Art Deco Pendant Necklaces

One Art Deco triple strand diamond and ruby bead tassle necklace / pendant set in platinum and 18k white gold by Tiffany & Co. Featuring old European cut and old mine cut diamonds t...

An Art Deco pearl and diamond pendant, with the centre filled with rows of cultured / natural seed pearls, which were added more recently, surrounded by a rose cut diamond set frame,...

Medal in 18 karat yellow and white gold, eagle head hallmark. Antique medal in geometric form, depicting the profile of the haloed Virgin Mary on yellow gold. The geometric white gol...

Art Deco period ca. 1930s Bohemian Garnet Necklace featuring clusters in Gilt Silver and chain in solid 18K Yellow Gold with C-lock. No markings on the pendant. Chain hallmarked 18K...

Gold and Diamond Pendant for women : 46x Brilliant Cut Diamonds with a total weight of 0.33cts. in G/VS quality : 12mm Australian Natural Pearl in Extra quality : 18kt White Gold : 2...

Medal in 18 karat yellow gold, eagle's head hallmark. Magnificent antique medal, shuttle-shaped and engraved with a haloed Virgin Mary and roses on a partially enameled gros bleu background. It is surrounded and surmounted by fine pearls. The back is engraved with initials and the date June 18, 1933. Pendant sold alone without its presentation chain. Signed Dropsy on the front. Height : 3.8 cm approximately, width : 17 mm approximately, thickness : 1.4 mm approximately. Total weight of the jewel : 2.7 g approximately. Authentic antique jewel - French work from the 1930s. Some missing enamel. Our opinion : This antique art deco medal...

This beautiful and rare necklace dates from the 1930s and was created in Germany by the Schrieber and Hiller company. Condition Report: Excellent The Details... This necklace is c...

This exquisite vintage pendant is a true masterpiece of intricate artistry and rare gemstone beauty. Rendered in lustrous platinum with delicate filigree detailing, it showcases an e...

Year: 1930s Item Details: Metal Type: 14K Yellow Gold [Hallmarked, and Tested] Weight: 3.8 grams Diamond Details: Old European Brilliant, .03ct, F Color, SI Clarity Measurement: 1.5 ...

One Art Deco Carved Lapis Lazuli 14k Yellow Gold Necklace. Featuring six carved pieces of pyrite-speckled lapis lazuli. Crafted in 14 karat yellow gold with purity marks. Circa 1930....

Year: 1930s Item Details: Metal Type: 14K Yellow Gold [Hallmarked, and Tested] Weight: 3.3 grams Diamond Details: .04ct Old European Brilliant, G-H Color, VS Clarity Measurement: 1.4...

Featuring a relatively heavy fringe of dangling Russian-gilt brass bars and contrasting French-blue textural hand-pressed glass beads topped with filigree caps to resemble flower bud...

An antique telephone pendant-charm. Beautiful and very well detailed pendant-charm made in the shape of an early telephone. The charm was created duri...

An antique racing car pendant-charm. Beautiful and very well detailed pendant-charm made in the shape of a antique waterhole. The charm was created dur...

An antique typewriting machine pendant-charm. Beautiful and very well detailed pendant-charm made in the shape of an early typewriting machine. The charm was created during the art ...

A bi-motor plane pendant charm. Beautiful and very well detailed pendant-charm made in the shape of a bi-motor plane. The charm was created during the art deco period back in the 19...

Absolutely Beautiful Set Art Deco Filigree Design Made in Platinum with diamonds through setting Necklace features a beautiful Chandelier like Pendant with pave diamonds and pear cut...

Pendant in 18K White Gold with the setting of Black onyx accented with Diamonds. There are ten Diamonds here, the largest in the center is brilliant cut Ø 2mm /0.03ct, color ca. F, ...

Featuring an old European cut diamond weighing approximately 1.20 carat - K color with SI2 clarity Set by stylized split prongs in a pierced ornate mounting depicting scrolling flora...

Most likely made in Germany during the Art Deco period, this vintage unsigned long heavy 12-pendant gold-gilt chain-link bib necklace features ball charms of gold-ringed emerald-gree...

This is a great looking handmade necklace, bracelet, or pocket watch chain. Each link is hand constructed in solid white gold and hand engraved, and done with kiln fired black enamel...

