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Item Ships From: Bay Area
The Dancing Girls of Cairo, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Ghawazees, or Dancing Girls of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition,...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Approach of the Simoon, Giza, Egypt: Original 19th C. Lithograph by D. Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Seascape XVIII - large format photograph of monochrome water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes
...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
The Great Sphinx & Pyramids, Giza, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Redwoods Study II - large format observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood forest
Redwoods Study II ...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
The Great Hall at Karnak, Luxor, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Colossal Statue Luxor, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "A Colossal Statue at the Entrance to the Temple of Luxor" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Topiary I - x large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott
59.5 x 59.5 inches (1...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Close Up - large format photograph of conceptual billboard sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. A series of images capturing the unique infi...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
YES - large format photograph of conceptual motivational sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West
YES by Frank Schott
...
Category
21st Century and Contemporary Conceptual Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Topiary I - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott ...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Colossi of Memnon, Thebes, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print depicts a view of the imposing pair of sitting...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée
Ulysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...
Category
Mid-19th Century Romantic Bay Area - Landscape Prints
Materials
Engraving, Etching
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
Four Framed Hogarth Engravings "Four Times of the Day"
By William Hogarth
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving, Etching
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist Bay Area - Landscape Prints
Materials
Lithograph
Winding Path (18 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
1750s Old Masters Bay Area - Landscape Prints
Materials
Etching
Nizza - large format photograph of summer beach observation in South of France
By Frank Schott
Located in San Francisco, CA
Large scale highly detailed photograph of European summer beach scene captured in coastal Nice, France, along the Mediterranean Côte d’Azur.
Nizza (2006) by Frank Schott
44 x 69 in...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
1750s Old Masters Bay Area - Landscape Prints
Materials
Etching
Flowering Wild Bean Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Phaseolus Americanus purgans, b. Phaseolus Brasilianus". It is plate 8...
Category
Mid-18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
St. Michael's Mount, Cornwall: A Framed 19th C. Engraving After Myles Foster
By Myles Birket Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...
Category
Mid-19th Century Romantic Bay Area - Landscape Prints
Materials
Engraving
Saw-bill Hummingbirds and Nest: Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages.
There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
By Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli.
This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right.
This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition.
Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books.
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category
16th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
Himmelstrasse, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Landscape
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...
Category
Late 20th Century American Modern Bay Area - Landscape Prints
Materials
Lithograph
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
1870s American Impressionist Bay Area - Landscape Prints
Materials
Engraving, Woodcut
Abu Simbel Temple to Ramesses II in Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Louisiana: A Framed 19th Century Map by O.W. Gray
Located in Alamo, CA
This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...
Category
1870s Bay Area - Landscape Prints
Materials
Engraving
Eyvind Earle 'Three Horses' Limited Edition Signed Serigraph Print
By Eyvind Earle
Located in San Rafael, CA
Eyvind Earle (1916-2000)
Three Horses (Version 2), 1987
Serigraph in colors on black wove paper
Edition 46/100
Signed and editioned in blue pencil along lower edge
21 1/4 x 40- /8 in...
Category
Late 20th Century Contemporary Bay Area - Landscape Prints
Materials
Screen
La Cote d'Azur
Located in San Francisco, CA
This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...
Category
Late 20th Century Impressionist Bay Area - Landscape Prints
Materials
Lithograph
Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category
Mid-18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
Thunder Bay
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...
Category
Mid-20th Century Op Art Bay Area - Landscape Prints
Materials
Screen
Morning Valley Light (hand-printed cyanotype, 8.5x 11 " matted to 11x 14")
Located in Oakland, CA
Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Venice: An 18th Century Etched View of the Grand Canal & Rialto Bridge by Lovisa
By Domenico Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
Category
Early 18th Century Bay Area - Landscape Prints
Materials
Etching
Bolivian Rainbow Hummingbirds: A Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch.
This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition.
There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront.
John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches".
Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia".
John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time.
In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
The Journey's End II (Hand-printed cyanotype, 18 x 10 inches)
Located in Oakland, CA
Unframed. 2023. Signed on the back. Narrower than "The Journey's End."
This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...
Category
2010s Realist Bay Area - Landscape Prints
Materials
Photogram
YES - large format photograph of conceptual motivational message sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West
YES by Frank Schott
48 x 67 inches (122 x 171cm)
signed edition of 7
29 x 40 inches (74 x 102cm)
signed edition of 25
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
_______________
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category
21st Century and Contemporary Conceptual Bay Area - Landscape Prints
Materials
Giclée, Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
The Feast, from the suite les Bohemiens
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: The Feast, from the suite, les Bohemiens
Year: 1620
Medium: Etching
Paper: Laid paper
Size of image: 4.65 x 9.15 inches
Signature: S...
Category
17th Century Realist Bay Area - Landscape Prints
Materials
Etching
The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Mid-19th Century Realist Bay Area - Landscape Prints
Materials
Lithograph
The Letter-Writer, Cairo, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Letter-Writer" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Damien Hirst 'Blizzard' Limited Edition, Signed Print
By Damien Hirst
Located in San Rafael, CA
Damien Hirst (B. 1965)
Blizzard, 2023
From the series 'From Where the Land Meets the Sea'
Laminated Giclée print on aluminum composite panel
Edition: 244/500
Signed and numbered on t...
Category
2010s Abstract Bay Area - Landscape Prints
Materials
Giclée
Canterbury: An Original 16th C. Framed Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a framed 16th century map and city view of Canterbury, England entitled "Cantuarbury" by Braun & Hogenburg, from their famous landmark atlas of city views 'Civitates Orbis Terrarum' (Atlas of the Cities of the World), which was first published in Cologne, Germany in 1572. The map of Canterbury was first published in 1588. It depicts a detailed birdseye view of the completely walled and fortified city of Canterbury, with its cathedral the most prominent feature. The coat of arms of England, Canterbury, and the Archbishop of Canterbury are included.
