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Item Ships From: Bay Area
Redwoods Study II - large format observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood forest
Redwoods Study II ...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Seascape XVIII - large format photograph of monochrome water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes
...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
The Great Sphinx & Pyramids, Giza, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
YES - large format photograph of conceptual motivational sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West
YES by Frank Schott
...
Category
21st Century and Contemporary Conceptual Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Nizza - large format photograph of summer beach observation in South of France
By Frank Schott
Located in San Francisco, CA
Large scale highly detailed photograph of European summer beach scene captured in coastal Nice, France, along the Mediterranean Côte d’Azur.
Nizza (2006) by Frank Schott
44 x 69 in...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
Himmelstrasse, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
The Great Hall at Karnak, Luxor, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Four Framed Hogarth Engravings "Four Times of the Day"
By William Hogarth
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving, Etching
Close Up - large format photograph of conceptual billboard sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. A series of images capturing the unique infi...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Winding Path (18 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Cloud Study II - large format photograph of dramatic mood cloudscape horizon sky
By Frank Schott
Located in San Francisco, CA
large-scale original art photography from a series of dramatic cloud atlas observations and abstract monochromatic skyscapes above the Mediterranean Sea
C...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Black and ...
St. Michael's Mount, Cornwall: A Framed 19th C. Engraving After Myles Foster
By Myles Birket Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...
Category
Mid-19th Century Romantic Bay Area - Landscape Prints
Materials
Engraving
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
1750s Old Masters Bay Area - Landscape Prints
Materials
Etching
Cloud Forest III - large format photograph of fantastical tropical rainforest
By Erik Pawassar
Located in San Francisco, CA
Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
Saw-bill Hummingbirds, Nest & Eggs: 19th C. Gould Hand-colored "Grypus Naevius"
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages.
There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
1870s American Impressionist Bay Area - Landscape Prints
Materials
Engraving, Woodcut
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Damien Hirst 'Blizzard' Limited Edition, Signed Print
By Damien Hirst
Located in San Rafael, CA
Damien Hirst (B. 1965)
Blizzard, 2023
From the series 'From Where the Land Meets the Sea'
Laminated Giclée print on aluminum composite panel
Edition: 244/500
Signed and numbered on t...
Category
2010s Abstract Bay Area - Landscape Prints
Materials
Giclée
Venice: An 18th Century Etched View of the Grand Canal & Rialto Bridge by Lovisa
By Domenico Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
Category
Early 18th Century Bay Area - Landscape Prints
Materials
Etching
Louisiana: A Framed 19th Century Map by O.W. Gray
Located in Alamo, CA
This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...
Category
1870s Bay Area - Landscape Prints
Materials
Engraving
Thunder Bay
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...
Category
Mid-20th Century Op Art Bay Area - Landscape Prints
Materials
Screen
Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint.
This beautiful Gould hummingbird...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Black-throated Diver: Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
YES - large format photograph of conceptual motivational message sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West
YES by Frank Schott
48 x 67 inches (122 x 171cm)
signed edition of 7
29 x 40 inches (74 x 102cm)
signed edition of 25
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
_______________
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category
21st Century and Contemporary Conceptual Bay Area - Landscape Prints
Materials
Giclée, Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Landscape
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...
Category
Late 20th Century American Modern Bay Area - Landscape Prints
Materials
Lithograph
Topiary I - x large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott
59.5 x 59.5 inches (1...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Bolivian Rainbow Hummingbirds: A Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch.
This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition.
There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront.
John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches".
Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia".
John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time.
In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Eyvind Earle 'Three Horses' Limited Edition Signed Serigraph Print
By Eyvind Earle
Located in San Rafael, CA
Eyvind Earle (1916-2000)
Three Horses (Version 2), 1987
Serigraph in colors on black wove paper
Edition 46/100
Signed and editioned in blue pencil along lower edge
21 1/4 x 40- /8 in...
