Pennsylvania - Paintings

Huang Gang (Chinese b. 1961) a monumental painting done in Chinese lacquer and mineral pigment on board, signed "Huang Gang, 2003". In good condition with a...

Brilliantly painted in deep pink, sky blue and ivory tones, this 1936-vintage oil painting depicts a Chinese noblewoman in an embroidered gown and elaborate headpiece, flanked by sym...

Beautifully painted in a quiet palette of blue, gray and warm skin tones, this portrait of a college student with blonde hair and fair complexion was made by Ernst Söderberg in 1920....

Like his contemporary, Raoul Pene du Bois, Waldo Angelo served as an important designer for Broadway productions over decades, but in his private time, he produced a number of beauti...

Provocative and unapologetic, this watercolor depiction of a fully nude sailor sprawled across his bed, his uniform and cap neatly laid on a chair to one s...

This important and very rare mural study, executed in oil on canvas, was painted by Dunbar Beck in the 1930s, evidently for a project that was never completed. The painting depicts i...

Impressionist New York City traffic jam on a winter day. Cars fill the street and snow fills the air. The city that never sleeps gleaming with patriotic pride. From early childhood to the present, Willett, a natural talent carried on the tradition in the arts. Currently as a painter in the New Hope, Bucks County Impressionist style- he works full time in the mediums of oil on board or canvas, and watercolor. His recent work has been compared to Edward Redfield both in subject and style. Earlier works by Willett are reminiscent of the photographic representational influence of Andrew Wyeth- his revered friend and mentor. Upon reviewing Chris's portfolio that spans 3 decades, one can see the gradual evolution and development of Chris' own unique method and artistic language- he portrays the landscape and daily lives of the people that live and have lived in this locale- spanning the region from Bucks County, New Hope, Lambertville, New Jersey, French Town, Point Pleasant, and such- still the most popular subject matter of local contemporary impressionists today. Painting measures: 14 x 24 inches. Frame measures: 17 x 27 inches. Oil on board signed lower right corner and verso. Christopher Willett...

An evocative and atmospheric example of WPA mural painting, this large study in watercolor and crayon depicts a stagecoach being loaded with mail and passengers for the journey from ...

Edelmira Marquez Oil on Board of a Young Girl. Mexican Artist, signed and dated top left corner. Surface is built up with textures in the hat and fruit. Looks like original frame....

This is a mid-century vintage acrylic on board country landscape. This painting is presented in a wide rustic pine frame with a decorative gold border on the inside edge. This painti...

Bold and striking, this large 1950s painting of a nude male youth, executed in black gouache or charcoal on a rich, deep red ground, was made by Christopher Clark. The artist is bes...

Original Hand-Colored Sketch titled "French Bulldog" by Renowned Herbert Thomas Dicksee, R.E. (1862-1942). England, circa 1930. Signed Artist Proof.

Vintage framed acrylic painting a hand clutching a book titled “MAN”. Original and one-of-a-kind. American, late 20th century.

"Circus Tumblers" - Featuring a confetti of colors - Acrylic, oil, metal leaf and paint on canvas, signed lower right back and dated '89. - Framed dimensions: 16 in x 12 in.

One of the finest, and certainly the earliest painting by John Lear that we have seen or offered, this image depicts three male nude figures connected by a trailing line of red ribbo...

"Rolling Hills" Depicting a landscape in rolling hills. - signed lower right and dated 1910 - Unframed.

Charming and full of light, this gouache painting of a young man in a black swimsuit lounging on a wide beach was painted by Louise Alix in the 1950s. The man's rosy complexion, the...

LAI FONG OF CALCUTTA Hong Kong/India, active 1875-1910 "County of Caithness" (1897) Oil on canvas signed lower right "Lai Fong / Calcutta / 1897" Item # 403ZMN11W A very fine oi...

China Trade watercolor paintings of exotic birds on branches are in watercolor and gouache on Chinese paper. One picture depicts a pigeon perched on a tree branch with a landscape background. Chinese calligraphy can be seen in the top right corner. The second picture depicts two courting birds in shades of brown, both perched on a branch, also in a landscape background. Both paintings framed with a green silk mat and contemporary gilt and dark wood frame. Reference: Chinese Export...

