Six Moller Model-71 Dining Chairs w Peter Hvidt Model-311 Dining Table, 1950s

One half of the influential Danish furniture duo Hvidt and Mølgaard, architect and designer Peter Hvidt created shapely works in teak and rosewood that could be mass-produced and transported at a scale rarely seen before his time. Alongside his business partner, Aalborg-born designer Orla Mølgaard-Nielsen, the pair crafted furniture which stands today as a masterclass in the combination of elegance and practicality that is typical of Scandinavian modernism.

Hvidt was born in Copenhagen in 1916. He studied architecture and cabinetry, and graduated from the School of Arts and Crafts in Copenhagen. Hvidt established his own design firm in 1940 and taught for three years at his former school, during which he designed the teak Portex chair — Denmark’s first stacking chair (this design has alternatively been attributed to Hvidt’s partnership with Mølgaard-Nielsen over the years).

The exceptional collaboration between Hvidt and Mølgaard-Nielsen took shape in 1944. A student of pioneering Danish modernist designer and architect Kaare Klint and fellow graduate of the School of Arts and Crafts, Mølgaard brought his technical prowess and eye for practical design to the partnership. Together, for more than three decades, Hvidt and Mølgaard would produce over 250 furniture designs, a legacy that included the iconic AX chair.

A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair was designed in collaboration with manufacturer Fritz Hansen during the late 1940s. It features double-curved laminated wood in the seat and back, and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience. The AX went into production in 1950 and eventually gave way to a series that featured tables and other seating.

Hvidt’s proclivity for forward-looking design was typical of the venturesome furniture makers of the mid-century modern era. This extended to textures and materials, too — he believed that a tasteful combination of materials could add character and visual intrigue. With Mølgaard-Nielsen, Hvidt designed streamlined coffee tables, rosewood chairs upholstered with sumptuous black leather and teak side tables with cane shelves (teak was a sought-after material for designers at the time).

The duo’s work with celebrated manufacturers Fritz Hansen, France & Søn and Søborg Møbelfabrik has been a part of exhibitions at New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.

On 1stDibs, find vintage Peter Hvidt seating, tables and case pieces.

Working in rich woods to create durable furniture that is today recognized for its elegant simplicity and solid craftsmanship, Niels Otto Møller was one of the original designers of the famed Scandinavian modern movement that swept through postwar Europe and, eventually, the United States.

At the age of 19, Møller studied to be a cabinetmaker, gaining a strong affinity for working with natural materials. He furthered his education at the local design academy in his hometown of Århus, Denmark, where, in 1944, he established J.L. Møllers Møbelfabrik. Møller’s first chair — called simply No. 1 — was introduced in 1946. In 1961, he expanded his thriving business by opening a factory in Højbjerg, producing his popular dining chairs as well as armchairs, lounge chairs, tables and more. Rather than unnecessary ornamentation, he focused on a warm and more minimalist approach that valued function over form. Nearly all of his pieces, from the 1962 Model 78 chair to his simple tables, feature gentle curves formed from woods such as rosewood and teak (a sought-after material among furniture designers of the time).

Though the furnishings boasted a contemporary look and were a departure from the ornate designs of the recent past, Møller’s company crafted all of them using traditional, age-old techniques. For instance, the 1959 Model 77 side chair’s seat is handwoven using a single 425-foot-long cord. Today, the Danish furniture designer’s refined pieces continue to be as sought after as they were when mid-century modernism was in full swing.

The company, still based in its original factory, remains a family business, now headed by Møller’s granddaughter, Kirsten Møller. Along with new pieces, they craft the celebrated original designs, from raw wood to finished assembled products, that made J.L. Møllers Møbelfabrik a renowned name in Danish Modern design.

Find a collection of vintage Niels Otto Møller furniture on 1stDibs.