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Item Ships From: Tri-State Area
The Honorable Ambassador and Consultation Group Member Gregory Odell Green of The New Free State of Caroline delivers an address
By Gregory Green
Located in New York, NY
Video Link
https://vimeo.com/28216778
Category
21st Century and Contemporary Tri-State Area - More Art
KAWS Japan Holiday Companion (KAWS brown Mount Fuji companion)
By KAWS
Located in NEW YORK, NY
KAWS Brown Holiday Companion (KAWS Mount Fuji Japan):
This sold out figurine features KAWS' signature character COMPANION in a resting position. This figurine was published by All R...
Category
21st Century and Contemporary Pop Art Tri-State Area - More Art
Materials
Resin, Vinyl
KAWS Chum
By KAWS
Located in New York, NY
Painted cast vinyl art toy
To celebrate the 20th anniversary of the iconic Chum figurine, KAWS
released a new set of colors in the summer of 2022. Chum means "a close friend" is not...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Resin, Vinyl
KAWS SMALL LIE complete set of 3 works (KAWS small lie companion)
By KAWS
Located in NEW YORK, NY
KAWS SMALL LIE: Complete Set of Three. Each new and sealed in their original packaging. These KAWS figurative pieces are a rendition of Small Lie produced in collaboration with Qatar...
Category
21st Century and Contemporary Pop Art Tri-State Area - More Art
Materials
Resin, Vinyl
KAWS SEPARATED (set of 2 works; KAWS Companion)
By KAWS
Located in NEW YORK, NY
KAWS SEPARATED (Set of 2 works): each new & unopened in original packaging:
These highly collectible KAWS SEPARATED works are derived from the Brooklyn based artist’s larger scale sculpture of same (originally constructed in 2019), and is a key highlight of the major 2021 KAWS Brooklyn...
Category
21st Century and Contemporary Pop Art Tri-State Area - More Art
Materials
Resin, Vinyl
Blaze, 72"x60" Contemporary Abstract Painting
By Debra Drexler
Located in New York, NY
72"x60" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vibrant red, violet and pink fields of color are contrasted by sky blue and golden yellow in this gestural abstract painting. An impressive statement piece by the artist.
Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Oil, Acrylic
Untitled (after 'Las Meninas'), 2000
By Michael Craig-Martin
Located in New York, NY
Michael Craig-Martin
Untitled (after ‘Las Meninas’), 2000
Tape on acetate
37 x 32 1/2 inches (sheet)
37 1/2 x 33 1/8 x 1 1/2 inches (frame)
Signed recto
Category
Early 2000s Contemporary Tri-State Area - More Art
Materials
Paper, Tape
NYC Gyro
By Sam Sidney
Located in New York, NY
Original Sam Sidney felt collage depicting a NYC street cart Gyro. The felt collage is mounted on acid free board, within white-painted shadow box frame. S...
Category
2010s Pop Art Tri-State Area - More Art
Materials
Felt
Antique handmade lamp (chandelier) by Muller Frères, French Art Deco
Located in New York, NY
Antique handmade lamp with botanical motifs by Muller Frères.
Muller Frères were renowned glassmakers from Lunéville, France, famous for producing art n...
Category
Early 20th Century Art Nouveau Tri-State Area - More Art
Materials
Iron
Hand-Colored Map of Southern Italy, circa 1744
By Matthew Seutter
Located in New York, NY
Seutter, Matthew.
Neapolis Regnum...
From Atlas minor praecipua Terrarum Imperia...
Augsburg, circa 1744.
Original engraving with old hand-coloring.
Image size: 10 3/16 x 7 11...
Category
Tri-State Area - More Art
Materials
Paper
Untitled III Oscillations Embroidered Blue Silk on Canvas by Belén Ordovás Lladó
By Belén Ordovás Lladó
Located in New York, NY
Untitled III (Oscillations) by Belén Ordovás Lladó, Represented by Tuleste Factory
2023
Embroidered thread on canvas
39.4" x 51.2"
Unique
Available
Shipping is not included. S...
Category
2010s Tri-State Area - More Art
Materials
Canvas, Silk
Confection, vibrant, jewel-like, diaphanous strips of fabric collages
By Linda Kamille Schmidt
Located in New York, NY
Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...
Category
2010s Abstract Tri-State Area - More Art
Materials
Fabric, Thread, Plastic, Pins
Untitled II Oscillations Embroidered Blue Silk on Canvas by Belén Ordovás Lladó
By Belén Ordovás Lladó
Located in New York, NY
Untitled II (Oscillations) by Belén Ordovás Lladó, Represented by Tuleste Factory
2023
Embroidered thread on canvas
39.4" x 51.2"
Unique
Available
Shipping is not included. Se...
Category
2010s Tri-State Area - More Art
Materials
Canvas, Silk
Flux, 2024, vibrant, jewel-like, diaphanous strips of fabric collages
By Linda Kamille Schmidt
Located in New York, NY
Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...
Category
2010s Abstract Tri-State Area - More Art
Materials
Fabric, Thread
Untitled
By Mark di Suvero
Located in New York, NY
Mark di Suvero
Untitled, 1975
Felt pen on paper
24 x 18 inches (image)
30 3/4 x 24 inches (sheet)
31 3/4 x 25 inches (frame)
Signed
Category
1970s Contemporary Tri-State Area - More Art
Materials
Paper, Felt Pen
Infestations Vertical 1 : abstract work of art on paper
Located in New York, NY
An artwork on paper by New York artist Miranda Maher. Black archival ink on pale blue archival paper with historical Audubon images of American birds, mo...
