Skip to main content

Dallas - Prints and Multiples

to
47
50
50
41
25
19
Overall Width
to
Overall Height
to
41
20
18
12
9
8
7
36
14
11
10
7
1
9
95
80
13
3
3
14
25
7
9
1
96
77
10
79
45
27
22
21
21
16
15
11
11
8
8
8
7
7
6
5
5
5
4
81
49
34
22
22
23
20
52,327
35,899
Item Ships From: Dallas
"Torso", Rufino Tamayo, Figurative Abstraction, Mixographia, 34X26 in.
By Rufino Tamayo
Located in Dallas, TX
"Torso" by Rufino Tamayo is a Figurative Abstraction Mixographia limited edition measuring 34X26 in. The piece is mounted onto a piece of black board and floated between two pieces o...
Category

1970s Abstract Expressionist Dallas - Prints and Multiples

Materials

Etching, Mixed Media

Gene Davis Signed and Numbered Limited Edition Black Witch Series Serigraph 1974
By Gene Davis
Located in Dallas, TX
Large scale serigraph by Gene Davis 'Black Witch Series' on archival paper signed and numbered in pencil, 24 of 150. Executed in 1974, 72" x 45" in the original frame with plexiglass...
Category

Mid-20th Century Dallas - Prints and Multiples

Materials

Paper

Purple Balloon Over New York, fantastic illustration by Guillaume Cornet framed
By Guillaume Cornet
Located in Dallas, TX
This beautiful intricate, hand colored silk screen print made using fine calligraphy pens to crate the black outline, then Cornet makes 10 lithograph prints, each one is colored diff...
Category

2010s Pop Art Dallas - Prints and Multiples

Materials

Mixed Media, Watercolor, Permanent Marker, Screen

Desert Favel, fantastical adobe inspired cityscape by Guillaume Cornet
By Guillaume Cornet
Located in Dallas, TX
GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...
Category

2010s Pop Art Dallas - Prints and Multiples

Materials

Watercolor, Permanent Marker, Screen

Original Antique French Poster, "Eden Theatre", Jules Cheret, Lithograph
By Jules Chéret
Located in Dallas, TX
"Eden Theatre - Spectacle Varie" artist: Jules Cheret . Size: 28 x 23. Year: 1880. Archival linen backed in pretty good condition; ready to frame. Original linen backed stone lithog...
Category

1880s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

Hand-Painted Paper Collage Attributed to Sven Markelius for Illums Bolighus
Located in Dallas, TX
From an important Dallas Texas estate. This artwork is an assemblage of countless hand cut and painted paper triangles arranged to create a captivating geometric depth of field. Th...
Category

Mid-20th Century Dallas - Prints and Multiples

Materials

Paper

Alphonse Mucha Figures Decoratives Poster Plate 29
By Alphonse Mucha
Located in Dallas, TX
A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Paper

Alphonse Mucha Figures Decoratives Plate 4
By Alphonse Mucha
Located in Dallas, TX
A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Paper

ALLEGORY OF DEATH
Located in Dallas, TX
Carlos C. Allegory of Death. Alegoria a la Muerte. Oaxaca, Mexico. 2019. Technique: Lithography. Size: 21 1/2 x 17 1/2 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Lithograph

TOMAS PINEDA MATUS LIFE ELIXIR. (P.A. VIII/X)
Located in Dallas, TX
Tomas Pineda Matus. Life Elixir. (P.A. VIII/X) Oaxaca, Mexico. Technique: Lithography. Framed. Size: 23 x 17 inches.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

TOMAS PINEDA MATUS NO TITLE 44/50
Located in Dallas, TX
Tomas Pineda Matus. No Title. Ed. 44/50. Oaxaca, Mexico. Technique: Lithography. Size: 25 x 16 3/4 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

ME, NOSTALGIC 30/30
Located in Dallas, TX
Tomas Pineda Matus Yo, Nostalgico Ed. 30/30 Oaxaca, Mexico 31 1/2 x 24 in Framed and Acrylic Plexiglass Technique: Serigraphy
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

EMBRACE ABUNDANCE 28/30
Located in Dallas, TX
Tomas Pineda Matus Abrazo a la Abundancia Ed. 28/30 Oaxaca, México 32 x 24 in Technique: Linoleum
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Paper

Carlos Z. Ya'a Kuiína'a 8/9
Located in Dallas, TX
Carlos Z. Ya'a Kuiína'a. Ed. 8/9. Oaxaca, Mexico. Signed by the artist. Size: 29 1/4 x 21 1/2 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Paper

CERROS DE TOBALÁ
Located in Dallas, TX
Carlos Cerqueda. Cerros de Tobalá, (P.A.) Oaxaca, Mexico. 2019. Technique: Metal engraving with ink. Size: 29 3/4 x 21 1/2 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

GOD OF DIVINE DROP 91/100
Located in Dallas, TX
Arnulfo Mendoza Ruíz. God of Divine Drop. Ed. 91/100. Oaxaca, Mexico. Technique: Metal engraving with various inks. Size: 23 1/4 x 29 1/4 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

Irwin Whitaker Enamel Abstract, 1960s
Located in Dallas, TX
'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...
Category

Mid-20th Century Dallas - Prints and Multiples

Materials

Copper, Enamel

FLOWER BORN BADLY 91/100
Located in Dallas, TX
Avril M.B., Flower that Was Born Badly. Serie 91/100. Oaxaca, Mexico. Technique: Metal engraving with various inks. Size: 23 x 29 1/4 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Paper

HUG THE SEA
Located in Dallas, TX
Baltazar Castellano Melo Guerrero, Mexico 12 x 18 in Technique: Linocut
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Linocut

