Benelux

A large octagonal ring adorned with a Neo-Classical landscape. The scene features a classical colonnade and a gracefully waving tree, accompanied by a shield bearing the letters F an...

UK / 1870 / English writing table / wood and leather / antiques A beautiful mid 19th Century partners writing desk / table, made in the UK. The moulded edge top has a green leather...

A beautiful 18th century Delft ceramic wall plate. Decorated with flowers. The plate is not marked, maker unknown. The plate is in good condition with signs of use, some wear at th...

Naturaly history lithograph, 4 tropical fish - Plate 32 - P. Oudart & C. Motte. In style of Maria Sibylla Merian This is a hand-colored lithograph depicting "Four Tropical Fish" on ...

A charming pair of late 18th century blue and white ceramic Delft vases, recently mounted as lamps. The vases are beautifully decorated with floral ornaments in the typical Delft st...

This is a historical map titled "L'Empire Du Mogol, Et La Presqu Isle De L'Inde En Deca Du Gange." An original authentic map, created by Rigobert Bonne (1727-1794), an influential ...

This original print is titled "THE PYRAMIDS OF EGYPT." It depicts the famous Giza pyramid complex, with the three pyramids standing prominently in the background. In the foreground...

This print is titled "RUINS OF PERSEPOLIS" and it showcases a detailed and colored engraving of the ancient ruins of Persepolis in Persia (modern-day Iran). The image portrays a se...

"THE EMPRESS OF RUSSIA'S TRAVELLING EQUIPAGE," as indicated by the title at the bottom of the print. It portrays a unique scene featuring a large, box-like carriage being transport...

This print is a colored engraving titled "VIEW in MILAN" and was published by Harrison & Co. on April 1, 1782. It is a picturesque scene depicting a tranquil landscape in Milan, It...

An engraved portrait of Henry VIII, King of England, famous for his role in the separation of the Church of England from the Roman Catholic Church. His reign saw the Dissolution of...

The print depicts Stonehenge, an iconic prehistoric monument located in Wiltshire, England. The image is a south view of Stonehenge, featuring a detailed etching and engraving of t...

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

Original antique and hand-colored engraving of people of the Chippewa tribe in American. The upper part of the print says, "Engraved for BANKES's New System of GEOGRAPHY Published b...

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

The image is an original antique architectural print, specifically a rosette, which is a round, stylized flower design, commonly used in architectural decoration. The print is titled "Rosone preso da Frammenti Antichi T.2. plate 41", indicating that it is the 41st plate from volume 2 of a work that deals with designs taken from ancient fragments. This particular print was created by Carlo Antonini between 1777 and 1790, as part of an art print set...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

This image is an original architectural print depicting a rosette, a decorative motif fashioned after a stylized rose, commonly found in ...

An engraved portrait of Edward VI, who was King of England and Ireland from 1547 until his death in 1553. Edward was the son of Henry VIII and his third wife, Jane Seymour, and he ...

The image is an original engraved portrait, depicting King Edward IV of England. This engraving was created for "Harrington’s Edition of Rapin’s History of England." The text below...

This image is an engraved portrait of Mr. Rapin de Thoyras, created for Harrington's edition of "Rapin's History of England." The individual in the portrait is Paul de Rapin, Lord ...

This original antique print is labeled "Rosone Antico nell'Arco degli Argentari," which can be translated as "Ancient Rosette in the Arch of the Silversmiths." The phrase "Rosone An...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

An engraved portrait of Henry IV, King of England. Henry IV was the first English monarch from the Lancastrian branch of the Plantagenets and came to power after deposing his cousin Richard II in 1399. His reign was marked by the start of the 15-year civil strife known as the Wars of the Roses, numerous rebellions, and efforts to consolidate his power and legitimize his somewhat tenuous claim to the throne. The text mentions that the portrait is based on a picture at Hampton Court, which is a royal palace in the London Borough of Richmond upon Thames. Published as the act directs on June 18th, 1787, this engraving is part of the collection for "Harrington's Edition of Rapin's History of England." Henry IV's reign is notable for the rebellion led by the famous knight Henry Percy...

An original antique engraved portrait from Harrington's edition of "Rapin's History of England." The text identifies the subject as Edward the VI, King of England, France, and Irel...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

"Rosone Antico nel Tempio di Giove Statore." A breakdown of the title: - "Rosone" typically refers to an architectural term for a rose window, which is a circular window with a dec...

