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Carved Decorative Art

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Technique: Carved
Italian 17th Century Oil on Canvas Head of Christ Crowned with Thorns, Mignard
By (circle of) Pierre Mignard
Located in Los Angeles, CA
A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...
Category

17th Century French Baroque Antique Carved Decorative Art

Materials

Canvas, Giltwood

Italian Florentine Round Frame Hand Carved Pure Gold Leaf Dellarobbia Style
Located in Firenze, FI
Provenance: Italy, Florentine "Bottega" mid-19th Century Round Frame Hand Carved and gilded with pure gold leaves Dimensions: Outer diameter 122 cm - Inner diameter 82 cm - thickne...
Category

Mid-19th Century Italian Renaissance Antique Carved Decorative Art

Materials

Gold Leaf

Mid-Century Modern Black and White Wall Sculpture with Steel Lucite
Located in Los Angeles, CA
Embark on a journey of artistic excellence with our mid-century modern wall sculpture, a testament to the innovative design and craftsmanship of the era. This hand-crafted masterpiec...
Category

1980s American Mid-Century Modern Vintage Carved Decorative Art

Materials

Steel

Antique hand carved Walnut Wall Plaque Fruits and Vegetables, Early 20th Century
Located in Barntrup, DE
Antique hand carved walnut wall plaque fruits and vegetables, Germany, early 20th century. This absolutely gorgeous masterfully carved wall decoration from the early 20th century fe...
Category

Early 20th Century German Black Forest Carved Decorative Art

Materials

Walnut

Italian 1950s Plaster African Women Warrior
Located in Byron Bay, NSW
The Italian 1950 plaster wall decoration of an African dancer is a beautiful and unique piece of art from the mid-20th century. The decoration is made fro...
Category

1950s Mid-Century Modern Vintage Carved Decorative Art

Materials

Plaster

Large Early 20th C Intricately Hand Carved Walnut Panel
Located in Troy, MI
Found in the US. Unknown origin. Circa 1910 large hand carved and framed walnut panel. Very intricately rendered work featuring leaves, vines and flowers. This is heavy piece and is...
Category

Early 20th Century Unknown Carved Decorative Art

Materials

Walnut

19th Century French Ceramic Barbotine Apple Wall Platter Attributed to Longchamp
Located in Dallas, TX
This colorful, antique Majolica fruit plate was sculpted in France, circa 1890. The large, circular platter features four hand painted green and ...
Category

Late 19th Century French Antique Carved Decorative Art

Materials

Ceramic, Majolica

18th Century Gold French Gilded Wood Barometer, Antique Parisian Thermometer
Located in West Palm Beach, FL
A rare antique finely worked French barometer with lyre shaped crest thermometer above a large hexagonal framed barometer. The Parisian décor piece is m...
Category

Late 18th Century French Empire Antique Carved Decorative Art

Materials

Giltwood

American Sampler Under Glass with the Original Gilt Birdseye Maple Frame, C 1820
Located in Hollywood, SC
American sampler under glass with the original gilt Birdseye maple molded edge frame, Early 19th Century. Signed by maker Mary Ann Browning, Age 12.
Category

1820s American American Empire Antique Carved Decorative Art

Materials

Glass, Birdseye Maple, Giltwood, Linen

Carved Wood and Polychromed Gold Gilded Mirror, 18th Century, Rococo
Located in North Miami, FL
A Palatial and Museum quality Italian 18th century Florentine Rococo gilt wood carved mirror frame. The ornately carved frame with scrolls and a...
Category

18th Century Rococo Antique Carved Decorative Art

Materials

Gold Leaf

Leather Pyrography Branding Carving Cabeza Maya King of Palenque Art Mexico
Located in Miami, FL
Wood Framed Arts & Craft leather pyrography, carving, branding from the Cabeza Maya King of Palenque Art. Marked by Artist on the reverse. In good vintage condition with some minor...
Category