Original antique Art Deco pendant-brooch studded with diamonds. Fine geometric design of the brooch - three intertwined circles with a centrally embedded old-cut diamond weighing ap...

Designed as a pierced disk form depicting the Parthenon atop a hill with trees and sun Featuring a round cut ruby weighing approximately 0.08 carat Transparent medium red and bezel ...

The Art Deco 14K White Gold Diamond & Ruby Filigree Necklace is a stunning tribute to the glamour and sophistication of the Roaring Twenties. Wi...

Prepare to be enchanted by a truly dreamlike piece of jewelry – a magnificent aquamarine pendant set in 14-karat rose gold. At its heart, this resplendent pendant features a stunning...

Featuring a mixed rectangular cut aquamarine weighing approximately 20.50 carats Transparent light blue in color and set with grooved tabs in scroll motif mounting Set below a pierc...

Year: 1930s Item Details: Metal Type: 10K Yellow Gold [Hallmarked, and Tested] Weight: 1.9 grams Zircon Details: 1.00ct, total weight, blue, round and pear shape Measurement: 1.75 in...

One Art Deco diamond and pearl platinum pendant featuring a modified marquise shaped pendant portion featuring 96 old European and rose cut diamonds totaling 3.25 ct. with H-I-J color and SI-2 clarity with the center diamond weighing 0.70 ct. The pendant measures 40 x 33 millimeters in size and is enhanced by twenty round white cultured pearls set throughout measuring 3 millimeters in diameter on average. Suspended from an 18K white gold open link chain necklace...

Silver and approx 85ct rock crystal. Signed and dated 1937. The pendant is 6,7 cm long on a 59 cm long chain. Wiwen Nilsson (1897-1974) - An Art Deco Silversmith in the Age of Modernism. Wiwen Nilsson was born in Copenhagen, Denmark in 1897. Born as Karl Edvin, but since he did not like his christening name, he was, within the family, called Wiwen. He was the son of Karolina and Anders and grew up with his sister Edith. In 1897 the family moves to Lund, Sweden when the father takes over the gold and silversmith company J.P. Hasselgren & Son. In 1906, Wiwen began at Katedralsskolan in Lund and finished school when he graduated fifth grade in 1912. It was common to continue up to sixth grade and then high school, but Wiwen who does not thrive in a school environment wants to become a pianist or aviator instead. However, as the father is a recognized jeweler and court supplier, the son's career is already marked. Instead, he embarks on an educational journey with the goal Königliche Zeichenakademie in Hanau am Main, Germany. The school is Germany's oldest and most prestigious goldsmith's school. Wiwen enrolled on the fourth of August in 1913 and studied drawing, workshop work, engraving and hammering work. The education comes to an abrupt end with the outbreak of the First World War in 1914, and he instead continues his education in his father's workshop, where he stays until 1919. He does, however, make two breaks, the first quarter of 1917 he enrolled at the Technical Society's School in Copenhagen where he studied modeling, among other things, and in 1917-1918 he did his military service in Stockholm. In 1919 he applied for and received his companion letter, at the same time he received the Swedish Craft Organization's large medal in silver for his professionalism. In 1920 he is again at the school in Hanau, Germany where he stays until 1921 and practices with the jewelry company Chr. Kissling also in Hanau. At school, he mainly studies drawing and chiseling, a type of relief technique that was very popular during the 17th century. Wiwen is driven by his own design language and thinks that the prevailing technique under the influence of Danish designers is a setback in the development of chiseling. During his time in Hanau, he visits several arts and craft exhibitions and comes into contact with the Wiener Werkstätte and the Wiener Werkbund, among others. At the same time as he is studying, he writes travel stories where it emerges that he believes that Sweden's conservatism inhibits the development of arts and crafts, something he himself wants to change. Back in Sweden in 1921, he was appointed the company's artistic designer. In 1923, the company participates in the Gothenburg exhibition, but here Wiwen receives devastating criticism. His creations are considered ugly and meaningless, a critic writes that it is a typical case of poor material sense. In 1924, Wiwen Nilsson travels to Paris. Just like in Hanau, he studies chiseling, silver, drawing and modeling at the Académie de la Grande Chaumiére (now Académie Charpentier). One of France's foremost art schools where, among others, Siri Derkert (1888-1973) and Bror Hjorth (1894-1968) have also studied. In Paris he became acquainted with Georg Jensen (1866-1935), in whose workshop he chiseled for a period. He also meets and hangs out frequently with Jules Schyl (1893-1977) and Gösta Adrian-Nilsson, GAN (1884-1965). The meeting with GAN becomes extremely important and came to influence and refine Wiwen's own design language and together they hold a joint exhibition in 1925 in Lund. From 1925 until the end of the 1920s, Wiwen Nilsson produces a large amount of church silver. He designs and manufactures for, among others, Allhelgonakyrkan in Lund, Knästorps and Tottarps kyrka in Skåne. In total, Wiwen's workshop manufactures 677 objects for churches, of which 483 are found in churches within the diocese of Lund and 194 in other Swedish churches. Some are also sent internationally to the Church of Sweden in Paris, Berlin, Copenhagen and churches in West Germany, Iceland and to Zululand in South Africa. His church silver unmistakably bears the same design language as his profane works. All with the same angular but harmonized and modernist shapes, not infrequently his vessels like jugs and lid boxes are often hexagonal or octagonal. In 1925 he participated in the Exposition Internationale des Arts Décoratifs et Industriels à Paris (World Exhibition) where he received a gold medal in Class 10, the category for crafts and art industry in metal. Other exhibitors included C.G. Hallbergs Guldsmeds AB and Jacob Ängman...

