Hand-Painted Paintings

Mountain Valley Encampment by Thomas Dedecker. Item Number: AG0718. (1951-). Oil on board; 10" x 12". Thomas deDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of the American Indian lifestyle are reminiscent of works by the masters of the Hudson River School. Thomas deDecker has won numerous state and national awards, including Artist of the Year 1986, and Outstanding Artist given by the CM Russell...

Copy of a seascape painting of a sail boat under full sail in ocean

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

Anonymous – Spanish American Colonial School, 18th Century "Missionary Encounter in a Tropical Landscape" Oil on Canvas A rare and evocative example of 18th-century Spanish American...

In 1988 David Stevens directed a film called Always Afternoon, which was set in Australia during the First World War. Watson was invited to observe, and his attention was particularl...

Austrian Oil on Canvas Painting of European Countryside, circa 1950's. A very charming lifelike rendering of a Countryside typical in any European city. This 20th Century oil pai...

Presenting a lovely early 19th century portrait of a gentleman in the style of Jacob Eichholtz. Nice sized portrait of a Gentleman of high status from circa 1820. He has brown hair with a period collar and bowed white silk cravat and a black period tunic or coat. Oil on Canvas mounted on a wooden fame with nails and glue. Unsigned …. but most definitely in the style and manner of Jacob Eichholtz who was a renowned Pennsylvanian artist known for his portraits of families of status and wealth in and around Pennsylvania in the early 19th century. Jacob Eichholtz (1776–1842) was an early American painter...

Copy of a painting showing a Native American under a cactus tree festooned with fruits and birds

A very large Art Deco style full length portrait of an elegantly dressed beautiful young woman. The woman in this painting is Millie Stokes. Oil on canvas in original silver gilt wood frame. Signed Frederic Tellander...

One of six fun vintage study for an Italian classic garden courtyard. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale...

Elegant pair of small round oil paintings on canvas, applied on poplar board. The two paintings are framed in a round wooden frame painted in lean tempera. Both depict landscape and ...

Incredible vintage hand-painted screen panels designed by Robert Crowder in the United States, circa 1960s. These screen panels have a design that takes us back to the typical gardens of ancient Japan, which fell in love with the eye and spread peace to visitors. It features six rectangular panels with a white background, which simulates an elegant oil painting...

This is a mid century vintage modern abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream backg...

A fine and large French 19th century oil on canvas "Mother and Child Crossing a Creek" by Alexandre Jacques Chantron (French 1842-1918). The impressive and finely executed artwork depicting a young joyous mother holding her child...

A large Impressionist style floral still life painting by American artist Rosetta Bohnert (1885-1980). Bouquet of bright yellow and orange zinnias and pink and white phlox in white pottery pitcher...

Still Life painting, with origins dating back to the 16th century, often depicts simple everyday objects. Conklin sets his composition with both antiquities and modern elements to bring the Still Life genre into the contemporary. Yet when a closer look is taken, his modern elements are already obsolete by today's standards. The ancient bust of Alexander is placed next to an iBook begging to ask the question - what will stand the test of time?? The piece is framed in a simple walnut frame measuring 26 x 26 inches. Andrew S. Conklin Square still life with Alexander Bust and ibook oil on linen Measures: 25 H x 25 W in 63.50 H x 63.50 W cm ACK038 Andrew S. Conklin Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

Our gallery is proud to represent Gary Janis a noted local artist. This work is unframed on canvas. It is signed and dated on the back. It is vibrant and beautifully represents Mr. ...

A fine French 19th century oil on artist panel titled "The Bather and her Maid" after François Lemoyne (1688-1737) depicting a standing nude maiden being assisted by her maid, within an ornate giltwood and gesso carved frame, Paris, circa 1860-1870. François Lemoyne or François Le Moine or Le Moyne...

A French pastel still-life painting from the 19th century depicting a bouquet of tulips on grey background, in gilded frame. A lovely French pastel still-life painting from the 19th ...

18th century continental eglomise painting of St John the Baptist preaching. Eglomise is a method of reverse painting on glass. In a go...