Late 20th Century Mexican Arts and Crafts Carved Decorative Art

Materials

Leather, Wood, Paper

Arthur Trevor Haddon RBA 'UK, 1864-1941' Oil on Canvas, Venetian Genre Scene
By Arthur Trevor Haddon
Located in Bridgeport, CT
Signed lower left. A genre scene along a Venice canal with ladies shopping. They stop at a vegetable stall under a white awning. The proprietor is seated doing needlework with her da...
Category

20th Century Barbizon School Carved Decorative Art

Materials

Canvas, Wood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Carved Decorative Art

Materials

Canvas, Giltwood

Chinese Ming Dragon, Wall Decoration/Supraporte, Gilded Wood
Located in Berlin, DE
Chinese Ming dragon, wall decoration/supraporte, gilded wood Solid wood, hand carved and gilded. Wall decoration, 20th century.
Category

20th Century Chinese Carved Decorative Art

Materials

Wood

Oil on Canvas by Alexej Harlamoff, 1840–1925 'Russia'
By Alexei Alexeievich Harlamoff 1
Located in North Miami, FL
Presenting an exquisite piece of artistry, "Girl wearing a green jacket," an oil on canvas creation by the talented Russian artist Alexej Harlamoff (1840–1925). This painting encapsu...
Category

19th Century Russian Antique Carved Decorative Art

Materials

Canvas, Wood

Wall Decoration Art Pair Silhouettes Black Framed Antique Los Angeles Gallery
Located in West Hollywood, CA
Pair of silhouettes portrays the 19th century Lady and Gentleman With his Hat. This pair has been well taken care of and has minor wear consistent with the age. Wall art Silhouette of a Lady and a Gentleman framed in possible hand carved pine wood or fruitwood Frame. Charming elegant profile depicts high status man at ease with himself ensured his place in hierarchy looking sharp and same goes for the Lady holding what appears to be a document. The subjects are dapperly dressed with his top hat in his hand, trimmed haircut, leather boots and the lady with a nice Hairdo and an elaborate dress. An original continental French or British silhouette in a period fruitwood light color frames and are beveled. Antique dealer Los Angeles West Hollywood La Cienega Melrose Ave. The watercolor and paper cut silhouettes...
Category

19th Century European Antique Carved Decorative Art

Materials

Metal

Set of Eight Evelyn Ackerman Carved Redwood Panels
Located in LOS ANGELES, CA
Beautiful and rare vintage set of (8) Evelyn Ackerman carved Redwood panels with animals and people. Designed and manufactured by Era Industries in conju...
Category

1970s American Vintage Carved Decorative Art

Materials

Wood

Antique Hand Crafted Dutch Art Deco Barometer & Thermometer W. Great Details
Located in Lisse, NL
Highly stylish and marvelous design Art Deco wall barometer. This stylish antique from the early 1900s is a dream of anyone with an Art Deco (inspired) interior. This design could...
Category

Early 20th Century Dutch Art Deco Carved Decorative Art

Materials

Metal, Brass, Zinc, Chrome

Modern Treason Wall Art Sculpture Piece Handmade in Portugal by Greenapple
Located in Lisboa, PT
Treason wall art piece, contemporary collection, handcrafted in Portugal - Europe by Greenapple. Like a crumpled up piece of paper, Treason embodies ...
Category

21st Century and Contemporary Portuguese Modern Carved Decorative Art

Materials

Art Glass, Fiberglass, Paint

Hand Carved Wood Wall Plaque of General MacArthur
Located in New York, NY
Mid-20th Century hand carved wood plaque of General MacArthur. Signed A.B. Deleourey 1856-1944 Boston, MA. Minor scratches. This can be seen at our 4...
Category

Mid-20th Century American Carved Decorative Art

Materials

Wood

Wax Relief, Italy 19th Century
Located in Bruxelles, BE
Wax relief depicting a vase with flowers Italy, mid-19th century Signed "Scot. inv et fecit" Measures: 37 x 44 x 7,5 cm.  
Category

Mid-19th Century Italian Early Victorian Antique Carved Decorative Art

Materials

Wood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Carved Decorative Art

Materials

Canvas, Giltwood

19th Century Framed English Armorial
Located in High Point, NC
19th century oak hand carved framed armorial from England. The central design is of a shield with two wheat shafts, flanked by decorative scrolls, and topped with a regal standing li...
Category

