California - Landscape Prints

A dye transfer print depicting the landscape scene of Coyote Gulch in Glen Canyon, Utah by contemporary artist Eliot Porter. Edition of 250. Signed lower r...

Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Urban cityscapes and nighttime skylines are common themes. Werger has...

large format abstract photograph of monochromatic ocean cloudscape with calming horizon line, glass mounted (45” diameter) Seascape II by Frank Schott 45 x 45 inches (114 x 114cm) ...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

SEBASTIAN MUNSTER (1488-1652) ASIAE TABVLA Vlll 1540 (45) Woodcut from Munster's edition of Geographia Universalis, Basel, Henri Petri. 1545 edit...

Aspen Study III by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...

IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND JOHN SPEED (1552-1629) AMERICA - With Those Known Parts In That Unknown Worlde (sic), 1626-(76) (Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676 15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the World”. Generally good condition. A repaired split in lower centerfold. This is the most common version of this important map...

A substantial, stone lithograph landscape showing a view of rustic houses with high-peaked roofs nestled between trees and blanketed in snow, with a church and village beyond and a c...

Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. He is known for his portraits of American cityscapes and skylines. Sig...

Screenprint printed in colors on heavy wove paper. Hand signed in black crayon lower right H. Claude Pissarro. A superb impression of the definitive state, from the edition of...

Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...

Yoshi Toshida (Japanese, 1911-1995), Monument Valley, 1971 Woodblock in colors Pencil signed lower right, titled lower left. Dated and titled in Japanese left margin. Image: 11.75 x ...

"Fredericksburg, TX" Folk Landscape - Artist's Proof #10 Lively landscape by Lee Ethel (American, 1926-1992). There are several rows of buildings, shown in ...

Original museum grade exhibition prints on acid-free poster paper. This image can be hung horizontal or verticle. Embedded in this Hubble Space Telescope image of nearby and distan...

This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240 including Proofs, and this beautiful harbor scene is bathed in glowing light, with rich blues, greens, and grays. This exceptional serigraph has the edges hand torn to accentuate the texture and allow the artwork to be floated in a frame. As a painter Cosby travels extensively painting what he sees and feels. Bold use of color and an energetic brush stroke combined with the truth of the place is what you will see and feel when viewing a painting by Cosby. Born in Hollywood California in 1955, Cosby was raised in the west. At an early age he began to draw and paint and was lucky enough to have been inspired by a grandmother who was an oil painter. "She would give me the paint, some brushes and a scrap of canvas and set me off to paint. This early experience took the fear out of creating a painting," said Cosby. Cosby started traveling at an early age. At 18 he was chosen as an advance man for the Executive Branch of the US Government, served under two Presidents and traveled the world. He met many interesting people and saw many things but what most interested him were the great works of art he encountered. "They haunted me and helped set the course for my career as a painter". After leaving the White House, Cosby rebuilt an old classic sailing sloop designed by Nathaniel Herrishoff. With a friend (who had dreams of being a writer) set sail up and down the eastern seaboard in the inland waterway for 3 years. Thus he began his art career. "Doing drawings of anything that moved me, things began to sell and my course was set," said Cosby. Upon his return to the California, Cosby began painting the sea and landscape of coastal California. With a strong gallery response, his success as a painter quickly followed. Cosby currently resides and maintains a studio in San Clemente CA. He works on location around the world and is represented by some of the finest galleries. Cosby was a founding board member of the prestigious “Laguna Plein Air Painters Association”, a Signature member of both Pleinair Painters of America and The California Art Club. He has served as an officer of these groups to help further the cause of Art. Cosby was also a founder of the Laguna Beach Plein Air Painting Invitational that was held at the Laguna Art Museum for thirteen years and is now in it's 18th year. With his bold contemporary style Cosby has captured the imagination of some very important collectors. His work can be found in many private, public and corporate collections around the world. Cosby is recognized internationally. List of Awards and Recent Exhibitions 2016 The Irvine Museum Summer Exhibition "A Summer Idyll" 2015 Commissioned by Big Canyon Country Club to paint a major painting 2015 Accepted into The Irvine Museum Permanent Collection 2015 Group Show “The Wild Side” Catalina Island Conservancy show 2014 The Fredrick Weisman Museum "On Location in Malibu" A CAC Show 2014 The Cape Cod Museum of Art "Looking East" a PAPA Show 2014 The Irvine Museum "Sunlight and Shadow/ The Tradition of Pleinair Painting 2013 One man show at Redfern Gallery “Beached and Coves of Laguna Beach 2011 First Place, Plein Air in the Park, Paso Robles CA. Awarded by Jean Stern, The Irvine Museum 2009 Collectors Choice Award; Laguna Art Museum CA 2007 First Place, Heritage Art Show, San Juan Capistrano, CA 2007 Irvine Museum Award, Coastal Splendor Plein Air Invitational, Crystal Cove, CA 2007 Second Place, Casa Romantica, San Clemente, CA 2005 Honorable Mention; Coastal Splendor Plein Air Invitational, Crystal Cove, CA 2004 Honorable Mention; Sights of Southern California; Bowers Museum, Santa Ana, CA 2004 Honorable Mention; Coastal Splendor Plein Air Invitational, Crystal Cove, CA 2004 Artist Choice Award; Quick Draw, Laguna Beach Plein Air Painting Invitational, CA 2003 Honorable Mention, Sights of Southern California; Bowers Museum, Santa Ana, CA 2002 Collectors Choice Award, Laguna Plein Air Painting Invitational, Laguna Beach, CA 2001 First Place, Quick Draw, Haggin Museum, Yosemite Painters Group, Stockton, CA 2001 Best of Show Award, Lahaina...

