Carved Decorative Art

Important carved wooden panel depicting one of the trials endured by Rama and Sita. Balinese work. Circa 1920 Additional Information: Material: Wood Period: Circa 1920 Dimensions: W...

Magnificently hand-crafted Arts & Crafts oak hall stand with stylish carved bat motif, beveled mirror, bronze coat hooks, brass umbrella rail and original storage compartment. This ...

Antique Sika Deer Antler Trophy on Carved Plaque, Germany 1930s Item e8313 A fine 6-pointer sika deer (Cervus nippon) antler trophy mounted on a circular turned wooden plaque, shot ...

A striking and high-quality Neo-Gothic Vienna regulator wall clock, dating to the late 19th century and featuring a rare three-train movement with quarter-hour strike on two gongs. ...

A beautiful, vintage alabaster handmade plate, framed with glass and gilt wood. Measuring 11.75" wide, 1.63" deep and 10" high. Displayed in a period giltwood frame. Image size, 4 1/...

Top quality, hand carved and truly impressive antique clock with 8 music melodies. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest clock with musical box of this size and with such amazing natural details and patina AND with the original clock and music box inside. And if that was not enough, this finest of Black Forest clocks is top quality carved from top to bottom in the form of a detailed Swiss chalet. Mind you, this very rare antique clock is entirely hand carved out of nutwood only, which is another sign of the quality of the workmanship and the richness of materials. We have added a large variety of photos so that you can see the many incredibly detailed parts of this Swiss chalet, such as the roof and chimney, the many doors, the stacked lumber outside, the doghouse, the outhouse on the side, the striking balconies, the goose sticking its head out through the balcony, the picked fence, the ladder going up to the barn loft, the clock inside the facade of the house, the music box cilinder in the base etc etc. This antique clock from the 1800s really comes with the most realistically carved chalet house you will ever see. To us, that too is a sign that this Black Forest music box...

17th century Italian oil painting of Mary surrounded by cherub angels framed with a 17th century Italian pediment and fluorite, pyrite, chalcedony, jasper, and barite natural specime...

This is an old tabune, thought to have been made in Japan from the Meiji period to around the Taisho period (approximately the 1890s to the 1920s). It is likely one of the everyday t...

An extraordinary 19th-century Tibetan monastery door panel, dating to circa 1890, originally used as a chamber door for monks. This unique piece is a vibrant expression of Himalayan ...

A late 18th Century, antique Swedish Gustavian wall mirror made of hand crafted Pinewood with its original mirrored glass, in good condit...

Antique Victorian quality mahogany banjo barometer, having a quality mahogany barometer with carved scrolls, round silvered engraved dial with the original hands, a brass bezel and t...

Five Stations of the Cross Miniatures, 'Via Crucis' Religious Wall Composition, Spain, 1930s From the Northern part of Spain. A set of Five Crosses of The Way of the Cross: Each stat...

Here's a 650round clock for your wall. It's built from tough hackberry wood, and the clock face is smooth with clear marks for hours and minutes. To make it look even fancier, the c...

Antique Red Deer Trophy on Carved Plaque, Black Forest, Germany 1900 Item e8315 A great antique 6 ponter red deer (Cervus elaphus) trophy with unequal antlers mounted on a carved woo...

A light-brown, vintage Mid-Century Modern Italian wall mirror with its original mirror glass, enhanced by brass nailheads, designed by Paolo Buffa in good condition. The backside of ...

A beautiful pair of antique Victorian neoclassical bas-relief plaques, featuring finely sculpted classical scenes in white marble or alabaster, presented in wonderfully ornate French...

An exceptional antique Moroccan decorative panel crafted from hand-carved and polychromed wood, richly ornamented with an elaborate, Islamic-inspired geometric design. The compositio...

Lovely Georgian giltwood picture frame Carved pine with shallow gesso and gilt Original patina Internally or sight measures 19.25 x 24 inches. 48.5 x 61 cm Free UK shipping

CARVED WALKING STICK WITH AVIAN HANDLE Probably English or Continental, circa early 20th century 34 3/8" H x 1" D x 4 5/8" W This finely carved walking stick features a carefully d...

Ceramic wall plaque handmade by Danish artist Jørgen Finn Petersen in the 1960s. Square bowl shape making the item usable as a decorative dish or centerpiece as well as an art piece ...

A French 19th Century Louis XV style mirror, carved in Pinewood with Gesso finish and gilded, in good condition. The frame has the typical Rocaille décor. The antique mirror has its ...

Striking Art Deco hand-carved decorative wall plate featuring a dynamic expressionist horse motif. The plate is crafted with strong relief carving, emphasizing bold lines and a sculp...

Wall Panel / Headboard in Walnut, Spain, 1940s This architectural wall panel features beautifully handcarved foliage details thorough. To be used as wall decoration or headboard. Te...

Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor . Large 18th Century Etching / Engraving Of The Ruins Of Rome An Early Print Of Castle Saint Angelo By G...

A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...

A pair of botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First Edition 1929, Berlin. Mounted in a wonderful pair of chip carved Tramp A...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) Masterpiece "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

French three panel decorative painted canvas folding screen with dogs playing in landscape scenes, perched musical monkeys, and foliage motif. Early 19th century.

