Joe Colombo Poker Game Table

Venice, 18th century Coffee table Walnut wood, cm 76 x 73 x 53 Small and refined this elegant coffee table in walnut wood has a small central drawer and is finely carved with ...

France, circa 1810 -1820 Table clock with a handmaid Mercury gilded bronze, alt. cm 59.5 x 40.5 x 13 Signed in the quadrant "Sezille Palais Royal Nº 133 à Paris" Akin to the prevailing taste of the Napoleonic era that envisaged a return to antiquity, the Empire Style was used for the decoration of furniture, architectural structures, furnishings, wall hangings and fabrics. The style envisaged a classical return to order, embellished by the antiquarian whimsy inspired by the recent archaeological discoveries at Herculaneum and Pompeii: the constant Roman and Hellenistic remembrance was celebrated through applications depicting laurel or oak garlands, imperial symbolism, mythological figures, sphinxes, muses, personifications and more. This watch organises the mechanical case on a parallelepiped supporting structure, subdivided into two parts connected by a sinuous greek decoration with flowers; the whole structure rests on the plane by means of convex feet decorated with a dense network of small flowers inscribed within a modular rhombus, culminating, in the attachment to the central body of the watch, with a theory of palmettes. The upper part of the parallelepiped body, inscribed with mythological figuration like the ancient stelae, encloses the latter with a frame of stylised palm leaves interspersed with discs of flowers, in turn accompanied, on the two vertical sides, by a lively vegetal triumph. Considering the iconographic range used by the bronzeworkers for the decoration of the clocks, it is possible to recognise in the mythological scene depicted the muse of poetry and music, Calliope, accompanied by the attributes of the lyre and the laurel branch, used to pay homage to poets. The two winged geniuses in front of her carry scrolls and plates on which to engrave the verses the muse dictates daily to men; the reward for human intellect is emphasised by the two similar crowns the muse holds in her hands, depicting a serpent biting its tail. This symbol, which the mediaeval era would borrow from the Hellenistic-Roman environment of Gnosticism by creating the figure of the uroboros, metaphorically manifests the purpose of the clock, being used to personify the eternal return of time and the cyclical nature of the material life of men. The case of the watch is enclosed in a zither, which is flanked by a woman crowned with laurel; the upper part has two griffin heads in correspondence with the arms of the zither, and a second female face crowned with a ring of petals/rays, again alluding to the sublime elevation of poetry. On the right side of the instrument rests a lighted torch accompanied by an extinguished upside-down torch, an allusion to present well-being, victorious over the failings of life, to which the bust of a philosopher in a disc also alludes. The dial has a porcelain ring while the hands are Breuguet. Mechanism with "anchor" escapement with silk-wire pendulum and chime...

Vicenza, late 18th century Pair of half-moon nightstands (2) cherry wood, 71 x 61 x 27 cm The pair of bedside tables under consideration, with its characteristic crescent shape, i...

19th century Pair of desks with portraits of Petrarch and Leonardo (2) Alabaster, 34 and 35 cm diam The pair of alabaster discs features a central cameo with the effigy of Petrarch and Leonardo, probably part of a larger series that featured illustrious characters from Italian history. On the openwork frame of Petrarch there are portraits of some characters who face each other, combined for centuries, as can be seen from the shapes of the garments that span several centuries: from the thirteenth century, in which men wear long-tipped bonnets, to the fifteenth century and Sixteenth century, the two characters at the top, in the seventeenth century, with wide collars, up to the eighteenth century. Francesco Petrarca (1304-1374) embodies the figure of the humanist intellectual par excellence, entirely dedicated to the study of Latin conceived as the only form of expression worthy of a man of letters, so as to serve any form of written communication, including letters and the reflection on himself witnessed in the Secretum. A personality made more complex by obsessive perfectionism, which led him to a continuous and infinite editing of the work which he also flaunted to consider as minor and which instead ensured him an undying fame among posterity, the Canzoniere. But the only aspect fixed in the collective imagination is that of the lover who idolizes the places where his ideal love blossomed...

Francesco Fergola (Naples, 1801 - there, 1875) Pair of Views of Pompeii Tempera on paper, 33 x 48 cm Frame 49 x 64 cm The two views in question are signed by Francesco F...

17th century Virgin of the Assumption Oil on canvas, 93 x 81 cm Frame, 110 x 97 cm The present Assumption of the Virgin welcomes an innova...

Joe Colombo (Milan 1930 - 1971) "Poker" card table Laminate, stainless steel, Game table designed in 1968 by the famous designer Joe Colombo, produced by Zanotta, with double layered...

Rare game / poker table by unknown designer. Produced in Sweden.

About Impatia: At Impatia each creation is a tale of excellence, driven by the core value of empathy. The human-to-human approach creates a journey of exploration, which is highlighted by technical development, high-quality materials and incomparable aesthetic refinement. The development of each product is full of interpretation from the first glance, becoming a representation of a lifestyle and an instantly recognizable identity, that pushes to reinvent the classics. About the Unootto collection: Unootto is the reinterpretation of the traditional professional poker table, making the A-game stylish and sophisticated. The entire structure is made of glass and is inspired by the Classic cut of the diamond. The octagonal table consists of a frame that supports the playing surface in Alca- ntara®. The chrome finish metal legs make this jewel of an Italian design even more brilliant. A table with outstanding design and functionality, the Unootto steps up the game of poker with its stylish appearance. Featuring a medley of luxury materials, which are handcrafted by only the best. This listing only includes Poker Game Set...

With each collection, Impatia aims to explore design through different perspectives. Among a strong focus on developing one of kind game tables, it is just as equally important to fo...

A french game table in mahogany decorated with brass detailing.

Impatia, an Italian luxury design company founded by architect Gregg Brodarick in 2012, specializes in customizing all kinds of luxury gaming tables for customers. Impatia reinterprets high-quality leisure life with iconic and avant-garde designs, bringing classic games to life, and introducing a recognizable new luxury lifestyle to the world. The refined lines of the Unootto poker table...