New York City - Mixed Media

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

ABOUT THIS ARTIST: Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to c...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

ABOUT THIS PIECE: 16" W x 20" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Califo...

Marina Abramović Portraits in the Presence of Marina Abramovic (Hand signed by BOTH Marina Abramovic and photographer Marco Anelli), 2021 Hardback monograph with no dust jacket as is...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Judy Chicago Deflowered (Hand Signed Book), 2013 Hardback Monograph and DVD (Mixed media book set) Boldly signed by the artist in black marker on the first front end page. 12 1/4 × 12 1/4 x 2 1/2 inches Unframed This hand signed monograph makes a terrific gift! Judy Chicago signed...

Original work by Susan Goldsmith Susan Goldsmith (b. 1955, Los Angeles, CA) attended the California College of the Arts in Oakland, CA, where she completed a BFA in 1977 and an MFA ...

Green Bikini #1 A figurative mixed media painting on canvas by artist Brad Fisher 72 × 60 × 1.5 in Shipping is not included. See our shipping policies. Please contact us for shipp...

Thomas Anderson Abstract Expressionist painting on paper, ca. 1987 Mixed media watercolor, gouache and marker on paper Signed in black marker lower right front Unique Frame included ...

Warrington Colescott Your Day in Court, from the portfolio Wisconsin Graphics, 1971 Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress ...

Joe Brainard Eucalyptus Leaves/Bolinas, 1971 Collage on thin board (with original labels from Fischbach Gallery, The Denver Art Museum and University...

Artist: Valverde, Francisco Title: Gleamora Date: 2025 Medium: Pigmented resin on panel Unframed Dimensions: 48" x 48" x 3" Signature: Signed Edition: Unique

Original artwork Created out of unplayable vinyl records and their packaging on canvas Size 48 x 36 inches Set in a black floater frame

Stanley Boxer Bathers, 1967 Mixed Media watercolor & ink wash drawing Hand signed by the artist on lower right hand corner on the front 8 1/2 × 11 1/4 inches Unframed This is a uniqu...

Harmony Hammond Ruffled Waters, 1980 Signed lower right Mixed media on paper 18 1/8 x 24 inches Provenance Private Collection, New York Heritage Auctions, Dallas, Contemporary Art W...

Laddie John Dill Untitled Mixed Media painting, 2011 Cement, polymer, wood, mixed media on board 12 × 18 × 1 1/2 inches Signed and dated on the back Unique work This exquisite unique...

5-3424 Figural painting Mixed media on artist board Image size 12x10" Displayed in a black wood frame Signed Vanzina

In the artist's Art on Design print series, Be the Dance, 2023 by a.muse is a colorful one-of-a-kind art on paper. The work is an invitation to freedom of self-expression and invites...

Sheila Isham Flight XXXI, 1987 acrylic, watercolor, and collage on handmade paper with deckled edges Pencil signed, dated and titled Signed again and warm...

Artist: Laddie John Dill, American (1943 - ) Title: untitled Year: 1984 Medium: Glass, Cement and Polymer on panel Size: 30 x 50 x 2.5 in. (76.2 x 127 x 6.35 cm)

Robert Goodnough Collage Canvas Painting III, 1983 Painted canvas collage on cardboard (signed twice and inscribed to artist and curator Matthew Rose) S...

In 1972 the Propylaen Verlag, Berlin approached Petersburg Press asking if some of the artists we were working with would contribute a print to the Hommage à Picasso portfolio they w...

Ben Eine SCARY (Hand painted Skateboard Skate Deck), 2017 Hand painted with blue skate deck on 100% Canadian maplewood Boldly signed and dated on the front in black marker; numbered ...

Charles Green Shaw Montage, Italian Minchiate Cards, circa 1935 Signed on label on verso Antique Playing cards and mixed media 9 1/4 x 13 1/2 inches Provenance Washburn Gallery Priv...

"Sharmistha Kar (b. India) is an artist and educator. Sharmistha obtained her Bachelor of Visual Arts in 2007 from Rabindra Bharati University, focusing in painting. Since then, sh...

Collage by Torea Frey created using found papers from vintage dictionaries and thesauruses, graphite powder, and matte medium. Torea is a writer,...

Mark Kostabi Focaccia Alla Robiola - Da Ciro - New York, NY, 1998 Ceramic Plate. Artist signature fired into the plate on the front and back and numbered 59 of 1000. 10 1/5 inch diameter x 1/4 inch height Unframed Makes a memorable and very special gift! This beautiful, limited edition, signed and numbered bowl...

