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Item Ships From: Dallas
CERROS DE TOBALÁ
Located in Dallas, TX
Carlos Cerqueda. Cerros de Tobalá, (P.A.) Oaxaca, Mexico. 2019. Technique: Metal engraving with ink. Size: 29 3/4 x 21 1/2 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

ALLEGORY OF DEATH
Located in Dallas, TX
Carlos C. Allegory of Death. Alegoria a la Muerte. Oaxaca, Mexico. 2019. Technique: Lithography. Size: 21 1/2 x 17 1/2 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Lithograph

We Are Seeds (Ed. 5/10)
Located in Dallas, TX
In 2020, Rick “geezy” Williams took an art form he loved for more than two decades and elevated it into a form of self-care. The Detroit native — also known for his prowess in the fashion and creative industries — had already spent 26 years hoofing, better known as tap dancing, with his talent landing him time with the legends of the artform. But at the height of the pandemic, he turned to “The Dance” for more than self-expression. One day at five in the morning, Williams donned his tap shoes and rocked for four hours straight. The morning gave him a shot of new life and inspiration, which was in short supply as the world was shutting down from COVID-19. “The Dance” quickly became a daily meditative practice, an opportunity for him to focus on gratitude and connect with The Most High. From that daily meditation, the debut album by geezy — a nickname used by Williams’ close friends and family — began to come into focus. THE geezy EXPERIMENT merges Rick Williams...
Category

21st Century and Contemporary Street Art Dallas - Prints and Multiples

Materials

Screen

Resilience & A Splash of Resilience (Set of 2) (Ed. 4/50)
Located in Dallas, TX
Set of 2 Prints Resilience & A Splash of Resilience Includes two prints of the original oil painting by Drew Merritt. Edition 4 of 50 Signed and numbered ...
Category

21st Century and Contemporary Surrealist Dallas - Prints and Multiples

Materials

Screen

Your Son Just Bit My Dog (Black & White Varied Ed. /9)
Located in Dallas, TX
'Your Son Just Bit My Dog' is by Jacob Taylor, a young Welsh artist currently working in a care home to subsidize his early career. His first exhibition in July 2022 at Laz Emporium ...
Category

21st Century and Contemporary Contemporary Dallas - Prints and Multiples

Materials

Watercolor, Screen

Chant II (Ed. 6/100)
By Faith 47
Located in Dallas, TX
Chant II speaks to the widespread arson attacks on commuter trains in South Africa. According to Faith XLVII: 'The work points to a broader question, the insanity of how in a time w...
Category

21st Century and Contemporary Street Art Dallas - Prints and Multiples

Materials

Screen, Rag Paper

3 Days (Blue/Yellow Variant Ed. 1/1)
Located in Dallas, TX
Archival Pigment Print On 300 gsm Somerset Paper With 2 layer screen print Artist Proof - Unique 1 of 1 colorway Signed By The Artist 59.5 X 49.5 cm (19.5x23.5 inches)
Category

21st Century and Contemporary Street Art Dallas - Prints and Multiples

Materials

Archival Pigment

Lust (Ed. 58/125)
By Insane51
Located in Dallas, TX
Type: 9-Color Screen Print with Spot Varnish on 300gsm Tub Sized Somerset Satin Size: 60 x 60cm Release: July 17, 2021 Run of: 125
Category

21st Century and Contemporary Street Art Dallas - Prints and Multiples

Materials

Screen

Lust (Ed. 58/125)
Lust (Ed. 58/125)
$816 Sale Price
20% Off
Original Antique French Poster, "Eden Theatre", Jules Cheret, Lithograph
By Jules Chéret
Located in Dallas, TX
"Eden Theatre - Spectacle Varie" artist: Jules Cheret . Size: 28 x 23. Year: 1880. Archival linen backed in pretty good condition; ready to frame. Original linen backed stone lithog...
Category

1880s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

Original Antique French Poster, "Angelus Liquer", Leonetto Cappiello, Lithograph
By Leonetto Cappiello
Located in Dallas, TX
Antar, artist: Leonetto Cappiello. Size: 25 x 20. Year: 1907. Archival linen backed in very good condition; ready to frame. Original linen backed stone lithograph: Original vintage ...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

