Ormolu Tables

This is a beautiful antique French Louis XV Revival hardwood, Sevres style porcelain and ormolu mounted occasional / work table, circa 1860 in date. The table is of serpentine outli...

This beautiful ebonized game table from 19th century France will be eye catching in any space! In its folded state as a console table, an intricate urn and floral crest with inlay br...

This is a beautiful dining set comprising an antique French Louis Revival dining table, Circa 1920 in date, and a beautiful set of six Gondola Dining Chairs C1950.   This antique Fre...

A stunning vintage French gilt ormolu oval mirror vanity or bar tray, circa 1950. This beautiful tray is a nice large oval size surrounded by a gorgeous floral gallery with ornate ha...

This is a beautiful antique French Louis Revival ormolu mounted dining table / desk, circa 1920 in date and in 18th Century style. The elegantly crafted oval walnut top features exq...

This is a beautiful dining set comprising an antique French Louis Revival dining table, Circa 1920 in date, and a beautiful set of six Gondola Dining Chairs C1950.   This antique Fre...

French Perfection! A most impressive and very fine quality vintage Louis XV style ormolu mounted marquetry inlaid bureau plat. Exquisitely hand-crafted in the manner of important...

An impressive empire style malachite and ormolu center table after the imperial model by Francois Honore Georges Jacob-Desmalter, 1770-1841. "AUX CARIATIDES", Empire style round m...

An elegant and high quality French Turn of the Century Louis XVI st. Mahogany and Ormolu dining table. This wonderful oval dining table with three extensions is raised on five circul...

Elegant French Louis XV style writing desk or bureau plat desk with stunning diamond marquetry on drawers. Lovely versatile medium size, stunning bronze figural female bust mounts o...

This is a fine antique French Empire ormolu mounted mahogany bureau plat, circa 1870 in date. The rectangular top has an inset gold-tooled green leather writing surface with a very...

This is an exquisite continental ormolu-mounted walnut and marble top coffee table, circa 1950 in date. This wonderful coffee tabl...

A stunning, fine quality vintage French gilt bronze ormolu mounted marquetry inlaid rosewood extension dining table by J.P. Ehalt. Exquisitely handcrafted using only the finest materials and highest level of craftsmanship, the mid-century antique reproduction lavishly finished in Neoclassical Louis XVI taste, having an extensively inlaid oval shaped top, richly decorated marquetry at the center features intricate floral motif, wonderfully designed and exceptionally executed built-in hide-a-way extension leaves that rest under the table in the manner of Maison Jansen, sliding out to extend the length of the table from 72 to 107 inches. The frieze luxuriously decorated with gilt bronze mounted running ornamentation with beaded trim, accented by stylized foliate gilded bronze embellishments, above fluted tapered legs. Signed J.P. Ehalt (Jean-Pierre Ehalt) Circa 1960s; France JP Ehalt...

A fine antique 19th century French Louis XV tulipwood and marquetry, ormolu mounted bureau plat, serpentine shaped writing table, circa 1880. The table having an inset brown & red hu...

Antique French marquetry, ormolu and jasperware Bureau du Roi by Beurdeley French, c. 1890 Height 151cm, width 190cm, depth 100cm The Bureau du Roi, also known as the secrétaire à cylindre, is among the most celebrated masterpieces of 18th century furniture design—an unparalleled example of French craftsmanship and regal opulence. Originally commissioned by King Louis XV in 1760, the project was entrusted to ébéniste du roi Jean-François Oeben (1721–1763). However, Oeben passed away before its completion and his successor, Jean-Henri Riesener (1734-1806), finalised the desk in 1769. During the 19th century, several master cabinetmakers sought to replicate this extraordinary creation, including the esteemed Emmanuel Alfred Beurdeley (1847–1919). The present example, produced circa 1890, was exhibited at the 1893 Chicago World’s Fair, where it garnered admiration for its exceptional artistry. Following the exhibition, it was acquired by financier George Jay Gould I (1864–1923) and later photographed in the Lakewood, New Jersey residence of his wife, actress Edith Kingdon Gould (1864–1921). This magnificent desk is crowned with a decorative clock, draped in festoons and accompanied by two playful putti and a finely sculpted dog. Twin ormolu urns rest atop an openwork gallery, leading to additional flower-filled ormolu vases. Flanking the central roll-top panel are finely cast ormolu figures of Apollo and Calliope, each supporting a twin-light scrolling acanthus candelabrum. With a turn of a key, the roll-top slides open to reveal an exquisite arrangement of three pull-out shelves and three drawers, each front panel adorned with delicate ormolu banding and intricate floral trellis parquetry. A gilt-tooled leather writing surface unfolds, featuring a pop-up central panel that lifts to reveal a folding folio stand alongside three additional storage compartments. Below, a central kneehole drawer, embellished with an ormolu bow, is flanked by twin-divided drawers, all decorated with finely detailed floral marquetry. Every aspect of this Bureau du Roi is a testament to superior craftsmanship, featuring elaborate marquetry and parquetry designs. The upper section consists of three panels, with the tambour roll-top inlaid with intricate mythological motifs. Two side medallions bear Latin inscriptions drawn from Cesare Ripa’s Iconologia (1555–1622): NON. NISI. GRANDIA. CANTO. / IRRIDENS. CUSPIDE. FIGO. and BREVI. COMPLECTOR. SINGULA. CANO / PASTORUM. CARMINA. LUDO. These decorative elements, along with the marquetry on the roll-top and upper surfaces, celebrate the arts, literature, and architecture. The bombé sides of the desk are richly decorated with marquetry panels depicting symbols of both naval and terrestrial warfare, framed by elegant ormolu laurel swags. These ornamental details complement a series of exquisite blue and white Wedgwood Jasperware medallions...