Assemblage by New York artist Elisabeth Page Purcell. For many years Elisabeth Page Purcell has been a stone carver, but recently switched to mixed media for a different experience ...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Shusaku Arakawa Untitled 3 from "No!" Says the Signified, 1973 Lithograph and Silkscreen on Arches Paper with Deckled Edges Hand signed and dated on the lower right front Artist's Pr...

Contemporary collage by Roxane Hollosi. In her art Hollosi documents the emotional, social and environmental energies she encounter in the moment of creation. The artist founds her ...

Collage by Torea Frey created using waste papers and scraps from books, magazines, and sewing patterns, adhered with glue. Torea is a writer, editor, and artist living in Oregon. H...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on board. The artist works with natural earth,...

Eric Blum Untitled No. 1064, 2025 ink, silk, and beeswax on panel 72 x 48 in. (blum099)

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

Sun Will Come Out Tomorrow - 3D Edition version – cola grey and black background with clear fluorescent space star splatters with 3D fluorescent heart mountain and man mounted into ...

William H. Littlefield Abstract Expressionist work on paper, for Norman Carton, 1962 Mixed media oil painting on paper Signed William H. Littlefield, dated 9/16/1962 and inscribed, "...

Jeff Koons Original tulips in landscape drawing, 2011 Original drawing done in ink across the title pages of Gagosian Gallery monograph Signed, dated and warmly inscribed to Jennifer...

Listing includes framing, free shipping in the US, and a 14-day return policy Untitled, 2015 by Enoc Perez. 11 x 8.5 inches. Unique hand cut and painted collage Signed on verso Artist Biography - Enoc Perez was born in San Juan, Puerto Rico in 1967. He currently lives and works in New York. Known primarily for his multi-layered paintings of modernist buildings, throughout his twenty year career the artist has nevertheless engaged with a variety of subjects that appeal to him from voluptuous nudes to still lives of Don Q rum bottles...

Eric Blum Untitled No. 1005, 2023 ink, silk, and beeswax on panel 60 x 48 in. (blum096)

This vivid circular mixed media on paper by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. This painting feels like a cheer...

Contemporary collage by Debra Friedkin. Debra Friedkin’s work ranges from whimsical to darkly humorous, informed by sleek modernism, pulp science fiction and spiritual symbolism. Debra Friedkin studied art at Lehman College, NYC and Long Island University post-graduate. She mentored privately with Lester Zakarin, an illustrator for Stan Lee Comics...

Watercolor monotype with chine collé, coffee and oil stick on white BFK Rives Printmaking Paper. Paper: 15" x 11" Frame: 19" x 15" At the core of the dialogue between the artist ...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Orazio De Gennaro's Terra Bruciata (Scorched Earth) is an 11 x 13-inch abstract painting on paper mounted on a board. Unframed. The artist works with n...

Laura Bidwa Artist Talk 15, 2023 oil and latex paints on panel 9 x 8 1/2 in (Bid001) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that t...

Laura Bidwa Artist Talk 17, 2023 oil and latex paints on panel 9 x 8 1/2 in (Bid004) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that t...

Alan Shields TV Re-Run A, 1978 Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board Signed by Ala...

Bauer works with found natural objects. Leaves, stones, pieces of wood…ephemeral natural things, easily overlooked. And she use crochet; sometimes as embellishment, but mostly in a m...

Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. THE GAZE Monoprint with Chine collé, 13 ¼ x 10 inches, 1999 Dorothy Canfield Fisher 1879 –1958) Dorothy Canfield Fisherwas an educational reformer, social activist, and best-selling American author in the early 20th century. She strongly supported women's rights, racial equality, and lifelong education. Eleanor Roosevelt named her one of the ten most influential women in the United States. The Women’s Rights Historical Park exhibited Benton's growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Artist: , Kozo Title: Long Distance Relationship Date: 2025 Medium: Mixed Media w/ Tattoo ink on paper Unframed Dimensions: 57" x 39" Framed Dimensions: 63" x 45" x 3" Signatur...

Sam Francis Suite of Four Limited Edition Ceramic Plates, ca. 2000 Set of four (4) limited edition ceramic plates in original museum box Edition of 2000 7 × 7 inches Unframed Note: M...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Abstract work of art on paper by Iliyan Ivanov. The artwork belongs to the series "In Not So Many Words," which consists of 12 acrylic on paper pieces created in 2022-23. All the wo...

Yinka Shonibare Fabric-ation, 2013 Original Dutch wax print fabric chosen by the artist on Hardback cloth bound monograph with fabric covered board 12 1/2 × 11 × 1 1/2 inches Edition...