Phoenix

Studio pottery charger by Peter Voulkos, circa 1950-1955. Two incised expressionist female figures with stylized bird and sun. Size: 18" W x 16 1/4" W x 1" H. In excellent condition. This charger is a recent purchase from the Louis Bunce...

Large scale acrylic on board painting by Jim Proctor, circa late 1960s. This example has vibrant hues of oranges yellows and blacks and has compositional depth and great flow. This w...

Pair of George Nelson for Herman Miller Primavera chests of drawers, circa late 1940s. These examples each have four drawers with walnut cases and ebonized walnut legs. Price listed ...

Warren MacKenzie ceramic bowls circa mid-1970s. The vessels have a thin clay body, footed base and unusual glazing. Price listed is for the set of two.

turned wood, wooden vessel, oak

Etching and drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Title: Navajo Canyon Cliffs. Unframed and un-matted. Kloss #563 Pencil titled lower left. Pencil signed lo...

oil on canvas signature and title on verso Michael Marlowe is a studio artist, art director and production designer working in the film and television industry. Marlowe’s large-sca...

Original lithograph by Texas artist Alexandre Hogue (1898-1994). Title: Oil Field Christmas Tree. Created: 1941. Image size: 14 ½ x 9 1/8. Frame size: 22 ½ x 17. Edition size is ...

b. 1954, Reno Nevada Michael David's artwork is included in the public collections of the Metropolitan Museum of Art, New York; the Guggenheim Museum in New York; the Jewish Museum ...

Solid walnut and mosaic table lamp, circa late 1950s. This came from an estate with Allen Ditson and Lee Porzio items and we are researching to see if it is one of their items. Price...

Beautiful contemplative image by Polish New York artist Hyman Katz (1899-1970). The etching measures 9 5/8 x 11 3/4. It rests in a 16 x 20 inch museum mat and is unframed. The work i...

4 Burl wood dining chairs by Mastercraft, circa mid 1970s. These all-original examples have stunning grain and cut velvet upholstery. Chairs are priced at $4,000 for set of 4.

Werner Drewes (1899-1985) oil on canvas, 1947 Titled: “Adobe Village” Measures: 15 ½ x 36 Frame: 21 x 42 Signed lower left and also on the verso In excellent condition. Born in Nie...

QAHATIKA GIRL Portfolio 2, plate no. 56 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS Considered by art collectors as extremely desirable among all his his works! Image size 15.5...

Cheung Yee (1936-2019) embossed and textured metal wall hanging or sculpture, circa 1965. This unusual example entitled 'Box 3' is hand-carved by the artist and features metal over w...

Florence Knoll T-angle coffee table. Excellent condition. 2-piece white laminate top with black steel legs and frame. Bears the original Knoll label, circa 1960s. Measures: 15 1/2...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contain the landscape painted...

An exclusive pair of earrings in 18K gold with two GIA Certified Natural Diamonds, in perfect round brilliant cut, of 1,00 + 1,00 = total 2,00 carats, F color, VVS1-VVS2 clarity, triple XXX...

Original Oil by Chicago artist J. Jeffrey Grant (1883-1960). A typical and beautifully executed subject by the artist. The work is in excellent conditi...

signature on verso images and video copyright by artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Fletcher Martin Size: 16 x12 inches Stone lithograph Frame 25 x 21 inches High, Wide and Handsome- - 1953, Lithograph. Edition 250. Signed in pencil. Shipping is included Image...

Born Monterrey, Mexico 1991. Graduated from the Bachelor of Arts at the University of Monterrey. (2014) Andrés uses ceramics as a medium to create amorphous beings that seem to belo...

Marcello Fantoni glazed ceramic vessel, circa early 1960s. This fabulous example has hand painted female figures around the exterior and a speckled glaze on the inside.

Lovely original etching, a portrait of a local girl by Anders Zorn (1860-1920) $1500 Created 1912 and titled “Skerikulla." The image measures 9 3/4" H x 7 3/4" W. Paper size: 15 3/8"...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

This multicolored expressionist style painting by American artist Eleanor Coen depicts the layered feeling of a city with its patchwork of buildings and l...

Original etching with drypoint in mint condition by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Sha...

Polia Pillin glazed porcelain vase circa early 1960’s. Features hand painted figural and nature motifs. Signed.

Discover the exquisite beauty of this large Qinghua-inspired urn/jar, a striking piece that will enhance any collection or decor. Crafted with care, this hand-painted urn features a ...

This is a beautiful watercolor on paper by New Jersey artist Henry Gasser, N.A. (1909-1981). The subject is charming Venice, Italy and the painting measures 8"h x 10"w. Signed “H. Ga...

