Texas - Paintings

Bill Condon " Mexico City Square " (1923-1998) Houston Artist Image Size: 14.5 x 20.5 Frame Size: 23 x 29 Medium: Watercolor and Ink Dated 1960 Zocalo #4 Biography Bill Condon (19...

Cliff Cavin Texas Artist Size: 24 x 30 Frame: 31 x 37 Medium: Oil "Blue Hill Top" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas, is a landscape artist and has bee...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 6 x 9 Frame Size: 10.75 x 13.75 Medium: Oil Dated 1910 "A Glowing Sky" SW Texas Julian Onderdonk (1882 - 1922) Known as...

Rolla Taylor (1872-1970) San Antonio Artist Image Size: 24 x 30 Frame Size: 28.5 x 34.5 Medium: Oil "Cattle Landscape" Biography Rolla Taylor (1872-1970) Taylor, originally from Galv...

Barbara Mauldin Fredericksburg Artist Image Size: 20 x 16 Frame Size: 26 x 22 Medium: Oil "Lunch Break" Texas Hill Country Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Oil painting with boats and boat house. The artist uses color and line to create the illusion of texture within the painting. Placed in a dark, ...

Celadon Sea Celadon Sea is part of C. Ellen Hart’s Reflection Series. The works feature reflections found on the surfaces of water and glass. She seeks out images that commonly ...

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...

The Collector is by Anne Embree who is known for her whimsical animal paintings . The Collector focuses on the Bird and the surrounding objects The Collect...

Early historical portrait in the style of William Aikman believed to be of David Carnegie, 4th Earl of Northesk, a Scottish peer and politician. The work features the central figure ...

By Benjamin Palencia 16" x 6" Oil on Canvas Framed Size: 23.25" x 13.25"

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

A large Impressionist-style colorful painting of a park with fountain. Oil on canvas measures 36 x 24; frame dimensions measure 44 1/2 x 32 1/2 x 1 1/2. Artist's signature, lower lef...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. Mustang Horses is a 16 x 20 oil painting by artist Joan Breckwoldt....

Landscape painting depicting a cloudy morning in the Texas Hill Country. By Jim Rodgers 20" x 24" Oil on Board

Contemporary cool toned painting by Houston-based artist Peter Healy. The work features expressive orange and yellow strokes against a blue background. Signed, titled, and dated on t...

Leon Collins (Born 1930) Galveston / Navasota Texas Artist Image Size: 11 x 28.5 Frame Size: 12 x 29.5 Medium: Oil on Board 2024 "Tarnado Coming" Leon Collins Birthdate Unknown Galve...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

James Robinson (1944-2015) Austin, Dallas, Houston Artist Image Size: 24 x 36 Frame Size: 32 x 44 Medium: Acrylic on Canvas Clearly signed lower left quadrant about an inch above the...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Light of Day OIL ON CANVAS FRAMED $1700 PAINTED 2022 Artist Statement Throughout my life I have had the benefit of living in dif...

Alphonse Mucha (1860-1939) Four lithographs on wove paper For serious collectors and museum collections. A full set of Mucha’s iconic period lithographs representing The Times Of Th...

Bold abstract painting by French artist, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plastic sleeve ...

Teal and white abstract contemporary concentric circle shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement...

Panting size: 10 x 13 in. Frame Size: 16 x 19 in. Medium: Oil on board. Signed, top left, "Marcus Hodge" Inscribed, top left, "La Turbie, Monaco" This expressive scene rendered in bold, juicy brush strokes of impasto oil paint, captures a cozy, warm interior scene, the artist, Marcus Hodge's home in Monaco. The room is bathed in an intimate, low light, with a comfortable-looking, cream-colored sofa on the left, strewn with a colorful throw pillows. Above the sofa hangs a large, painting featuring broad strokes of blue and green that depict a duck on water. This painting within a painting references wildlife art created by the painter's father, Spencer Hodge...

Contemporary realistic Texas landscape nature painting by Houston based artist Jerry Greenberg. The work features a pair of trees casting shadows in an open field. Signed in the front lower right corner as well as titled on the reverse. Currently hung in a gold frame. Dimensions Without Frame: H 24 in. x W 30 in. Artist Biography: I have a deep appreciation for nature. In my work I seek to convey the landscape as I experience it emotionally as well as visually. I travel frequently throughout the United States and Europe in search of new landscapes. Some of my favorite subjects include rivers and creeks in the Texas hill country; aspen trees in the Rocky Mountains; ponds in New England; and lush rolling hills in the English countryside. My influences include French and Russian Impressionists and early California landscape...

Look for Free Shipping at Checkout Kit is an American Impressionist figurative painting by Stuart Fullerton. The artist is known for his landscape, still-life, portraits and citys...

Terrell James A Collective Pulse, 2022 Oil on linen 29 x 42 in (73.7 x 106.7 cm)

Red tonal abstract painting of a portrait of a man screaming. The work is signed, titled, and dated by the artist on the back of the canvas. Th...

Large minimal abstract painting with a green background. Attached to the surface are two toy cars surrounded by red paint and four wired bicycles surrounded in blue. The work is sign...

