Paintings

Letourneux Yvonne – Storm in Provence. Measures: 22cm x 33cm - unframed 34cm x 45cm - with frame. Oil on canvas - 1930s. The stormy sea, the leaden color of the water, the ...

Mixing Western and traditional pictorial styles, this vintage ad depicts a young family on a garden stroll. A cheongsam-clad woman nods to tradition in contrast to her Western-garbed...

Antique painting, Flemish, flowers, Banks after Van Huysum Oil painting on canvas, from the 18th century, depicting a refined floral composition, made by a follower of Van Huysum, B...

This beautiful painting was painted by Finnish artist Llmari Aalto who was largely known as an expressionist painter who went onto Cubism. Limari was o...

Large and remarkable, this pair of mural paintings -- perhaps serving as studies for much larger paintings -- were made in connection with the Nobel Prize for Peace by Eugene Savage,...

Flowers artwork, antique oil painting, Still Life with  Bouquet of  Roses proposed here is an oil painting on canvas of the twentieth century. Art Déco.  It also has an original ca...

Magnificent Italian 17th century Portrait of Virgin Mary measures 52 x 68 cm without the frame. The colors are stunning and the painting has never been restored. The Master unfortun...

Lovely Art Deco impressionistic, interior still life study of a vase of vivid dahlias, circa 1930. Elegant matching 2 toned limed washed frame. 1930s USA.

Painted canvas in the Art Deco style representing an elegant woman standing from behind and wearing a “bare back” dress in ivory color with striated patterns with a train decorated w...

We are delighted to offer for sale this lovely original circa 1930s Belgium oil on canvas of young boy in a cap which is part of a suite I have seven of these lifestyle, natural D...

Antique 17th century French Baroque Still Life with Fish. Net size: 35 x 62 cm Size with frame: 53.5 x 79.5 cm Restaured.

A beautiful original watercolor painting depicting Notre Dame Cathedral and the Seine in Paris, France. Painted by Henri Le Riche. Hand signed on the bottom left, pencil drawing of...

Painted a decade before the start of the Works Progress Administration, but presaging its fascination with the growth and development of the American scene, this large mural study was painted by George Elmer Browne in 1926. Like the Social Realism paintings...

A California School Impressionist style landscape painting. Nice pastel colors: green, pale blue and pink. Oil on canvas, reline...

One of the most striking and vivid Art Deco paintings we have ever offered, this dramatization of Beethoven's Fifth Symphony was made by Eugene Savage, probably in the 1930s at the h...

Death of Socrates, oil on canvas, Unsigned, 18th century possibly Italy.

Oil Painting on Panel, signed "Linda Le Kinff". Painting with the title of "Nathalie et l'Orchidée Géante", Beautiful Oil on panel, well framed by Linda Le Kinff, 20th century; ...

An explosive painting called 'The Chandelier', depicting a group of people seated around a chandelier. Light but strong brushstrokes fire up this painting. TiBor Cervenak was a forme...

A true Art Deco masterpiece, painted as a final study for one of a series of large murals for the National Elks Memorial in Chicago, finished in 1926, this large gold-hued scene depi...