This engraving, titled "Rosone preso da Frammenti Antichi," presents a detailed rosette that draws inspiration from classical motifs found in ancient fragments. The intricate design ...

This exquisite engraving, dating back to around 1780, presents a masterfully crafted rosette, a decorative motif that captures the elegance and refined aesthetic of the neoclassical ...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

Title: "Villa d'Este Tivoli Rosette, Plate 21" Description: This 18th-century engraving, titled "Da frammenti Antichi nella Villa d'Este in Tivoli," portrays...

An original and finely hand-colored print of a Cardinal bird, signed by William Hayes with a reference to the year 1780 (or 1786). This particular print is titled 'Cardinals', whic...

An antique engraving depicting a dance scene titled "An Exact Representation of a Dance in Otaheite," Otaheite being an archaic name for Tahiti in French Polynesia. This engraving would have been created as a part of a series to document the culture and life of the Tahitian people, likely observed by European explorers during one of the many voyages to the South Pacific in the 18th century. In the foreground, there are central figures engaged in a dance, wearing traditional Polynesian attire, which includes wraps around their waists and adornments that seem to represent status or a part of the dance costume. They are holding what appear to be fans, which may be part of the traditional dance. The dancers' poses suggest movement and a performance aspect to the scene. Behind the dancers, we can see a group of musicians providing the accompaniment, playing drums, which indicates the importance of music and rhythm in the dance. To the right, there is an audience of seated individuals, likely members of the community, watching the performance. The background of the scene includes thatched huts and a lush landscape with palm trees, depicting a typical village setting in Tahiti. The checkerboard pattern on the ground where the dance takes place is notable, as it adds a sense of structure to the scene. This image would have been intended for a European audience unfamiliar with Tahitian culture and would have served as a visual record of the encounters between European explorers and the peoples of the Pacific Islands. The engraving you've uploaded, titled "An Exact Representation of a Dance in Otaheite," is likely from a work documenting the voyages of Captain James Cook, given the style and subject matter. Captain Cook made three voyages to the Pacific Ocean during the 18th century, and his encounters with the peoples of the Pacific, including those of Tahiti (Otaheite), were extensively recorded and published. The engravings from Cook's voyages were made by artists who accompanied him, such as John Webber on his third voyage, or were based on sketches made by other crew members. These images were then published in the official accounts of the voyages. The most notable of these accounts is "A Voyage to the Pacific Ocean" undertaken during Cook's third voyage from 1776 to 1780, which was published in the years following his death in 1779. Another possible source for this engraving could be from the accounts of Joseph Banks. Banks was a naturalist who joined Cook on his first voyage (1768-1771) aboard the HMS Endeavour and was responsible for extensive collections and descriptions of Pacific cultures. His collections and later works also included illustrations and engravings of the scenes and peoples encountered. Given that the engraving is labeled as "London Published as the Act directs by Alexr. Hogg at the Kings Arms...

The image is an original antique engraving from "Bankes's New System of Geography," which depicts "A Man of the Sandwich Islands Dancing." The term "Sandwich Islands" was the name gi...

This image is an antique copper engraving with the title "A View in the Island of Pines," created by William Hodges. William Hodges was an English painter who is known for his work a...

Two authentic engravings on one sheet, also from "Bankes's New System of Geography," published by royal authority, which suggests a similar time frame to the previous engravings, lik...

This original antique print is an engraving titled "The Murder of CAPT. COOK at O-Why-e-e." This historical print depicts the moment of Captain James Cook...

half-moon console table with saber legs dating from the 18th century, very beautiful patina with decorative motifs (patina in several colors)

The engraving appears to be from the Captain James Cook's voyages, which took place between 1768 and 1779. Since it is related to Cook's expeditions and given the style of the engrav...

This listing is an original antique engraving titled "The INSIDE of a HOUSE, in OONALASHKA." It shows an intimate scene inside a dwelling, presumably belonging to the indigenous peop...

An 12 carat rosé gold necklace set with cabochon cut orange carnelian, and rose cut white-grey calcedony agate, end 18th century or early 19th century, England. weight: 33.62 grams...

This antique engraving with the caption "Habitations and People of the Island of Atooi," which is an old name for Kauai, part of the Hawaiian Islands. The engraving is captioned to have been engraved for "Bankes's New System of Geography Published by Royal Authority." The scene is rich with cultural and ethnographic details. It shows several indigenous Hawaiian people engaged in various activities in front of thatched houses...

