Continental US - Abstract Paintings

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his paintings. This 35 inch high by 28 inch wide, and 1.75-inch deep original artwork is an abstract composition in acrylic paint on wood. This artwork is wired and ready to hang. Schmidli uses acrylic paint to create the deep tonality of his colorful works. It is signed and dated on the back. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies, Butterflies and Birds. This piece depicts 4 gestural figures of Bunnies, 11 Butterflies and 9 Whydah Birds a...

Hunt Slonem "Ofelia" Black and White Bunny A rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 17 x 15 inches *Painting is framed - P...

In this contemporary abstract painting in gouache and acrylic on paper, clean and precise, carefully ordered thick horizontal stripes in shades of peach, light blue, dark navy, and a...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

This is a unique original acrylic painting on canvas in a fantasy abstract style by Serg Graff Titled "Phoenix". It comes signed, dated, and with a COA (...

Large and powerful French modern street scene. A paris view by Claude Aliotti (1925 - 1989). Oil on board. Signed. Framed. Image size, 18"L x 24"H.

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on Belize Turquoise background with thick use of paint...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a french rose background with thick use of paint. I...

"He Opened His Hand And I Put My Stories Into It" (2024) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric ...

Holds the people together, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unfr...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Purple Lavender background with thick use of pain...

Cathy Diamond (American, 20th Century) Forest Park Path, 2023 Watercolor and acrylic on paper Signed lower right 11 x 14 inches 19 x 16 inches, framed Cathy Diamond currently lives ...

Impressive early American modernist abstract sunset oil painting. Framed. Oil on canvas. Image size, 34H by 30L.

Robert Sealock (American, 20th Century) Signed: RWS 93 (Canvas Verso) " Divided By Time ", 1993 Oil on Canvas 48 1/4" x 40" This large modern painting is in nice original condi...

Helen Malta (b.1912). Tattoo Parlor, ca. 1935. Oil on canvas, 20 x 33 inches. Signed lower right. Metropolitan Museum of Art reproduction rights stamp on r...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

A wonderful composition Slonem's Hummingbirds. This piece depicts gestural figures of colorful Humming Birds on a light Coral Pink background with thick use of paint. It is housed in...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract geometric shapes with bold use of color and contrast. The dark black ivory background allows for the luminosity of the emerald, light white, and and peach to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist hand embellishes gold leaf to add elegant accents. This painting comes housed in a natural oak floater frame with hanging wire on verso ready to be displayed. Art measures 63 x 47 inches Frame measures 64.5 x 48.5inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

A modern contemporary color field painting by Edouard D. Louis. Titled Aqua Sunset and housed in a contemporary natural wood frame presentation Measuring 30" (h) x 24" (w) unframed.

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Interior design paintings. Abstraction art, made in black, orange, yellow on white foam board. Also, you can read name Sasha in Russian at the middle of the painting. Can be as a s...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Image size, 36H by 28L.

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light blue bunny on gradient diamond dust background with thick us...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural red Tulip on a silver background with thick use of paint. It is housed in a wonderful ...

"Water and violets" is the latest in my series of abstract waterfall paintings, dedicated to the eternal spirit of water in the natural world. Made with a dreamy palette of violet, p...

A pop piece depicting Abraham Lincoln juxtaposed with the American 5 Dollar Bill. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is able to en...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Signed lower right, "Mogens Valeur" (Danish, 1927-1999) and dated 1956. Mogens Valeur first studied with Peter Rostrup Boyesen and, later, attended the Copenhagen Art Academy. He su...

Anthony Dyke's "Solarium," a 74 x 48 x 1.25 inch oil on canvas painting, references solar flares in its use of shape and color. The bright values of yellows, reds and blues surround a large red circular shape. The bright color wavelengths give this painting a vibrational energy. Anthony Dyke was born in Norwich, Vermont and attended The School of the Museum of Fine Arts at Tufts University earning a BFA and MFA in painting. As an artist and arts educator, he relocated from New York City to his down¬town Oklahoma City studio, working there for two decades before returning to Boston in 2020. Coming from VERMONT where the seasons are distinctly different from one another. My shift from a pastoral setting to an urban environment set up a dichotomy in my work, both visual and emotional. I have an extensive education in painting, photography, graphic design and figure sculpture. These mediums intersect in my work through many years of creating artworks and currently speak to my interest in abstract painting. During my senior year in the BFA Program at the School of the Museum of Fine Arts in Boston, my large painting “Natole” was chosen by Frank Stella (the juror) into the highly competitive and prestigious Dana Pond...

An abstract work done with gesso and acrylic paint on canvas, this mesmerizing work has an incredible depth and weight from the texture of the medium. Derick Smith has created an inc...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

"Harmonia 43-9" is a framed acrylic painting on canvas by David Skillicorn, with two intertwining circles in pink and deep blue. This piece is finished in a silver floater frame wit...

A native of Upstate New York, Matt Ballou was educated at The School of The Art Institute of Chicago (BFA 2001) and Indiana University ( MFA 2005) before coming to The University of ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Artist: Jack Graves III (American, 1988-) Title: "Joan Mitchell Jazz Garden" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 ...

Interior design paintings. The work was done with alcohol ink in ultramarine blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face...

This abstracted figure painting by Juniper Briggs is made with mixed media on cold pressed paper with deckle edges. It features a warm contrasting yellow-gold and pink palette with a...

"ṭāhēr 2891", Gold Painting, 2025 This is a highly textured, multi-media abstract in gold and has a dark patina around the edges. All of Addison's text in her paintings are her jour...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 12H by 10L.

Hunt Slonem "Morpho" Blue and Black Butterfly on White A single butterfly gestured in blue and black on a white scored background in a vintage frame Unframed: 10 x 8 inches Framed: ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

Impressive early American modernist abstract still life oil painting. Framed. Oil on canvas board. Signed. Image size, 24H by 16L.

Hunt Slonem "Air & Earth" Blue Bunny and Butterfly Painting A single rabbit and butterfly gestured in black and white on a blue background in a vintage frame Unframed: 11 x 9 inches...

Signed lower right, 'Fink' for Ray Fink (American, 1922-1998) and painted circa 1985. A substantial oil by this well-listed American Abstractionist who studied at the Art Institute ...

A modernist depiction of a portrait executed with strong use of line and texture. This piece is filled with movement and beautiful brushwork, the use of color placement is enchanting...

Title: Rhythm Medium: Oil on canvas Size: 23.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

"Aura pure" is a soft, pink, pastel abstract painting. An ethereal, light-filled, sublime expression. It has a palette of many colors, including rose, lime green, celestial blue, bri...

Abstract Figurative Composition in Oil on Board Boldly colored abstract composition by an unknown Bay area California artist (20th Century)...

This painting is a rhythmic and energetic abstract composition that combines bold color, dynamic form, and the physical layering of materials. The artist employs sweeping shapes and ...

“Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

Erin O'Brien A Decade, 2021 acrylic on linen 25 x 20 in. (obri013) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shade...

Mid Modern Abstract Oil Painting By E. Costello Large and impressive abstract oil painting created with oils on Masonite. This painting can hang vertical, or horizontal. Dimension...

A vibrant and expressive figurative work by Gee Gee Collins, A Seat at the Table showcases a boldly abstracted female form in rich hues of cobalt blue, coral, and ivory. Executed in ...

Originally from North London, Cotton received his art education at the prestigious Central St. Martins School of Art in Holborn, London. Being a teenager in North London during the g...