Paintings

King Salmon in the Salcha River, Alaska by Grant Nixon Item Number: AG0096_GN Watercolor on paper; 20" x 30". Well framed and matted. Grant is North Idaho artist specializing in watercolors. Very well done, nice colors. Arrives framed. Period: Contemporary Origin: Idaho, United States Sizr: 20" x 30" Frame 30" x 40" Family Owned & Operated Cisco’s Gallery...

"Pinch" by Ángela de la Cruz in 2015. Edition of 50 + 18 A.P. + 2 P.P. Acrylic on canvas. The document shown on the photo is the “Certificat...

Oil on raw canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

A contemporary ink painting on paper by Chinese artist Li Jin (1958-) presented in a white shadowbox frame. Entitled in English "Morning Practice in California", this series of work was painted in 2017 when the artist resided in US. The Chinese title inscription is "Blossom Branch" with artist's name signed in both Chinese and English. The painting is considered "Expressionistic-abstract". Using only various shades of ink, the poetic work depicts a large lotus flower with the pistil in the center composed of clusters of mediating arhats, the beings who have gained nirvana through Buddhism practice (known as Luohans in Chinese). There is a strong association of lotus flower and purity in Buddhism. The wisdom one can possibly achieve may be considered omnipresent and morphogenetical quantum and be part of everything around us. The image size is 13.5" x 13.5". Provenance: Purchased in 2017 from the Ink Studio at West Bund Art and Design Fair, Shanghai, China. Li Jin (1958-, Tianjin, China) is an ink master who draws from the tradition of Chinese literati ink painting and creates contemporary works celebrating all aspects of everyday life. Having explored color washes for two decades, Li Jin has translated them into a masterful control of tonality-the "five colors of ink"-in a series of monochrome paintings in the expressionistic-abstract "Da Xie Yi" manner. Through the ink medium's inherent sensitivity and ambiguity, they evoke the nuances of human existence and raise profound questions about self-representation and subjectivity. Trained at Tianjin Academy of Fine Arts (graduated in 1983) and has been a leading figure in contemporary Chinese ink art...

Mixed media on paper mounted on cardboard. Signed and dated by the artist, in the bottom-right corner.

A monumental acrylic painting on canvas by American artist Marc Ross, 2018. This minimal abstract painting features an impressive gradation of blue hues, giv...

Cute painting of playing cats. The painting dates from circa 1910-1920, presumably French. The painting is signed at the bottom right, but the signature ...

Contemporary painting, Bestiary I, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21×27 (H) cm Frame: 36 x 3.5 x ...

Gucci box, oil on canvas by Billy Monsalve Duffo.

'Flower Filled Water' by British artist Jessica Zoob is evocative of Asia where she has spent so much of her time in recent years. It also pays homage to Monet...

Contemporary painting, Dione, by Spanish artists Rubenimichi, acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 42.5 × 55 (H) cm cm Frame: 56.5 x 3.5...

Oil on raw canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

Contemporary painting, First Motherland, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21 x 27 cm Frame: 36 x 3.5 x 4...

An original take on an important and iconic award in the world. Each one is one of a kind.

A brilliant reminder of how early the Art Deco style we know today emerged in France, this vividly-painted depiction of Mowgli, the protagonist of Rudyard Kipling's "The Jungle Book," widely acclaimed around the world, was painted by Georges Barbier around 1918. The young man is shown here fully nude...

Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper and signed by the artist. Each ...

Oil on raw canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

This delicately rendered still life painting presents the viewer with a collection of objects to contemplate. Four sea shells of varying shape and size and a water bottle are arrange...

'Whirlwind Triptych' by British artist Jessica Zoob is a monumental work by the artist, with each painting measuring H120cm x W90cm. It has an invigorating and dynamic energy that is...

Elena Borup is a young and upcoming Danish artist. Her art is characterized by bright colors and a high degree of details. "Nightlight" expresses the magi...

Abstract painting by Roan Barrion. Acrylic on board.

Adam and Eve II, 50” X 48”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from ...

Tree I, 54” x 52”, Oil on Canvas Mira park biography Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from companies...

'A Wish To Build A Dream On' by British artist Jessica Zoob offers a tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of life, there ...

Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper...

Original Modern Contemporary acrylic painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but ...

Tree II, 52” X 62”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from companie...

Oil on Raw Canvas. Presented in a custom floating black wood frame with plexiglass. The Black Rose II Series was inspired by Rorschach, a psychological test using ink blots...

Tintin Citroen Ami 8 on the Moon- Vinc Objective moon support : door of Citroën ami 8 Mixed technique Posca, acrylic, automotive varnish This piece can be exposed outside 20...