A 8-10K Gold Set With Multi Gem Pendant

Centering an old European cut diamond weighing approximately 1.57 carats - I color with VS2 clarity Prong set in a square form head with a pierced quatrefoil-shaped surround Compris...

An impressive late Art Deco period large sized pendant. Hand crafted of solid Platinum and solid 18 Kt setting for the main stone, 1930. The focal point is the truly stunning, large,...

An art deco convertible pendant brooch with GIA certified diamond. An statement piece, created during the American Art Deco period, back in the 1930. This beautiful convertible pend...

An art deco convertible pendant brooch. Beautiful piece, created during the American Art Deco period, back in the 1930. This convertible pendant-brooch, was carefully crafted with geometric patterns in solid .900/.999 platinum. The back of this brooch is fitted with a hinged horizontal bar to wear as a brooch and can be worn as a necklace pendant on a chain. It is embellished with a great selection of natural earth mined gemstones, with all the settings finished with millegrain technique. Very delicate and feminine, this brooch is a great addition to your jewelry collection. Diamond: Mount in the center in a bezel setting, with 1 pear brilliant cut diamond of 1.13 carats, I color, SI-2 clarity. Gia Certified. Diamond: Mount in millegrain bezel settings, with 12 marquise brilliant cut diamonds, 1.20 carats, F/G color, VS-2 clarity. Diamonds: Mounted in French pave settings, with 73 old European round and round single cut diamonds, with a combined weight of 1.83 carats, white colorless F/G color, VS/SI clarity. The settings are finished with impeccable millegrain patterns. Emeralds: Mount in a channel setting, with 17 French...

A stunning, fine and impressive antique 42.88 carat aquamarine and 0.10 carat diamond, 9 karat white gold pendant; part of our diverse vintage jewellery and estate jewelry collection...

Long before Barbie, Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive jewels were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel-necklace, 37 "shocking pink" balls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia faux pearls. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabriel "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art Deco period. The design of this highly-textural tri-color sautoir featuring fuchsia spheres particularly suits the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tri-color sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia del' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

Art Deco silver tone rod design necklace, with a lovely paste drop pendant. Measuring length 43.2 cm / 17 inches, and the paste drop is length 4.1 cm / 1.6 inches. This is a beauti...

GIA-certified Art Deco Aquamarine Necklace, a mesmerizing blend of intricate filigree platinum setting, old euro cut diamonds, and a massi...

Enhance your look with this exquisite Antique Art Deco Pendant Necklace & Brooch piece. Style open geometric filigree bow inspired P...

A stunning, fine and impressive antique 1.77 carat diamond and 14 karat white gold and platinum set Art Deco pendant; part of our diverse antique jewellery and estate jewelry collect...

Great art deco dress clips brooches. Stunning pair of convertible dress clips brooches, created during the late art deco and the retro periods, back i...

