Michigan - Paintings

This "Dog" painting vibrantly pops with hyperrealistic color. It depicts a highly detailed dog standing in a bare room, its floor and wall awash in the same catoonish purple wallpaper...

Artis Lane’s “Flowers in a Pink Vase” fills the canvas with the breathtaking beauty of colors and with the dynamic energy of their movement. The subject of the flower has captured the interest of both artists and viewers across centuries and in numerous cultures. Mosaics of flowers can be seen on the villa floors in Pompeii and Herculaneum pre 79 A.D., the Dutch painter Jan Davidsz de Heem is famed for his Baroque still lifes of flowers in the 1600s, French artist, Edouard Manet’s Last Flowers are revered as some of his best work, and the 20th c. silkscreens of Andy Warhol’s Poppys...

"Adam & Eve Triptych" is a contemporary painting with surrealist elements such as the eyes in the clouds, the unknown and unknowable creatures painted and the biblical scene alluded to by the title. There is a definite Hieronymus Bosch attitude expressed by the creature in the first panel and the last panel. The sweetest creature is Eve as a very young, but nonetheless, suspicious and perhaps manipulative woman. Renata Palubinskas was born in 1968 in Kaunas, Lithuania, at the time still in the Soviet Union as the Lithuanian Soviet Socialist Republic. She received her diploma in Fine Art and Restoration from St. Zukas Technium of Applied Arts in 1989. After working at the M.K. Ciurlionis State Museum of Art, she emigrated to the United States in the 1990s, basing herself in Detroit. Renata's work rethinks historic iconography while intentionally addressing the modern world through a new perspective. The characters in her paintings are often caught between the struggle of good and evil. That struggle represents the choice of trying to obtain immediate gratification or realization of the self, and the haunting life experiences with latent possibilities for death. Renata uses schematic compositions with purposefully positioned figures and other visual elements. To attract attention to the most significant figures, she often ornate their garments with intricate patterns. They are typically placed in either a serene landscape or an interior setting with a threatening presence around them. Her work has been exhibited in Collected Detroit...

In her paintings, Christine Hayman concerns herself with space. She is interested in how forms are energized by the space around them, especially when...

"Wise Virgin" is part of a series of paintings and sculptures Artis Lane completed in which she explores the metaphysical and spiritual dimensions of humans as they reach toward a mo...

This portrait of a precocious young boy is significant for two reason: the subject is Eero Saarinen, the famed designer of tulip chairs and architect best known for designing the Washington Dulles International Airport outside Washington, D.C., the TWA Flight Center in New York City, and the Gateway Arch in St. Louis, Missouri, and the painter is his father Eliel Saarinen, the Finnish-American architect who designed the Helsinki Central railway station, the National Museum of Finland, the Vyborg railway station, the Hvitträsk, and the Kleinhans Music Hall in Finland and the famous Cranbrook Academy campus, where he would then go on to teach at the Cranbrook Academy of Art and become its president in 1932. It's provenance is Eero Saarinen's own son, the award-winning cinematographer Eric Saarinen. The painting is Painting is 23.25 x 16.25. Eliel Saarinen was born in 1873 in Rantasalmi, Finland. was educated in Helsinki at the Helsinki University of Technology. From 1896 to 1905 he worked as a partner with Herman Gesellius and Armas Lindgren at the firm Gesellius, Lindgren, Saarinen. His first major work was showcased at the Finnish pavilion at the 1900 World Fair in Paris. His early style was known as Finnish National Romanticism. After moving to the United States he designed the Gulf Building in Houston and became a visiting professor at the University of Michigan. In 1925 he was requested to design the Cranbrook campus. His work has been exhibited in many prestigious places, such as his iconic tea urn at the Metropolitan Museum of Art in New York, the St. Louis Art Museum, Cranbrook Art Museum, the British Museum in London, and the Metropolitan Museum of Art. The touring exhibition Modernism in American Silver: 20th-Century Design, organized by the Dallas Museum of Art, which also traveled to the Smithsonian Institution in Washington, DC. the British Museum in London and the Metropolitan Museum of Art also hold tea urn-related Eliel Saarinen designs. Eero Saarinen was born in 1910. He grew up in Bloomfield Hills, Michigan and took courses in sculpture and furniture design at the Cranbrook Academy of Art. He had a close relationship with fellow students Charles and Ray Eames, and became good friends with Florence Knoll (née Schust). He began his studies in sculpture at the Académie de la Grande Chaumière in Paris, France, in September 1929. He then went on to study at the Yale School of Architecture, completing his studies in 1934. In 1940 he designed his famous Tulip chairs and in 1948 he designed what would be his most well-known sculpture, the Gateway Arch in St. Louis. His Crow Island School in Winnetka, Illinois would also achieve international acclaim while the first major work by Saarinen, in collaboration with his father, was the General Motors Technical Center in Warren, Michigan, which follows the rationalist design Miesian style, incorporating steel and glass but with the addition of accent of panels in two shades of blue. After his father's death in July 1950, Saarinen founded his own architect's office, Eero Saarinen and Associates. He was the principal partner from 1950 until his death. The firm carried out many of its most important works, including the Bell Labs...

“Icarus Suspended” is an extraordinary painting of Ayrton's obsession with flight, myths, mirrors and mazes. This complex piece shows a figure in flight, frozen in action, either swooping down or, perhaps, falling to earth. Named after the Greek mythological figure, Icarus, who along with his father attempted to escape from Crete by means of wings that his father constructed from feathers and wax. Flying too close to the sun the wax melted and both fell to earth. The positioning of Ayrton's figure is reminiscent of "The Fall of Icarus" by Jacob Peter Gowy, Museo Nacional del Prado. This is part of a series of artworks on Icarus some sculptural and some three-dimensional paintings on canvas. Verso contains gallery label Matthiesen Gallery, 142 Bond St., London, England, with a signature and text in upper right corner: "To Morton Schotnick. Bought on the occasion of The Archives of American Arts Tour to London, England. October 10, 1961. Michael Ayrton...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Statue of Liberty" is a painting by the Canadian, Ms. Lane, who has adopted the United States as her home country. She has used a cool blue tone to give the statue a more sculptural aspect in paint. The Statue of Liberty is an American Icon...

In her paintings, Christine Hayman concerns herself with space. She is interested in how forms are energized by the space around them, especially when incorporated into paintings wit...

"In my current work, I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the pain...

"In my current work, I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the pain...