Europe - Figurative Sculptures

Carved and painted wooden sculpture - Figure of a saint - Italy, 17th-18th century. 36 x 25 x h 74 cm. Entirely in carved, lacquered and painted wood. Some missing parts and colour...

Andries Velting is a new artist at Gallerie Bonnard. His moving sculptures of dancers are a special addition tot our existing collection. Velting say...

Untitled By Takashi Murakami Takashi Murakami is a Japanese contemporary artist known for blending traditional Japanese art with pop culture influences, creating a style that is b...

This bronze sculpture is made by Spanish artist Pedro Quesada Sierra. (2021) The Spanish sculptor, despite his only 39 years, is already a lot of laureate artist. In March 2018 he...

Pablo Picasso Two Toros on Blue and Green Background, 1952 Original ceramic of Pablo Picasso, white faience earth, black covered and enamel Annotated on the Back : Edition Picasso -...

KAWS, Holiday Taipei (Black), 2019 £ 900.00 Painted cast vinyl 14 x 17.8 x 14 cm (5.5 x 7 x 5.5 in) Limited edition Comes in original unopened packaging KAWS is a New York-base...

This young saint or angel has suffered over the centuries, but his spirit has not been broken - and miraculously, his beautiful face has remained intact. With a gentle face and an al...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

This artwork was created by the Italian artist Piero Perin. Piero Perin was born in 1924, in Cervarese , near Padua Italy. He lived and worked in Padova where he teached at the Schoo...

"Aphrodite" is an original etching from 1963 by Salvador Dalí. It is on hand-woven paper (Arches), originally signed and numbered. Excellent condition. XIX/XX. Comes unframed. Certi...

A 'Running Hare' sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled hare depicted at full stretch bounding across the ground, his hind legs lengthening b...

The Passage is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 43 × 27 × 24 cm (16.9 × 10.6 × 9.4 in). The sculpture is signed and numbered, it is par...

Nichola Theakston (1967) has established herself as one of the UK’s foremost contemporary sculptors working within the animal genre. With the ''Tesem'' Nichola shows how exquisite ...

Dancer III is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 100 × 50 × 20 cm (39.4 × 19.7 × 7.9 in). The sculpture is signed and numbered, it is part of a l...

Original sculpture 2/8 ex. 2011 - 2020. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites...

Instant Moules IV is an elox aluminium sculpture with optical fibres sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 240 × 40 × 30 cm (94.5 × 15.7 × 11.8 in). T...

Grand Cerf (Great Stag) is a monumental bronze sculpture by French contemporary artist Pierre Yermia. The strength of the stag's body and its slender legs bestow it with a contradict...

Cast resin and aluminium oxide 13 × 6 in 33 × 15.2 cm Edition of 500 Holographic artist sticker, with edition number on the box is the COA. The "Blue Crystalized Pikachu" exemplifi...

Edition of 100 copies numbered and signed by the artist. Excellent conditions. Aurelio Mistruzzi was an Italian sculptor and medalist. He attended the Udine ...

Luca Madrassi (1848-1919), large patinated terracotta sculpture in Art Nouveau style, late 19th century. The sculpture depicts a half-naked young woman sitting in a tree holding a m...

Swan Thing By David Shrigley David Shrigley is a British artist known for his distinctive and often humorous approach to contemporary art. His work spans a variety of mediums, inc...

Antoinette Briët 'Out of the sky' 40 x 60 x 30 cm bronze on a plate of bluestone This Sculpture of jumping cheetah's is made by Dutch artist Antoinette Briet. Her forms are an abs...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

5 out of 8 STANISŁAW WYSOCKI (b. 1949) Wysocki studied at the Academy of Fine Arts in Poznań (1978-1980) and then at the Hochschule der Kunste in Berlin under prof. J.H. Lonas. He ...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

Pair of scagliola sculptures - Roman figures. Italy, 19th century. 51 x 26 x h 118 cm (left) - 41 x 28 x h 118 cm (right). Entirely in scagliola. Condition report: In good general...

A white marble Sculpture of Eros trying out one of his arrows, after Nicolas-François Gillet (1709-1791) and Jacques-François-Joseph Saly (1717-1776), French, 19th century.Resting ...

"Helen of Troy," large bronze sculpture with brown patina signed at base J.Clesinger-Rome 1864-F. Barbedienne foundryman and bearing Collas mechanical reduction seal. Auguste Clésin...

"LarA 013" is an original sculptural bust in dark gray cement, part of José Perozo’s ongoing LarA series, created in 2024. This piece reinterprets the relationship between the human ...