An imposing religious-themed painting depicts the scene of the "Assumption of the Virgin". The iconography in this 19th-century painting follows the tendencies of Baroqueization and ...

A large antique Japanese hand-painted village landscape scene set in custom frame under glass. This large antique Japanese village landscape painting captures the tranquil beauty of ...

Our gallery is proud to represent Gary Janis a noted local artist. This work is unframed on canvas. It is signed and dated on the back. It is vibrant and beautifully represents Mr. ...

Copy of a portrait painting titled "October" showing a woman in Victorian garb under a tree with golden fall leaves.

Description EDMOND LOUYOT (French 1861-1920) after FRANÇOIS BOUCHER (French 1703-1770) A GERMAN EMPIRE ROCOCO REVIVAL PAINTING, "Two Putti as Allegories of Music," LORRAINE, 1899, oi...

African Ethiopian painting imported to Italy by a diplomat during the Italian occupation of Ethiopia, in the late 1930s. This tribal folk art painting depicts a battle scene and the canvas is mounted on a parallelogram-shaped frame. It is a large battle painting...

During the late 19th century, the French system of government, known as the Third Republic, began to distance itself from the Latin church. As a result, artists at French academies of art began to produce works known as “cardinal paintings”, which were satirical renderings of church dignitaries dressed in vibrant red robes, enjoying their privileged lifestyles. This particular oil on board painting by Emile Meyer...

Invite color into your home with this elegant pair of antique floral paintings. The artworks were crafted in France circa 1870, and are set in...

A finely painted 19th century German oil on canvas of empress eugenie in a white court dress by Franz Xavier Winterhalter (1805-1873). Sight dimensions: 53.5" (135.9cm) x 39.5" (100.3 cm) Franz Xaver Winterhalter...

This framed antique painting is being attributed to the well known Canadian artist Frank Leonard Brooks, and dates to approximately 1920 and done ...

Our gallery is proud to represent Gary Janis a noted local artist. This l\framed work is on Masonite . It is signed and dated on the back. This work was done in San Francisco in 2019...

Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century interior scene of a young 'High Society' maiden getting dressed for ...

Incredible set of 11 vintage French hand-painted chinoiserie panels. Recently mounted on lacquered panels. All hand painted with various birds, butt...

MID-CENTURY OIL ON CANVAS PAINTING Depicting a view from an unforgiving rocky outcrop with jagged rocks looking down onto a calmer valley with a river below. Painted in a very atm...

Orientalist style works became very popular in the 19th Century, and the tradition continued into the early 20th Century, when this fine porcelain plaque was produced. Manufactured by famed German firm KPM, the plaque was retailed in New York by Gilman Collamore & Co., who imported high-end works of porcelain and glass. The plaque still bears the retailer's label to the reverse reading 'Gilman Collamore & Co, Union Sq. NY'. The plaque is rectangular in shape, and portrays a young girl, swathed in rich, red draped clothing, reaching upward to give food to a white dove perched on a wire. The girl, her hair bound up in the Orientalist fashion, wears an armband as well as hoop earrings. The interior in which the scene is set is hung with luxurious textiles and decorated with gilt detailing. The plaque is housed in a giltwood frame and is marked to the reverse with the sceptre mark of KPM porcelain, together with the retailer's label. The reverse also bears a written inscription reading 'Orientalisches Mädchen / L. Sturm', the title translating to 'Oriental girl...

This lovely oil on canvas is a captivating work by the renowned Belgian artist Edmond Sanders (1898–1961). Known for his masterful use of texture and color, Sanders has created a vib...

Step into the sophistication of the Belle Epoque era with this exquisite portrait of a gentleman, skillfully crafted by W.N. Hendrikse. This oil painting, signed and dated 1902, cap...

A vintage Venetian oil on canvas seascape depicts sailboat with a figure on the harbor with seagulls, Artist-signed illegible lower right, unframed, 20th century Measures: 24" H x ...

