Cuban Wall Decorations

Oil painting on canvas of a female portrait, created by José García Montebravo in 1998. Ø cm 30 h cm 36 José García Montebravo (October 15, 1953 - July 9, 2010) was a self-taught C...

Oil painting on canvas of a female portrait, created by José García Montebravo in 1998. Ø cm 30 h cm 36 José García Montebravo (October 15, 1953 - July 9, 2010) was a self-taught C...

Original Vintage Travel Poster Cuba- Paradise of The Tropics. Framed. Printed in Cuba Circa 1950s In excellent original condition with minor signs of wear and age. Please see close u...

Dolores "Lolo" Soldevilla Neito (Cuban, 1901-1971), circa 1955. A very important piece by a leading female artist in the Cuban abstract movement. This painting conducted in oil and likely tempera on canvas laid to board. Her colorful geometric paintings evoke mixed emotions and feelings - we have always viewed this piece as an homage to our solar system. In its original frame, identical framing to nearly all of her pieces. Signed to the lower right "LoLo". Measuring 13.75" w x 10.5" h (image), 20.25" w x 16.875" h (framed). Provenance: From the collection of a Cuban art collector in Canton, Massachusetts. Below is a very detailed biography of the artist from her website dedicated to her work and life. María de los Dolores (Loló) Juana Soldevilla Nieto was born June 24, 1901 in the Pinar del Río Province, Cuba. She was the third child of a piano teacher, María Paula Bathilda Nieto Lannes and a merchant, Raoúl Soldevilla Seballos, both originally from Pinar del Río. Her maternal grandparents were Severo Nieto (Pontevedra, Spain) and Lorenza Lannes Díaz, baptized in Pinar del Río. Her paternal grandparents were Pedro Soldevilla Martí (Caracas, Venezuela) and Dolores Seballos Bermúdez (Habana, Cuba). Loló was a precocious, restless, and curious girl. She was surrounded in her early years in Pinar del Río by a numerous, charismatic, and cultured family. Her mother’s and uncle’s instructions provided a learning environment, and from an early age she practiced reading and writing, singing, piano, and the appreciation of various art forms such as painting and theater. Also as a child she was reflective of social issues since she was surrounded by ideals and actions that defined her family during that time. Around 1911 Loló is translated to Havana with her family. There she studied and graduated from piano and vocal performance (soprano). She trained her voice with professor Zoila Gálvez in the Municipal Academy of Havana and violin with professor Casimiro Zertucha in the Falcón Conservatory. In 1926 Loló went to live with her mother and sister near Paseo del Prado, where they remained until they were evacuated during the catastrophic hurricane of that same year. At age 25, Loló married Manuel de Jesús Nazario Barba Bonen, a professional pianist. From this marriage were born her three children, Haydée, Magaly, and Pasto; the latter passing at one year old. In 1934 she founds the “Loló Orchestra,” composed of women and with a Latin American and Cuban repertoire. She directed the orchestra and played the violin. They performed regularly in the “Aires Libres” in the cafés of the Paseo del Prado in Havana. During these years Loló refines her political ideals and actions, stemming from her early education in Pinar del Río and family traditions. She takes part in diverse activities against the government of Machado and she was imprisoned more than once in the Women’s Detention Center of Guanabacoa. In 1937 she becomes a member of the National Executive Committee of the Cuban Revolutionary Party (Authentic), where she carried out activities according to that historical moment. In 1940 Loló marries syndicalist Eusebio Mujal and they divorce four years later due to the discrepancy of their political ideas. In 1946 she represented the Authentic Party as a member of the House Representatives of the Oriente Province, where she was named President of the Commission of Press and publicity. She travels to Prague in 1947 to participate in the first session of the International Women’s Federation. Loló was charged with representing and defending the ideals of Cuban women, their social problems, the defense of children, etc. In 1948 she became a member of the House of Representatives of Cuba. Between her actions one could mention the public denouncement about the assassination of the farm workers leader Sabino Pupo, the proposal for a law for minor courts, the retributions due to sugar workers, among other demands. That same year she was invited by the American Federation of Art in Washington and she visited museums in Boston, Philadelphia, Chicago, and New York. Later that year she travelled to Paris and begins to paint under the guidance of her painter friend Wifredo Lam. At that time she creates her first small and large format sculptures, drawings, portraits, and projects for mural paintings. In February of 1949 she is named Cultural Attaché in the Cuban Embassy in France. From that moment on, her career as a visual artist deploys in intense and varied studies and exhibitions. She matriculates in the “Académie de la Grande Chaumière” in Paris and begins her sculpture studies with professors Léopold Kretz and Ossip Zadkine. In the 1950s she travels across Europe with her daughter Magaly. In Spain, she meets Eusebio Sempre who dedicated the poem collection “Claridad de Vivir. Versos Populares.” Together with Lam, she visits museums and galleries in Switzerland, Holland, Belgium, Great Britain, Austria, and Eastern Germany. She continues her studies in various workshops and attends several conferences on new artistic trends. She also continues establishing connections with painters, sculptors, musicians, writers, photographers, and artistic personalities of Cuba and the world. She exhibits her work in various individual and collective shows, such as an exhibition in Tampa. She returns to Cuba and exhibits there for the first time. In the show “Loló esculturas” (November 23-27, 1950) in the Lyceum Lawn Tennis Club of Havana she presented 22 sculptures and one oil painting. Back to Paris she participates in various collective exhibitions including Salon d’Automne Grand Palais del Champs Elysées; Peintres, graveurs et Sculpteurs Etrangeres (Ecole Nationale del Beaux-Arts, Paris). She also participates in Jubilé International in the Cité Universitaire, among others. There she becomes part of “The Dissidents,” and she travels to Mexico invited by the painter Felipe Orlando. In 1951 she promotes and organizes, as Cultural Attaché of Cuba in Paris, the exhibition, “Art cubain contemporain, in the Musée National d’Art Moderne de la Ville de Paris. She includes works of Pedro Alvarez...

