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Item Ships From: Hudson
Grey & Green Patchwork (Aerial Landscape Photograph of Farm Fields in Spain)
By John Griebsch
Located in Hudson, NY
Contemporary aerial landscape photograph of blue, gray, green and teal farm fields captured from the photographer's plane over La Mancha, Spain
Archival digital print, edition 5 of 2...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Plowed Fields, Hannibal, MO (Minimalist Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary minimalist aerial landscape
photograph of a plowed yellow field with dark blue shadow
Archival digital print, Edition of 25 (#013)
Image size 31 x 39 inches unframed, m...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Lily Pond (Realist Black & White Landscape Photo of Floating Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water
"Lily Pond", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment, Archival Paper
$1,600 Sale Price
23% Off
Tree and Pond, Ghent (Sepia Toned Pigment Print of a Sunlit Landscape)
By James Bleecker
Located in Hudson, NY
Tree and Pond, Ghent NY, 2018
pigment print on watercolor paper, signed dated and numbered on face
20 X 24, edition of 25 $2,500.00
also available in 13 x 16 inches, edition of 25 $1,500
This Black and White Sepia-toned print of a pond in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a leafy tree streaming with sunlight. The pond in the background is surrounded by trees and reflects some of the golden light.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
End of Summer (Realist Black & White Still Life Landscape of Lily Pads on Water)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lily pads on water
"End of Summer", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment, Archival Paper
$1,600 Sale Price
23% Off
Mirrored Lake (Sepia tone Landscape Photograph taken in Louisana)
By David Halliday
Located in Hudson, NY
sepia toned silver gelatin print, edition 1 of 25
17.5 x 17.5 inches unframed, 30.5 x 30.5 inches framed
Frame is dark brown wood molding, 8 ply antique white mat and glass
Sepia toned silver gelatin print of a serenely still lake in Louisiana
When Time Stands Still. The Photographs of David Halliday
Whether traveling to a foreign land, wandering through a neighborhood marketto shop for food, or engaging in convivial conversation with a friend at his home,David Halliday is easily charmed, intrigued, excited, or amused by all that surroundshim. An artful documenter of life, Haliday uses his camera as a tool for recording themultitudinous special moments that capture his attention. Once in the darkroom, heeditorializes his finds, subtly embellishing each image until it somehow evokes thesensation that led him to photograph a subject in the first place.
With the exception of a series of platinum print portraits, Halliday produces all of hisphotographs as sepia toned silver gelatin prints. Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrome, Polaroid, or digitally produced Iris prints […]. For Halliday, the warm tones afforded by age-old processes reflect his desire to reclaim the past or cherish the present in the form of soft, tranquil, frozen moments...
Category
1990s Contemporary Hudson - Landscape Photography
Materials
Silver Gelatin
Canopy (Lake Lotus): Abstracted Still Life Photograph of Green Leaves on White
By Jeri Eisenberg
Located in Hudson, NY
Abstract still life photograph of green leaves against a white sky background
Photograph printed on Japanese Kozo paper infused with encaustic on three panels
Edition 1/12, 36 x 34 i...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Archival Paper, Mulberry Paper
Dusk Lilies (Black & White Landscape Still Life Photograph of Water Lilies)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water
"Dusk Lilies", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
$1,600 Sale Price
23% Off
Quarry Near Louisburg (Industrial Aerial Grey Stone Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial landscape photograph of a light grey stone quarry with dark dramatic shadows shot by photographer, John Griebsch, while flying his plane over Louisburg, NC
Archiv...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Trees in the Distance (Black and White Archival Inkjet Print of a Meadow)
By Betsy Weis
Located in Hudson, NY
archival inkjet print on watercolor paper
10 x 13 inches unframed
2016
Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance.
This photograph is available unframed. The image measures 10 x 13 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Allee, Tuxedo Park (Sepia Toned Pigment Print of Trees Along a Sunlit Path)
By James Bleecker
Located in Hudson, NY
Allee, Tuxedo Park, 2018
pigment print on watercolor paper, signed dated and numbered on face
16 1/4 X 13 edition of 4/25 $1,500
24 x 20, edition of 25, $2...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
"Nebatieh, Lebanon, 2007" HOOPS basketball court limited edition photograph
By Sean Hemmerle
Located in New York, NY
17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Nebatieh, Lebanon, with the hand painted N...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
Barn, New Concord (A tranquil winter scene of Barn and Evergreen in Sepia)
By James Bleecker
Located in Hudson, NY
Barn, New Concord
pigment print on watercolor paper
Available in the following sizes:
13 x 16, edition of 25 $1500
20 x 24, edition of 25 $2500
40x50, edition of 25 $6,500
This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Log Rafts - Port of Tacoma, WA (Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of golden brown logs in a midnight blue body of water
Log Rafts - Port of Tacoma, Washington, USA
Archival digital print, Edition of 25 (#080)
Image size 21.7 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs golden brown logs floating on a dark blue, almost black, body of water. When seen from above, the cross hatching warm brown colored logs resemble an abstract shape that can be likened to an abstract minimalist painting.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Chicago, 2002
By Robin Rice
Located in Hudson, NY
Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...