This beautifully hand-colored map is presented in a gold-colored wood frame with a beaded inner trim and a paprika-colored mat that highlights details in the map. The frame measures 18.75" high by 22.25" wide by 0.875" deep. There is a central vertical fold, as issued. The map is in excellent condition.
Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe.
Georg Braun (1541-1622) was German Catholic...
Category
16th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
Laudis End
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...
Category
Mid-20th Century Op Art Bay Area - Landscape Prints
Materials
Screen
Winter Landscape
By Hans Figura
Located in San Francisco, CA
Artist: Hans Figura (Austrian, 1898-1978)
Title: Winter Landscape
Year: Circa 1950
Medium: Color etching with aquatint on silk
Edition: Unknown
Plate mark (Image) size: 17.25 x 13.75 inches
Framed size: 23 x 19.5 inches
Signature: Hand signed in pencil by the artist
Condition: very good
Frame: Custom framed in a silver and gold frame
About the artist.
Hans Figura (Austrian, 1898-1978) was a noted painter and etcher, who was well known for his aquatint etchings on paper or satin of European and American landscape and cityscape scenes, as well as paintings of landscape and cityscape scenes, Tyrolean Alp scenes of villages and chalets, street scenes, harbor and marine scenes.
Hans Figura was born January 22, 1898, in the small town of Nagy-Kikinda near the Austro-Hungarian border, to Austrian parents. His father was a railway official and he spent his childhood in various small villages along the railway line between Vienna and Hungary. He graduated from the highschool in Vienna and also studied at the Higher Graphical Federal Education and Research Institute, a vocational school there (Höhere Graphische Bundes-Lehr und Versuchsanstalt)
As a young man, he served as an officer in the Austrian Army during WWI from 1916-18 on the Russian and Italian fronts. After the war he attended medical school at the University of Vienna for several years beginning in 1918, and seven semesters later, he passed his first state exam, but eventually decided that he preferred the arts to medicine. He also studied at the Academy of Fine Arts in Vienna (Akademie der bildenden Künste Wien) and by 1922 he had devoted himself to painting and etching, while also working in other artistic printing mediums, batik, illustration, bookbinding and working with leather.
From 1923-28, Figura made numerous art study trips throughout Europe including; Germany, Italy, France, Belgium, Holland, England, Czechoslovakia and Hungary. His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States. In 1929, he visited the United States and in 1930, he traveled back to France, Holland and also Switzerland. During this time, Figura maintained studios in both New York City and Vienna, Austria. Throughout the course of his career, he exhibited his paintings and prints in many of the large cities throughout Europe and the United States and many of his etchings and paintings were acquired by museums and galleries, including The Kulturamt, Vienna, Austria; the Landesmuseum of Lower Austria; as well as The Society of Art Lovers, Berlin and Munich.
Select Exhibitions:
1924- Exhibitions in Italy and the United States.
Circa Mid 1920's-1939- All the exhibitions at the Kunstlerhaus, Vienna, Austria.
1926- "Secession...
Category
Mid-20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Mykonos, Greece II
By Jean Claude Carsuzan
Located in San Francisco, CA
This artwork "Mykonos, Greece II" c.1990 is an original color lithograph by noted French artist Jean Claude Carsuzan b. 1938. It is hand signed and numbered 116/150 in pencil by the artist. The image size is 10.25 x 14.25 inches, framed is 18.25 x 22.25 inches. It is custom framed in a wooden gold frame. The artwork is in excellent condition, the frame has some scratches. It will be replaced by a new similar one before shipping, which will bring the condition to excellent.
About the artist:
Jean Claude Carsuzan was born in Bordeaux, France in 1938. France. Hi interest for art began at an early age. He Attended the Bordeaux Art...
Category
Late 20th Century Realist Bay Area - Landscape Prints
Materials
Lithograph
Blue Flight / monoprint
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Gouache, Mixed Media, Monotype, Pastel
San Francisco Sicilian and Italian Fishermen: A 19th C. Hand-colored Woodcut
Located in Alamo, CA
This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...
Category
Late 19th Century Bay Area - Landscape Prints
Materials
Woodcut
The Great Pyramids of Giza, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Pyramids of Geezeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in Lon...
Category
1840s Realist Bay Area - Landscape Prints
Materials
Lithograph
Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint.
This beautiful Gould hummingbird...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Cloud Study III - large format photograph of dramatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
large-scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea
CLOUD Study III...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Black and ...
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
1760s Old Masters Bay Area - Landscape Prints
Materials
Etching
Flowering Chestnut Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Castanea Equina, Chateignier amaire (Horse Chestnut)". It is plate 342 in...
Category
Mid-18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
Grinzing, Snow Scene, Austria, large color etching
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Grinzing, Snow Scene, Austria" 1940 is a color etching (printed with the original copper plate engraver by the artist) on watermarked Kasimir Vienna paper by Au...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right
This striking framed Gould...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Seascape VII - large format photograph of cloud formations and reflecting sea
By Frank Schott
Located in San Francisco, CA
large scale original photograph of dramatic cloud formations and reflecting sea
SEASCAPE VII by Frank Schott
48 x 48 inches ( 122 x 122cm )
signed edition of 7
58 x 58 inches ( 14...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Inkjet, Archival Pigment, Black and ...
Afternoon
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Afternoon
Year: c.1980
Medium: Original color lithograph
Edition: Numbered 62/225 in pencil
Paper: Arches
Image size: 10.75 x...
Category
Late 20th Century American Impressionist Bay Area - Landscape Prints
Materials
Lithograph
