New York City - Abstract Prints

Artist: after Ed Ruscha Title: America: Her Best Product (Made in USA) from the Kent Bicentennial Portfolio Year: 1975 Medium: Offset Lithograph (unsigned as is...

Temporal Perception 4 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30" ...

Lev Moross - Someone-Somewhere, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 77/200, Image Size: 38 x 26 inches, Size: 41 x 28 in. (104.14 x ...

David Shapiro (American, b. 1922) Waterfall I (de-accessioned from the Denver Art Museum), 1979 Spit-bite etching, drypoint and carborundrum on Lanaq...

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...

This black and white portrait drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 8/25 lower right in pencil. This print features a pair of sketches...

This lithograph was created by Chilean artist Roberto Matta. Matta creates new dimensions in a blend of organic and cosmic lifeforms in a biomorphic style. He was one of the first ar...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Surrounded by a charcoal background, the male figure at the center of this Pablo Picasso print appears illuminated by the light emanating from the upper right corner. Infused with a ...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Wedding Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 13 x 35 inches Size: 18 ...

Howard Hodgkin based this print on a trip he took to visit his good friend and fellow Petersburg Press collaborator David Hockney in Los Angeles. The mid-eighties saw new levels of abstraction in Hodgkin’s work, building exuberantly off the ambiguous spaces of his earlier work. The artist used six colors of paint, producing a unique depth and texture to each print in this edition. Howard Hodgkin was introduced to the etching technique used in DH in Hollywood at Petersburg Press, where he was a long-time collaborator. Soft-ground etching allowed him to work fluidly and spontaneously, giving his prints the characteristic black brushstrokes seen in this print. Paper 8.4 x 11 in. / 21.3 × 27.9 cm Soft-ground etching (from one plate) with hand coloring in watercolor (orange-red, brown, and green) and oil pastel (red and...

David Salle Hand Signed Poster by David Salle upper left, 2000 Offset Lithograph Signed by the artist and dedicated to Nadine 25 × 30 inches Unframed This is a uniquely signed David...

This detailed print by Iranian artist Mahmood Sabzi features a collection of nicely dressed women, all draped elegantly around a lounge and playing various instruments. The piece is ...

Donald Baechler, Two Fishes, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Bodegon 29 II Juan Manuel Gomez-Quiroz Chilean (1939–2021) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 16 x 15 inches Size: 29 in. ...

David Hockney Tribute to violinist Jascha Heifetz, 1988 Offset Lithograph Poster 15 × 34 inches Limited Edition of 100 Unframed (unsigned) Another example of this work was featured i...

Dreamfields (Pink) Sybil Kleinrock, American Date: circa 1978 Lithograph, signed and numbered in pencil Edition of 150 Size: 21.5 x 29 in. (54.61 x 73.66 cm)

CR Rossbach - Geometric Composition, Year: circa 1970, Medium: Screenprint on Paper, Laminated, signed and numbered in pencil, Edition: 2/5, Image Size: 12 x 12 inches, Size: 18 x ...

Artist: Priya Mookerjee, Indian Title: Composition Year: 1970 Medium: Aquatint Etching, signed in pencil Edition: AP Paper Size: 15 x 15.5 inches

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

Jeffery Dali (American, 1929-2006) "Untitled: Abstract Perspective (Edition 26/200)", Abstract Geometric Serigraph Screen Print numbered and signed in Pencil, 14 x 18, 1970 Colors: ...

1-2-3 Outside reproduces James Rosenquist’s 1963 oil painting of the same name, collected in the Spencer Museum of Art, The University of Kansas, Lawrence. Rosenquist sourced the ima...

In this print, Pablo Picasso uses a series of curving lines and soft angles to portray a bird in flight. Relying on the use of perspective, the artist creates a unique view of the animal as it soars through the air, surrounded by organic decoration. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Etudes de Mains et Colombe...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Leaning against a blue and red flag, the woman in this print by Pablo Picasso stares back at the viewer with her large blue eyes. Wearing a patterned outfit, she is portrayed through...

Mark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...

Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...

MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 3 Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition size: 250 Size: 25 in. x 29.5 in. (63.5 cm x 74.93 cm)

Anthony Velonis (1911-1997) was an extremely innovative artist. He learned the technique of screen printing, also known as silkscreen, (for which he also coined the term serigraphy) while working with a wall paper manufacturer. Unusual for fine prints, the image is made by the artist in the same direction as it will print, as the colored inks are forced through fabric (silk) directly onto a paper surface. (He also invented a machine that could print onto column-shaped items such as cocktail glasses or make-up bottles and a rack system for drying sheets of paper with wet ink in which the sheets are just inches apart.) The technique allows extreme versatility on the part of the artist and the ink tends to sit on top of the paper rather than soak into the fibers. In 1934 Velonis used this new technique on Mayor LaGuardia's NYC Poster...

Artist: Robert Motherwell Title: Tricolor 137 Year: 1973 Medium: Offset Lithograph, signed in the plate Size: 15 x 10.5 in. (38.1 x 26.67 cm) Frame: 19 x 16 inches Published by XXe ...