Category
Late 20th Century Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Autumn Tamaracks & Sunset (Framed Aerial Lanscape Photograph of Green Forest)
By John Griebsch
Located in Hudson, NY
Framed aerial landscape photograph of pine green forest and warm yellow sunset
''Autumn Tamaracks & Sunset'
Archival digital print, Edition of 25
Image size 18 X 12 inches unframed
...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment, Acrylic
Other Desert Cities, Joshua Tree, CA, 2018
By Thomas Michael Alleman
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
White Mist
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wil...
Category
21st Century and Contemporary Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Transitory Space, Prospect Park, Brooklyn, NY, Lily & Branch # 2
Located in New York, NY
17 x 21 inches framed
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Digital Pigment
Lost, Hamptons, NY, 2009
By Benjamin Heller
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 12.
Shipping time depends on method of shipping.
ABOUT:
This photograph is currently on exhibition in Robin...
Category
Early 2000s Hudson - Landscape Photography
Materials
Archival Pigment
Sailboats, Dartmouth facing the English Channel
By Robin Rice
Located in Hudson, NY
CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Silver Gelatin
Georgica Beach, Golden Wave, East Hampton, NY, 2015
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, July 17th from 6pm - 8 PM, the show will be on view until September 22, 2019.
Rice has brought together the works of 60 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.”
Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic.
color, water, tropical, swimming, beach, ocean, sun, sunset, sunrise, sky, tropical, waves, swimming, vacation, sea, sunset, golden, wave, surf, Hamptons, East Hampton, Georgica Beach...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Digital Pigment
Renegades, Tucson, Arizona, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price listed. Inquire about our framing.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper, Dye
Arembepe Palms #2, Bahia, Salvador, Brazil, 1998
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
1990s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Georgica Beach, Golden Wave, Hamptons, NY, 2015
Located in Hudson, NY
Price is for UNFRAMED item
This photo depicts the memorizing quality of the oceans waves, specifically in the Hamptons. It is a part of Robin Rice Galley's 2018 Summer Salon.
The ...
Category
21st Century and Contemporary Modern Hudson - Landscape Photography
Materials
Archival Pigment
Outer Hebrides
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Pigment
"Thunderbolt" a limited edition photograph from Coney Island, 1997
By Phillip Buehler
Located in New York, NY
18"x24" limited edition historic photograph, edition 1/5. This photograph depicts The Thunderbolt roller coaster, which was built in 1925, abandoned in 1982, and demolished 2000. It ...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
"Baghdad, Iraq, 2003" HOOPS basketball court limited edition photograph
By Sean Hemmerle
Located in New York, NY
17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Baghdad, Iraq, with a blue sky and pa...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
Georgica Beach, Golden Wave
Located in Hudson, NY
Price for UNFRAMED item
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018
Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.”
Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic.
This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series.
color, photography, water, beach, ocean, sea, sunset, golden, wave, surf, Hamptons, East Hampton, Georgica Beach...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Breaking the Glass Ceiling
By Ruben Natal-San Miguel
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Sand Bar & Waves - Martha's Vineyard (Aerial Beach Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary color aerial landscape photograph above a beach near Martha's Vineyard, MA
Archival digital print, Edition of 25 (#085)
Image size 26 x 39 inches with 2 inch border, unf...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
"Thunderbolt and Parachute Jump" a limited edition from Coney Island, 1997
By Phillip Buehler
Located in New York, NY
18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a roller coaster that was built in 1925, abandoned in 1980, and demolished in 2000. Behind is the Pa...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
Iceland 244 - Suderland, Iceland (Digital Aerial Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial photograph of Iceland landscape
archival digital print, edition of 25
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches with 2 inch...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
"Shanghai, China, 2006" HOOPS basketball court limited edition photograph
By Sean Hemmerle
Located in New York, NY
17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Shanghai, China, with a yellow backbo...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
Songs of the Sky 2 (Abstract Landscape Photograph of Clouds in Sky, 4 panels)
By Jeri Eisenberg
Located in Hudson, NY
Abstract landscape sepia toned photograph of clouds on a sky horizon
Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inc...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Curved Break Wall (Archival Aerial Landscape Photograph of Turquoise Water)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of turquoise blue water and curved break wall
Archival digital print, Edition of 25 (#094)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs turquoise blue water above Lake Michigan near Chicago, IL. When seen from above, the break wall that spirals into the blue water resembles an abstract line on a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Field Corner Tree - Near Frytown, PA (Framed Aerial Photograph of Green Field)
By John Griebsch
Located in Hudson, NY
Archival digital print, edition of 25 (#274)
26 x 39 inches unframed
36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass
John Griebsch learned how to fly an ai...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Paper, Digital
Songs of the Sky No. 1 (3 Panel Photograph of Sky Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 34 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photo...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Warm Waters #17 (Nautical Seascape Photograph, Blue Ocean Waves in White Frame)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary nautical seascape photograph of blue ocean waves in a simple white frame
36 x 44 inches unframed, 41 x 49.5 inches framed in white wo...