Category
Late 20th Century Contemporary Bay Area - Landscape Prints
Materials
Screen
Once In A Lifetime
By David Najar
Located in San Francisco, CA
This artwork titled "Once In A Lifetime" c. 2000 is a giclee print by noted Israeli artist David Najar, born 1962. It is hand signed and numbered P....
Category
21st Century and Contemporary Surrealist Bay Area - Landscape Prints
Materials
Giclée
Seascape XVIII - large format photograph of monochrome water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Untitled, Garden
Located in San Francisco, CA
This artwork "Utitled, Garden" c.2000 is an original color serigraph by Israeli artist Yuval Wolfson, born 1966. It is hand signed and numbered 214/300 i...
Category
Early 2000s Impressionist Bay Area - Landscape Prints
Materials
Lithograph
Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category
Mid-19th Century Romantic Bay Area - Landscape Prints
Materials
Engraving
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
1750s Old Masters Bay Area - Landscape Prints
Materials
Etching
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist Bay Area - Landscape Prints
Materials
Lithograph
Winter Landscape
By Hans Figura
Located in San Francisco, CA
Artist: Hans Figura (Austrian, 1898-1978)
Title: Winter Landscape
Year: Circa 1950
Medium: Color etching with aquatint on silk
Edition: Unknown
Plate mark (Image) size: 17.25 x 13.75 inches
Framed size: 23 x 19.5 inches
Signature: Hand signed in pencil by the artist
Condition: very good
Frame: Custom framed in a silver and gold frame
About the artist.
Hans Figura (Austrian, 1898-1978) was a noted painter and etcher, who was well known for his aquatint etchings on paper or satin of European and American landscape and cityscape scenes, as well as paintings of landscape and cityscape scenes, Tyrolean Alp scenes of villages and chalets, street scenes, harbor and marine scenes.
Hans Figura was born January 22, 1898, in the small town of Nagy-Kikinda near the Austro-Hungarian border, to Austrian parents. His father was a railway official and he spent his childhood in various small villages along the railway line between Vienna and Hungary. He graduated from the highschool in Vienna and also studied at the Higher Graphical Federal Education and Research Institute, a vocational school there (Höhere Graphische Bundes-Lehr und Versuchsanstalt)
As a young man, he served as an officer in the Austrian Army during WWI from 1916-18 on the Russian and Italian fronts. After the war he attended medical school at the University of Vienna for several years beginning in 1918, and seven semesters later, he passed his first state exam, but eventually decided that he preferred the arts to medicine. He also studied at the Academy of Fine Arts in Vienna (Akademie der bildenden Künste Wien) and by 1922 he had devoted himself to painting and etching, while also working in other artistic printing mediums, batik, illustration, bookbinding and working with leather.
From 1923-28, Figura made numerous art study trips throughout Europe including; Germany, Italy, France, Belgium, Holland, England, Czechoslovakia and Hungary. His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States. In 1929, he visited the United States and in 1930, he traveled back to France, Holland and also Switzerland. During this time, Figura maintained studios in both New York City and Vienna, Austria. Throughout the course of his career, he exhibited his paintings and prints in many of the large cities throughout Europe and the United States and many of his etchings and paintings were acquired by museums and galleries, including The Kulturamt, Vienna, Austria; the Landesmuseum of Lower Austria; as well as The Society of Art Lovers, Berlin and Munich.
Select Exhibitions:
1924- Exhibitions in Italy and the United States.
Circa Mid 1920's-1939- All the exhibitions at the Kunstlerhaus, Vienna, Austria.
1926- "Secession...
Category
Mid-20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Blue Flight / monoprint
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Gouache, Mixed Media, Monotype, Pastel
Le Vieux Port
By Denis Paul Noyer
Located in San Francisco, CA
This artwork "Le Vieux Port" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 129/260 in pencil by the artist. The i...
