Phoenix

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Robert Whitton one off aluminum drafting stool circa late 1980s. This architectural example has been newly powder coated in matte black.

Gorgeous Italian vase in mint condition with controlled bubbles. Possibly Barovier & Toso. Measures: 19" H x 5.5" D.  

A set of (3) antique German porcelain tea / coffee pot trivets. Each plate is a 6.5' in diameter and about 1" thick. Each trivet plate features gentle victorian flower design. All tr...

oil and wax on canvas Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky...

Bomber And Buckeroos ca. 1939 Till Goodan Offset Lithograph PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby. Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company. Tillman Parker Goodan 1896-1958 To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years. After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy. As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist. In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts. He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric. By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl. Till Goodan designs appeared in virtually every medium. But, the most famous was the four lines of dinnerware produced by Wallace China...

Cerused oak perched warrior lamp, circa early 1950s. This example in the manner of Samuel Marx and Paul Laszlo is sold with a custom gray silk shade. Sha...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Unique and modern silver plated brass centrepiece with beautiful blue Murano glass rods as connectors. Produced by Mesa Silver, Italy, 1994. Designed by ar...

Incredible wall tapestry or weaving circa late 1950s. This stunning hand done example depicts a winged being with interwoven multi colored flowers as wings. The black background make...

This beautiful large Daum Nancy vase is in mint condition. The coloration is citrus and the size is 12 1/2"h x 13"w. The vase was created in the 1930's and is inscribed “Daum Nancy, France.” It’s a wonderful find and an excellent example of Daum acid...

Robert Whitton one off aluminium chair, circa late 1980s. This architectural example has been newly powder coated in a bright turquoise.

20th Century (Early) Pair English Royal Crown Derby Covered Urns Tiffany & CO. Beautiful pair purchased in France. Age appropriate wear, see detailed photos or message us with questi...

Textured oil on linen painting by Steven Sles, circa early 1960s. Sles was handicapped and used his mouth to paint. He studied under Hans Hoffman. This ex...

Stunning studio crafted solid walnut and raffia armchair, late circa 1970s. This sculptural example has an unusual handcrafted back, beautifully formed arms and masterful joinery.

Howard Cook (1901-1980) well known Taos artist original woodcut, 1927. Title: “Morning Smokes, Taos Pueblo." In excellent condition. Matted and unframed. Image size: 8"h x 8'w. Pap...

Harriet Lumis (1870-1953) “River at Cummington” (Massachusetts) Oil on canvas signed lower left. Measures: 24" H x 28" W. Frame size: 31" H x 35" W. Excellent condition. Born in Sal...

Original lithograph signed lower right, by California/New York artist Don Freeman. Seeing as Don Freeman liked to attend theater in New York and go backstage to meet the players and ...

Orignal pencil signed lithograph by Adolf Arthur Dehn (1895-1968). Titled “Easter Parade” and created 1933. Lumsdaine/O'Sullivan 270. Edition 300, Contemporary Print Group. Image si...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

Very large-scale plaster and mosaic tile table lamp from Italy, circa early 1960s. This example has inlaid mosaic tiles ranging from turquoise to black...

Original vintage British Railways advertising poster "Progress: Every week British railways modernization plan goes further ahead." Print from a painting by Terence Cuneo for the cov...

This massive and gorgeous 43.61 carat green tourmaline is surrounded by 4.57 carats of mixed cut canary yellow sapphires all hand fabricated in 18k yellow gold. The dimensions of the...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

mixed media on paper

Walter Koeniger (1881-1943) oil on canvas, winter scene. Beautiful river bend in snow. Signed W. Koeniger lower left. Measures: 24 x 36. The frame measures 30 x 42 inches. In excell...

Erich Heckel (1883-1970) Original Woodblock print, 1919. “Dostoevski's Idiot (Final Scene)” Unframed and in excellent condition. Image size: 9 3/4" H x 11 1/2" W. In a 16" H x 20" ...

These whimsical mixed metal bronze pots feature plump bug-eyed toads, warts and all with gaping mouths. These make excellent vases and have metal removable liners. The toads’ bellie...

Original etching with drypoint in mint condition by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Sha...

Beautiful color etching by Leo Browne. Created circa 1930's and 1940's. Image size: 14 x 11 inches. Sheet size: 19 5/8 x 15 1/4 The print is in excellent condition and presents in a ...

Wonderful historic boultos by New Mexico artist Jose Aragon (1796-1850) Titled: “Jesus de Nazarino.” Painted wood, gesso and polychrome. Measures: 20 3/4"h x 9 ½”w x 5"d. In wonde...

Georges De Feure (French 1868-1943) also Georges Joseph van Sluijters Original pen & ink with watercolor - The Swordsman and the Cannoneer Initialed by the artist lower right “G.F.”...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended t...

