19th Century Necklaces

Designed as a marquise shape surmount suspending a cross pendant of carved lapis lazuli Opaque ultramarine blue with gold pyrite flecking and decorated with vine motif appliqué Sil...

14k gold medallion pendant with lapis lazuli and rose diamonds set on silver. 0.15ct – G/H – SI Detailed description the size of the pendant is 5.5 cm long by 3.3 cm wide weight 1...

Designed as a beaded multi-gem strand with scarab and bird motif stations Comprised of turquoise, carnelian, and lapis lazuli barrel beads Opaque light blue, medium blue, and transl...

Roman revival grand tour pendant with Swan. Beautiful historical piece created during the Victorian Grand Tour era, at the Papal States in Rome Italy back in the 1850. This unusual ...

Eleven exceptionally rare carved gemstones are featured in this museum-quality Victorian necklace and the majority of the intaglio gems date to ancient Ro...

An antique French 18 karat (18K) yellow gold charm pendant designed as an oval frame with engraved decoration and traces of blue enamel, set to each side with an oval lapis lazuli ta...

An Egyptian revival pendant brooch. Fantastic piece, created in Roma Italy during the Papal States period, back in the 1850. This piece is really incredible detailed and was carefully crafted with Egyptian revival patterns, in solid rich yellow gold of 18 karats. It is embellished with several panels decorated with intricate micro mosaics depicting an Egyptian Pharaoh. Accented with patterns of dots and twisted tiny wires, geometrically placed. The micro mosaic panels are Italian also, surely created in Venice during the same period from more than 800 microscopic pieces, carved from natural stones, such as; blue lapis lazuli, red jasper, black onyx, green malachite, black onyx, lava, creme nacre and 24k gold. This is piece of art, composed by elements from several artistic movements, carefully mixed together during the grand tour era, such the Victorian, the Etruscan and the Egyptian revivals. Weight: 21.60 Grams, (13.85 Dwt). Measurements: 42 mm by 60 mm (1.65 x 2.38 Inches). Resultado de imagen para vatican roma gold hallmarks Hallmarks: Stamped with the old Papal States assay marks for the 18kt gold. One time with the Crossed Keys and a Cardinal Capello inside a triangle and one time with the maker's lozenge cartouche with the number 16 for the Roman identification goldsmith. History of the Hallmark: The first statutes of the guild of Roman goldsmiths date back to 1358, in which was stated the rule of the warranty punch. The University of Goldsmiths was founded in 1508 and the statutes approved the following year introduced the use of the master's mark in addition to the previous guarantee mark. In 1738, with the reform of the Statutes of Goldsmiths, the guild acquired the name of "Nobil Collegio degli Orefici ed Argentieri di Roma" (Noble College of Goldsmiths and silversmiths of Rome). The warranty mark used prior to the French invasion was a series of "crossed keys of St. Peter under a liturgical umbrella" enclosed into shields, ovals or other geometric shapes. Note: It was in 1870, the conquest of Rome marked the end of Stato Pontificio...

French Egyptian revival champleve pectoral. Fabulous colorful piece, created in France in the late 19th century, circa 1880. This beautiful pectoral pendant has been crafted in the ...

Centered on a round lapis lazuli cabochon, the frame beaded on the obverse and reverse. It opens on the back with a flap bearing the inscription AEI and ...

In the archaeological revival style set to the centre with an oval Chalcedony cluster rose diamond and radiating lapis lazuli within a rope work surrou...

Necklace features a swagged central station with twisted wire terminating as two rams' heads. With textured horns and fur - suspending a lapis lazuli teardrop shaped bead from a flor...

These very chic double strand pearls are a fine creamy rose luster and are approximately 7 mm and have 188 pearls joined by two 18k yellow gold clasps set with lapis and 6 round cut ...

A Victorian lapis, half pearl and diamond pendant, in the form of a stylised Latin cross, set with twelve square cabochon-cut lapis and embellished with four fleur-de-lis clusters of...

A one-of-a-kind set of Victorian (ca1880s) jewelry! This very unique set includes a pendant, a pair of dangling earrings, and two buttons. The pendant and earrings are crafted in 18k...

A stunning, fine and impressive antique Victorian 5.55 Carat lapis lazuli and 18 karat yellow gold necklace; part of our diverse antique jewelry and estate jewelry collections. This...

A 19th Century lapis lazuli bead and gold demi-parure, the necklace consisted of twenty four graduated lapis beads measuring from 17.8mm to 13.6mm, with yellow gold filigree decorati...

Georgian Aquamarine and Lapis Cannetille Pendant-Brooch of beautiful quality and condition. Extraordinary detailed gold work forms the surrounds fo...

Saint Cecelia chatelaine pendant by Froment-Meurice. A gold and silver pendant in the Renaissance Revival style, the main element composed of an ornately carved openwork architectural structure in the form of an altarpiece, the central niche surmounted by a cupola set with pearls, with scroll and scalloped details to the interior and suspending a fleur-de-lis, containing a figure of Saint Cecelia playing a viola da gamba with two dancing putti to either side, flanked by two smaller raised pedestals issuing fleur-de-lis, each set with a putto (one playing a harp, the other playing a triangle), suspending a double swagged gold chain set with pearls, with two further chains suspending on one side a circular lapis lazuli seal in a trumpet form mount and on the other a watch winder, the whole accented with blue enamel and set to the reverse with a hinged band loop, approximately 9.5cm in total length. Tested yellow gold and silver, French, circa 1850. François Désiré Froment-Meurice (1802-1855) was one of the most important French jewellery and silversmiths of the nineteenth century, described by Victor Hugo as the Cellini of his age. He exhibited in a number of International Exhibitions, where Queen Victoria and Prince Albert were among his clients. The Renaissance Revival, as seen here, and the Gothic Revival were his two major decorative styles. This piece is also typical of his penchant for placing a silver figure, usually female, within a yellow gold architectural mount. The central figure and flanking putti are identical to those found on two brooches by Froment-Meurice, one in the Birmingham Museum and one in the Schmuckmuseum Pforzheim. Another brooch by Froment-Meurice, in the collection of the Victoria and Albert Museum, features a similar central figure, but this time as an angel with wings, in a silver oval blue enamelled frame. These examples also bear a similar gold and blue enamel architectural mount, and differ only in the surrounding and pendulant embellishments. Saint Cecelia is the patroness of music, whose feast day is celebrated each November. A Roman maiden, she was amongst the earliest and most famous of the Roman martyrs, reputedly beheaded in 230 AD under the Emperor Alexander Severus. Throughout history, Saint Cecelia has inspired musicians and poets alike, appearing in John Dryden...