Paul Soldner (1921-2010) abstract expressionist pottery vase. Glaze in black and brown, partly unglazed. Excellent design, mint condition. Signed Soldner on the bottom. Measures: 10" H x 8 3/4" W. Paul Soldner (1921-2011) was an American ceramic artist, noted for his experimentation with the 16th...

Kurt Weiser porcelain slip cast cup sculpture featuring Weiser's whimsical drawings and line work.

Beautiful etching by California/Denmark artist Roland Petersen (b. 1926). This print measures 15 1/2" H x 19 1/4" W image size, is in excellent condition and is unframed. Pencil sign...

Topping out at nearly 8' tall this monumental work by California sculptor Bruce Gray is truly incredible in person! It is executed in patinated iron railroad nails and looks great fr...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 18 7/8 x 11 1/4 inches. Pencil signed and dated lower right. Edition size in pencil lower left: #24 of 30. (11) R-308. Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

Fabulous deco penguin design- bronze cigar stand by Connecticut sculptor Robert Garret Thew, (1892-1964). Signed on the base "G.Thew" and dated 1929. In excellent condition with a be...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

acrylic on brushed aluminum b. 1950, Teaneck, New Jersey One of the most powerful tools an artist possesses is an ability to bridge the gap between what is considered real and what is illusion. This ability to alter or enhance reality is the very crux of what an artist is all about, and their success at attaining this is usually the defining element as to their stature in the field, as either an abstract or realist painter. Occasionally a painter is able to combine these two distinct disciplines and create an art form, which holds a viewer’s attention by balancing the paradox of the flat painted surface with the illusion of depth and space. "As a painter, it is important for me to address the concerns of painting what has been done-and what can I add to this. My work on aluminum is an attempt to use the qualities of refracted light, and have these qualities interact with the painting. The completed image is produced both by refracted light, created by the use of various wire brushes and paint airbrushed in transparent layers. Within this process about half of the image is produced by refracted light alone, simulating paint, and about half by paint." For over twenty years, David Kessler followed a Photo-Realist tradition, often depicting the Arizona desert landscape...

Whimsical pair of ceramic viking faces on a wood base created by artist Hal Fromhold. Art piece includes a hand-written artist label on the bottom inscribed as "Preston and Isalde" b...

Philip Reisman (1904-1992) Oil on Board, 1948. This wonderful New York image is titled “Delancey Street” on the verso. The work is signed by the artist “P. Reisman” lower right and...

Blue Rain Glaze on White, Dutch Series (28.5 x 21.5 x 2.5 inches, each) Publication, Jun Kaneko, Dutch Series Between Light and Shadow, page 48 b. 1942, Nagoya, Japan Jun Kaneko’s ...

painted steel In the fields of sculpture and drawing, George Thiewes creates sharp, angular work with a focus on the interaction of light and dark. That interest began in the 1990s ...

Joichi Hoshi (1913-1979) Original Color Woodblock, 1974. Title: “Early Spring.” Image: 9 5/8"h x 7.” Frame: 17 1/4"h x13 5/8"w. Signed in pencil lower right and dated ‘74. Chop mark...

Dazzling set of fireplace tools in clear lucite and polished chrome by Alessandro Albrizzi.

Taos Artist Howard Cook original woodcut print, 1927. Title: “Hopi House.” Duffy #47. Signed in pencil lower right. Image size: 8"h x 8"w. Paper size: 10 x 8 3/4. Mat size: 20 x 16....

Cowboy Dancing with Lariats Leonard Stroud, Pendleton Roundup ca. 1918 Restored and hand colored with trimmed border Restored & Hand colored by Michael Collier, Collier Gallery, Phoe...

Square red painted wood, lucite and mirrored artwork by Arizona artist Dick Seeger with saying, "Life is the Foreplay Before the Orgasm."

Wonderful wood-engraving by Taos artist Howard Cook (1901-1980). Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30. Image size: 10 1/16"h x 8"w. Sheet size: 12"h...

Striking and graphic RAAK designed sconces in white and matte aluminum. Price listed is for a pair of sconces. There are two pairs available.

Surreal painting in excellent condition by Arizona artist Lotan Lotan. Depicts the artist on top of the world - a self-portrait. Framed. Signed lower right...

silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...

Wonderful historic boultos by New Mexico artist Jose Aragon (1796-1850) Titled: “Jesus de Nazarino.” Painted wood, gesso and polychrome. Measures: 20 3/4"h x 9 ½”w x 5"d. In wonde...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

Beautiful oil on board by noted Ugandan painter Jak Moses Katarikawe, (b. 1940) Untitled. Subject: Hut and Animals with Moon. In excellent condition, framed. The painting measures: 2...

1960s Danish teak wood desk. Excellent mid century modern floating style with sculptural legs and handles. Features three drawers on the right and a filing drawer on the left. There ...

Striking, stylized carved head in white stone mounted to a wood block on an iron pole by Jose Luis Martinez Gomez (signed).