Barbara Mauldin Fredericksburg Artist Image Size: 12 x 16 Frame: 16 x 20 Medium: Oil "Vespers" Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Green and blue abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 10 x 8 Frame Size: 15.5 x 13.5 Medium: Oil on Panel Applied by Palette Knife Dated 1971 "Wild Flowers" Biography Jose Viv...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

The works of Mike Dargas elude a clear temporal distinction. Even if the representations can stand as indications of a contemporary Western zeitgeist, the images lose their temporal ...

Large scale abstract painting on canvas executed by Ken Nishi in 1978 titled "Gaspe and the Laurethians" inspired by his frequent visits to the mountains and peninsulas of Quebec, Ca...

Modern abstract painting of grass and leaves in varying blues, grays, reds, gold, and browns by artist Spe, 2013. Signed lower right. Original artwork on paper displayed on a whit...

I love art. I love to look at paintings, and I almost feel like my experience isn't complete until I make something of my own. This is my version of the iconic "Judith and the Head o...

Abstract painting featuring a rich geometric patchwork of reds, pinks, and golds, by artist Michael Keifers, circa 1980. Signed lower left. Original artwork on paper. Archival pla...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 36 x 24 Frame Size: 43.5x 30.5 Medium: Oil on Canvas "Gate to The Alamo" Biography Randy Pe...

Max Guarnaccia paints from live floral arrangements that he sets up in his studio in Houston, Texas. You are able to see the brush strokes in all of his paintings. Flowers on Red ...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 36 x 48 Frame Size: 44 x 56 Medium: Oil on canvas Dated 1999 "Coreopsis & Daggers" Texas Hill Country. Wildflowers Biograph...

Electric Pink Excess 3 from Chloe Hedden’s Excess series is an electrifying explosion of color and texture, a vivid declaration of energy and movem...

Contemporary colorful painting by Houston-based artist Jessica Simorte. The work features a central abstracted still life of a tree set against a light yellow background with ethereal floating shapes. Signed, titled, and dated by the artist on the reverse. Currently unframed, but options are available. Artist Biography: Jessica Simorte completed her MFA with an emphasis in painting at the University of Cincinnati’s College of Design, Architecture, Art, and Planning in 2014. She is currently living in Texas where she coordinates Sam Houston State's University's WASH Program and teaches within their new MFA Program. She has shown regionally, nationally, and internationally and has been included in numerous publications including multiple issues of New American Paintings, Art Maze Mag, and Maake Magazine. Most recently, she was named a “noteworthy artist” in New American Paintings issue #162. Significant exhibitions include solos at Gallery Urbane...

Sap Green, Forget Me Not, and Prussian Blue Trio Combo by Chloe Hedden offers a contemplative journey through emotional tone, natural reference, and material excess. In this trio, He...

Antoine Blanchard (1910 - 1988) Boulevard Des Capucines, Place De La Madeleine. A wonderful and vibrant scene from the Grand Boulevards of Paris under the rain in fall. You can hear ...

By Martha Ochoa Oil on Canvas Canvas Size: 59x39 Framed Size: 70.5x50.5 This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays Saint Nathanael playing a fiddle dressed in ornate green and red cloaks. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

Eastern Glades#7 Acrylic on Canvas Contemporary Abstract 36" x 24" Inspiration for Eastern Glades #7 ...

Screen Door is a framed oil on canvas painting by artist Peter Batchelder. It is 24 x 24 inches . Artist Statement Throughout my life I have had the benefit of living in differe...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 25 x 30 Frame Size: 33 x 38 Medium: Oil "April" Texas Hill Country Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching...

Johann Berthelsen (Denmark, 1883- 1957) 'St. Paul's Chapel, NYC'. Oil on canvas board. Signed lower right. NY. Property from a New Jersey estate. Dimensions: 16" h x 12 " w. Fra...

"Ain't My First Rodeo" by Robert Hagan is an original oil on canvas and measures 80x60 in. This large western original painting by Australian artist...

A wonderful and detailed landscape painting signed and inscribed oil on canvas painting by Edmond Petitjean, (French 1844-1925). Condition: Excellent. Looks like it was recently cle...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black and tan set against a light background. Signed and titled...

Samuel S. Hoskins Statement on Snow in Winter: Delving into the symbolism of winter, I painted a figure dressed in black, embracing the harvest of autumn. In my perspective, winte...

In her work, Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience. Gildersle...

Gustav Klimt (Austrian, 1862-1918) Frauenkopf nach rechts, 1916 Pencil on paper Dimensions: 22.5 x 14.75 Inches (57.2 x 37.5 cm) (sheet) Stamped lower right: GUSTAV / KLIMT / NACHLAS...

"Across the Pool" by Dan Parry Jones. Comes with a custom white wooden frame. Two young children sit at the edge of a tranquil pool, basking under the radiant glow of a full sun as i...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 12 x 9 Frame Size: 26 x 23 1985 "My Garden" G. Harvey (Gerald Harvey Jones) (19...

Title: "Menaggio and Bellagio" Artist: Robert Butta Medium: Oil on Canvas Size: 7.75" x 23.5"