1970s Dining Room Sets

The iconic Basilan 1 dining set designed by Afra &Tobia Scarpa in 1974 for B&B Italia - under the division of Compagnia dells Filippine. Afra &Tobia Scarpa initiated the design proje...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A 1970s MCM RUSSELL...

1970's Ultra Modern 11 Piece Dining Set by Century Furniture. Exotic Burlwood with bevelled bronze toned glass top. 8 chairs, stunning bent burlwood design. 2 armchairs and 6 side ch...

On offer on this occasion is one of the most stunning lucite table set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the be...

Dining set by Pierre Cardin for Dillingham comprises a rectangular dining table and six dining chairs in chrome-plated steel. The expandable dining table has with three new, mirrored...

A spectacular ‘Scimitar’ dining set designed by Bulgarian designer Boris Tabacoff for Mobilier Modular Moderne (MMM) in the 70’s. The chairs and table have a heavy chromed steel base...

Hollywood Regency Chinoiserie Chin Hua Ebonized Dining Set By Raymond K. Sobota for Century Furniture - 8 Piece Set This gorgeous Asian Style dining set...

On offer on this occasion is one of the most stunning and rare, rattan dining table and chairs set you could hope to find. Outstanding design is exhibited throughout. The beautiful s...

This dining set is a fully original set that attributed to Boris Tabacoff for 'Mobilier Modulaire Moderne' (MMM) from France. Boris Tabacoff, a French designer of Bulgarian origin. ...

For sale is this very nice vintage dining set that includes four Burke chairs and table, The table measures H 29.5” W 38”

Atelier C. Demoyen, dining table with six dining chairs, solid elm, France, 1970s Atelier C. Demoyen (Claude de Moyen) gained prominence as a workshop recognized for crafting, among...

Immerse yourself in the timeless glamour of the Hollywood Regency era with this stunning vintage dining set from the iconic Brown Jordan, crafted in the United States during the 1970...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Very comfortable dining room table including six stools. The stools and table follow the same shapes creating a consistent and robust set. The table is made of solid elm and the top ...

Osvaldo Borsani set of eight unique high back swivel dining chairs for Tecno 1971, Original cotton velvet upholstery, aluminum with bronzed finish. A copy of the blueprint included ...

Space Age period dining room set designed by Boris Tabacoff and manufactured for Mobilier Modulair Moderne in 1970s circa period, France. The set consists of the round dinning table...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Stainless steel dining set designed by Gary Gutterman for Axius Designs in 1970s. Set includes glass top dining table and 8 chairs. All original and in very good condition.

Rainer Daumiller for Hirtshals Savværk A/S dining set - Denmark, 1970s Wear consistent with age and use Mid-century Modern - Vintage - Funiture Dining Set : Table - 2 Chairs - 1 st...

In this listing you will find a stunning Space Age patio, garden and dining room set, consisting out of a folding table and 3 folding chairs with distinctive design. They are all don...

A stunning vintage modern Danish teak pedestal base dining table with two leaves by Skovby Mobelfabrik. This attractive set caters to many with the ...

This gorgeous dining set is produced by Glostrup Mobler from Denmark. The chairs are beautiful sculptured. The back of the chair and the joints has some beautiful details. It´s solid oiled scandinavian pine wood. The dining table has an ellipse shape. Unfortunately the extension top is missed so you can´t use the extension, only the normal measures. It contents 4x dining chairs...

Very beautiful Derk Jan De Vries for Maisa Di Seveso Milano "Samara" dining room set consisting of four dining chairs made of ash wood with high-quality and beautiful wickerwork on t...

On offer on this occasion is one of the most stunning and rare, dining set you could hope to find. Outstanding design is exhibited throughout. The beautiful set is statement piece an...

A bentwood table and four chairs designed by Czech architect Jan Bočan for the Czechoslovak Embassy in Stockholm. Designed in 1970 by Jan Bočan, Jan Šrámek, Zdenka Rothbauer and Jiř...

This listing is for a five piece set including a Vintage Bamboo Glass Dining Table & four side chairs. Featuring a round glass table, bamboo base, four side chairs with bamboo frames...

Mid-Century Modern Dining Set by Marco Zanuzo for Poggi, Italy, 1970s Chairs : 39x43x90 cm Sh 44cm

Vintage Mid Century Lane Staccato Dining Set circa 1970’s. Walnut parquetry top dining table that extends with two leaves (not self stowed), rests on triangular hinged legs which can...

This elegant Scandinavian modern dining set consists of one large wooden table and nine finely crafted chairs. The table is a perfect example of minimalist design, constructed in two...

Rare furniture suite by Horst Romanus Wanke from the 1970s consisting of two chairs and a table. High-quality solid beech wood frame and table top lacquered in white. The chairs have...