A fabulous example of allegorical mural painting, this large piece by Edward Holslag features a central winged figure holding a reflective orb, flanked by two nude or semi-nude male ...

Boldly painted in an expressionist palette that calls to mind the work of Edvard Munch and other Nordic painters who were in the artistic vanguard of the 20th century, this depiction...

LAI FONG OF CALCUTTA Hong Kong/India, active 1875-1910 Four-Masted Sailing Ship "County of Peebles" in Rough Seas (1900) Oil on canvas signed lower right "Lai Fong / Calcutta / 19...

KARL FRIEDRICH BOSER German, 1809-1881 After Church Oil on canvas signed to column mid-right "F. Boser" circa 1860 Item # 312ZSB08X Vibrant and crisp, this extraordinary painti...

This is a mid century vintage abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream background. ...

This is a mid century vintage modern abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream backg...

Large 19th Century European School in the distance. Men are also riding on horses in this beautiful piece. 41" x 53"

God's Gift Watercolor 1915. Beautiful and Emotional Masterpiece signed by E. Lochlilar

Autumn Field Oil on Canvas Painting by Richardson. Beautiful and vibrant fall colors used in this. 42" x 54"

Like many of his contemporaries in the 1920s and 1930s, in both America and France, Buthaud was fascinated with figures from classic mythology. Leda and the Swan was a motif he retu...

ALFRED AUGUSTUS GLENDENING British, active 1861-1903 A Figure Overlooking a River Landscape Before a Pasture of Grazing Sheep (1884) Oil on canvas signed lower left "A. A. GLENDEN...

Painted with high good humor and a measure of slyness, this famed illustration of Jack Sprat and his cat with basket in hand, was painted in watercolor and gouache by Swedish-America...

Remarkable Impressionist painting by Mariquita Gill Circa 1900’s oil on canvas. Beautiful painting of the American South West. Painting is signed on the bottom right-hand corner. Di...

Mysterious, jewel-toned and sensuous at the same time, this gorgeous gouache painting by Dooley Dionysius depicts a circle of nude men on a sculpted platform, linked together arm in ...

Lovely 19th Century Painting by Italian Artist Alessandro Sani (1856-1927). Lovely Painting by Alessandro Sani from 19th Century. Similar one sold in...

LATE 19TH CENTURY COPY OF ROSA BONHEUR'S "THE HORSE FAIR" Oil on canvas, signed lower right somewhat illegibly "A. Lionard (?) D' Rosa Bonheur" Item # 306TJZ21P A very nice late 91t...

CIRCLE OF KAREL BREYDEL (ANTWERP, 1678-1744) Flemish School, circa second quarter of the 18th century Cavalry Battling Along the River Banks Oil on panel right panel signed illegi...

Stylized, yes, but sensuous and powerful, this transitional Art Nouveau-Art Deco painting depicts King Herod whispering into the ear of Salome, calling upon her to deliver the head o...

This is a handsome mid century vintage oil on canvas impressionist painting of a day at the races. This painting comes in its original dark walnut frame with a burlap linen mat. This...

Vintage Painted Copper Metal Relief Art By A Gilles 26”x20 ” Japanese Sakura. Circa Mid to Late 20th Century. Measurements: 26" H x 20" W x 1" D.

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete with what appears to be an original artist decorated/painted frame with later touch ups. The Cornwall Iron Banks Original Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the workings of one of the largest iron ore mines in the eastern United States, located in Cornwall PA. This mine and others in the area that came before it, played a crucial role in the development of the United States of America from the Revolutionary War, through the industrial revolution up until the 1970’s when the mine was flooded during Hurricane Agnes and closed operations. Overall frame Size approximately 26″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

This exceptional painting by Charles Euphraise Kuwasseg is a true masterpiece. The artist's use of oil on canvas creates a unique texture and depth that enhances the beauty of the pi...