19th Century English Victorian Antique Carved Decorative Art

Materials

Oak

Italian Frieze in Hand-Carved and Gilded Wood
Located in Alessandria, Piemonte
Italian frieze in hand-carved wood and gilded gold-leaf. Made by a good craftsman who carved it by hand, copying from an ancient frieze. (See all my p...
Category

Late 20th Century Italian Baroque Revival Carved Decorative Art

Materials

Fruitwood

Chinese Pair 'Diptych' Reverse Glass Paintings of Port Life, Early 18th Century
Located in North Miami, FL
This pair of reverse glass paintings are truly one-of-a-Kind pieces. The scene has been beautifully rendered, with great attention paid to detail. These piece were created in China d...
Category

18th Century Chinese Antique Carved Decorative Art

Materials

Wood, Glass, Paint

Italian Baroque Sunburst Giltwood Wall Candle Holder
Located in Barcelona, ES
Carved giltwood wall torchere candle holder, Italy, 19th century-1930s Hand-carved gold gilt wood candlestick sconce with wrought iron details. This w...
Category

Early 20th Century Italian Baroque Carved Decorative Art

Materials

Gold Leaf

Richard Durando-Togo '1910- ?', Women at the Market, Framed, Signed
Located in Leuven , BE
Richard Durando-Togo is a painter of Argentine origin who spent most of his life in Italy and France, in the latter country he settled permanently in 1934. He is a self-taught artist...
Category

Early 20th Century Argentine Carved Decorative Art

Materials

Canvas, Paint

Pair French 18th-19th Century Chinoiserie Circle of Jean B. Pillement
By Jean-Baptiste Pillement
Located in Los Angeles, CA
A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...
Category

Late 18th Century French Chinoiserie Antique Carved Decorative Art

Materials

Canvas, Giltwood

Antique Gothic Giltwood Frieze
Located in Alessandria, Piemonte
Italian antique frieze in hand-carved wood and gilded gold leaf. Very rare. (See my published ancient friezes). You can hang it on the headboard, on a...
Category

Mid-18th Century Italian Baroque Antique Carved Decorative Art

Materials

Fruitwood

R. MAREZ Vallauris hugeceramic wall panel, Unique Work, France circa 1960
Located in leucate, FR
THE CROW OF THE COCK. Unique work and very decorative. Cock and Sun ceramic wall panel. Made by a R. MAREZ, French ceramist based in Vallauris ( South of France ). Amazi...
Category

Mid-20th Century French Carved Decorative Art

Materials

Ceramic

18th Century Italian Carved Giltwood, Silvered and Painted Decorative Wall Lyre
Located in Dallas, TX
Decorate a music room, den or office with this elegant and colorful antique wall mounted lyre. Crafted in Italy circa 1780, the large Classical Roman musical instrument featured two ...
Category

Late 18th Century Italian Neoclassical Antique Carved Decorative Art

Materials

Giltwood

18th Century French Hand Carved Wood Stamp Stencil Block
Located in Dallas, TX
Decorate a office or study with this antique wood stamp stencil block. Created in France circa 1760, the decorative floral pattern stencil was used for printing fabric and wall paper...
Category

Mid-18th Century French Antique Carved Decorative Art

Materials

Oak

Franco-German 19th Century Oil on Canvas "Portrait of a Lady" in Giltwood Frame
Located in Los Angeles, CA
A fine Franco-German 19th century oil on canvas "Portrait of a Lady" depicting an 18th century young beauty posing with a profile gaze and cur...
Category

19th Century French Louis XV Antique Carved Decorative Art

Materials

Gesso, Canvas, Wood

Ancient Chinese Wedding Doors Shutters Wall Art Rustic Chinoiserie Sculpture
Located in Hyattsville, MD
Burned, warped and as you can see in poor condition, but still can be displayed. Not falling apart. Measures: 34.5 x 18.5 in. approx. 3 lbs Each. I do not have any information ...
Category

