Prints

This original antique hand-colored engraving by Johann Michael Seligmann is a representation of the Golden Thrush, derived from George Edwards' "Natural History of Uncommon Birds" and "Gleanings of Natural History." The artwork was part of Seligmann's own work, "Sammlung Verschiedener Auslandischer und Seltener Vogel," which translates to "Collection of Various Foreign and Rare Birds," published in 1749. The engraving contains several lines of text in different languages, likely identifying the bird and giving references to the work it was derived from. Here’s the transcription and translation of the visible text: - "Gallula Bengalensis." - This is Latin, likely the scientific name of the bird at the time, which translates to "Bengal Gallula" or "Bengal Thrush." - "N:o 80./VII.Heft." - This seems to be a reference to the plate number and the volume or issue number of the collection. - "Le Grive Dorée, Icterus." - In French, this means "The Golden Thrush, Icterus." 'Icterus' refers to the genus that includes birds commonly known as orioles, which are often characterized by their yellow and black plumage. - "Goldbrostel." - This could be an old or regional name for the bird in German, which might translate to something like "Gold Breast" referring to the bird's golden chest...

The image is an original antique architectural print, specifically a rosette, which is a round, stylized flower design, commonly used in architectural decoration. The print is titled "Rosone preso da Frammenti Antichi T.2. plate 41", indicating that it is the 41st plate from volume 2 of a work that deals with designs taken from ancient fragments. This particular print was created by Carlo Antonini between 1777 and 1790, as part of an art print set...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

This image is an original architectural print depicting a rosette, a decorative motif fashioned after a stylized rose, commonly found in ...

An engraved portrait of Edward VI, who was King of England and Ireland from 1547 until his death in 1553. Edward was the son of Henry VIII and his third wife, Jane Seymour, and he ...

The image is an original engraved portrait, depicting King Edward IV of England. This engraving was created for "Harrington’s Edition of Rapin’s History of England." The text below...

A trio of architectural engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE" from 1739. Each panel dissects the intricate design and structural mechanics of ba...

The image is a colored print depicting a "Lady of Quality in Burgundy in 1577," as indicated by the title below the illustration. The lady is dressed in a fashion typical of the late...

An American Revolutionary war bond from the State of Connecticut from circa 1782 in custom black frame under glass. Step into the pages of history with this authentic American Revolu...

A beautiful hand-colored engraving from Johann Michael Seligmann's collection, which was based on the earlier works of George Edwards. The text on this image is in German, Latin, a...

This is an original antique print that features an intricate engraving from 1698, depicting Charles XI, the King of Sweden, titled "Carolus XI, Suecorum Gothorum Et Vandalorum Rex,"...

This image is an engraved portrait of Mr. Rapin de Thoyras, created for Harrington's edition of "Rapin's History of England." The individual in the portrait is Paul de Rapin, Lord ...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669. The coat...

Title: "Ornate Baroque Stairs: Van der Horst's Design Mastery" Description: These original antique engravings are from Tieleman van der Horst's comprehensive architectural work, illustrating the intricacy and grandeur of Baroque staircase designs. Engraving XVII reveals a dual staircase...

The image is an ornate botanical and ornithological illustration from one of Johann Michael Seligmann's collections, which were based on George Edwards's natural history studies. Th...

Title: "Baroque Elegance: Van der Horst's Staircase Engravings" Description: These detailed engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE" are a remarkabl...

This original antique print is labeled "Rosone Antico nell'Arco degli Argentari," which can be translated as "Ancient Rosette in the Arch of the Silversmiths." The phrase "Rosone An...

Set of six 18th Century beautiful hand-coloured copper plate engravings from '1770- 1786 Histoire Naturelle des Oiseaux' Paris Imprimerie Royale by Le Comte de Buffon Georges- Louis ...

This is a hand-colored atnique print, this time depicting the "Habit of the Lady Mayoress of London, in 1640." It's a historical costume illustration showing the fashion of a high-ra...

Original antique engraving of a Comparative Anatomy of Primate Skulls Description: This detailed print by Carl Johann Georg Reuss, an illustrious illustrator, features a striking il...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian...

Set of Four Antique Basilius Besler Botanical Prints With Custom Parchment Mats, sold as a set of four only. Basilius Besler (1561-1629) This c...

An engraved portrait of Henry IV, King of England. Henry IV was the first English monarch from the Lancastrian branch of the Plantagenets and came to power after deposing his cousin Richard II in 1399. His reign was marked by the start of the 15-year civil strife known as the Wars of the Roses, numerous rebellions, and efforts to consolidate his power and legitimize his somewhat tenuous claim to the throne. The text mentions that the portrait is based on a picture at Hampton Court, which is a royal palace in the London Borough of Richmond upon Thames. Published as the act directs on June 18th, 1787, this engraving is part of the collection for "Harrington's Edition of Rapin's History of England." Henry IV's reign is notable for the rebellion led by the famous knight Henry Percy...