Category
Late 20th Century Modern Bay Area - Landscape Prints
Materials
Lithograph
Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
By Frank Schott
Located in San Francisco, CA
Marfa ( Texas ) by Frank Schott
country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd
48 x 72 i...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
Feminine Marine
By Emile Bellet
Located in San Francisco, CA
This artwork titled "Feminine Marine" is a original color lithograph on paper by French artist Emile Bellet, born 1941 It is hand signed and numbered H.C 10/95 in pencil by the arti...
Category
21st Century and Contemporary Modern Bay Area - Landscape Prints
Materials
Lithograph
Flowering Wild Bean Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Phaseolus Americanus purgans, b. Phaseolus Brasilianus". It is plate 8...
Category
Mid-18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
Mango Hummingbirds: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowen and published in Philadelphia between 1870-1871. The lithograph depicts an adult male hummingbird, labelled 1, in flight above a beautiful flowering plant, a Chinese Trumpet-vine. Another male, labeled 2, is perched on a flower on the left and a female, labelled 3, is perched on a flower on the right.
This hand-colored Audubon bird octavo-size lithograph sheet measures 10.25" high by 6.75" wide. It is in excellent condition. The original text pages, 185-186, from Audubon's 19th century publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon...
Category
Late 19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
"Tierra Roja" from the "Mexican suite"
By David Alfaro Siqueiros
Located in San Francisco, CA
This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros...
Category
Mid-20th Century Modern Bay Area - Landscape Prints
Materials
Lithograph
Seascape XVI - large format photograph of monochrome water surface and clouds
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Afternoon
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Afternoon
Year: c.1980
Medium: Original color lithograph
Edition: Numbered 62/225 in pencil
Paper: Arches
Image size: 10.75 x...
Category
Late 20th Century American Impressionist Bay Area - Landscape Prints
Materials
Lithograph
Great Tit Birds: A 19th C. Hand-colored Folio-sized Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
San Francisco Sicilian and Italian Fishermen: A 19th C. Hand-colored Woodcut
Located in Alamo, CA
This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...
Category
Late 19th Century Bay Area - Landscape Prints
Materials
Woodcut
Redwoods - large format nature observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the Northern California redwood forest
Redwoods by Erik Pawassa...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants.
The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition.
There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints.
Hendrik Adriaan van...
Category
Late 17th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Golden Gate Bridge, San Francisco
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Golden Gate Bridge, San Francisco" 1988 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and inscribed A.P. (Artist Proof) in pencil by the artist. The image size is 26 x 19.5 inches, framed is 37.25 x 31.25 inches. Published and printed by Art Estampes, Paris. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition, the frame has a minor restoration at the lower right side corner, practically invisible.
About the artist:
Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America.
His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail,
In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interiorscapes" or "interior visions...
Category
Late 20th Century Modern Bay Area - Landscape Prints
Materials
Lithograph
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Mid-19th Century Romantic Bay Area - Landscape Prints
Materials
Engraving
Trumpeter Swan, Adult: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Cul de Sac
By Alexandre Minguet
Located in San Francisco, CA
This artwork titled "Cul de Sac" is an original color lithograph by French artist Alexandre Minguet, 1937-1996. The image size is 7 x 11 inches, framed size is 17.35 x 21.5 inches. I...
Category
Late 20th Century Expressionist Bay Area - Landscape Prints
Materials
Lithograph
Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Apocalypse
By Jean Carzou
Located in San Francisco, CA
This artwork titled "Apocalypse" 1957 is a original colors lithograph on Arches paper by noted French artist Jean Carzou, 1907-2000. It is hand signed, dated and inscribed "Epreuve d...
Category
Mid-20th Century Modern Bay Area - Landscape Prints
Materials
Lithograph
Pines through Thistles (11 x 7.5 inch hand-printed cyanotype)
Located in Oakland, CA
Towering Monterey pines lean into the blue mist of the valley beyond. These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. The photograph is of the coastal redwood...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category
Mid-18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
Flowering Trumpet Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...
Category
Mid-18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
