Texas - Paintings

Abstract painting accented in bright hues of red, blue and a soft lavender by French artist AM Vivent, 1986. Signed and dated lower right. Original artwork on paper displayed on a ...

16x12 unframed. (Copy of "Fine Art Connoisseur - December 2014 Magazine Issue" featuring the work included) “Bauman now makes work that he considers a conflation of his Florentine ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 40 Frame Size: 42 X 52 Medium: Oil on Canvas 1974 "Smoke Barrel" Known fo...

Mint Excess 2 by Chloe Hedden is a refreshing exploration of color and texture, evoking a sense of tranquility and renewal. The cool, vibrant mint hue is both soothing and invigorati...

Donald S. Vogel's work has entered the collections of the following institutions: Art Institute of Chicago, Chicago, Illinois Beaumont Museum of Fine Art, Beaumont, Texas Charle...

A Holiday in Venice is painted in the style of American Realism. The painting is a Representational Italian landscape which is the Plaza San Marco in Venice. This realist painti...

Naturalistic still life painting of a collection of fruits, metal jugs, ceramic vases, and various foliage on a draped tablecloth. Signed and dated in the front lower left corner. Cu...

Jeanie Tomanek: I don’t intentionally set out to make a calming painting, no, but I do try to have a sense of hope in my stories. I’m an optimist who believes there’s always some way...

Original art canvas entitled London Calling by renowned contemporary U.K. artist Jagga. Co-signed by the artist and musician Sting Limited edition number 1/10 - comes with a signed ...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 32 Medium: Oil on Canvas "West Texas" Ranching Pedro Lazcano (1909-1970) I was always curious about ...

Albert Lebourg (French, 1849-1928) Rouen: La Seine, La Côte Sainte-Catherine, et L'Ile Lacroix, en Hiver signed 'A. Lebourg' (lower left); attributed on a presentation plaque; with t...

Coreen Mary Spellman (1905 - 1978) Dallas Artist Image Size: 20 x 14 Frame Size: 25 x 19 Medium: Oil Bio: Exhibited in the Ninth Annual Student Art show at the State University of Iowa Coreen Spellman Biography Coreen Mary Spellman (1905 - 1978) Coreen Mary Spellman was a fine-art teacher as well as a painter, designer, illustrator, lithographer and muralist. Many of her paintings depicted human-made structures and industrial landscapes in a style combining realism, precisionism and abstraction. Often the central subject such as in "Railroad Signal" was the only suggestion of humanity against a backdrop of stark Texas landscape. Of her painting these isolated subjects she said: "I enjoy taking some rather obscure or unimportant subject or theme and making something fine and important out of it . . . It always gives me great pleasure to discover something which has been passed over as being inadequate material". (Trenton 199) Spellman was born in Forney, Texas in 1905. At an early age she moved to Dallas, Texas and studied under Vivian Aunspaugh before attending the College of Industrial Arts (Texas Woman's University). She received a Master of Arts degree from Columbia University and a Masters Degree from the University of Iowa, Iowa City in 1942. In addition, Spellman received a Carnegie Scholarship for study at Harvard University, followed by studies with Kenneth Hayes Miller, Vaclav Vytlacil, and Charles Wheeler...

Acrylic body art featuring upper torso, arms and face by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper displaye...

W.R. Thrasher (1908-1997) An American well listed painter, who specialized on painting of landscapes and country scenes. Oil on canvas, signed lo...

ROBERT WILLIAM WOOD (1889-1979) Robert William Wood was an American landscape painter. He was born in England, emigrate...

French abstract painting incorporating bold lines and shapes in hues of blue, black and white by AF Auvert, circa 1960. Original artwork on paper displayed on a white mat with a ...

Rich blue and green toned naturalistic landscape painting by Houston based artist Nancy Paris Pruden. The work features a serene scene of water flowing through the trees of a cypress...

Paul Schumann 1876-1946 Galveston Artist Size: 9 x 12 Frame: 13.75 x 16.75 Medium: Oil "Crashing Waves" Paul R. Schumann was born in Reichersdorf in the German state of Saxony in 1876, one of four children of Albert F. Schumann and Mina Clara Zincke. Only he and his brother Albert Otto survived infancy. The family emigrated to the United States in 1879 and settled in Galveston, Texas, where he lived until his death. Schumann evinced an early interest in art and received encouragement from the superintendent of the Galveston Public Schools. He studied painting with local painter Julius Stockfleth...

Contemporary abstract figure painting by Houston-based artist Ramon Severino. The work features a central black cowboy silhouette set against a blue background. Signed and dated on t...

From the estate of Jerry Opper & Ruth Friedman Opper Backside c. 1950's Gouache on Paper 15" x 18" Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Contemporary abstract figurative painting by Frisco Pete, The Wild West Art Wrangler. The work features a central male figure wearing a cowboy hat with his eyes closed as he listens ...

Wonderful example of Houston Artist David Adickes's early work. This heavily textured still life features 2 apples and 3 bottles. Most likely this work was framed at Dubose Gallery o...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 18 x 24 Frame Size: 25.5 x 31.5 Medium: Oil "Bluebonnet Path" Pedro Lazcano (1909-1970) I was always curious about Pedro Lazc...

White Rose by Susan Meeks was just painted in 2024 as part of her floral collection. White Roses is framed. White roses symbolize loyalty, purity, and innocence. "Since they repres...

“Temptation” (Cat) 10" x 10" gouache on Aquabord, sealed with Renaissance Wax.Also shown are other animal paintings in this series of gouache . Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: ...

Milbie Benge 10" x 8" Oil on Canvas Framed Size: 13.5" x 11.5"

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Contemporary pastel toned abstract painting by Houston based artist Kristen Anton. The work features grey, pink, brown, and orange blocks of color accented with layers of brushwork. ...