This stunning wall sculpture and painting is a signature artwork among Abele Vadacca's collections. Depicting a precious feather hand-sculptured of steel and rendered with mesmerizin...

'Of Mist and Magic' by British artist Jessica Zoob has an other-worldly quality that offers a tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the t...

This plate comes from the book On the Rock published by Montez press in 2016. The plates are a collaboration between the founders of figure ground on how to interrogate text into ima...

A magnificent artwork by Abele Vadacca, this painting or wall sculpture will imbue any classic or contemporary interior with unprecedented charm. Handp...

Citroen ID 19 rally Liège-Sofia- Liège 1962 Bodywork painting - ID wing by Vinc Posca, acrylic, automotive varnish this piece can be displayed outside The miniature is not sold...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

In PS series. PS series explores the effects of powdered charcoal with encaustic wax. Art Dimensions: 46 x 58 H inches Framed Dimensions: 47 W x 59 H inches. Maple float frame with gold leaf. Commission lead time is 12 weeks. John O'Hara (American, b. 1963) i s a self-taught artist from St. Louis and is known for his large-scale abstract decorative pieces. His medium of choice is encaustic—a mixture of pigments and beeswax and he allows the material to dictate color, line and texture. His works often feature natural and organic forms and incorporate both figural and abstract elements. O'Hara began his art career in 2018 and collectors and designers quickly took notice. O'Hara, co-founder of Forsyth, is known for his Vinyl series, Tar series, Brands series, Botanical series, Daisies series, Sardinia series, Square Dance series, and Get Your Shit Together series. His work is included in both public and private collections around the world. A few notables include: Michael Kors Collection store in London as well as the Michael Kors showrooms in Milan, Paris, and New York Maison de la Luz, the luxury hotel by Atelier Ace and designed by AD100 design firm Studio Shamshiri...

Tintin and snowy in Amilcar - Vinc Technique: acrylic, posca and automotive varnish Aluminium signpost Possibility to put it outside Dimensions: Ø47xP3cm 2022 Price : 390...

Symbolic of the philosophical concept of time and space, and a mesmerizing tribute to the infinity of the universe, this astonishing design is a wall sculpture and painting to display in any interior decor. Part of the Infinito Collection, it is painted on a delicate silk...

'Night Garden Dreams' by British artist Jessica Zoob has an other-worldly quality that is best described as dreamscape. Even when there are storms in evidence, metaphors for the turb...

'Mountain' by British artist Jessica Zoob draws the eye deep into a mysterious landscape. Even when there are storms in evidence, metaphors for the turbulence of life, there is optim...

A small and engaging contemporary painting of a chestnut horse in a pastoral setting. The colors in this unsigned painting are fresh and vibrant. The...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Swaying In Developer Chemicals showing an overlay of all the design proposals for St. Peters Cathedral. Each plate is related to a scene and some lines from the book. Plate 003: SWAYING IN DEVELOPER CHEMICALS "At the end of the ambulatory, his vision is an unfinished photograph swaying in developer chemicals, still blurry and out of focus...

'Autumn Triptych' by British artist Jessica Zoob is a monumental work by the artist comprising three canvases each measuring H120cm x W90cm. Its impact is...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

UNTITLED, Wall painting by Spanish artist Federico Miró, from the series THE TRUTH IS ANOTHER, Acrylic on canvas. Federico is a young artist who, in his meticulous work, reflect...

Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper...

Xevi Solà Oil Painting. Very decorative Oil Painting called “Jereth”. Signed. 2020, Spain. Excellent Condition. Xevi Solà is a Spanish artist. His e...

'Beloved Hills' by British artist Jessica Zoob is evocative of the Sussex Downs in England close to the artist's home, a place of sanctuary and tranquilli...

Landscape painting with mother-of-pearl inlay by Arijian.

Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper...

Wonderful Folk aRT / outsider art Oil on Board painting by Charles Moore ."Tattoo Legs" .Western nEW yORK aRTIST,,

Brussels Tapestry is a mural of three separate panels hand painted on a silk blue background. Each panel consists of a collage of vignettes with figures, animals, boats, and towers....

This is a one-time only facsimile edition limited to 987 copies of an atlas from the Renaissance, the Atlas Vallard, owned by the Huntington Library in San Marino, CA, made by combin...

Painting in charcoal on linen made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Cha...

The 'Where Angels Dance' triptych is a monumental work by British artist Jessica Zoob (three canvases each W150cm x H120cm). It offers a tranquil place of...

Michelle Nussbaumer custom watercolor painting "Corridor" with a gold frame finish. Featured in her collection with Wendover Art.

Colorful still life on canvas of Berries by Beverly Ward. Nice contemporary composition. This will pop off of any wall. Colorful and playful. Signed on rear. This item can parcel shi...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...