Carved Decorative Art

A solid wood panel with deep relief carvings of lotus in various stages of blooming. A pair of birds with one in motion of landing and the other on the ground echoing each other. On ...

Unique and large Victorian rifle rack with width open box at the bottom. This highly decorative and good condition gun rack for wall mounting could look great above your fireplace, but also in a private library, home office or trophy room etc. The beautifully patinated, light nutwood combined with the four strong and all handcrafted brass weapon holders make this victorian antique hunting piece an impressive sight to see. If you are not into hunting, but you simply love the great look of this finest quality rack then you could also use this stylish antique for various other purposes. You could, for example, also have rare swords...

A French 19th century Louis XV style mirror, carved in Pinewood with Gesso finish and gilded, in good condition. The frame has the typical Rocaille décor. The antique mirror has its ...

Hand-painted in Florence, Italy, this fantastic oval wooden wall panel features a large urn with a scrolled handle. The urn is adorned with a fluted...

Pair of 19th century bronzed electrotype plaques French, late 19th century Frames: Height 61cm, width 71.5cm, depth 12cm Panels: Height 42cm, width 52cm, depth 6cm Hailing from the late 19th century, this remarkable duo of bronzed electrotype figural plaques stands as a testament to the creative prowess of the French sculptor Étienne Alexandre Stella...

French Oil On Canvas Painting of Paris Impressionist Street Scene by Artist Fairfax. A large original oil painting on canvas artwork depicting a charming Parisian street scene in th...

A green-brown, vintage Art Deco French oil on canvas painting of a slightly cloudy, sunny day at the Longchamp horse racing track, painted by Eugène Pechaubes in the original wooden ...

Each hand-carved swag with plump fruit and vegetables nestled among flower heads and foliage.

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

19th century hand carved armorial. The plaque is shaped as a shield and carved upon it are a knight's head with plumes of feathers in his armor, over ...

Late 18th Century, an antique Louis Seize period mirror in carved wood with gilded accents and foliage motifs, consisting its original mirror glass in good condition. Created in Fran...

An exceptional high relief Renaissance Revival carved black Pietra Serena panel. The right facing profile bust of a lady in front of a garland of flowers and leaves suspended above ...

"Pablo Picasso Wall Rug For Desso" Carpet made by Dutch brand Desso under license from the estate of Pablo Picasso. It is edition 147 of 500. Made of wool. Depicts the 1964 pain...

One of a kind and marvelously hand carved wall sculpture, mid-1800s. For the collectors of only the rarest and the most original. Over the decades we have seen some beautifully cr...

Hand-Carved Wooden Relief with Framed Flower and Leaf Decoration.

Set of three original hand-carved letterpress made by the Neal Walters Poster Company. Fantastic carnival midway scene. Games, carnival rides and acrobats. Carved with incredible detail, please see photos. The colors are the original ink used during the three color posted printing process. Circus and...

Hand carved during the reign of Louis XVI, this linden wood and oak plaque was originally a boiserie panel that would have adorned the wall of a French manor...

An antique rectangular mirror inscribed in a Pinewwood frame, gilded, the pediment formed by an openwork flower basket spilling sinuous gar...

Signed and dated 58 lower left. A textured oil on canvas illustrating a French street scene with market seller's umbrellas along a park. Shops are along the street with figures. Two ...

A red-yellow, antique French still life oil on canvas painting depicting a working table with a dark-blue vase with flowers, painted by Eugène Henri Cauchois in a hand carved, origin...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890's. Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

19th century French Louis XVI style gilt and painted wood barometer. While not in working order, barometer has that wonderful old 'chippy' peeling patina. The carved wood frame and g...

A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...

Timeless, unique and original wooden wall sculpture from 1979 by the academic artist Alojz Petráš. Kept in a private collection of a respected doctor in Bratislava until now. The sculpture is made out of two pieces of oak wood, hand carved into a shape apptly named "the Nest". Tt reflects the comfort of home - hence birds nest with eggs...

The Canadian Rockies Wall art is part of our Skodi Line which takes natural beauty from our earth and transforms it into art. Measures: 54" x 43" This specific piece is an exact top...

Pair of very decorative Antique French Carved Pine Panels featuring center medallions with musical instruments, sheet music and floral/foliate motifs. Framed with raised moldings and carved leafy scrolls. Likely door insets from an Armoire...

A fine example of a mid-17th century steel halberd with pole arm, with a diamond shape thrusting point, axe blade with shallow concave cutting edge featuring ...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

Dimensions- H: 26in W: 15 3/4in D: 2in This Pair French Figural Carved Wall Decorations With Sevres Style Plaques are made of the highest quality and have a stunning look! This pair...

The Canadian Rockies Wall art is part of our Skodi Line which takes natural beauty from our earth and transforms it into art. Measures: 20" x 16" This specific piece is an exact top...

An antique 19th century Indonesian carved wooden panel from a temple entrance, with scrolling foliage. Only one of the panels in the photo is no...