Important abstract elongated geometric form Peter Macchiarini studio brooch. Copper and sterling set with ebony, bone and mahogany in spherical and...

clay

Wonderful woodblock by Taos artist Howard Cook (1901-1980). Titled: “Giant’s Thumb” (alternate title: Monument Rock).” Edition: 50. Image size: 14"h x 8 1/8"w. Sheet size: 14 1/2"h ...

Two enamel on copper shallow trays by Edward Winter. Abstract designs in blue. One round with paler geometric pattern signed “Ed Winter.” 6" D. One square with round center and a...

Early Steven Sles oil on linen painting circa 1955. Due to his Cerebral Palsy, Sles used his mouth to paint his works and studied under Hans Hoffman. This work mixes thick texture an...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

silkscreen, unframed, edition 229 of 250 In 1968 Andy Warhol exhibited at the Philadelphia Museum of Fine Arts. Since Warhol's show was seminal in the development of Pop Art, there was a lingering presence that could not be denied, even after the work was no longer in the space. Anastasi went to a sign maker and had a plaque made that read, "A Painting of a Soup Can Used to Hang Here". The reference to the soup can and the fact the sign was not made by the artist was the development of Warhol’s subject matter as well as a Duchamp reference. It was pure genius. An edition of this work was produced years later. William Anastasi is one of the founders of both Conceptual and Minimal Art. A “classmate” of Andy Warhol, Sol LeWitt, and Hans Haacke...

19th Century (Early) George III English Regency Bronze Urns Beautiful urns purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Beautifully Painted Porcelain tile signed “Wagner” lower right. The work rests in an ornate gilded frame with a rose-colored velvet liner. The work is in mint condition with no repai...

Beautiful contemplative image by Polish New York artist Hyman Katz (1899-1970). The etching measures 9 5/8 x 11 3/4. It rests in a 16 x 20 inch museum mat and is unframed. The work i...

gilded wood with gold leaf and fabric For over a decade Mateo has focused his work on the analysis of the rites and symbols of power, the high classes, aristocracy, and royalty. H...

silkscreen, unframed, edition 231 of 250 In 1968 Andy Warhol exhibited at the Philadelphia Museum of Fine Arts. Since Warhol's show was seminal in the development of Pop Art, there was a lingering presence that could not be denied, even after the work was no longer in the space. Anastasi went to a sign maker and had a plaque made that read, "A Painting of a Soup Can Used to Hang Here". The reference to the soup can and the fact the sign was not made by the artist was the development of Warhol’s subject matter as well as a Duchamp reference. It was pure genius. An edition of this work was produced years later. William Anastasi is one of the founders of both Conceptual and Minimal Art. A “classmate” of Andy Warhol, Sol LeWitt, and Hans Haacke...

Pierre Emmanuel Guerin, (American, NY, NY born France, 1833-1911). Large PE Guerin foundry bronze casting of Mercury. Measures 36"h x 11"w x 8" across. Rests on a decorative bronze...

Ynez Johnston (1820 - 2019). Original Acrylic on Canvas, created 1993. Titled: “White Island.” Signed, dated and titled on the verso. The painting measures 24"h x 18"w. The frame ...

Outstanding abstract watercolor by Emil Bisttram signed lower right. Painting measures: 20 x 15 inches. Frame size: 27 3/4"h x 23 1/4"w. In excellent condition and beautifully frame...

Original Etching by Modernist Milton Avery (1885-1965) Image measures: 8 5/8" H x 4 5/8" W. Titled lower left - “Little Girl” Edition size: 6 of 60. Printed in 1936. In excellent co...

Accomplished artist Hubert Long created this striking display of found wood in 1977. He enjoyed some success with exhibitions at a gallery on Long Island in the 1960s and 1970s...

oil and wax on linen Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended th...

Bronze angel sculpture by architect and artist Paolo Soleri (1910-2013). Soleri is well-known for his experimental Community, Arcosanti, just n...

John Scott (1850-1918) British figure and genre painter. Oil on board in good condition, framed under glass. Measures: 12 7/8" H x 9 5/8" W. Frame: 19" H x 15 1/2" W. Original frame,...

CVV Verrerie de Vianne handblown frosted glass egg lamp. Made in France, 1960s-1970s. 11” tall x 8” wide. In excellent condition. Colored bulbs woul...

Wonderful oil on board of swimmer’s in Bali by Carl Brandien (1886-1965) Signed lower left and dated ‘30. Titled lower right “Bali.” Measures: 11 3/4" H x 15 3/4" W. Frame: 19.5" H x...

Tequila Siesta Lon Megargee Archival Pigment Print 100% 300 gram cotton rag paper Size: 22.5 x 27 inches Paper size: 24 x 28.5 inches Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Acrylic on paper by well known Hopi-Tewa artist Dan Namingha (b. 1950). The work is a wonderful example of Namingha’s iconic style. It was created 1991 and is signed “Namingha” lowe...