New York City - Prints and Multiples

Joan Miro, Spanish (1893 - 1983) - Bagatelles Vegetales, Year: 1956, Medium: Etching with Aquatint and Carborundum, on Richard de Bas, Edition: 300, Size: 9.25 x 14.5 in. (23.5 x 36...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Edward M. Plunkett, American (1922 - 201?) - UFO ca. 1913, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 30, Image Size: 14.5 x 23.5 inches, Siz...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

Robert Natkin monotype (unique) on paper signed in marker on the front Pencil signed, and inscribed with heart doodle: "For Dorothy and Arthur with my Love Natkin" Provenance: collec...

Paper Size: 32.5 x 21 inches ( 82.55 x 53.34 cm ) Image Size: 32.5 x 21 inches ( 82.55 x 53.34 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

This is the original cover for Derrière le Miroir No. 143, a highly collectible piece from the iconic French art publication known for collaborating with modern masters such as Miró,...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Walt Kuhn Kuhn Family Holiday Card Lithograph on paper 5 1/2 x 4 inches Walter Kuhn was born on October 27, 1877 in Brooklyn, NY. His father, Francis Kuhn, was the owner of a ship ...

To promote the "Masterpiece Theatre" presentation of "The Citadel," Mobil created a large advertisement poster. While specific details about the poster's design are not provided, suc...

Paper Size: 46 x 46 inches ( 116.84 x 116.84 cm ) Image Size: 46 x 46 inches ( 116.84 x 116.84 cm ) Framed: No Condition: A: Mint Additional Details: Reproduction of Merlin, an...

This signed and numbered lithograph by Jasper Johns, produced in an edition of 100, is offered by CLAMP in New York City.

Chris Forrest, American (1946 - ) - Peregrine, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 23 x 1...

MASSIMO LISTRI Massimo Listri - Hermitage Museum, St. Petersburg (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic ...

Ed Ruscha Chicago International Art Exposition (Hand Signed by Ed Ruscha), 1983 Offset Lithograph. Pencil Signed and dated. Unframed. Signed and dated by Ed Ruscha in graphite pencil...

Pablo Picasso, Spanish (1881 - 1973) - 7 Tableau Majeurs. Year: 1962, Medium: Lithograph in Three Colors on Arches, Edition: 1000, Size: 25.5 x 19 in. (64.77 x 48.26 cm), Frame Size:...

"Mozart Night" by Jules Olitski is a captivating work that epitomizes the artist's innovative approach to color and abstraction. Hand signed, dated, titled, and numbered out of an ed...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Psaltery, 2nd Form Mark Tobey, American (1890–1976) Date: 1974 Etching on Japon, signed and numbered in pencil Edition of 107/150 Image Size: 14 x 11 inches Size: 26.5 in. x 20 in. (...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Jewish Bride, Fig B 341, Year: of Original: 1635, Medium: Etching, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), P...

Promotional Poster by Jim Dine for Gilbert and Sullivan Production at New York City Center, 1968 This promotional poster, designed by Jim Dine, w...

Rufino Tamayo, Mexican (1899 - 1991) - Hombre con Brazos Abiertos. Year: 1984, Medium: Mixograph, signed and numbered in pencil, Edition: 71/100, Size: 35.5 x 26.75 in. (90.17 x 67....

linocut printed in 25 colors on Hahnemuhle paper For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject mat...

Mel Hunter, American (1927 - 2004) - Valley Farm, Year: 1976, Medium: Lithograph, signed in pencil, Size: 15 x 20 in. (38.1 x 50.8 cm)

Poster for Learning Through Art/ The Guggenheim Museum Children's Program. This map was created by children enrolled in Paloma Picasso's Learning Through Art Workshop. The Learning T...

Javier Calleja Little Mickey Grey: A standout limited edition Javier Calleja Mickey Mouse art toy created by the artist in conjunction with the noted 2021 Japan exhibition, “Mickey...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

David Hockney David Hockney at Castelli Graphics, 1981 Offset Lithograph poster 20 × 16 inches Unframed Rare 1981 poster published on the occasion of the r...

Artist: Jules Engel, Hungarian/American (1909 - 2003) Title: Untitled 3 Year: circa 1970 Medium: Acrylic on Paper Size: 21 x 21 inches

Original stone lithograph with hand-coloring from "Birds of North America." First Octavo Edition, by John James Audubon. Plate 383. Philadelphia, J.T. Bowen, ca. 1839-44.

Paper Size: 34 x 22.5 inches ( 86.36 x 57.15 cm ) Image Size: 26 x 19 inches ( 66.04 x 48.26 cm ) Framed: No Condition: A: Mint Additional Details: This original lithograph, So...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and numbe...