The engraving showcases two individuals of high status from Tahiti, known historically as "Otaheite" during the period of European exploration in the Pacific. On the left is "OTOO, ...

This original engraving contains four portrait engravings, two each of individuals from Unalaska (Oonalashka) and Kamchatka. These engravings, like the previous ones, are from "Banke...

An engraving from "Portlock's New Collection of Voyages and Travels," likely dating around 1780. It depicts a scene titled "A King of Florida consulting his Magician previous to his ...

Captain James Cook, depicted in a period-style coat with a cravat. His hair is styled in a manner typical of the late 18th century, combed back and ...

The print is from one of Captain Cook's voyages and likely from one of the three major voyages he undertook between 1768 and 1779. The engravings from these voyages were made by arti...

The image is an 18th-century engraving showing a family in Dusky Bay, New Zealand. It depicts a tranquil scene with three individuals, presumably a family, in a coastal forest settin...

An authentic antique engraving titled "The NATCHE: a Ceremony in Honour of the KING'S SON, in TONGATABOO." It is likely from a work related to the voyages of Captain James Cook miss...

The engraving features two individual portraits side by side, labeled as inhabitants of the island of Tanna, which is part of Vanuatu in the South Pacific. On the left is "A MAN of the Island of TANNA." He is depicted with a serious, almost stern expression, looking slightly to the side. His facial features are marked by a prominent beard and mustache, and his hair appears long and wavy. This detailed portrayal suggests an effort to capture the unique physical characteristics and possibly the demeanor of the man. On the right is "A WOMAN of the Island of TANNA." She is shown in a three-quarter view with a gentle expression, looking directly at the viewer. Her hair is styled in tight curls, she wears large hoop earrings, and her clothing drapes softly over her shoulders, indicating a level of adornment and style. The portraits likely aimed to depict the natural appearance and attire of the people from Tanna as accurately as possible for European audiences of the time. These works often sought to provide a detailed record of the diverse cultures encountered during exploration voyages. The style of the engraving and the reference to Captain Cook's voyages suggest that it comes from the late 18th century, likely in the period following Cook's final voyage, which ended in 1779. The engravings of Pacific peoples associated with Cook's voyages were often published in the various accounts that proliferated after his travels, as there was a keen interest in the newly contacted peoples of the Pacific. The text on the engraving says it was "Accurately Engraved for Anderson's Large Folio Edition of the Whole of Capt'n. Cook's Voyages &c. Complete." This indicates that the engraving was made for a specific publication by Anderson, compiling Captain Cook's voyages. George William Anderson is known for his compilation titled "A New, Authentic, and Complete Collection of Voyages Round the World," which was published initially in the 1780s. This collection often included large folio engravings such as this one. Given this information, we can reasonably estimate that this engraving would have been published sometime in the 1780s. However, without specific publication data, it is not possible to provide an exact year. Such details would typically be found in a library catalog...

This listing is an original antique engraving titled "The INSIDE of a HOUSE, in OONALASHKA." It shows an intimate scene inside a dwelling, presumably belonging to the indigenous peop...

The original antique print is a pair of original engravings from "Bankes's New System of Geography." This work, as indicated by the title, was published by royal authority, suggestin...

An antique engraving of the frontispiece to "Bankes's New System of Geography." The detailed artwork typically found in frontispieces of this era was designed to capture the essence ...

The original antique engraving presents two individual portraits side by side. On the left is the "Portrait of POULAO, KING of the Friendly Islands," which refers to the historical ...

The engraving features side-by-side portraits of a woman and a man from Easter Island, known locally as Rapa Nui, famous for its monumental statues known as moai. The left side depi...

The print depicts a scene of the indigenous inhabitants of Tierra del Fuego, an archipelago off the southernmost tip of the South American mainland, across the Strait of Magellan. Ti...

The engraving shows two individuals labeled as "A MAN of STA CHRISTINA." and "A WOMAN of STA CHRISTINA." On the left, the man is depicted with a direct gaze, curly hair, and a strip...

The engraving depicts two individuals labeled as "The CHIEF, at STA CHRISTINA." and "A Principal WOMAN of STA CHRISTINA." On the left, the chief is shown with a prominent headdress ...

This antique engraving titled "The Inhabitants of New Caledonia" appears to be from the accounts of Captain James Cook's travels. The image depicts a scene from New Caledonia, an arc...