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1968 Arne Jacobsen Piet Hein Dining Table Circular Series Six Star Pedestal Base

About

Beautiful dining table with elegant tabletop and the elegant, stabile six-star pedestal base. Some traces of wear like some scratches and tiny spots on the tabletop (see picture 5 and 6). Weight 15 .5 kg. Free shipping for Amsterdam, Haarlem and IJmuiden for lamps, chairs, small items as tables and office desks, small not too heavy couches. Rest of Holland €133, for European destinations starting at € 95, depending on the item and country of your selection. Further on discounted shipping to all intercontinental destinations starting at €125, depending on the item and country or state of your selection. We offer a variety of restoration and shipping services, high service white glove shipping, parcel shipping and store-to-door shipping, suitable for all your preferences. Our specialized shipping department can inform you about all the details, ask us for the customized possibilities and very competitive pricing. References: Organic modern, Space Age, Midcentury Design, Postwar, Sixties, Seventies, 60s, 70s, 60’s, 70’s, Verner Panton, Joe Colombo, Pierre Paulin, Osvaldo Borsani, Eero Saarinen, Eero Aarnio, Alvar Aalto, Alessandro Mendini, Gruppo 55, Studio Most, Artifort, Rosenthal, Fritz Hanssen, Ligne Roset, Goed Wonen, Pop Art.  

Details

  • Condition
    Good.
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 28.35 in. x W 47.25 in. x D 47.25 in.

    H 72 cm x W 120 cm x D 120 cm

  • Seller location
    Amsterdam, NL
  • Reference number
    LU205538776493

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About Arne Jacobsen (Designer)

The eye-catching work of the Danish architect and designer Arne Jacobsen often introduces new collectors to mid-20th century furniture. With their fluid lines and sculptural presence, Jacobsen’s signature pieces — the elegant “Swan chair” and the cozy-yet-cutting edge “Egg chair,” both first presented in 1958 — are iconic representations of both the striking aesthetic of the designers of the era and their concomitant attention to practicality and comfort. Jacobsen designed furniture that had both gravitas and groove.

     Though Jacobsen is a paragon of Danish modernism, his approach to design was the least “Danish” of those who are counted as his peers. The designs of Hans Wegner, Finn Juhl, Børge Mogensen and others grew out of their studies as cabinetmakers. They prized skilled craftsmanship and their primary material was carved, turned and joined wood. Jacobsen was first and foremost an architect, and while he shared his colleagues’ devotion to quality of construction, he was far more open to other materials such as metal and fiberglass.

     Many of Jacobsen’s best-known pieces had their origin in architectural commissions. His molded-plywood, three-legged “Ant chair” (1952) was first designed for the cafeteria of a pharmaceutical company headquarters. The tall-backed “Oxford chair” was made for the use of dons at St. Catherine’s College, Oxford, whose Jacobsen-designed campus opened in 1963. The “Swan,” “Egg” and “Drop” chairs and the “AJ” desk lamp were all created as part of Jacobsen’s plan for the SAS Royal Copenhagen Hotel, which opened in 1960. (The hotel has since been redecorated, but one guest room has been preserved with all-Jacobsen accoutrements.) To Jacobsen’s mind, the chief merit of any design was practicality. He designed the first stainless-steel cutlery set made by the Danish silver company Georg Jensen; Jacobsen’s best-selling chair — the plywood “Series 7” — was created to provide lightweight, stackable seating for modern eat-in kitchens. But as you will see from the objects on these pages, style never took a backseat to function in Arne Jacobsen’s work. His work merits a place in any modern design collection.

About the Seller

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