This is a fine antique pair of French Empire marble topped and ormolu mounted flame mahogany console tables, Circa 1840 in date. Each with a rectangular breche violette marble top...

A pair of magnificent fine quality vintage French Louis XV style gilt bronze ormolu mounted mahogany side tables after celebrated master Parisian ébéniste Francois Linke (b.1855-1946...

Alexandre Chevrie, a museum quality French ormolu mounted mahogany Royal Executive "Empire" Desk, circa 1875. Double sided desk with six solid bronze lions paw feet, framed ormolu lions on both sized, jewel quality ormolu medusa heads concealing the drawer locks, and exquisite ormolu frieze designs throughout. With original red leather top. Truly the best quality desk with the most sophisticated design for this Napoleon III period. There was a similar bedroom set in this style that was made for King...

A very fine pair of antique French Louis XV style gilt bronze ormolu mounted mahogany tiered side tables with breccia violetta marble tops. circa 1900 ...

A fine English Regency sofa table on trestle base with drop leaves, in mahogany with line inlays banding the top & drawer fronts. Offers two drawers, original brass ormolu & cast brass, lions paw feet...

A Timeless Masterpiece: The Exquisite Bureau Plat of The Duke and Duchess of Windsor In the world of fine art and antiques, certain pieces transcend time, becoming symbols of opul...

French Louis XVI style ormolu mounted carved mahogany marble top desserte early 20th century, the brass galleried, oval Breche d’alps tan marble top on four reeded cabriole supports ...

Ebonized Leather top Bureau Plat/Desk, Louis XV period 3 working drawers on one side. Back side has 3 false drawers Circa, 1760 with one Key It's Old leather top in Useable but h...

Two 19th Century, Brown/Red “tinta Negra” gilt decorated lacquer panels mounted on a gilt-bronze frame. Frame tightened panels touched up & waxed

French Louis XV style ormolu-mounted kingwood and satinwood parquetry dressing table or coiffeuse, late 19th century. Incredibly luxurious petite dressing table...

Antique French ormolu mounted roll top desk in the style of Riesener French, 19th Century Height 120cm, width 146cm, depth 73cm This magnificent 19th-century bureau à cylindre, als...

A Very Fine French 19th century Louis XV Style gilt-bronze mounted fruitwood floral marquetry center table or desk with drawer, by Ébéniste Louis Gradé, Gr...

Gorgeous Late 1900's Louis XVI Style, Ormolu, Bureau Plat, Cartonnier, Writing Desk! Late 1900's Louis XVI Style, Ormolu, Bureau Plat, Cartonnier, Writing Desk! Bureau Plat, Carton...

We delight to offer sell this stunning large French Empire style walnut desk having a gilt tooled green leather top with a ormolu edge and scrolling mounts flanked by an arrangement ...

This is a beautiful antique French Louis Revival circular centre table with ornate ormolu decoration typical of the Louis XIV period, circa 1870 in date. The inset marble top has a ...

A Very Fine French Louis XV Style Mahogany, Rosewood and Satinwood Gilt-Bronze Mounted Figural Cartonnier Bureau-Plat (Desk). The shaped rectangular top inset with a recent tooled le...

***Reduced Delivery Rates - See Below or Click “Ask The Seller” to Request a Quote*** Pair of Antique French Louis XIV Style Satinwood Inlaid Kingwood, Rouge Marble & Ormolu Three D...

A Very Fine French Louis XV Transitional Style Gilt-Bronze Mounted, Marquetry and Æil de Vermeil Parquetry single-drawer side-table by François Linke (1855-1946). The rectangular top...

A fine Boston Federal game table in mahogany with fire gilded bronze doré ormolu mounts in the corners of the apron and original brass paw foot casters. Carving is well articulated and form is reminiscent of Federal Boston cabinet maker Isaac Vose...