19th Century Chinese Chinoiserie Antique Carved Decorative Art

Materials

Wood

Antique Napoleon III Parisian Giltwood Barometer, "Bodeur a Paris", Circa 1830
Located in Dallas, TX
Napoleon III style, sometimes referred to as The Second Empire style, was greatly influenced by the Neoclassical aspects of the Louis XVI period. This giltwood barometer from Paris w...
Category

1830s French Napoleon III Antique Carved Decorative Art

Materials

Wood, Giltwood, Glass

Qing Dynasty Giltwood and Red Painted Floral Architectural Panel in Frame
Located in Yonkers, NY
A late Qing Dynasty period giltwood architectural panel on red ground, with floral motifs, set in new frame. Delve into the rich tapestry of the late Qing Dynasty period with this gi...
Category

Early 20th Century Chinese Qing Carved Decorative Art

Materials

Wood, Giltwood

16th Century Pair of Italian Candlesticks of Cherubs
Located in North Miami, FL
This exquisite pair of 16th-century Italian candlesticks is a testament to the artistry and craftsmanship of the Renaissance era. Meticulously carved from wood and adorned with opule...
Category

16th Century Italian Renaissance Antique Carved Decorative Art

Materials

Wood

Nioi Hand-Carved Wall Panel in the Style of Nerone & Patuzzi, Art, Italy, 1974
Located in Antwerp, BE
Nerone & Patuzzi inspired; Nioi; Craftsman; Italy; Art; Wall Piece; Wall Panel; Hand-Crafted; Hand-Carved; Giovanni Ceccarelli; Luigi Marchisotti; Nioi Hand-Carved Wall Panel in t...
Category

1970s Italian Mid-Century Modern Vintage Carved Decorative Art

Materials

Pine

19th Century French Painted Silk of Mother of Pearl Fan with Frame Case
Located in Brea, CA
19th Century French painted silk of mother of pearl fan, shadow-box framed antique ladies fan, made of mother of pearl with gold leaf on the outer ...
Category

1850s French French Provincial Antique Carved Decorative Art

Materials

Mother-of-Pearl

Large Plato Shelf by Antrei Hartikainen
Located in Geneve, CH
Large plato shelf by Antrei Hartikainen Materials: maple, natural oil mix Dimensions: W 75, D 10, H 3,5 cm Also available: different sizes. The surface of the moon is the in...
Category

2010s Finnish Modern Carved Decorative Art

Materials

Wood

African Zulu Shields
Located in Venice, CA
Traditional South African Zulu shields date back to King Shaka Zulu and have been used by tribesman in battle for hundred of years. These shields are no l...
Category

19th Century African Antique Carved Decorative Art

Materials

Wood, Paint

Giltwood Framed Limoges Enamel after François Boucher 'The Bird Catchers'
Located in West Palm Beach, FL
Giltwood Framed Limoges Enamel after François Boucher 'The Bird Catchers' France, Circa 1880s Framed in an elaborate hand carved pierced and giltwood t...
Category

Late 19th Century French Baroque Antique Carved Decorative Art

Materials

Copper

Antique Italian Reliquary
Located in New York, NY
A 19th century Italian reliquary with silver thread double-headed eagle and foliage and floral motif on a red silk background.  Inscriptions with sev...
Category

19th Century Italian Antique Carved Decorative Art

Materials

Wood

17th Century Spanish Carved Walnut Door Panel
Located in Stamford, CT
A really gutsy and interesting early 17th century carved wood panel. If this kind of thing appeals to you, it does to me, than this is a compelling example of early carving and the p...
Category

Early 17th Century Spanish Baroque Antique Carved Decorative Art

Materials

Walnut

20th Century Italian Rectangular Mahogany Wall Glass Mirror by Paolo Buffa
Located in West Palm Beach, FL
A light-brown, vintage Mid-Century Modern Italian wall mirror with its original mirror glass, enhanced by brass nailheads, designed by Paolo Buffa in good condition. The backside of ...
Category

Mid-20th Century Italian Mid-Century Modern Carved Decorative Art

Materials

Metal, Brass

Small Plato Shelf by Antrei Hartikainen
Located in Geneve, CH
Small plato shelf by Antrei Hartikainen Materials: Maple, Natural oil mix Dimensions: W 60, D 10, H 3,5 cm Also Available: different sizes. The surface of the moon is the ins...
Category