Sam Francis, American (1923 - 1994) - Chicago International Art Exposition, Year: 1989, Medium: Poster, Size: 56.5 x 36.5 in. (143.51 x 92.71 cm), Printer: Black Box Collotype ...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Victor Vasarely Sidney Janis Gallery Exhibition Poster, 1974 Silkscreen poster on glossy thick paper Bears copyright stamp, printer name and ...

The abstract print "OVERHEAD LIGHTS 04282018 158am" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 28, 2018 at 1:58 am. While Justin Neely...

Artist: Jonathan Borofsky Title: The Balance of Love and Work Produces Energy Year: 1994 Medium: Screenprint, Signed and numbered in pencil Edition: 50, AP Paper Size: 37.5 x 29 inch...

Sean Scully Shadow, 1970, 2016 (hand signed) Offset lithograph card Boldly signed in black marker by Sean Scully Published by Cheim & Read on the occasion of the exhibition "Circa '...

Richard Pettibone The Appropriation Print: Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 (Andy Warhol's Electric Chair, Frank Stella's Empress of India and Roy Lichtenstein's Spray) Silkscreen in colors on smooth wove paper Pencil signed and dated 1971 on the front Frame included: Elegantly floated and framed in a white wood frame under UV plexiglass in accordance with museum conservation standards Measurements: frame: 15 7/8 x 19 3/4 x 1 3/4 inches sheet: 12 1/4 x 16 inches This is one of Richard Pettibone's most iconic, popular and desirable prints done in 1970 - during the most influential era of the Pop Art movement. This homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. Pencil signed and dated recto. It was created in limited edition - though the exact number is not known. More about RIchard Pettibone: As a young painter, Richard Pettibone began replicating on a miniature scale works by newly famous artists, and later also modernist masters, signing the original artist’s name as well as his own. His versions of Andy Warhol’s soup...

Okaga - Abstract Composition, Year: 1998, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 15.75 x 12 in. (40.01 x 30.48 cm)

Louise Nevelson (American, 1899-1988), Untitled (Abstract Composition), Lithograph in Colors on BFK Rives Paper, 1967, from the Double Imagery series, printed by the Tamarind Institu...

Robert Motherwell Art Chicago, 1981 Offset lithograph on wove paper Plate signed 39 × 27 1/2 inches Unframed This stunning ithographic poster was printed by Tyler Graphics Mt. Kisco...

John Urbain, Belgian/American (1920 - 2009) - C.M II, Year: circa 1975, Medium: Screenprint and collage, signed, numbered and titled in pencil, Edition: AP, Image Size: 28 x 33.75 in...

Ellsworth Kelly Blue Yellow Red (Gemini 1524), 1991 Lithograph on Rives BFK paper with blind stamps Signed and numbered in graphite pencil; bears publisher's and artist's blind stamp...

Artist: Frank Roth, American (1936 - ) Title: Abstract Composition I Year: circa 1968 Medium: Screenprint, signed, titled and numbered in pencil Edition: 200 Image Size: 33.25 x 33 i...

Peter Blake 110 Years of Vauxhall, 2013 Silkscreen on Linen Hand signed and numbered 80/110 by the artist on the front 9 × 17 inches Unframed Sir Peter Blake is one of the most successful British Pop artists from the fabulous 1960s, and his work can be found in major museums and collections worldwide. He is best known for creating the sleeve design of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was with the Young Contemporaries exhibition of 1961, where he exhibited alongside David Hockney and R.B. Kitaj, that Blake rose to prominence. Blake created this limited edition print, a tribute to the Art Car, exclusively for the Vauxhall Art Car Boot Fair 2013. The work sold out completely in less than 15 minutes. It is in excellent condition. Pencil signed and numbered from the limited edition of only 110. The excitement of the event was described in a British news report as follows: "Now in its 100th year, the fair it featured work by over 70 renowned artists including Sir Peter Blake, Gavin Turk, Emin International, Polly Morgan, Mat Collishaw...

Henri Van Moe (Dutch) "Untitled: Seated Woman with Black Cat" Edition 58/75, Abstract Lithograph signed and numbered in Pencil, 8.94 x 8.71 ( 15.75 x 15.75) , Mid to Late 20th Centur...

Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...

Frank Stella Sharpesville, from Multicolored Squares I (Axsom 79), 1972 Lithograph on J. Green mould-made paper Signed in graphite pencil, dated and numbered 31/100 (there were also ...

Tassow Brhanu (Ethiopian, 1937- ), "Goldy 1" Edition 76/100, Abstract Figurative Woodcut Print numbered and titled in Pencil, signed in Print, 18.50 x 13.25 (Image: 16 x 11.25), Mid ...

One For All II is a framed contemporary abstract print by Live ArtFully Atelier artist Rachel Berg. Archival Pigment Print on Hahnemühle Paper. Option of Black, White or Natural Wo...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

AM Elder - Bathing in Distortions, Year: 1974, Medium: Screenprint, signed, titled, numbered and dated in pen, Edition: 2/10, Image Size: 14 x 23.5 inches, Size: 17 x 25.25 in...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

The Horizontal 'Spots' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edition of onl...

A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...

Keith Haring Tony Shafrazi 1982: set of 4 printed works: A set of four double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...