Rare "Delta" set by belgian designer Rudi Verelst for Novalux Belgium produced in the 70s. Set composed of 4 tubular chairs in White/red Agape Boucle fabric by Aristide as well as a...

Pierre Chapo dining room set with 'T21D' table and set of six 'S11' dining chairs Pierre Chapo, dining table, model 'T21D', solid elm, France, 1981 This table is one of the early ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

1970s Bamboo Dining set Product Details Glossy-finish pressed bamboo table + 4 chairs and 2 armchairs, complete with cushions. Chair dimensions: 50 W x 101 H × 50 D cm Table dimensio...

This highly stylized set is by Ferguson Copeland The glass top sits on a base with two supports Of carved wood and is silver gilt. The chairs are A set of ten consisting of two arm ...

TABLE: Frank Gehry, the ‘gratuitously eccentric’ architect behind the Guggenheim Bilbao gained attention in the 1970s with his ‘Easy Edges’ furniture series (1969-73). Constructed i...

Designed by Gijs Bakker in the early 1970s for Dutch manufacturer Castelijn, the “Strip” dining set is an iconic expression of radical minimalism and postmodern sculptural form. Comp...

Billy Haines style faux bamboo and bronze dining set. The table and chairs have faux bamboo wood frames with bronze mounts. The table has a smoked glass top. There are four chairs wi...

Striking “Scimitar” dining set by French modernist designer Boris Tabacoff (1927–1985), produced by Mobilier Modulaire Moderne (MMM) in the early 1970s. This complete ensemble includ...

A timeless vintage patio set by Brown Jordan, featuring their iconic Tamiami collection design. This set includes a round glass-top table and four armchairs with powder-coated aluminum frames in a sunny yellow finish. The chairs showcase the signature Tamiami vinyl strap weave in white, offering both style and comfort with a striking geometric appeal. The Tamiami line blends clean mid-century lines with durable, weather-resistant materials, making it a favorite among collectors and design lovers. Ideal for outdoor entertaining, this set brings Palm Springs charm to any patio, garden, or sunroom...

Dining set "Die vier Himmelsrichtungen" - "The Four Cardinal Points". This is an exceptional, very beautiful and unique dining set that consist of dining table with six chairs design...

THE FOUR CARDINAL POINTS Rosenthal Kunstmöbelreihe This noteworthy design is the work of Bjørn Wiinblad. The furniture pieces were produced in a limited edition of 300 in 1976. E...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Organic table and its 4 stools, rattan, rafia, rope and branches, circa 1970 Measures: table: H 73 cm D 70 cm Stools: H 42 cm D 31 cm.  

A rare set featuring a custom pink marble tabletop with peach leather-upholstered chairs. Acquired directly from the original owner and retaining its Knoll tags, this is believed to ...

Richard Young for Merrow Associates. A chrome dining table with the original smoked glass circular top and a set of eight rare 160Z Merrow chairs which are arguably the best-lookin...

Designed by Gilbert Marklund for Furusnickarn AB, Sweden 1970s. Unique and durable, solid pine wood dining table in original condition. Exceptionally sturdy, showcasing impressive Sc...

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

This elegant 1970s Italian dining set by Marzio Cecchi for Studio Most comprises a striking oval glass-top table and six high-back dining chairs in rattan and stained wood. A masterf...

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...

Very unique custom designed and fabricated post modern blonde birch dining set. (1) dining table and (6) dining chairs. Each chair is numbered (1-6) underneath. Dining table is made ...

Lovely carved maple Louis XVI style French dining set having octagonal table base topped with 60" bevelled glass top. Legs are elegant cabriole w...

Vintage Mid Century Modern Chrome Dining Room Set in the Milo Baughman Style manufactured by Scancraft Furniture, NY. Circa 1970s. The Table Features a polished aluminum frame with a...

Contemporary Modernist D I A ^ Design Institute of America , Stunning Chrome and Glass Dining Room Table and 6 Chrome and fabric "Z' Chairs including 2 Arm Chairs and 4 side Chair...

Art Nouveau Bar for sale in wood Private Collection

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

Vintage Modernist Table Set From France, Circa 1970. Unusual set in solid pine with nice original paint and use. Chairs measure : H-33 / W-21 / D-22 / S-18.5

This beautiful vintage modern Italian dining set includes a large oval dining table with two leaves and six chairs. A luxurious dining table that extends from 78.5 inches wide to 113...

Table with glass top + set of 12 mc guire 70's chairs in black lacquered rattan Table dimensions: 270 x 125 x 76 cm Chairs dimensions: 45 x 45 x 78 cm Prod...

Hansen Sorensen Dining room table with 6 chairs, 1970 Denmark The Hansen Sorensen dining room table with 6 chairs from 1970 is a beautiful additio...