2010s Finnish Modern Carved Decorative Art

Materials

Wood

18th Century Spanish Decorative Finial Carved in Wood
Located in Marbella, ES
18th Century Spanish Decorative Finial Carved in Wood
Category

Mid-18th Century Spanish Antique Carved Decorative Art

Materials

Wood

Ron Fritts (Am., NY, 20th C.) Signed Surreal Oil On Canvas, "Lady With Folded Ha
Located in Bridgeport, CT
A striking Modern Painting fusing Classical Style Elements with Pop sensibility. Signed lower right, title on the stretcher. A formal portrait of a seated lady in black and white rob...
Category

20th Century Mid-Century Modern Carved Decorative Art

Materials

Canvas, Wood

18th Century Spanish Decorative Finial Carved in Wood in the Shape of a Plant
Located in Marbella, ES
18th Century Spanish Decorative Finial Carved in Wood in the Shape of a Plant
Category

18th Century Spanish Antique Carved Decorative Art

Materials

Wood

Pair of Spanish Corner Wall Consoles, Giltwood
Located in Barcelona, ES
Pair of carved gilt corner wall consoles or bracket shelves, Spain, 1930s. Finely carved pieces with foliage design and original gold leaf gilding. Beautiful patina. Great choice to ...
Category

20th Century Spanish Renaissance Revival Carved Decorative Art

Materials

Gold Leaf

Bianchini Ferier French Hand Carved Fabric Wood Block Wall Art
Located in Westport, CT
Bianchini -Ferier Fabric house French handmade wood/metal block, circa 1900 made Lyons and sold exclusively 1930's thru Lord and Taylor all stamped and labeled.
Category

Early 20th Century French Art Nouveau Carved Decorative Art

Materials

Metal

Pair of 18th Century American Federal Period Carved Fan Shaped Lintels
Located in Stamford, CT
Wonderful pair of fan shaped late 18th century American Federal period lintels or over doors with exquisitely detailed carving. The distressed painted surface adds a lot of character...
Category

Late 18th Century American Federal Antique Carved Decorative Art

Materials

Wood

18th Century Swedish Gustavian Pinewood Wall Glass Mirror, Scandinavian Décor
Located in West Palm Beach, FL
A light-grey, white antique Swedish Gustavian wall mirror made of hand carved pinewood with its original mirrored glass, in good conditio...
Category

18th Century Swedish Gustavian Antique Carved Decorative Art

Materials

Pine

20th Century Pair Of Black Marble And Giallo di Siena Marble Obelisk Garniture
Located in Firenze, IT
SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). This Louis XV style black marble and giallo di Siena...
Category

20th Century Italian Louis XVI Carved Decorative Art

Materials

Marble

English fairground panel
Located in London, GB
English fairground panel We share what we love, and we love this very well carved turn off the century fairground rounders panel/frieze, depicting a...
Category

19th Century British Folk Art Antique Carved Decorative Art

Materials

Wood

19th Century French Black Forest Hand Carved Hunt Scene Wall Decor
Located in Dallas, TX
Decorate a ranch, hunting lodge or simply a man's office with this elegant antique wall decor. Crafted in France circa 1870, the hand carved artwork...
Category

Mid-19th Century French Black Forest Antique Carved Decorative Art

Materials

Walnut

Masterly Carved Gothic Revival Oak Wall Barometer & Thermometer/ Weather Station
Located in Lisse, NL
Beautifully hand carved and partially gilt vintage barometer. This rare Gothic barometer has the most striking design and a beautiful patina. All han...
Category

Early 20th Century Dutch Gothic Revival Carved Decorative Art

Materials

Metal

Wooden Antique Garland Overdoor or Headboard
Located in Alessandria, Piemonte
Rare wooden antique garland from the beautiful Val Gardena, authentic '700 period - May be an overdoor , over mirror or over a padded headboard. M/1523.
Category

Mid-18th Century Italian Baroque Antique Carved Decorative Art

Materials

Fruitwood

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