This ancient cross is in 18kt yellow gold and Italian made. Beautiful lace work has been done on the front of the pendant. Lace, a decorative openwork we...

This exquisite piece is unlike anything we have ever owned or even seen. It has been crafted in 18K pink and yellow gold as well as platinum and lightly dusted in a green enameling. ...

Cross in platinum. This antique cross with contemporary lines is set with antique brilliant- cut diamonds on its entire design which is beveled on its perimeter. The hanger is also s...

An art deco gem set brooch with emeralds. Magnificent piece of jewelry, created during the art deco period, back in the 1930. This convertible pendant and brooch has been crafted in...

Jeweled Art Deco Convertible Necklace-Brooch. Beautiful, delicate and elegant piece from the American art deco period, made circa 1930's. Designed as a versatile convertible necklac...

Beautiful Art Deco gold plated necklace, featuring aqua blue glass and a marcasite centrepiece with two drops. Measuring length 47.7 cm / 18.77 inches,...

Beautiful Art Deco gold tone necklace, featuring pale and mid blue glass beads with faux pearls, and a drop pendant. Measuring length 41.7 cm / 16.4 inches, and the glass drop is len...

This 1930s-era Art Deco necklace features a gorgeous apple green natural Burmese jadeite carved into the form of a star fruit. The 27.40mm x 11.71mm x 11.58mm translucent jade carving is suspended on a silver nail and connected to a large (11mm) round coral bead...

Art Deco Jade Diamond Pendant set in 18k platinum. Antique carved jade panel is held by diamond deco floriform hilts. Bright European cut diamonds throughou...

Pendant in 18 karat white gold, eagle head hallmark. Of geometrical shape, this antique pendant has an openwork decoration of grainetis set with rose- cut diamonds, the most importan...

Art Deco Enamel and 14k Gold Puppy Charm. Incredible hand painted detailing from the Art Deco era, the frisky puppy rendered in almost a cartoon like fashi...

A fine and impressive antique onyx and 0.72 carat diamond, platinum Art Deco pendant; part of our diverse antique jewelry and estate jewelry collections This fine and impressive antique Art Deco pendant has been crafted in platinum. The drop style Art Deco pendant displays a feature bezel set cabochon onyx segmented into two sections, divided by a band platinum band ornamented with six Old European cut diamonds. The outer circumference of the feature cluster design is encircled with a paralleling platinum border embellished with twenty Old European cut diamonds. This feature Art Deco onyx and diamond design is suspended from an unembellished tapering setting. The pendant suspends from a contemporary 18" 18k white gold trace chain via an integrated ring loop to the upper border of the design, and secures with a conventional spring-loaded bolt ring fastening. This impressive pendant has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as platinum. This onyx and diamond pendant is supplied with an independent diamond grading report card. Images do not always reflect the true color and brilliance of gemstones and diamonds. The video however provides a truer representation of the actual color and showcases each stone. Condition This impressive antique 1930s necklace...

Art Deco 14K White Gold Diamonds Necklace Delicate diamond necklace. From France in the 30s. Pendant set with 4 diamonds. One round brilliant cut diamond...

A stunning, fine and impressive antique black onyx, seed pearl and 0.13 carat diamond, platinum and 15 karat yellow gold Art Deco pendant; part of our diverse gemstone estate jewelry...

Medal in 18 karat white gold, eagle's head hallmark. Oval in shape, this antique medal represents the Virgin in profile on mother-of-pearl. On the back the initials "M C 30-4-1933" are engraved. All the circumference is edged with natural pearls. It is supported by a thin cable link chain in 18 karat white gold, studded with natural pearls. The clasp is a spring ring. Chain length : 43 cm. Medal height : approximately 3.8 cm, width : 2 cm, thickness : 2.1 mm. Total weight of the jewel : approximately 5.2 g. Authentic antique jewel - French work from the 1930s. Our opinion : A set of great refinement for this art deco medal...

This lorgnette is done in 14K gold and it is lovely. These pieces are great to wear when you are shopping and need to use glasses to see. Just pop this open and you have a pair of ...

This lovely art deco vintage carnelian, sterling silver and marquisette necklace lays beautifully on the chest. The carnelian stone which is the pendant is surrounded by marquisettes...