PORTRAIT OF D. MARIA BÁRBARA DE BRAGANÇA (1711-1758), QUEEN OF SPAIN Circle of Louis-Michel van Loo (1707-1771) Oil on canvas Her Royal Highness, the Infanta Maria Barbara of Braganza (1711-1758) was the first-born child of King John V of Portugal (1689-1750) and his queen consort Maria Anna of Austria (1683-1754). Born in December 1711, she had the Convent Palace of Mafra built in her honour following a vow made by her royal father. Her status as Princess of Brazil, inherent to 18th century Portuguese presumptive heirs, would however be superseded once the queen gave birth to two male princes, D. Pedro (1712-1714) and D. José (1714-1777), preventing her from ascending to the throne. Daughter of one of the most illustrious monarchs of his time, Maria Barbara was carefully educated to become a fond admirer of the arts, and of music in particular, having had the Italian composer Domenico Scarlatti (1685-1757) as her music teacher. On the 10th January 1723 the young princess was betrothed to the Infante Ferdinand of Spain (1713-1759), eldest son of King Philip V (1683-1746). Six years later, on the 19th January, she entered her new country in a carefully choreographed ceremony that became known to history as the “Exchange of the Princesses”. This unique event took place on a specially built Bridge-Palace, a wooden, luxuriously decorated structure that included various modules and rooms, on both banks of the river Caia, the natural border between the town of Elvas in Portugal and of Badajoz in Spain. Simultaneously, on the same day that the Portuguese Infanta crossed the border to marry the Spanish Crown Prince, her new sister in law, the Infanta Mariana Victoria of Bourbon (1718-1781), her husband’s sister, crossed the same bridge in the opposite direction to marry Prince D. José, the Portuguese heir to the throne. Once married, Maria Barbara would spend 17 years as Princess of Asturias, only becoming Queen of Spain at her husband’s accession following the death of Philip V in 1746. She is portrayed in the 1743 painting by Louis-Michel van Loo (1707-1771) now in the Prado Museum, in which Philip V had himself represented with all his close family. The new Queen would take an important role at court eventually becoming the liaison between her husband and the King of Portugal, particularly throughout the negotiations for the Treaty of Madrid (1746-1750). Maintaining her interest in music, she patronized the Italian castrato singer Farinelli (1705-1782) while remaining close to her old master Scarlatti, having herself composed some sonatas for a large orchestra. She would also commission and fund the building of the Royal Salesians Monastery complex in central Madrid, where both her and Ferdinand VI are buried. The portrait we are presenting for sale shows the Queen in half-length, turning left at three quarters. She is wearing a blue low-cut dress embroidered with flowers and foliage, over a lace cuffed white blouse, and an ermine cloak pined on the left-hand side by a diamond broach. The powdered hair style is held sideways by a seven diamond and black plume headdress and topped by a small gold and pearl crown. The right arm rests on a cushion while the left hand, at chest height, holds a miniature male portrait. The Infanta’s features are analogous to the 1725 portrait by the painter Domenico Duprà (1689-1770), also in the Prado Museum collection. Further similarities can be found in another portrait by Louis-Michel van Loo, in which a seven diamond and black plume headdress is also present. In this work, the cushion supporting Maria Barbara’s right arm has also some obvious similarities to our painting. The same diamond headdress reappears in Van Loo’s above-mentioned portrait of Philip V’s family dated from 1743. It is nevertheless in Lisbon’s Ajuda National Palace that it is possible to find an almost identical depiction of the Infanta holding a miniature portrait of her husband. In it, the future Ferdinand VI is portrayed facing right at three quarters and wearing a curly wig, suit of armour, the golden fleece insignia and a blue band, in a composition that closely resembles an 18th century Spanish school painting that appeared in the art market in January 2016. Another detail common to various portraits of the Portuguese Infanta and Queen of Spain is the small gold and pearl crown on her head. In another Van Loo painting, also from the Prado Museum, in which Maria Barbara is portrayed as Queen, this crown is represented together with a headdress similar to the one previously described. Another two paintings by the same artist, at the Royal Academy of Saint Ferdinand, include the same ornament. We must also refer the paintings by the artist Jean Ranc (1674-1735). In one, dating from 1729 (Prado Museum), the Infanta is depicted outdoors holding a flower bouquet and wearing a yellow silk dress with red cloak, and a set of diamond and ruby jewellery that includes a headdress similar to the one present in our portrait. Another work by the same artist, belonging to the Complutence University of Madrid, depicts the Infanta sumptuously dressed in identical colours to our painting and wearing an elaborate headdress and diadem. These portraits, beyond their iconographical importance as contemporary records of the Infanta and Queen Maria Barbara, are also illustrative of 18th century fashion for jewelled head dressing. Often, flowers were combined with joyful adornments, composing almost theatrical displays that would reinforce the ostentatious nature of the image. The ornamental flowers and the chromatic character of the jewels would complement the luxury of the colourful dresses in blue, crimson, green or other silk shades, in compositions whose sole purpose was to highlight a royal sitter’s wealth and power, becoming an essential statement accessory within the strict court protocols and codes of conduct. Circle of Louis-Michel van Loo (1707-1771) Slowly but steadily, the resolute, tranquil and dignified attitude of Renaissance and Baroque portraiture becomes artificial and presumptuous. Mid 18th century society favours elusive expression and psychological deepness, albeit limited to the face, that, with emphasis on detail, on the rich colour palette and on changing costumes and landscapes, associated to the courtliness of gestures, creates a strongly artificial environment while maintaining a highly poetic intrinsic character. Louis-Michel van Loo followed a dynasty of famous Dutch origin artists that had settled in France. Initially taught by his father, Jean-Baptiste von Loo (1684-1745), the younger van Loo studied in Turin and Rome and frequented the Paris Academy. In Rome he worked with his uncle Charles-André van Loo (1705-1765) and become a painter for the Turin Court. In 1737 he arrived in Spain being summoned by Philip V to succeed Jean Ranc as painter of the king’s chamber. In Madrid, his work covers the numerous Court commissions and the Royal Saint Ferdinand Fine Arts Academy, of which he was a founding member and director for the Painting department in 1752. Is production at court consisted essentially of numerous portrait paintings, often Royal gifts...