This atmospheric and magical view of a single nude male figure on a California beach is imbued with lovely, unexpected colors and textures which rise up to a sky that is a pale shade of green. The blond young man has been sunbathing on a towel stretched along the sand, and seems to be placidly examining the viewer -- the painter -- from afar. The artist is Duane Wakeham...

This is a very lovely pair of Italian Venetian oil on canvas paintings with fantastic scenery with beautiful workmanship. The colors are very vivid and painted very well. The details...

Merton Simpson Multi-Media 27" x 24". Merton Daniel Simpson (September 20, 1928, March 9, 2013) was an American abstract expressionist painter and African and tribal art collector an...

Merton Simpson Oil on Board 30" x 24" Merton Daniel Simpson (September 20, 1928, March 9, 2013) was an American abstract expressionist painter and African and tribal art collector an...

Merton Simpson Oil on Board. He has used a bit different style and colors to create this magnificent piece of art. Merton Daniel Simpson (September 20, 1928, March 9, 2013) was an Am...

Helene Stephenson Mixed Media Painting. "Sonora" Piece dates to the early 1990's. Philadelphia Artist, beautifully framed and ready to hang!

Very Nice, Old, Painting of Industrial Landscape Scene signed Duff, 1942 couple small repairs as seen on canvas back small "puncture" along the left side of the painting small "crea...

Magnus Weidemann (GERMAN , 1880-1967) blush fields - Oil on canvas, Signed on lower right and dated 1931 - rolling fields of changing colors and white...

PAUL EMILE LÉON PERBOYRE French, 1851-1929 Cuirassiers Sharing Wine with Rural Countryman Oil on canvas signed lower left "Perboyre" Item # 309ULM18A A rich historical painting that captures the heart and reality of the Franco-Prussian conflict, the scene depicts a troop of Cuirassiers stopping for the afternoon in a non-descript field in the French countryside. Presumably the owner of the field, an older man has come out in the heat of the afternoon to greet the soldiers with a basket of wine bottles, offering a glass to the officers while chatting casually with them. Perhaps he is a local guide offering a sense of what the soldiers might expect in the rural countryside, but more likely it is simply a moment of reprieve in the idyllic countryside and a distinct juxtaposition to the intensity and drama of Perboyre's battle scenes. The Franco-Prussian War (1870-1871) was the last use of "cuirassiers" in the French army with uniforms characterized by the distinct helmets known as a "casque à crinière" featuring a plume of horsehair. The cuirassiers wore a breastplate (cuirass) and the red trousers were a standard part of the French military uniform...

Large blue abstract Venetian plaster painting, Carol L.Post, 2019. In this soft blue textured painting by artist Carol Post subtle strokes of plaster blend with the background and gracefully dance...

Painted by the renowned muralist, Barry Faulkner, in 1929 for the ceiling of the Horace Bushnell Memorial Hall in Hartford, Connecticut, this remarkable Art Deco study depicts Canes Venatici, or the Herdsman holding two hounds, Asterion and Chara, by the leash as they chase Ursa Major around the Pole. The overall theme of the ceiling mural is "Drama" and it is reputed to be the largest and most ambitious in America, featuring the allegorical figure of Drama surrounded by the constellations and the Zodiac, as well as modern symbols of America including Al Jolson...

Adolf Zogbaum (German 1883 - 1961) View of Moselle River, oil on canvas painting. Signed lower right and dated 1935. (unframed)

Superbly executed in watercolor and ink, this charming and lovely depiction of Mother Goose nursery rhyme characters -- including Humpty Dumpty, The Old Woman Who Lived in a Shoe, The Three Little Pigs and Old King Cole -- was created by Maurice Greenberg...

Voluptuous in its approach to scene and palette, this sumptuous portrait of two women, lounging side by side amongst pillows and fabrics in satin and silk, was painted by Rudolph Sch...

Very nice Portrait of a Lady on mohagony board signed, dated 1935 new frameless Swiss Corner clip hanging system - ready to hang A nice resemblence to Emilia Earhart.