Johnny Gotthard Friedlaender (German, 1912-1992), Abstract Composition, Etching and Aquatint in color on "L'Oeuvre Gravee" paper, blind stamped lower left, signed in pencil lower rig...

Artist: Alan Parker, Canadian Title: Zero House Year: 1992 Medium: Etching with Aquatint, signed and numbered in pencil Image Size: 12.5 x 17.5 inches Size: 22 x 29.5 in. (55.88 x ...

JAMES MCNEILL WHISTLER (1834-1903) Limehouse, from Notes lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Joseph Racontant Ses Songes (B37), Year: 1878 (of original 1638), Medium: Heliogravure, Size: 4.75 x 3.5 in...

First edition published in 1972 by Harry N. Abrams, New York, authored by John Barnicoat. This hardcover edition, part of The World of Art Library, is bound in cloth with a dust jack...

ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Johan Van Oeckel. In search for new compositions he always starts from small sketches based on fra...

This offset lithograph in colors in three panels was created in 2002 and is from the unsigned edition of unknown size measuring
 
25 x 20 ½  in. (63.5 x 52 cm.) each and 25 x 62 in. ...

Size: 17 x 14 inches ( 43.18 x 35.56 cm ) Condition: A: Mint Additional Details: Untitled (Kiss) (2019) marries Alvar Aalto’s classic piece of modern furniture design, Stool 60, wit...

Calico Jim Dine, American (1935) Portfolio: 11 Pop Artists III Date: 1965 Screenprint on Cartridge Paper, signed in pencil lower left Edition of 200 Size: 40 x 30 in. (101.6 x 76.2 c...

James Rosenquist Somewhere to Light, WACO, Texas 1966, from the New York International Portfolio Lithograph on wove paper Pencil signed and numbered 112/225 on the front Catalogue Ra...

Artist: Douglas Hofmann, American (1945 - ) Title: Ballerinas Year: Circa 1990 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 33.5 x 20 inches Frame Siz...

Cosmicstrip I by Roberto Matta, Chilean (1911–2002) Date: 1959 Etching, signed and numbered in pencil Edition of 21/50 Image Size: 14.75 x 19.25 inches Frame Size: 23.75 x 28 inches ...

Paper Size: 28 x 22 inches ( 71.12 x 55.88 cm ) Image Size: 21.25 x 20 inches ( 53.975 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: This is an original poster featuring the award-winning photograph by Nina Leen...

Robert Savoie, Canadian (1939 - ) - Movement, Year: 1978, Medium: Etching and Aquatint on Arches, signed, dated and numbered in pencil, Edition: 15/50, Image Size: 22 x 27.5 inches, ...

Carmen Louis Cicero, American (1926 - ) - Untitled 11, Year: circa 1971, Medium: Screenprint, signed and numbered in pencil, Edition: 27/76, Image Size: 18 x 20 inches, Size: 23 x ...

Silkscreen VIII from Apocalypse is a 1988 vintage offset lithograph postcard, published by Art Unlimited Amsterdam and printed in Holland. The postcard is framed in a black wood fram...

This original serigraph by Steve Kaufman, titled Mickey Mantle, is a vibrant homage to the legendary baseball player. The silkscreen is printed on canvas and mounted on 2-inch thick ...

Paper Size: 26.75 x 16.25 inches ( 67.945 x 41.275 cm ) Image Size: 26.75 x 16.25 inches ( 67.945 x 41.275 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...

This reproduction of Agrigente by Nicolas de Staël is a beautiful tribute to the artist’s signature style, capturing the essence of his bold and evocative approach to abstraction. Ag...

Blonde Waiting is an offset lithograph by Roy Lichtenstein, from a portfolio of six prints published by the Guggenheim Museum, now out of print. Capturing LichtensteinÕs fascination ...

This elegant image, titled Tulip in Black Vase, comes from a 1994 box set of Robert Mapplethorpe photographs, published by teNeues Publishing Company and printed in Germany. Mappleth...

Paper Size: 19 x 19 inches ( 48.26 x 48.26 cm ) Image Size: 14.25 x 19 inches ( 36.195 x 48.26 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Gary Hume Grey Leaves 2004 Screen print in 4 colours with one glaze, printed on 400gsm Somerset Tub Sheet: 28 x 23 inches; 71 x 59 cm Frame: 30 3/8 x 25 1/...

This lithograph, titled Le Chemin de Ronde, was published in 1970 and appears on pages 6 and 7 of Derrière le Miroir No. 188. Known for his surrealistic style, Alain Le Yaouanc...