18th century, French Painting with Landscape with Ruins Measures: frame cm L 165 x H 95 x P 10; canvas cm L 142 x H 71 This painting depicti...

A beautiful Italian Still Life oil painting on old canvas of an urn holding a bouquet of assorted flowers set on a ledge. 17th century....

This magnificent Madonna and Child belongs to an Itlalian (Roman) school of painting and could be a masterpiece of a Carlo Maratta /Maratti (1625-1713) school. Maratta's style of Bar...

We are delighted to offer for sale this lovely original circa 1930's Belgium oil on canvas of young boy smoking which is part of a suite Please note the delivery fee listed is jus...

These wonderful porcelain plaques were created in circa 1860 by the prestigious Konigliche Porzellan Manufaktur or KPM (German, founded in 1763). The plaques feature beautiful paintings based on works by the famous Seville-based Baroque artist, Bartolome Esteban Murillo (Spanish, 1618-1682). One plaque is decorated after Murillo...

Early 20th century German Art Deco landscape oil painting around 1920 by German artist Florenz Engelbert Hegemann. The painting is oil on wood and has got the original frame. Th...

Oil painting on panel, 20th century, Vergani, landscape Refined and detailed oil painting on panel depicting a glimpse of "old" Bergamo, with characters. In good condition, as show...

Art Deco painting elegant lady with book by Alfredo Luxoro, Italy 1859-1918. Oil on canvas. Ca. 1910. Handmade silver leaf frame by Gehring & Heijdenrijk. With Certificate of Au...

Unusual oil on canvas in the cubist style signed Roger Pierre. Although in the cubist style the colours and feel of the piece suggest it might have been painted as late as the 1940s....

Large Rare Vintage 1940’s Artist Ruben Kupur Oil painting of Art Deco Tropical scene with herons within a scene of lush tropical orchids. Ruben Kupur was born In the Russian Federation...

This antique stunning portrait of Madonna in Sorrow came out from a Palazzo in Florence and an absolute eye catcher. The colors and details are incredible and very typical for an Ita...

17th Century, Italian painting with still life with fruit, dogs and cat Measurements: With frame cm W 93 x H 75.5 x D 4; Frame cm W 82.5 x H 66.5 The...

One of the most beautiful and tender depictions of maternal love from the Art Deco period that we have ever seen, this richly-toned oil painting by Gino ...

Dimensions- Frame: H: 32 3/4in W: 39 1/4in D: 2 1/2in Painting: H: 25 1/2in W: 32 1/4in This Oil Painting On Canvas Titled "Checkmated" by Alex De Andreis (1880-1939) is truly ...

Framed in a simple gold frame circa 1935s-1940s oil painting of a cityscape view of Stockholm old town. Likely to be of the Riddarholmen area with i...

Vintage Art Deco scenic oil painting architectural buildings blue bright birds animal professional framed. Dimensions. Overall 25 1/2 W; 21 1/2 H; Actual Art 17 1/2 W; 13 1/2 H.