"Shore Birds" Minimalist Silkscreen Print in Ink on Paper (#4 of 50) Charming silkscreen print by Frances W. Brown (American, 1915-2016). Four small birds stand in the water, shown as solid silhouettes. With just a few other lines, the artist has created a complete landscape, with waves, ripples, and clouds in the distance. Numbered, titled, and signed along the bottom edge: "4/50 Shore Birds Frances W Brown" Presented in a dark blue frame with a tan mat. Frame size: 11"H x 11"W Image size: 4.5"H x 6"W Frances Cecelia Brown...

This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Blackburnian Wood Warbler, 1. Male, 2. Female, Phlox maculata", No. 18, Plate...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Horned Grebe, 1. Adult Male, 2. Female in Winter", No. 97, Plate 481 from Audubon's "Birds of Am...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Red-necked Grebe, 1. Male Spring Plumage, 2. Young Winter Plumage", No. 96, Plate 480 from Audub...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...

The Sacramento River deltas and levees near Thiebaud’s studio became a source of inspiration starting in the mid-1990s where he would sketch en plein air and then work combined ideas...

Created in 2002, this Wayne Thiebaud Hill River, 2002 drypoint and aquatint in color on wove paper is hand signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the l...

PAUL LANDACRE (1883 – 1963) GRASSS FIRE, 1928 (Wien 53) Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...

This beautiful 19th century framed hand-colored engraving entitled "Windsor Castle", by Arthur Willmore (1814-1888) after an original painting by the British artist Myles Birket Fost...

This is an original 18th century hand-colored map entitled "An Accurate Map of the Morea Together with the Neighboring Countries in Greece; also the Islands in the Archipelago and Ae...

This strong image of a tree in Sonoma is a wood block by Byron Randal. A predominantly figurative artist, Randall experimented with abstraction in the 1940s, and again in the 1980s and 1990s. Throughout his career, he produced still-life, portraits, nudes, and landscapes, in oil, watercolor, gouache, pastel, and print. He also developed plaster sculptures and three-dimensional collages on the theme of the sea (a recurrent interest). Randall's concern for social justice ran throughout his career. It was most explicit in art from the 30s through to the 50s, such as his 1947 'Diabolical Machines' print (held in numerous museums), his Spanish Civil War painting...

MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...

"Landscape with radiations signs and lots of little tiny figures" This is the title of this black and white etching numbered 12/20 and signed by the artist. Ben Sakoguchi...

Color mezzotint and aquatint, 1995. Edition of 120. 5 1/2 x 10 5/16 inches. Signed and titled in pencil. Also available unframed for $350. Tradition...

Net fishing in summer at Jibiki. Charming summer scene of a beach in summer. Men in loincloths are joined by a couple who help them pull in a fishing net as a family walks by. The co...

Signed, titled and numbered, from the edition of 90. ripples on a body of water reflect the trees in this French countryside landscape. Mathieux-Marie was born in Paris in 1947 and ...

A 17th century hand-colored map entitled "Regni Valentiae Typus, Valentia and Murcia" by Gerard Mercator and Joducus Hondius, published in Amsterdam in 1635 in 'Cosmographicall Descr...

