Herbert Matter Collage Mock-Up for the Knoll, 1948 Catalog

Herbert Matter was a Swiss-born American photographer and graphic designer. He was born in Engelberg, on April 25, 1907. Matter studied painting at the École des Beaux-Arts in Geneva and the Académie Moderne in Paris with Fernand Léger and Amédée Ozenfant. He worked with Adolphe Mouron Cassandre, Le Corbusier and Deberny & Peignot. In 1932, he returned to Zürich, where he designed posters for the Swiss National Tourist Office and Swiss resorts. The travel posters won instant international acclaim for his pioneering use of photomontage combined with the typeface. He went to the United States in 1936 and was hired by legendary art director Alexey Brodovitch. He soon started working for Harper's Bazaar, Vogue and other magazines. In the 1940s, photographers, including Irving Penn, used Vogue’s studios at 480 Lexington Avenue for shooting the advertising work commissioned by outside clients. The practice was at first tolerated but by 1950 it was banned because it interfered with Vogue’s interests and was a severe handicap to their editorial operations. In response to this, Matter and three other Condé Nast photographers, Serge Balkin, Constantin Joffé and Geoffrey Baker left to establish Studio Enterprises Inc. in the former House & Garden studio on 37th Street. From 1946–66, Matter was a design consultant with Knoll Associates and worked closely with Charles and Ray Eames. From 1952–76, he was a professor of photography at Yale University and from 1958–68 he served as design consultant to Solomon R. Guggenheim Museum in New York and the Museum of Fine Arts in Houston. He was elected to the New York Art Directors Club Hall of Fame in 1977, received a Guggenheim Fellowship in photography in 1980 and the American Institute of Graphic Arts medal in 1983. As a photographer, Matter won acclaim for his purely visual approach. A master technician, he used every method available to achieve his vision of light, form and texture. Manipulation of the negative, retouching, cropping, enlarging and light drawing are some of the techniques he used to achieve the fresh form he sought in his still lifes, landscapes, nudes and portraits. As a filmmaker, he directed two films on his friend Alexander Calder, namely Sculptures and Constructions in 1944 and Works of Calder with music by John Cage for the Museum of Modern Art in 1950. Close friends of Matter and his wife Mercedes were the painters Jackson Pollock, Willem de Kooning, fellow Swiss photographer Robert Frank and Alberto Giacometti. Matter's wife Mercedes was the daughter of the American modernist painter Arthur Beecher Carles, and was herself the chief founder of the New York Studio School. “The absence of pomposity was characteristic of this guy”, said another designer, Paul Rand, about Matter. His creative life was devoted to narrowing the gap between the so-called fine and applied arts. Matter died on May 8, 1984, in Southampton, New York.

As a company that produced many of the most famous and iconic furniture designs of the 20th century, Knoll was a chief influence in the rise of modern design in the United States. Led by Florence Knoll, the firm would draw stellar talents such as Ludwig Mies van der Rohe and Eero Saarinen into its compass. Their work would help change the face of the American home and office.

The company was formed in 1938 by the German immigrant Hans Knoll. He first worked with his fellow ex-pat, the Danish designer Jens Risom, who created furniture with flowing lines made of wood. While Risom served in World War II, in 1943 Knoll met his future wife, Florence Schust. She had studied and worked with eminent emigré leaders of the Bauhaus, including Mies, Walter Gropius and Marcel Breuer. She won Knoll over with Bauhaus notions of industrial arts, and an aesthetic that featured flat and tubular metal frames and angular forms. When Hans died in a car crash in 1955, Florence Knoll was appointed head of the company. It was as much through her holistic approach to design — a core division of the firm was dedicated to planning office systems — as Knoll's mid-century modern furnishings themselves that she brought about the sleek and efficient transformation of the American workplace.

Today, classic Knoll furnishings remain staples of modern design collections and decor. A history of modern design is written in pieces such as the elegant Barcelona chair — created by Mies and Lilly Reich — Saarinen’s pedestal Tulip chair, Breuer’s tubular steel Wassily lounge chair and the grid-patterned Diamond chair by Harry Bertoia.

As you can see from the collection of these designs and other vintage Knoll dining chairs, sofas and tables on 1stDibs, this manufacturer's offerings have become timeless emblems of the progressive spirit and sleek sophistication of the best of modernism.