Midcentury oil on canvas painting by Cuban artist Lolo Soldevilla, signed and dated 1958. Biography: 1901 - 1971. Lolo Soldevilla (1901-1971) was a painter, sculptor, draftsman and...

1914 - 1992 Mr. Feijoo was an obscure self taught Cuban artist, author, poet and illustrator. His art and books are in collections throughout Europe and the USA. He was friends with ...

1975 vintage silkscreen poster by Antonio Fernández Reboiro for the ICAIC celebrating the 15th anniversary of film accomplishments of movie making in Post-Revolution Cuba. Titled “15...

Silkscreen poster for Luis Buñuel’s 1972 film The Discreet Charm of the Bourgeoisie by Antonio Fernández Reboiro. Surrealist designed of a skeletal rib cage with a set of carving...

Cuban vintage movie poster of 1978 Star studded film – Death on the Nile – Silkscreen by Reboiro in 1980. Titled “muerte en el nilo – film en ingles- dir: john guillermin – con: bette davis david niven mia farrow” – Printed reboiro/80 and ink signed reboiro. Condition: Very Good. No issues. Measurements: 18 inches wide x 28 inches high Antonio Fernández Reboiro is a Cuban Postwar & Contemporary artist who was born in 1935. He studied medicine and architecture at the University of Havana. In 1963 he began working at the ICAIC (Cuban Institute of Cinematographic Art and Industry) until 1982 designing posters. Most of the highly collectible Cuban posters are from mid-1960s through early 1980s, the period called “el periodo de oro de la grafica cubana” (golden period of Cuban graphics). These silkscreens were develop with new graphic techniques, due in part that materials were not readily available and lack of formal graphic schools. The Cuban posters became known for the use of bold innovate images which were mostly for proganda. Among the most important were the movie posters of the ICAIC which would promote the national movie industry as well as foreign films. Please view our other vintage Cuban...

1 - Ballet silkscreen Cuban vintage poster “ALICIA ALONSO – CARMEN” by Antonio Fernández Reboiro 1970 for the ICAIC. Lower right engraved reboiro...

Pop Op art ballet silkscreen Cuban vintage poster of adaptation by “ALICIA ALONSO – CARMEN” by Antonio Fernández Reboiro 1970 for the ICAIC. Lowe...

1979 Cuban Silkscreen Poster for Soviet Film Pieza Inconclusa by Russian Director and Actor Nikita Mijalkov (b.1945). Surrealist silkscreen art work...