This beautiful hand-colored engraving and etching entitled "A View of the Royal Palace of Windsor, Vue du Palais Royal de Windsor a vingt un miles de Londres" is by Nathaniel Parr (1...

Limited edition maritime print of the Cumbrae Ferry from the Pencil Monument in Largs, Scotland by Robert Barbour (Scottish, 1937-2012). Hand signed "Robert Barbour" lower right, and numbered "59/100 A.P. " lower left. Titled "Largs Connections" lower center. Published by Gryffe Fine Art, Bridge of Weir. Unframed. Displayed in a light blue mat that has some age toning. Image size: 7.5"H x 21"W. Robert Barbour was a highly talented architect and artist, specialising in watercolours. He helped design landmark buildings in Glasgow and London and painted the last official picture of the Royal Yacht Britannia while she was in service. He spent his early years in Knightswood in Glasgow, attending Bankhead Primary School and then Victoria Drive Senior Secondary School in Scotstoun, now long gone. At school he showed early promise in drawing and painting, a talent that he was later to use fully. His father was the chief draughtsman for Simon and Lobnitz, builder of dredgers at Renfrew, and the young Barbour inherited his father's skill in design and draughtsmanship. After gaining his Highers at VD, as he used to joke about the school's name, he joined Jack Holmes and Partners as an apprentice architect studying at Glasgow School of Art and the Tech, now Strathclyde University. After qualifying as an associate of the Royal Institute of British Architects and joining the Royal Incorporation of Architects in Scotland he became involved in a number of major projects including the construction of award winning multi-storey flats at Anniesland. Later, as a partner with King, Main and Ellison, he also had responsibility for the landmark Scottish Amicable building in St Vincent Street, Glasgow. Mr Barbour was also involved with Corunna House in Glasgow and the Barbican Building in London. Between his time with Jack Holmes and King, Main and Ellison, he worked for two and a half years from 1970 for Lambert and Innes at Pulls Ferry, Norwich. One of their clients was Colin Chapman of Lotus Cars...

Original etching of a dramatic ocean scene capturing an historic tall ship with five masts battling the wind and the waves by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Cape of Good Hope...

New Year’s festivities are indicated by the flying kites as well as the two battledores tossing the shuttlecock that floats in the middle sky. Note that the women holding the battled...

Wayne Thiebaud has long been recognized as one of America’s most prominent modern artists. Probably best known for his straightforward, deadpan still-life paintings of the 1960s, and...

The images in Wayne Thiebaud's drypoints fill the space around them, carving into it. They are images of mountains. In one, only the mountaintop shows and a gigantic cloud is in the ...

EDVARD MUNCH (1863 – 1944) GARDEN IN SNOW, II 1913 (WO 467: Sch. 418) Woodcut, 13 ½” x 16 7/8” signed in pencil. Generally very good condition. Irregular sheet of simili-japan ...

This is a colored aquatint after a drawing and a watercolor landscape by Joseph Mallord William (J. M. W.) Turner (1775–1851) entitled Beauport. The engraving was created by Joseph C...

Lithograph. This is inscribed ‘A.P.B’ State I – for artist proof ‘B’ – aside from the edition of 16. Published by Hamilton Press, Venice, CA.

CURRIER AND IVES A HALT BY THE WAYSIDE, ca 1870 (Conningham 2694) Lithograph with original color. 1 - 1 1/2 inch margins. Image 8 x 12 1/2 Inches, sheet 10 3/4 x 14 3/4 inches. Ge...

Original woodcut printed in black ink on chine volant paper Titled and signed in the block with the artist’s monogram lower right MARURU  PGO. A superb impression of the definitive...

The Big Catch, Bavaria, 2015 C-print on Fujiflex paper 70.8 x 47.2 in (180 x 120 cm) Edition of 3 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Original etching and drypoint printed in black ink on laid paper. A strong and dark 17th century/lifetime impression of Bartsch, Usticke and New Hollstein’s second and final stat...

Etching Edition 143/175 Last few left Video attached This is a series of original etchings from respected European artist Cuca Romley. Ms Romley is 91 years and currently based in S...

Modern Art Etc curates a series of original etchings from respected European artist and ex-New Yorker, Cuca Romley. Ms Romley is in her early eighties, and currently based in Spain a...

A series of exceptional paintings and rare prints have just arrived from a private west coast private collection. American artist Hans Burkhardt, "Silent Night...

Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his BF...

Edition of 60 Lithograph in colors Plate: 8 1/2 x 11 inches Sheet: 13 x 17 inches Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic des...

Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his ...