Pair of American oil on canvas portraits in the original floral gilt frames and stretchers. South Carolina, Late 18th century. Signed Dr. Anthony Hemingway on re-verso.

Framed Oil Painting on Panel by Marthe de Spiegeleir (1897-1991) is a wonderful post-impressionist work depicting a quaint country village illuminated by a full moon behind overcast ...

These antique colorful watercolors were crafted in France circa 1780, set in the original giltwood frames with glass protection, each art work depicts a courting scene with a young g...

1970s Jaime Parlade Designer Hand Painting "Tiger" Oil on Canvas Frame not included.

Late 1800s Antique American Victorian Painted Portrait of a child in its Original Rosewood Frame. With a distinct hand, the painter has affectionately captured this child's delicate ...

Informal abstract modernist painting signed by German artist Walter Wohlschlegel (1907-1999). Painted circa 1970s, this piece is untitled and is painted on hardboard. Here Wohlschleg...

Painted on artist board. Abstract still life in a arts and crafts frame.

Signed lower left. A lovely pensive woman dressed in 19th c. style holding flowers. She looks to the left with fruits in an abstract composition on a tab...

1970s Jaime Parlade designer Hand Painting "Tigers" oil on canvas.

We are delighted to offer for sale this lovely original 19th century Dutch oil on canvas of an old man with very grey hair and an almost Irish looking hat which is part of a suite ...

Large 19th Century Oil on Canvas Painting Depicting Hound Dogs by Joseph Dunn. Titled "Gundogs on the Scent". Signed & dated (1853). England, 1853. Measures: 22" H, 30" W, 1.5" D

An English oil on canvas hunt painting from the 20th century depicting three dogs and their catch, in carved giltwood frame. This English oil on canvas hunt painting from the 20th ce...

This 19th-century oil on board still life by Johan Laurentz Jensen (Danish, 1800–1856) features a stunning composition of flowers. The work is masterfully rendered, with delicately p...

An 18th century French Louis XVI style trumeau mirror with a large oil painting depicting The Abduction of Deianira after Guido Reni. Gilded wood frame with bright gilt finish is in ...

A wonderful painting by the noted Palm Springs Artist Shawn Savage who sadly passed away suddenly a few months ago. We managed to acquire a few works of his that he had displayed in ...

This beautiful boiserie panel depicting an allegory of Spring and the Arms of France was hand-painted in France, circa 1840. Boiserie is ornate wooden paneling that covered walls and ceilings of luxurious chateaus in France. The use of these panels became more prevalent at the end of the 17th century, before exploding in popularity during the 1700’s, thanks to multiple installations at the Palace of Versailles. Lengthy paintings such as this (ours is over 112 inches long) would often be placed above a doorway, forming a continuous theme with the rest of the room. The arrival of Spring is depicted by four winged cherubs frolicking among pink, white, and yellow flowers. None of the cherubs are clothed, although two of them are draped in colored textiles. The putto on the far left has a billowing peach colored material hanging from the left shoulder as he holds a sheer piece of fabric. The transparent veil stretches across most of the canvas, extending to the right hand of a female cherub wearing a jeweled tiara on the far right. On the same side of the canvas, but more medial, is another putto loosely draped in green fabric. To the left is the fourth cherub, a female with a laurel leaf tiara that is holding onto the edge of the Arms of France. A gold oval medallion, adorned with volute scrolls at the top and bottom, encircles a representation of the coat of arms of France from the Bourbon Restoration (1814/1815-1830). There is a large, curled leaf rising from the top volute with a husked border surrounding the light blue background with three gold fleur de lys. Our magnificent French painting gives off a warm and lively feel. Although it could still be used as part of a boiserie room...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

With rich texture and striking presence, this 19th-century oil on canvas captures a noble bloodhound named “Odino,” painted in Leeds and identified on the reverse alongside the inscr...

An Incredible and Quite Rare 19th Century KPM Porcelain Plaque after Gerrit Dou (Student of Rembrandt, Titled "The Schoolmaster" c. 1671. The porcelain plaque is incredible with the...