Title: "Architectural Grace: Van der Horst's Staircase Artistry" Description: The engravings, drawn from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE," are masterful rep...

Title: "Baroque Splendor: Van der Horst's Staircase Visions" Description: These engravings from "THEATRUM MACHINARUM UNIVERSALE" exemplify the grandeur and complexity of Baroque sta...

An original antique engraved portrait from Harrington's edition of "Rapin's History of England." The text identifies the subject as Edward the VI, King of England, France, and Irel...

These engravings are a series of detailed architectural drawings from "THEATRUM MACHINARUM UNIVERSALE of Nieuwe Algemeene Bouwkunde" by Tieleman van der Horst, engraved by Jan Schenk...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

This is a hand-colored engraving from Johann Michael Seligmann's work, depicting a butterfly and a two-headed snake. Below is the transcription and translation of the text: - "Di...

Title: "Architectural Grandeur: Van der Horst's Baroque Ornaments" Description: This collection of six engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE" show...

Title: "Classical Profiles: Raphael's Vision by Nicolas Pigné, 1740" This is an original engraving from 1740 by Nicolas Pigné, after a painting by Raffaello Sanzio da Urbino, known ...

The engraving features two cherubic faces, each blowing an object that is not fully visible, which may be a wind instrument, giving life to an unseen melody. The cherubs, with their ...

Crafts of Comfort and Style: Upholstery and Furniture Design in the 1760s from Diderot's Encyclopédie This original hand-colored antique engraving is from the "Encyclopédie, ou Dict...

This composite image features three separate engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE," a pivotal work in the field of architectural design published ...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The plate is dedicated to "Chass...

This hand-colored engraving, part of Johann Michael Seligmann's collection, is a precise and vibrant representation of wildlife, based on the works of George Edwards. It showcases an...

This is an 18th-century hand-colored engraving from Johann Michael Seligmann's collection, displaying a parrot species. Here’s the transcription and translation of the visible text: ...

"Rosone Antico nel Tempio di Giove Statore." A breakdown of the title: - "Rosone" typically refers to an architectural term for a rose window, which is a circular window with a dec...

This original engraving depicts a woman and a young black boy from the 18th century, and was published between the years 1757 and 1772, likely in 1757. The woman is identified as t...

A spiritual modern etching with hand coloring on Arches wove paper titled “Oracle sur Babylone (Oracle Over Babylon)” (pl. 93 from The Bible Series) by Marc Chagall. Hand initialed i...

This engraving, titled "Rosone preso da Frammenti Antichi," presents a detailed rosette that draws inspiration from classical motifs found in ancient fragments. The intricate design ...

This exquisite engraving, dating back to around 1780, presents a masterfully crafted rosette, a decorative motif that captures the elegance and refined aesthetic of the neoclassical ...

This engraving by Nicolas Pigné, part of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres" collection, shows a stark contrast between two figures. On the left, ...

This is the frontispiece of the first volume of "Delle antichità di Ercolano" (The Antiquities of Herculaneum), published in 1757 by the Royal Printing House of Naples, Italy. The ...

Explore the profound historical narrative captured in this 18th-century French copper engraving from Paris, depicting the crucifixion of Jesus with Mary Magdalene. Rich in symbolism,...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

The engraving by D. Beauvais, part of the "Recueil de XC Têtes" series, presents a compelling juxtaposition of two heads: an elder, bearded man on the left, and a youthful, cherubic ...

This image is an illustration from a natural history work, a collection titled "Getreue Abbildungen naturhistorischer Gegenstände in Hinsicht auf Bechsteins kurzgefasste gemeinnützi...

This engraving features Anthony Madox, an English performer known for his dexterity and contortion skills. He was active in the 18th century and was renowned enough to perform before...

Original Hand-Colored engraving with the specific species mentioned as: "Vespertilio Serotinus Buff" (the Asian parti-colored bat), indicate the types of bats documented in Schreber...

The engraving, attributed to the "Recueil de XC Têtes" series, displays two male profiles with distinctive expressions and hairstyles, characteristic of Renaissance portraiture. The ...

The Amboinese Cabinet of Curiosities was a work by Georg Eberhard Rumphius, and included many engravings of sea shells and crustaceans. The German edition of the book was financed ...

Title: "Villa d'Este Tivoli Rosette, Plate 21" Description: This 18th-century engraving, titled "Da frammenti Antichi nella Villa d'Este in Tivoli," portrays...

This engraving is from the Johann Michael Seligmann's collection, based on the works of George Edwards that was published in 1743. The text in the image is in both German and Latin...

The illustration showcases the American Goldfinch (Spinus tristis), formerly known as Carduelis Americanus, perched gracefully upon a leafy branch. It is a detailed 18th-century re...

This engraving showcases two striking male profiles, each rendered with remarkable detail, characteristic of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres." ...