Hong Kong - Wall Decorations

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...

Oil on canvas portrait of a setter or golden retriever signed Clarence E. Braley, a Massachusetts artist (1854-1927).

Carl Stilling (Denmark, 1874-1938) "Dutch Girl" oil on canvas, circa 1924 Remarkable 1920s painting of a young Dutch girl with her braided hair coming out from under her favorite ...

Beautiful oil on canvas of reclining blonde nude on a white bed sheet. Framed. Signed (see attached photo). 20th century. Painting dimensions: H. 20...

Artwork from US born Italian artist Emanuele Laustino (Pittsburgh 1916-Asti 1988). Laustino was the son of immigrants from Asti´s countryside in Northern Italy, and moved to the Unit...

18th century Spanish school still life flowers oil on canvas painting. Dimensions with frame: 44.5 x 54 x .2.5.

1950s López Pascual oil on canvas of boy in beach. Dimensions with frame: 48 x 64.5 x 5.5.

According to a bio written by Alex Bialy, "Daniel Schmidt adopted the name Dan Smith by 1890, when he began his career as a staff reporting artist for Leslie...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

In good condition From a private collection Free international shipping Hélène Dubourg Belgian Impressionist Oil Painting Beach Scene

19th Century Spanish Orientalist Framed Oil on Canvas Painting Measurements with frame: 61.5x72.5x4cm.

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...