"Torre Blanca", Rufino Tamayo, Figurative Abstraction, Etching, 30x22 in.
By Rufino Tamayo
Located in Dallas, TX
"Torre Blanca" by Rufino Tamayo is a Figurative Abstraction etching limited edition measuring 30x22 in. The piece is framed beautifully with a white matt and light silver frame. Rufi...
Category

1970s Abstract Expressionist Dallas - Prints and Multiples

Materials

Etching

Original Antique French Poster, "Hunting w Hounds", Albert Guillaume, Lithograph
By Albert Guillaume
Located in Dallas, TX
artist: Albert Guillaume Size: 26 x 103. Year: 1900's. Archival linen backed in great condition; ready to frame. The posters of the artist Albert André Guillaume are still today tr...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

"Dos Figuras en Ochre", Rufino Tamayo, Figurative Abstraction, Etching, 22x24 in
By Rufino Tamayo
Located in Dallas, TX
"Dos Figuras en Ochre" by Rufino Tamayo is a Figurative Abstraction Mixographia limited edition measuring 22x24 in. The piece is framed beautifully with a white matt and gold frame ....
Category

1990s Abstract Expressionist Dallas - Prints and Multiples

Materials

Etching

Alphonse Mucha Figures Decoratives Poster Plate 9
By Alphonse Mucha
Located in Dallas, TX
A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Paper

Original Antique French Poster, "Pneu Continental", Mich Michel Liebeaux, Litho
By Michel Liebeaux
Located in Dallas, TX
"Continental" artist: Mich, (Michel Liebeaux) 1881 - 1923 Size: 61 x 86. Year: 1907. Archival linen backed in ok condition; ready to frame. Original linen backed stone lithograph: Mi...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

Original Antique French Poster, "Elle and Vire", Andre Roland, Lithograph
By Andre Roland 2
Located in Dallas, TX
"Elle & Vire The Freshness of the Fields on your table!" artist: Andre Roland. Size: 56 x 76. Year: 1960. Archival linen backed in decent condition; ready...
Category

1960s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

Georges Braque Nude 1957 Collotype “Nu Aux Feulles”
By (after) Georges Braque
Located in Dallas, TX
Collotype after a 1928 drawing by Georges Braque (French, 1882-1963), "Nu Aux Feuilles" Art Deco, Art Nouveau nude of a woman. From the “Braque Espace” portfolio by Daniel Jacomet 19...
Category

1950s Art Deco Dallas - Prints and Multiples

Materials

Paper

"G. Contratti & Co. Casa di L Ordine", Aleardo Villa, Lithograph, 54x78, Framed
By Aleardo Villa
Located in Dallas, TX
Rare large (2-sheet format) Italian stone lithograph original fashion poster by Aleardo Villa, 1890. This is an advertisement for G. Contratti ...
Category

1890s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

Original Antique French Poster "Antar" by Georges Rochegrosse, Stone-Lithograph
By Georges Antoine Rochegrosse
Located in Dallas, TX
Antar, artist: Georges Rochengrosse. Size: 26.26" x 34.25". Year: 1912. Archival linen backed in very good condition; ready to frame. This poster was printed by Maquet Gr. PARIS. Or...
Category

1910s Art Deco Dallas - Prints and Multiples

Materials

Lithograph

Irwin Whitaker 'The Great Narrows' Enamel
Located in Dallas, TX
"The Great Narrows' by Irwin Whitaker - 1985, enamel on copper plate from the series 'Canyons, Arches & Gorges. Enamel measures 16.25 x 10.25, Frame measures 20.25 x 14.25. Excellent...
Category

1980s Dallas - Prints and Multiples

Materials

Copper, Enamel

Whistle
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Whistle
Price Upon Request
Fossil Ship
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Spindles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1980s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Spindles
Price Upon Request
154 Foot Sculpture That Never Was
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Eagle's Nest
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print: “The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Front Elevation of Section 17
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

A Sculpture Framed by a Print
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Rear Section of B
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Etching, Aquatint

Birth Then?
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Just Pure Honest Fun
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Tickle Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Modern Dallas - Prints and Multiples

Materials

Paper, Etching

Tickle Me
Price Upon Request
Tippicanoe and Tyler Too
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Etching

Neighborhood
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Paper, Etching, Aquatint

Space Eagles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Paper, Etching

Joy
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

20th Century Surrealist Dallas - Prints and Multiples

Materials

Etching

Joy
Price Upon Request
Four Cities
By Alex Corno
Located in Dallas, TX
This portfolio, of four prints engraved on linoleum and printed on paper, includes the linocuts titled: Dallas, Amarillo, Albuquerque and Santa Fe. Valley House Gallery & Sculptur...
Category

21st Century and Contemporary Abstract Dallas - Prints and Multiples

Materials

Linocut

Four Cities
Four Cities
Price Upon Request
Journey
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Journey
Price Upon Request
Music Box
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Music Box
Price Upon Request
Pillow Machine
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Just a Little Water Please
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Night Shift
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Junkyard Park
By Jim Stoker
Located in Dallas, TX
Jim Stoker was born in Nash, Texas, in 1935, and grew up in Atlanta, Texas. He graduated from The University of Texas at Austin with a BFA in Applied Art in 1957. His teaching career...
Category

1960s American Modern Dallas - Prints and Multiples

Materials

Woodcut

Heritage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Heritage
Price Upon Request
Stop Playing and Get to Work
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Avenue 11
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Avenue 11
Price Upon Request
Together We Are
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Love Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Love Me
Price Upon Request
Storage #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Environment Man
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Height Almost 34'
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “Height...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Aquatint

Recently Viewed

View All