Large-format painting depicting a canal in Venice, signed A.M. Rossi, possibly attributable to Alberto Maria Rossi, an Italian artist who lived from 1879 to 1965. The vertical format shows a beautiful perspective through an archway overlooking the canal. You can recognize a city view typical for Venice with buildings with chimneys, a bridge crossing the canal and the church towers that can be seen everywhere through the city of Venice, called the Serenissima. The ships and boats...

A light-brown, green antique Austrian Baroque oil on canvas painting by Franz Xaver Hornöck in a hand crafted original black, partly gilded wooden frame, in good condition. The vinta...

This lovely, high style Art Deco painting depicts a pale female figure in blond ringlets, an elaborate mid-19th century dress and a straw hat dangling from her arm, holding a lovely bouquet with lilies of the valley and roses. Approaching her from the left is an exotic turbaned figure holding a tray laden with more flowers. The entire scene is painted in pale violet and yellow...

Painting with the still young Tsar Peter I. Due to his dark, rather unofficial jacket and the dark background the focus of the painting is based just on the face of the proud emperor...

Francesco Maria Raineri, known as Schivenoglia (Schivenoglia, Mantua 1678-1758) Esther and Ahasuerus oil painting on canvas Size: 52x137 cm Work exhibited during the exhibition dedicated to the homonymous painter: “Francesco Maria Raineri - Lo Schivenoglia 1676-1758, works from private collections” and published in the catalogue, page 13. Esther is the daughter of Abicàil of the tribe of...

A beautiful piece with a portrait of a shepherd boy, with this great touch of Spanish artist.

Fitger Hermann - Vase of Flowers with Fruit Measures: 32cm x 44cm - frame excluded 50cm x 62cm - with antique fir frame oil on canvas applied to cardboard - 1946 20th cen...

Galloping Horses, airbrushed watercolor by Benjamin Jorj Harris (American, 1904-1957) for Newman Decor. Dimensions shown are for frame. Sight: 35...

Antonio Travi called Le Sestri (Sestri Ponente, 1608 - Genova 1665) Seascape with ruins Genova, First half of 17th century Oil on canvas with his original 17th century frame M...

Canvas painted in linen representing an elegant Art Deco style, on a background in green tones. Contemporary French work.

Catalan Baroque S.XVI The Adoration of the Magi Oil on wood 92cm x 68cm Dated 1527 At the beginning of the Renaissance period, Gothic forms coexisted in Catalonia with other new solutions, in which religious fervor was mixed with the attention to detail of everyday life. Following the medieval tradition, the altarpieces are thought from a narrative vision, and flat painting...

Highly atmospheric and winning, this American Scene painting of three young men waiting for the next train in downtown Indianapolis -- perhaps...

Created by Andre Margat in 1929, this gouache pastel painting depicts two baboons with bright and vivid colors. The vibrant red, orange and yellow tones; The baboons themselves have ...

The Sacred Heart of Jesus, Oil Painting on Canvas 18th century An antique oil painting depicting the sacred heart of Jesus. Oil on canvas with p...

Captivating modern oil on canvas painting of a business man and woman taking a romantic soujourn on a showery spring day. Signed lower right McKean, titled to rear and presented in a dark wooden stepped frame. ADDITIONAL INFORMATION Unframed Height: 73 cm Unframed Width: 38 cm Condition: Excellent as new Condition Circa: Contemporary Materials: Oil on Canvas SKU: 299 ABOUT Graham McKean In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham is presently registered as a self-employed artist, painting full-time from a W.A.S.P. studio at the harbour side in Irvine, Ayrshire. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

French oil painting on panel from the second half of the 1600s depicting 'Christ', with an antique frame." Provenance: France Period: Second half of the 1600s Dimensions: 44x56h...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

A melancholy painting of still life in late 1800s. Oil on canvas, signed and framed. From Norway, Scandinavia. Later frame.

Spanish school painting "Naval Battle" 19th century. Oil on canvas Measures: 115cm x 48cm. Very good conditions without frame.

A pair of beautiful French oil on board paintings from the 1700s depicting interior scenes with characters portrayed while eating and drinking seated at a tavern table. Stunning contemporary gold leaf...

Group of Three WPA Era Paintings, American, circa 1930s-1950s. From left to right, they are: 1) Brick mason oil painting, American, circa 1930s. It ...