Alphonse Mucha Figures Decoratives Plate 4
By Alphonse Mucha
Located in Dallas, TX
A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Paper

"Dos Figuras en Ochre", Rufino Tamayo, Figurative Abstraction, Etching, 22x24 in
By Rufino Tamayo
Located in Dallas, TX
"Dos Figuras en Ochre" by Rufino Tamayo is a Figurative Abstraction Mixographia limited edition measuring 22x24 in. The piece is framed beautifully with a white matt and gold frame ....
Category

1990s Abstract Expressionist Dallas - Prints and Multiples

Materials

Etching

Alphonse Mucha Figures Decoratives Poster Plate 29
By Alphonse Mucha
Located in Dallas, TX
A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Paper

"Torso", Rufino Tamayo, Figurative Abstraction, Mixographia, 34X26 in.
By Rufino Tamayo
Located in Dallas, TX
"Torso" by Rufino Tamayo is a Figurative Abstraction Mixographia limited edition measuring 34X26 in. The piece is mounted onto a piece of black board and floated between two pieces o...
Category

1970s Abstract Expressionist Dallas - Prints and Multiples

Materials

Etching, Mixed Media

"G. Contratti & Co. Casa di L Ordine", Aleardo Villa, Lithograph, 54x78, Framed
By Aleardo Villa
Located in Dallas, TX
Rare large (2-sheet format) Italian stone lithograph original fashion poster by Aleardo Villa, 1890. This is an advertisement for G. Contratti ...
Category

1890s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

Georges Braque Nude 1957 Collotype “Nu Aux Feulles”
By (after) Georges Braque
Located in Dallas, TX
Collotype after a 1928 drawing by Georges Braque (French, 1882-1963), "Nu Aux Feuilles" Art Deco, Art Nouveau nude of a woman. From the “Braque Espace” portfolio by Daniel Jacomet 19...
Category

1950s Art Deco Dallas - Prints and Multiples

Materials

Paper

Irwin Whitaker 'The Great Narrows' Enamel
Located in Dallas, TX
"The Great Narrows' by Irwin Whitaker - 1985, enamel on copper plate from the series 'Canyons, Arches & Gorges. Enamel measures 16.25 x 10.25, Frame measures 20.25 x 14.25. Excellent...
Category

1980s Dallas - Prints and Multiples

Materials

Copper, Enamel

Alphonse Mucha Figures Decoratives Poster Plate 7
By Alphonse Mucha
Located in Dallas, TX
A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in red umber and white pigments on...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Paper

"Torre Blanca", Rufino Tamayo, Figurative Abstraction, Etching, 30x22 in.
By Rufino Tamayo
Located in Dallas, TX
"Torre Blanca" by Rufino Tamayo is a Figurative Abstraction etching limited edition measuring 30x22 in. The piece is framed beautifully with a white matt and light silver frame. Rufi...
Category

1970s Abstract Expressionist Dallas - Prints and Multiples

Materials

Etching

TOMAS PINEDA MATUS LIFE ELIXIR. (P.A. VIII/X)
Located in Dallas, TX
Tomas Pineda Matus. Life Elixir. (P.A. VIII/X) Oaxaca, Mexico. Technique: Lithography. Framed. Size: 23 x 17 inches.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

TOMAS PINEDA MATUS NO TITLE 44/50
Located in Dallas, TX
Tomas Pineda Matus. No Title. Ed. 44/50. Oaxaca, Mexico. Technique: Lithography. Size: 25 x 16 3/4 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

ME, NOSTALGIC 30/30
Located in Dallas, TX
Tomas Pineda Matus Yo, Nostalgico Ed. 30/30 Oaxaca, Mexico 31 1/2 x 24 in Framed and Acrylic Plexiglass Technique: Serigraphy
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