Category
21st Century and Contemporary Contemporary Hudson - Landscape Photography
Materials
Mulberry Paper, Encaustic
Plowed Fields - Near Hannibal, Missouri (Archival Digital Aerial Photograph)
By John Griebsch
Located in Hudson, NY
Archival digital print, Edition of 25 (#013)
Image size 23.5 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with ...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Warm Waters No. 33 (Nautical Style Photograph of Blue Ocean Waves on 3 Panels)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print of blue ocean waves in white frame
36 x 33 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
Je...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Mulberry Paper
Songs of the Sky No. 8 (3 Panel Photograph of Sky Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 34 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, three blue and white panels...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Soft Mountain Sunset (Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains
Archival digital print, Edition of 25 (#369)
Image size 19.3 x 29 inches with 2 inc...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Songs of the Sky No. 7 (4 Panel Photograph of Sky Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 45.5 inches unframed
Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the style of this negative photograph...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
One World Trade Center 15 (Sunlit New York Freedom Tower, Color Cityscape Photo)
By James Bleecker
Located in Hudson, NY
One World Trade Center #15 by James Bleecker
Contemporary color photograph of New York City's Freedom Tower with sunlight as viewed from the Hu...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Old Bus Terminal, Mountainair, NM
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category
2010s Modern Hudson - Landscape Photography
Materials
Archival Pigment
Underwater Dunes (Aerial Landscape Photograph of Ocean & Sand Dunes)
By John Griebsch
Located in Hudson, NY
Contemporary aerial landscape photograph of sand dunes and deep green ocean water captured from the photographer's plane over Gulfport, Mississippi
Archival digital print, edition 4 ...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Songs of the Sky 14 (Abstract Landscape Color Photograph of Clouds & Blue Sky)
By Jeri Eisenberg
Located in Hudson, NY
Abstracted landscape color photograph of clouds and blue sky on 4 panels
Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36...
Category
2010s Abstract Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Rockface 27: Still Life of Graphic Jagged Rock Cliff in Black and White)
By Andrew Buck
Located in Hudson, NY
Rockface 27 by Andrew Buck
archival pigment print, edition of 5
44 x 44 inches framed
Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
$2,200 Sale Price
42% Off
Poplar Corner (Aerial Winter Landscape Photograph of Trees in a White Field)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of trees in a snowy white field
Archival digital print, Edition of 25 (#121)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland)
By Betsy Weis
Located in Hudson, NY
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis
black and white archival inkjet print on watercolor paper
10 x 15 inches unframed
16.5 x 21.5 inches framed $1250
Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape.
This photograph is also available unframed for $950. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Songs of the Sky 8 (Abstract Landscape Sepia Toned Photograph of Clouds & Sky)
By Jeri Eisenberg
Located in Hudson, NY
Abstracted landscape sepia toned photograph of clouds and sky on 3 panels
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 3...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Mulberry Paper, Encaustic
Songs of the Sky 7: Abstract Landscape Photograph of Clouds & Sky, 3 panels
By Jeri Eisenberg
Located in Hudson, NY
Abstract landscape color photograph of clouds and sky on 3 panels
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Manhattan View from Upper Harbor (New York City Skyline & The Statue of Liberty)
By James Bleecker
Located in Hudson, NY
Contemporary black and white photograph of the New York City skyline and The Statue of Liberty
archival pigment print on watercolor paper, unframed & made to order
50 x 40 inch paper...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Iron Ore Piles, Gary, IN (Modern Industrial Aerial Shot of Orange & Brown Ore)
By John Griebsch
Located in Hudson, NY
Archival digital print, edition of 25
23.5 x 29 inch image with 2 inch border, unframed
*additional sizes available are listed in the detail section
John Griebsch learned how to fly...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Paper, Digital
Quarry Squares - Near Auburn, NY (Aerail Archival Industrial Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial photograph of industrial quarry field
Archival digital print, Edition of 25 (#267)
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
High Line at 19th Street (Iconic Architectural Detail on Manhattan's West Side)
By James Bleecker
Located in Hudson, NY
High Line at 19th Street (Iconic Architectural Detail on Manhattan's West Side) by James Bleecker
Contemporary sepia toned photograph of New York City's High Line, the iconic raised ...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
High Line: Column (Sepia Toned Architectural Photograph in Manhattan)
By James Bleecker
Located in Hudson, NY
Contemporary sepia toned photograph of New York City's High Line, the iconic raised walkway in Manhattan's west side neighborhood
'High Line: Column' by James Bleecker
archival pigme...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Barn with Birds ( Black and White Sepia Toned Pigment Print of a Winter Scene)
By James Bleecker
Located in Hudson, NY
Barn with Birds, 2018
pigment print on watercolor paper, signed dated and numbered on face
13" X 16 1/4" edition #4/25 $1,500.00
21 x 27 inches framed - $1650
This Black and White ...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Trailer Yard, Washington (Colorful Industrial Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial landscape photograph of colorful shipping containers, shot from the photographer's plane over the Port of Tacoma, Washington
Archival digital print, edition 4 of ...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
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