewood veneer and Ox Art inset abstract design ceramic tiles. Trestle-st...

Round end table with the famous Roger Capron Herbier tiles, designed from 1968 to 1982. The handcrafted Garrigue tiles produced by a technique in whic...

Nerone & Patuzzi dining table for Gruppo NP2, glass, iron and wood, Italy, 1970s. Designed by the Italian duo Nerone and Patuzzi, this dining table is a work of art. The base consis...

Set of Eero Saarinen for Knoll set of six 'Tulip' armchairs with Centro Progetti Tecno round dining table Eero Saarinen for Knoll, set of six 'Tulip' armchairs, fiberglass, aluminu...

Mid Century Modern Scandinavian G-Plan Style Walnut Fold Down Dining Table and 6 Dining Chairs in Original Fabric - 7 Piece Set The wood will be cleaned up prior to shipping. Cir...

Mid Century Modern Lane Brutalist Paul Evans Style High Back Chair Dining Set - Set of 7 This amazing Lane Brutalist Dining Set in the style...

ELODIA Sculptural Brass Cobra and Glass Dining Table. Beautiful patina to brass serpent snake bases. Glass top has a multifaceted/polished chip edge, which increases its ability to r...

Incredible mid century modern spun fiberglass dining set by Russell Woodard. Set features 4 chairs on coasters with a glass top dining table. Chairs still have the original “W” logo ...

Hollywood Regency Chinoiserie Chin Hua Ebonized Dining Set By Raymond K. Sobota for Century Furniture - 8 Piece Set This gorgeous Asian Style dining set...

Dining set, France, around 1890. Currently under renovation, there is a choice of fabric. Wood: walnut Dimensions: Table: height 73 cm / length 146 cm - 294 cm / depth 120 cm Ch...

Vintage Mid Century Modern Chrome Dining Room Set in the Milo Baughman Style manufactured by Scancraft Furniture, NY. Circa 1970s. The Table Features a polished aluminum frame with a...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

Willy Rizzo style table and chairs by Gastone Rinaldi for Rima, 1970s DESCRIPTION Table with briarwood and brass base, and smoked glass top. The chairs are made of chrome-plated iro...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Absolutely beautiful late 19th century Swedish 'Folk Art' country farm dining table in pine with six matching pine dining chairs inline and sturdy tan leather. Because of the dry-out...

3-piece Scandinavian modern dining set, table, and (2) benches made of pine designed by Gilbert Marklund for Furusnickarn feature unique details on the sides of table and benches, Sw...

Tessellated Marble Dining Chairs, American, circa 1970s. Outstanding color combination with the black and deep coral orange color tessellated marb...

Dining room set consisting of Giovanni Offredi for Saporiti dining table with Alberto Salvati & Ambrogio Tresoldi for Saporiti set of ten 'Dan...

Mid-Century Modern McGuire cane - 6 piece dining set Mid-Century Modern original McGuire pink and white woven rattan armchairs with Classic McGuire whi...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

Regency Mahogany 2 Pedestal Dining Table With clips , table tightened , touched up & waxed

A table and 4 chairs. Steel construction with an old silver patina.

Hello, We would like to offer you this fine and rare mahogany Biedermeier suite consisting nine pieces. This suite of Continental Biedermeier (Northern Germany - circa 1825) mahogany dining room...

Art Deco American of Martinsville burlwood 8 piece dining set. Stunning Art Deco American of Martinsville burlwood 8 piece dining set. This set includes: table with 1 leaf, and 6 chairs. Unique mirrored burlwood dining table with a leaf. Beautiful set of 6 art deco campaign style dining chairs...

The midcentury Italian set of four chairs and table from the 1970s, crafted in giunco wood, exudes a rustic charm and timeless elegance. The chairs feature a stylish and ergonomic de...

- newly upholstered in velvet fabric - good/very good condition with minor signs of use - heigh of seat 43 cm.

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

An elegant set of 6 dining chairs. There is a lovely sort of greyness to the wood Limed oak. I particularly like the cabriole legs at the back and the simple os de mouton sh...

19th century Carved Burled Walnut Dinning Table with Red Velvet Arm Chairs.

Gilt bronze, marble, silk, wood dining room set for twelve people with one vitrine, one longcase clock, two buffets, one mirror and one fireplace. France, l...

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...

Elegant dining set, designed by Charles Rennie Mackintosh and expertly manufactured in Italy during the 1970s. This set includes a sophisticated oval dining table and four matching c...

A very imposing and good quality Regency period Mahogany triple pedestal dining table, with two extra leaves, having this wonderful figur...