EMBRACE ABUNDANCE 28/30
Located in Dallas, TX
Tomas Pineda Matus Abrazo a la Abundancia Ed. 28/30 Oaxaca, México 32 x 24 in Technique: Linoleum
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Paper

Carlos Z. Ya'a Kuiína'a 8/9
Located in Dallas, TX
Carlos Z. Ya'a Kuiína'a. Ed. 8/9. Oaxaca, Mexico. Signed by the artist. Size: 29 1/4 x 21 1/2 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Paper

GOD OF DIVINE DROP 91/100
Located in Dallas, TX
Arnulfo Mendoza Ruíz. God of Divine Drop. Ed. 91/100. Oaxaca, Mexico. Technique: Metal engraving with various inks. Size: 23 1/4 x 29 1/4 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Ink

FLOWER BORN BADLY 91/100
Located in Dallas, TX
Avril M.B., Flower that Was Born Badly. Serie 91/100. Oaxaca, Mexico. Technique: Metal engraving with various inks. Size: 23 x 29 1/4 inches. Framed and Acrylic Plexiglass.
Category

21st Century and Contemporary Dallas - Prints and Multiples

Materials

Paper

Original Antique French Poster, "Pneu Continental", Mich Michel Liebeaux, Litho
By Michel Liebeaux
Located in Dallas, TX
"Continental" artist: Mich, (Michel Liebeaux) 1881 - 1923 Size: 61 x 86. Year: 1907. Archival linen backed in ok condition; ready to frame. Original linen backed stone lithograph: Mi...
Category

Early 1900s Art Nouveau Dallas - Prints and Multiples

Materials

Lithograph

"Manos en Rojo", Rufino Tamayo, Red Hands, Abstraction, Etching, 22x30 in.
By Rufino Tamayo
Located in Dallas, TX
"Manos en Rojo" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 22x30 in. The piece is framed beautifully with a white mat in a silver and black fr...
Category

1970s Abstract Expressionist Dallas - Prints and Multiples

Materials

Etching

Whistle
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Whistle
Price Upon Request
Fossil Ship
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Spindles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1980s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Spindles
Price Upon Request
154 Foot Sculpture That Never Was
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Eagle's Nest
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print: “The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Front Elevation of Section 17
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

A Sculpture Framed by a Print
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Rear Section of B
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Etching, Aquatint

Birth Then?
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Just Pure Honest Fun
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Tickle Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Modern Dallas - Prints and Multiples

Materials

Paper, Etching

Tickle Me
Price Upon Request
Tippicanoe and Tyler Too
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Dallas - Prints and Multiples

Materials

Etching

Neighborhood
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Paper, Etching, Aquatint

Space Eagles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Paper, Etching

Joy
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

20th Century Surrealist Dallas - Prints and Multiples

Materials

Etching

Joy
Price Upon Request
Four Cities
By Alex Corno
Located in Dallas, TX
This portfolio, of four prints engraved on linoleum and printed on paper, includes the linocuts titled: Dallas, Amarillo, Albuquerque and Santa Fe. Valley House Gallery & Sculptur...
Category

21st Century and Contemporary Abstract Dallas - Prints and Multiples

Materials

Linocut

Four Cities
Four Cities
Price Upon Request
Journey
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Journey
Price Upon Request
Music Box
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Music Box
Price Upon Request
Pillow Machine
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Just a Little Water Please
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Night Shift
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Junkyard Park
By Jim Stoker
Located in Dallas, TX
Jim Stoker was born in Nash, Texas, in 1935, and grew up in Atlanta, Texas. He graduated from The University of Texas at Austin with a BFA in Applied Art in 1957. His teaching career...
Category

1960s American Modern Dallas - Prints and Multiples

Materials

Woodcut

Heritage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Heritage
Price Upon Request
Stop Playing and Get to Work
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Avenue 11
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Avenue 11
Price Upon Request
Together We Are
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Love Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Love Me
Price Upon Request
Storage #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching, Aquatint

Environment Man
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

Height Almost 34'
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “Height...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Aquatint

Still Life
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Dallas - Prints and Multiples

Materials

Rag Paper, Etching

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