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This Museum-Quality "Promenade in Hong Kong" Hand-Carved Wood Lacquered Ebony Panel seamlessly blends Art Deco with Modernismo. Inspired by the symbolism of Gustav Klimt, the theatri...

A compelling fragment of early Belgian craftsmanship, this carved oak relief panel from the 16th century captures the quiet strength and symbolic geometry of the Gothic tradition. Th...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, in the style after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, c...

A large Italian ceiling panel made of hand crafted Walnut, enhanced with caryatid and acanthus scrolls, in good condition. The antique wall relief, décor represents the Rococo time period...

Top quality, hand carved nutwood eagle clock with Lenzkirch movement. An exceptional and rare late 19th century Black Forest wall clock of monumental size, featuring a superbly hand...

A late 18th Century, antique Louis Seize period mirror in carved wood with gilded accents and foliage motifs, consisting its original mirror glass, in good condition. Created in Fran...

An antique textile printing blocks originating from a silk manufacturing workshop in Lyon, France. Carved from wood and inlaid with fine metal pins, these blocks were used for hand...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

19th century French painted paper and mother of pearl fan, shadow-box framed antique ladies fan, made of mother of pearl with a hand embellished re...

A stunning, carved, gilt-wood appliqué with birds and trees from France, 19th Century, in the style of Louis XVI. This beautifully carved piece features an undulating ribbon drop wit...

These elaborate and deeply carved panels are mid-20th century. The carving is very detailed and on a rather deep heavy wooden panel. All the raised areas are richly detailed and gild...

Vintage Wooden Base Trophy Mounting Plaque for Deer Skull Item e7560 A carved wooden plaque for trophies with ornate carvings of acorns and oak leaves. Hand-carved in Germany in the ...

A deeply carved oak frame, English, Nineteenth Century or early 20th Century. Currently with a watercolour depicting Saint Anne teaching the Virgin. This incredibly heavy and beauti...

This Museum-Level Gold Leaf Wood Bas-Relief Wall Triptych on Lacquered Burl Walnut is a masterpiece hand-carved in a contemporary art reimagining of Mannerism style, perfect for coll...

Large Italian Pietre Dure Plaque of a Monk in a Wine Cellar The rectangular pietre dure plaque is composed as an interior scene set within a wine cellar and housed in a carved giltw...

On a road trip from LA to Seattle, while passing through a small village on the Oregon coast, my fiance and I decided to stop by the Salishan Lodge to view the architecture and the a...

Vintage Wooden Base Trophy Mounting Plaque for Deer Skull Item e7558 A carved wooden plaque for trophies with ornate carvings of acorns and oak leaves. Hand-carved in Germany in the ...

Wall Decoration Butterfly Crystals with frame polished stainless steel. With swordfish artwork on plexiglass with Swarovski carved crystals inserts.

A finely worked in silk on linen ground, central panel embroidered in black with verses from a 17th century hymn by Joseph Addison. The identity of the maker, now partly unreadable, “F.... M.... work.. aged 12 1814” All text surrounded by stylized birds, flowers in a basket, crosses, vases and trees. Jardinière with flowers at the heading, flanked on each side with large butteflies and cherubs carrying the crowns. In fair condition, some thread deterioration, holes, fading. Mahogany frame...

A magnificent pair of antique Moorish corbels, hand-carved in wood and richly polychromed. Their architectural design, with interlaced arches and geometric details, reflects Mudéjar ...

A striking relic of Northern European Gothic artistry, this carved oak panel from Belgium, circa 1500s, embodies the austere geometry and devotional symbolism of the late Middle Ages...

Vintage Wooden Base Trophy Mounting Plaque for Deer Skull Item e7561 A carved wooden plaque for trophies with ornate carvings of acorns and oak leaves. Hand-carved in Germany in the ...

A 19th century Italian reliquary with silver thread double-headed eagle and foliage and floral motif on a red silk background.  Inscriptions with sev...

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Spring Love" depicting a standing young maiden holding a wicker basket filled with fresh flower as she is bei...

Italian 19th century oil on canvas titled "The Violin Music Professor" depicting a mid-19th century music-room scene of an elder man, the music professor, holding his violin, hat and...

A beautifully carved wooden bell featuring a stylized squirrel perched above a set of elongated brass chimes. There is something quietly charming about the way this piece is made. T...

Vintage Black Forest Red Deer Trophy on Carved Plaque, Germany 1941 Item e8308 A rare vintage red deer (Cervus elaphus) trophy from the Black Forest mounted on a wooden plaque. The d...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

Antique and unique wall coatrack with amazing alabaster carvings. It is not often that you find an antique that is not completely original, but where they have done a great job in creating a, so called, marriage that simply looks beautiful. This handcrafted wall coat rack was made around 1900-1910, but the exeptionally detailed, hand carved alabaster tiles date back to circa 1850-1870. These mis-Victorian works of beauty are hand-carved in deep relief and both the fruits in the vases as the scrolling leaf patterns in the center tile are among the most detailed we have ever seen. All three tiles have no breaks in them and only minor losses. So if you are looking for a unique antique wall rack...

Celebrating music through classical ornamentation, this elegant pair of vintage wall trophies was designed in the Louis XVI tradition. Crafted in Italy circa 1970, each tall, narrow ...

This rare and decorative early 20th-century Arts & Crafts wall barometer and thermometer is a striking testament to Dutch craftsmanship. Hand-carved from a single solid piece of rich...