Phoenix

acrylic on panel Influenced by his background in architecture, his work incorporates 3D modeling to create complex hard edge compositions that give an illusion of space through bot...

charcoal on paper, mounted on curved wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as ...

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

acrylic, LED lamps, transformer, aluminum edition 1 of 3 For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as ra...

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

oil on paper In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in sun-drenched southern ...

oil on paper In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in sun-drenched southern ...

eyelets, fabric, thread on wood Denise Yaghmourian’s material based sensibility results in works that reference Feminism, Minimalism, Post-Minimalism, the Pattern and Decoration mo...

mixed media on paper; unframed full sheet 22.75 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint...

eyelets, fabric, thread on wood Denise Yaghmourian’s material based sensibility results in works that reference Feminism, Minimalism, Post-Minimalism, the Pattern and Decoration mo...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

oil and acrylic on linen over stretcher bars In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. ...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

eyelets, fabric, thread on wood Denise Yaghmourian’s material based sensibility results in works that reference Feminism, Minimalism, Post-Minimalism, the Pattern and Decoration mov...

oil on canvas Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurr...

accumulated smoke (carbon pigment) on paper 10 x 10 inches; image size / 21.25 x 17.25 x 1.25 inches; framed Bryan David Griffith's work explores the idea that dualities—light and...

turned jarrah wood

acrylic on canvas Alonso Mateo combines broad chromatic spaces with the narrow figures. This atmosphere at first glance can be an abstract painting or a bedroom wallpaper...

mixed media on paper; unframed full sheet size 22 x 30 inches; signed lower right corner Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysteri...

mixed media on paper; unframed full sheet size is 22 x 30 inches; signed lower right corner Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create myst...

inkjet on paper edition 4 of 15 For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as racism, mass indoctrinatio...

watercolor on Arches, framed Throughout Mala Breuer’s career she completed well over 400 watercolors and works on paper that preceded each and every one of her large works on canv...

watercolor on Arches, framed Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she att...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

inkjet print on paper, framed edition 7 of 10 For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as racism, mass...

This ring is full of glitz and glamour! With a stunning .83 carat old European cut diamond in the center of a .64 carat scalloped diamond halo. All set in beautiful 14k white gold. S...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

A simply stunning .40 carat diamond baguette pendant in 14k rose gold. Dimensions are 6.6mm x 3.9mm

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

Simply stunning and classy! This diamond bubble bracelet is filled with the right amount of sparkle, totaling .39 carats in diamonds. All set i...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

A truly remarkable eternity band that graduates in size all around with alternating diamonds, a total of .21 carats of diamonds set in 14k rose gold. This band looks amazing when wor...

LXV delicate marquise cut diamond pendant necklace made in 14k rose gold. The pendant features three marquise cut diamonds and a round diamond accent, all totaling .32 carats.

Mid century modern brass starburst wall sculpture with turquoise accents. The age and maker are unknown, and there is no signature. The style and features are very similar to William and Bruce...

A gorgeous pendant filled with 1.02 carats of white diamonds all set in 18k white and rose gold. Dimensions are 35.5mm x 19.48mm.

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

Such an edgy and stunning necklace! The center stone is a beautiful round black diamond that is 2.11 carats. Surrounding the black diamond is a black diamond halo where the round dia...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

Can't feel nothing but love when wearing this stunning bracelet! This 14k yellow gold double chain bracelet has a XOXO rotating charm with beautiful dia...

DAN BUDNIK (American, b. 1933-2020 David Smith with Voltr1-Bolton XV, Terminal Iron Works, Bolton Landing, N. Y. 1963 Vintage Print on Afga Paper, Silver gelatin, March 1963, printed 1992 by Igor Bakht Paper: 24 x 20 inches Image: 16.38 x 13 inches Recto: signed in black ink in artist's hand Verso: titled, dated, signed in graphite in artist's hand, printer information in graphite State: unmounted. Dan Budnik 1933-2020 As a photojournalist, Dan Budnik is known for his photographs of artists, but also for his photo-documentation of the Civil Rights Movement and of Native Americans. Born in 1933 in Long Island, New York, Budnik studied with Charles Alston at the Art Students League of New York (1951-53) and began his photography career as Philippe Halsman’s assistant. Working at Magnum Photos (1957-64) in 1963, Budnik persuaded Life Magazine to have him create a long-term photo essay showing the seriousness of the Civil Rights Movement, documenting the Selma to Montgomery march and other historical Civil Rights moments. Budnik went on to photograph for premier publications such as Life, Fortune, Look, Newsweek, Sports Illustrated and Vogue. He has been a major contributor to eight Time-Life Wilderness and Great Cities series and received a 1973 grant from the National Endowment for the Arts for his work on the Hudson River Ecology Project and a 1980 grant from the Polaroid Foundation for Big Mountain: Hopi-Navajo Forced Relocation. Biography Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Dan Budnik, (b. 1933-died 2020), whose career as a photographer has spanned more than half a century, was most recent recipient, in 1998, of the prestigious American Society of Media Photographers Honor Roll Award, an accolade previously accorded to such eminent photographers as Man Ray, Edward Steichen, Walker Evans, Dorothea Lange, André Kertész, Ernst Hass...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

Mark Pomilio is a visual artist using the traditional mediums of charcoal and oil paint on a variety of traditional and non-traditional supports. His MFA is from the University of Mi...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

b. 1979, Poole, Dorset, UK Danielle Hacche was born in Poole, Dorset in the Southwest of the United Kingdom. After moving to the United States with her family in 1993, Hacche attend...

This exquisite bracelet showcases a total of 12.28 carats of pear, marquise, oval, heart, and round-shaped diamonds. Among them are 21 pieces of single pointers totaling 6.30 carats ...

An exclusive solitaire ring , in contemporary and classic design, perfect combination of style and elegance for refined ladies. Stunning solitaire ring come in 18K gold with a GIA Na...

silver gelatin print Petah Coyne (born 1953) is a contemporary American sculptor and photographer best known for her large and small scale hanging sculptu...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

An exquisite design in 14k rosè gold with round brilliant cut diamonds ct 1,92 G/SI. Handmade jewelry by artisan goldsmith. Excellent manufacture and quality. Note:For European cust...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

This large-scale coffee table, designed by the esteemed architect Robert Whitton, is a stunning example of craftsmanship and design excellence from the late 20th century. Constructed...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...

This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...