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

This exceptional French 19th century Empire mahogany dressing table is complete with its original mercury glass mirror and white Carrara marble top. The oval mirror is framed with be...

A Fine French Empire Ormolu-Mounted mahogany console table, Circa 1815. With a white marble top and mirrored glass back. Very high quality and delicate French bronze mounts. Very ...

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), in manner of François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

French Louis XV style (19th Century) kingwood table desk with parquetry inlay and floral marquetry border and a single drawer with gilt bronze trim (signed: LINKE)

A Very Fine french 19th century Louis XVI style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry round side or center table, in the manner of Théodore Millet. The circ...

A very fine quality French gueridon, exceptionally executed in the manner of the original design by Adam Weisweiler (1744-1820). Finished in sophis...

This is an exquisite ormolu-mounted walnut and marble top coffee table, circa 1950 in date and by the renowned furniture makers H &...

This is a beautiful vintage French Empire style painted gilded and ormolu mounted console table, Mid 20th century in date. The rectangular faux marble top with an ormolu plaque to t...

Pair of antique Louis XV style ormolu mounted marquetry pedestals French, Late 19th Century Height 130cm, width 47cm, depth 46cm This stunning pair of pedestals epitomizes the gran...

Antique French Neo-Grec marble and gilt bronze centre table by Barbedienne French, Late 19th Century Height 83cm, width 126cm, depth 72cm This superb 19th-century centre table is ...

A most attractive and very high quality French mid 19th century Empire st. Mahogany and Ormolu side/center table. This handsome table is raised by a triangular base with concave side...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

A very fine French 19th century tulipwood, mahogany and ormolu-mounted Bureau de Dame Lady's secretary desk, attributed to Maison Millet. The supe...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Antique French Ebonized, Ormolu & Inlay Card Table Unsigned C1880. 29"h x 34"w x 18"d (closed). ...

Signed ‘Louis Majorelle’ Art Nouveau desk with the sinuous lines and curves typical of the style. Four curved-front drawers retaining their original ormolu Art Nouveau pulls...

19th Century French bureau plat featuring a high-gloss black" lacquer like" painted finish, bronze ormolu, black leather top and two drawers.

This is a fabulous French antique ormolu mounted bureau plat which features fine quality floral marquetry and which dates from around 1860. This beautiful piece of furniture has been made with artistic marquetry requiring the highest level of craftsmanship. The surface of the table top of this antique ormolu mounted bureau plat features very intricate floral marquetry decoration. Using a number of different and exotic veneers which include walnut, goncalo alves, satinwood, burr walnut, and purpleheart, the level of detail present here can only be described as extraordinary. The central panel is worthy of particular attention, it being inlaid with a representation of an urn on a flower filled satinwood background together with a decorative border of foliage which has been rendered in mahogany and burr walnut. As you can see from the images provided the imposing table top is completed with a highly decorative ormolu border which adds an additional level of elegance to this antique bureau plat...

An extremely fine Russian Empire Ormolu Mounted Mahogany center table, circa 1820-1830. Very finely mounted with crisp ormolu throughout, with bronze female figures, foliate scrolling, lions head...

Exceptional French Boulle bureau plat has the English feel of a library table with the four rams head mounted bronze fluted legs terminating in a br...

An Elegant Ormolu-Mounted Tulipwood Dressing Table In the Louis XV Style Attributed to Paul Sormani A superb example of late 19th century 'mobilier de luxe,' this tulipwood-veneere...

A French Antique Ormolu-Mounted mahogany envelope games card table, C. 1870, attributed to Henry Dasson. A very elegant and high quality, French Louis XVI style, mahogany and bro...

A beautiful pair of antique French marble top wine tables, dating from around the 1930’s period. The quality is outstanding and they are a very useful size. The marble tops have gor...

Dimensions- H: 38 1/4in W: 32 1/2in D: 18in This extremely rare and Important 18th Century Louis XV Red Chinoiserie Bureau de Dame Desk By Pierre Migeon is absolutely breathe taking! If you look at the photos provided you will see the attention to detail within the intricately done hand painted Chinoiserie gold and scarlet lacquered decorations as well as the extremely fine and crisp bronze ormolu mounts. The piece is also signed underneath of the desk. Pierre Migeon (1696-1758) Was one of the most prominent furniture makers of the 18th century and was known for for his impeccable quality as well as his ability to work with a variety of other extremely well known cabinet makers of the 18th C. Throughout his career a few very important people took a liking to his works and commissioned pieces from him such as Madame de pompadour and the Master of the Revels! The piece is equipped with a drop front writing area and 6 drawers and a secret compartment on the inside of the desk as well as two lockable drawers on the outside front of the desk. This piece was at one point a part of the inventory of the Hartman Galleries...