Pear on a Red String by Gary Hernandez is painted in the style of American Realism. Pear on a Red String has a custom archival frame. Oil on Panel 14 ...

Bob Stuth-Wade (American, Born 1953) "Vidya Maya," 2006 charcoal and acrylic on paper 55 1/2 x 46 inches signed "Bob Stuth-Wade" at lower right Eleanor Jones Harvey, Chief Curator a...

Pink and black abstract contemporary concentric circle shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement...

Contemporary abstract geometric painting by Houston-based artist Holland Geibel. The work features layered abstract shapes in bright pink, blue, green, and orange tones. Signed, titl...

"Tender Moments" is an original oil painting by the renowned artist Pino Daeni. Measuring 30x24 inches, this piece embodies the essence of Romantic Impressionism, inviting viewers to...

By Martha Ochoa Oil on Canvas Canvas Size: 59" x 30" Framed Size: 69.5" x 40.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tr...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks in white and tan, accented by a black square. Signed, title...

Ink wash of Toledo, Spain by French artist Jean-Baptiste Grancher, circa 1950. Signed lower right. Titled Sur la Nuit à Tolede, Espagne. Original artwork on paper displayed on a wh...

Interconnectedness: Paintings of Trees Throughout my career, which spans more than two decades, I have explored various subjects and themes, but the theme of connectedness ties them ...

By Don Warren 24" x 36" Oil on Canvas Framed Size: 34" x 44" Autumn Landscape in the Texas Hill Country About the Artist: Don Warren (1935 - 2006) was a prominent figure in the Tex...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY PAYS FOR SHIPPING. Garden of Roses is a Floral Painting, in the style of Representational Oil Painting. The artist was selected in 2015 as one of the top 21 under 31 Young Artists to watch in Southwest Art Magazine..BoldBrush Signature Artist Artist Zac Elletson...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Modern abstract landscape painting by the iconic Houston based artist David Adickes. The work features a group of green, pink, and blue trees set against a light aqua background. Sig...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 18x22 in original unlined condition....

Allison Gildersleeve received her BA from the College of William and Mary and her MFA from Bard College. She has exhibited across the United States and abroad, including New York Cit...

Contemporary pastel toned hyperrealist still life painting of an electric outlet plug by Texas-based artist Michael J. Abraham. Recently featured in "Michael J. Abraham: Quasi-Realis...

BERKES, ANTAL (1874-1938) Well listed Hungarian artist. Active: Paris, Budapest, Munich, Vienna. Berkes studied at The Academy of Fine Arts between 1889 and 1894 in Budapest, Hungar...

Modern abstract pastel toned street scene by Philippine-born artist Romeo Tabuena. The work features a street scene with shadow figures browsing under a white tarp. Signed and dated in the front upper left corner. Currently hung in a grey toned frame. Dimensions Without Frame: H 19.75 in. x W 31.75 in. Artist Biography: Romeo Tabuena is a Philippine-born painter rooted in Eastern sensibility. He has been a resident of Mexico for more than four decades. Born in Lloilo in 1921, he studied architecture at the Mapua Institute of Technology and a fine arts course, majoring in painting, at the University of the Philippines. He also studied at the Art Students League in New York and at the Academie de la Grande Chaumiere in Paris. Tabuena decided to settle in Mexico and to make it the base of his painting career. But he has maintained links with his native country through participation in its major art projects, and despite his long residence in Mexico, he has retained his Philippine citizenship. One of his major works since 1957 is a government-commissioned mural, Filipiniana, at the Philippine Embassy in Washington D.C. His other exhibits include a ten-year retrospective show in 1959 at the Philippine Art Gallery in Manila. In 1962, his successful one-man show, which was sponsored by the Philippine Government at the International Salon of the Palace of Fine Arts in Mexico City, "further elevated the status of Philippine painting...

White Eagle depicts a Native American Indian in this oil painting by Texas artist, William Kalwick.. Native American Indians are known for their bright...

Eastern Glades VIII Acrylic on Canvas Contemporary Abstract 30" x 30" Inspiration for Eastern Glades VIII Acrylic on Canvas Contemporary Abstract 30 x 30" is from the Memorial Park Conservancy. Also shown are other paintings by Eleanor McCarthy. Commissions available. As the first significant project of Memorial Park Conservancy's 10-year plan, Clay Family...

Oil painting of a bowler hat propped against a lantern with dark blue, brown, orange and a white background with orange hues by French artist Raymond Bailly, 1967. Displayed on a w...

Eastern Glades#6 Acrylic on Canvas Contemporary Abstract 36" x 24" Inspiration for Eastern Glades #6 is from the Memorial Park Conservancy Also shown are other paintings by Eleanor McCarthy. Commissions available. As the first significant project of Memorial Park Conservancy's 10-year plan, Clay Family...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 16 x 20 Frame Size: 25 x 28.75 Medium: Oil on Canvas Applied by Palette Knife "River Bend" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Colorful dark humor painting by Memphis-based contemporary artist Alex Paulus. The work features a swimmer dressed in a blue and pink suit and goggles g...

The composition balances the wild growth of the spring wild lowers with a harmonious color palette, emphasizing the natural beauty and spontaneity of an unmanicured garden. The overa...

This painting by Gaylon Dingler is an exploration of color and form featuring a swirl of complimentary orange and teal. The piece is also highly textured. "Complimentary Tempest" mea...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Sloe Blossoms is a 14" x 10" oil on panel painting by European /Croatian artist Tina Orsolic Dalessio who is classically trained. This is part of her new 2024 series of still-life ...