Bust of a man is an original sculpture in bronze realized after Aurelio Mistruzzi in the late 1990s. Bronze casting. 18 cm height, 24 cm height with wooden base. Good conditions.

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Acade...

"LarA 012" is a unique sculptural piece from the LarA series by spanish sculptor Jose Perozo, crafted in high-density cement and hand-tinted in dark gray. This artwork merges the hum...

Bronze, dark and brown patina, realized in 1973. Dali's printed signature in on the plinth. Edition 616/1000 on the side. Foundry stamp "Fonderia Venturi". Published by Euro Art. ...

Albert Pierre LaPlanche (1854 Sainte-Menehould - 1935 Chäteau-Thierry), Vigilant sitting shepherd dog, around 1915. Brown patinated bronze on cast terrain plinth. 45 cm (height) x 45...

Jean Cocteau. ( 1889-1963 ) Grand Chèvre - Cou . " Poem -Objet " Signed Jean Cocteau at the base ; incised and dated Jean Cocteau 58. marked and numbered Edition originale de jean Co...

Attitude III is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 41.5 × 14 × 18 cm (16.3 × 5.5 × 7.1 in). The sculpture is signed and numbered, it is ...

Lotte 50 x 21 x 30 cm Bronze The theme van der Kraan likes most is to show the growing of young girls. Living in their own world. Like this girl watching ...

French Limoges porcelain with chromatic coating Edition of 999 39.2 x 24.9 x 20.9 cm (15.4 x 9.8 x 8.2 in) Signed and numbered New, as issued. Minor imperfections may appear due ...

Head of Man is an original artwork realized by Amedeo Bocchi in 1920 ca. This little sculpture is made in gilded bronze. The original wax model is published on the artist's monogra...

Daniel Arsham Future Relic no.3 (Clock), 2015 Plaster and broken glass comes with the original box some minor wear to the box. 14 × 12.7 × 6.4 cm Edition of 400 Daniel Arsham is a c...

Jan Jozef Jaquet (1822 Antwerp - 1898 Brussels), Psyche, 1847. Black-brown and brown patinated bronze on a cast base. 30 cm (height) x 22 cm (width) x 12 cm (depth), weight 5 kg. Ver...

Madonna and Child, polychrome stucco relief, workshop of Luca della Robbia. Second half of the 15th century. Modeled as half-length, the Child holds his mother's veil in one hand, th...

Panther licking by André-Vincent BECQUEREL (1893-1981) A bronze sculpture with nuanced green patina Signed on the base " Becquerel " Old edition cast Presented on a wooden base Fra...

Ver Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises...

A portrait of a Silenus, ( also know as satyr) carved in white marble probably in central Italy in the 19th Century. The head despite a man with long hears in equine style with also ...

The mysterious artworks by Rachel Ann Stevenson invite you into a dream world. Rachel Ann sees artists as day dreamers who can show the impossible...

Eo Sine Manibus Bronze Sculpture Nude Boy Male Figure Standing Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a hig...

This sculpture represents two donkeys of which only the skin remains, although they seem alive. As it is sometimes the case for Cécile Raynal’s sculpture, this work stages the emptin...

Technological Pinocchio is an original decorative object realized between 2007 and 2008 by Ferdinando Codognotto. Original wood sculpture realiz...

Cerise Platinum Ceremics Cherry Fruit Modern Sculpture Still Life New In Stock Giorgio Laveri (Savona Italy, March 3, 1954) is a painter, sculptor, screenwriter, director and actor ...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

French Art Deco terracotta sculpture by Ugo Cipriani (1887-1960), France, 1930s. A man operating a rudder. Measurements : Width : 31"(79cm), Height : 16.7"(42.5cm), Depth : 8.7"(22cm...

Gazelle is a bronze monumental sculpture by French contemporary artist Pierre Yermia, dimensions are 240 × 120 × 40 cm (94.5 × 47.2 × 15.7 in). The sculpture is signed and numbered,...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Paul Dierkes (1907 Cloppenburg - 1968 Berlin), Archaic Head. Limestone, 1952. 15 x 9 x 12 cm (without plinth), 19 x 10 x 11 cm (with plinth), monogrammed "PD" on the reverse. - S...

Ludo is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 25 × 20 × 15 cm (9.8 × 7.9 × 5.9 in). This sculpture is signed and numbered, it is part of a l...

Zō is a bronze sculpture by contemporary Argentinian artist Marcelo Martin Burgos, portraying an abstracted elephant, a reference subtly embedded in its title, which translates to el...