A blue-brown, antique Swedish oil on canvas painting of a sunny day at the Piazza Barberini, in Rome, Italy painted by Gustaf Wilhelm Palm in a hand carved original gilded wooden fra...

Pair of circa 1950s English Montgolfier etchings with wood frames. Measurements: Height: 18.75" Width: 14.5" Depth: 1.5".

A fine unique wooden sculptural wall decoration. Hand Carved motifs, made by a Danish Cabinetmaker in the 1970s. Nice texture and dimensions in this vintage piece, it can be used as ...

The Canadian Rockies Wall art is part of our Skodi Line which takes natural beauty from our earth and transforms it into art. This specific piece is an exact topographic representa...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

An antique rectangular mirror inscribed in a Pinewood, gilded frame adorned with water leaves and pearl friezes, in good condition. The mirror is consisting its original mirror glass...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Look at this Chinese antique wood carving panel, it has very deep 3D carving works of Chinese folks art - deer and immortal holding a glossy ganoderma- meani...

Large Carved Solid Teak Long Rectangle Wall Plaque Relief Sculpture Depicting Jangle Villagers.

Antique Handpainted Advertising Poster for a Hemoglobin Fabrication in Munich A large antique handpainted advertising poster for a hemoglobin fabrication in the 19th century in Muni...

A gold, large antique French Louis XVI period barometer, signed by Torricelli in gilded wood and of oval shape with original scientific illustrations, in good condition. The detailed wall décor piece is consisting its original glass. Framed with gilt foliate trim and important pediment. Minor fading, due to age. Wear consistent with age and use, circa 1750, France. The Italian scientist Evangelista Torricelli...

Carvings with a military, musical, hunting, or agricultural theme, known as trophies, became popular during the period of Louis XVI. This pair of large trophy panels have Neoclassica...

Danish modernist decorative plate / wall decoration / centerpiece with strong graphic decor from the Tribal Harlekin series by ceramic artist Marianne Starck (1931-2007). Shiny bone white glaze with hand-carved sgraffito graphic lines and patterns in raw anthracite colored clay...

Our friend Mary has a ritual of picking a flower or small bunch from a garden each day and placing them in a small bottle vase, documenting each with a photograph and short note. We ...

Exceptional and unique, 3 feet tall, Gothic Revival wall barometer, circa 1890. This unique antique from the second half of the 19th century, in our view, is the dream of anyone with a Gothic (inspired) interior. This design could not be more Gothic and to have found a barometer of this size and with this many Gothic details, again, felt like a blessing. And even though we had to pay-up to be able to acquire it, when you find an antique that is this rare and good then you should always try to buy it. This monumental and solid nutwood antique barometer is entirely hand carved and, as you can see in our photos, the workmanship is second to none. This work of Gothic wall art is perfectly symmetrical and we love the fact that only the large church pilars are carved in a different pattern. This rare design feature, to us, shows the creative nature of its designer. We also love the many Gothic church spires on top and the way this entire 'composition' is superbly balanced. There also is small 'ledge' underneath the barometer and thermometer, possibly for displaying some small sculptures. The only downside would be that the inside of the barometer/thermometer is not squeaky clean. Maybe it is easy to open the front of the barometer, but we have no experience with that. Have you also noticed the amazingly detailed Gothic leafs at the top of both the large pilars? They too display the amazing workmanship of a seasoned craftsman. Besides the enormous height and width, what also makes this rare barometer truly impressive is its depth, because this almost gives you the idea of looking at a magnificent barometer through 3D glasses. All these top quality and impressive details together make this Gothic barometer...

The Italian 1950 plaster wall decoration of an African dancer is a beautiful and unique piece of art from the mid-20th century. The decoration is made f...

A gold, antique Swedish Gustavian pair of wall mirrors made of hand crafted gilded wood with its original mirrored glass, in good condition. The Scandinavian wall décor...

Our friend Mary has a ritual of picking a flower or small bunch from a garden each day and placing them in a small bottle vase, documenting each with a photograph and short note. We ...

Our friend Mary has a ritual of picking a flower or small bunch from a garden each day and placing them in a small bottle vase, documenting each with a photograph and short note. We ...

Found in the US. Unknown origin. Circa 1910 large hand carved and framed walnut panel. Very intricately rendered work featuring leaves, vines and flowers. This is heavy piece and is...

Giuseppe Pitto (Italian 1857 - 1928) is often known for his paintings depicting pretty women in Italian street markets. This exuberantly painted scene i...

A gold, antique Swedish Gustavian rectangular wall mirror with its original mirror glass and blue color paint, made of handcrafted gilded Pinewood, in good condition. The wall decor ...

A Palatial and Museum quality Italian 18th century Florentine Rococo gilt wood carved mirror frame. The ornately carved frame with scrolls and a...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Provenance: Italy, Florentine "Bottega" mid-19th Century Round Frame Hand Carved and gilded with pure gold leaves Dimensions: Outer diameter 122 cm - Inner diameter 82 cm - thickne...

The Italian 1950 plaster wall decoration of an African dancer is a beautiful and unique piece of art from the mid-20th century. The decoration is made fro...