Category
2010s Abstract Expressionist Tri-State Area - More Art
Materials
Paper, Ink, Archival Ink, Archival Paper
Brassaï Little White Dog Montmarte : Cashmere/Modal blend Scarf
Located in New York, NY
Claudia Doring-Baez, "Brassaï Little White Dog Montmarte" Scarf, 2020, Cashmere/Modal blend, 26 x 71 in
Beautiful scarves created by artist Claudia D...
Category
2010s Expressionist Tri-State Area - More Art
Materials
Fabric
Down the Hatch
By Michele Luger
Located in Los Angeles, CA
Michele Luger addresses the unknown, the hidden away, and deep feelings of nostalgia, for a place or time you've never lived.
In her collage work, she explores the ways in which we mask...
Category
2010s Surrealist Tri-State Area - More Art
Materials
Mixed Media
TumbleWeed 04, abstract mixed media on paper, multicolored
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 5 in the series. TumbleWeed 05 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
Thes...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
TumbleWeed 01, abstract mixed media on paper, blue
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 5 in the series. TumbleWeed 01 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
Thes...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
The Rustling III, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. The Rustling III is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
T...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
Mind Over Matter, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
Mind Over Matter is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
These small,...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
The Rustling II, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. The Rustling II is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
Th...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
The Rustling I, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. The Rustling I is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
The...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
Behind Bars No. 3, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. Behind Bars No. 3 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
Behind Bars No. 2, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. Behind Bars No. 2 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
Behind Bars No. 1, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. Behind Bars No. 1 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper, Mixed Media, Etching, Monotype
Engraved Multi-Colored Mono Prints on Paper Framed
Located in New York, NY
Vincent Donato Roselli (b. 1995) is a self-taught artist from Staten Island, NY.
Vincent works with a variety of mediums, favoring distorted brushes to manipulate plaster, beeswax, o...
Category
2010s Abstract Impressionist Tri-State Area - More Art
Materials
Oil
Blue Abstracts
Located in New York, NY
Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...
Category
2010s Abstract Tri-State Area - More Art
Materials
Monoprint, Monotype
Brooch # 1- Made by Shadows #1
Located in New York, NY
Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry.
Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics.
The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists.
Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.”
Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell.
Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...
Category
2010s Abstract Tri-State Area - More Art
Materials
Thread, Wood, Paper, Acrylic
Spaced Abstract
Located in New York, NY
Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...
Category
2010s Abstract Tri-State Area - More Art
Materials
Monoprint, Monotype
Jewel Desk
Located in New York, NY
Solid and veneered walnut, brass.
Asher Israelow was born in New York City and graduated from the Rhode Island School of Design with degrees in fine arts and architecture. Back in New York, he currently works at the Brooklyn Navy Yard, designing buildings and building furniture. Drawing on his training as an architect and a love of lore, Asher designs work for the modern explorer. All the materials are ethically and locally sourced, building upon the importance of origins. Each piece narrates the story of its materials, with an honest approach to joinery and a touch of conceit. The studio produces all original and small batch pieces designed to last for generations. The work emphasizes a handcrafted and emergent vision of contemporary culture.
This piece exemplifies the new age of brown furniture.
Category
2010s Contemporary Tri-State Area - More Art
Materials
Brass
Brooch #4 - Made by Shadows #4
Located in New York, NY
Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry.
Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics.
The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists.
Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.”
Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell.
Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...
Category
2010s Abstract Tri-State Area - More Art
Materials
Thread, Wood, Paper, Acrylic
Tissue
Located in New York, NY
This is a one-of-a-kind original monotype. The monotype is made with hand-painted textures and painting to create this unique print. The monotype comes in a 1...
Category
2010s Abstract Tri-State Area - More Art
Materials
Monotype
Flowers: Etching work of art
Located in New York, NY
An etching by Agop Gemdjian.
Agop Gemdjian is an Armenian artist born in Bulgaria. He creates art that combines the colors of the East, the Slavic mentality, and his views of the m...
Category
1980s Expressionist Tri-State Area - More Art
Materials
Etching
Summer Solstice
Located in New York, NY
This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique sh...
Category
2010s Abstract Tri-State Area - More Art
Materials
Monotype
Pink Pastels
Located in New York, NY
This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages.
Monotype collage on Rives BFK 280 gsm printmaking paper...
Category
2010s Abstract Tri-State Area - More Art
Materials
Monotype
Landscape Study
By Lane Twitchell
Located in New York, NY
Lane Twitchell
Landscape Study, 2000
Cut paper
20 x 20 inches (image)
27 1/4 x 27 1/4 inches (frame)
Unsigned
Category
Early 2000s Contemporary Tri-State Area - More Art
Materials
Paper
Andy Warhol
By Sam Sidney
Located in New York, NY
Original Sam Sidney felt collage depicting Andy Warhol. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed & Dat...
Category
2010s Pop Art Tri-State Area - More Art
Materials
Felt
KAWS Chum (pink)
By KAWS
Located in New York, NY
Painted cast vinyl art toy
To celebrate the 20th anniversary of the iconic Chum figurine, KAWS
released a new set of colors in the summer of 2022. Chum means "a close friend" is not...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Resin, Vinyl
Superman: Truth, Justice, and the American Way, Lenticular Print by DJ Leon
By DJ Leon
Located in White Plains, NY
'Superman: Truth, Justice, and the American Way' by DJ Leon, 2013. The piece measures 32 x 40 inches. This Lenticular print incorporates, appropriates, and combines images and text f...
Category
2010s Pop Art Tri-State Area - More Art
Materials
Board, Digital, Lenticular
"Merce Cunningham Dance Company" (Photograph by Terry Stevenson)
By Merce Cunningham
Located in New York, NY
Merce Cunningham Dance Company
"Merce Cunningham Dance Company"
(Photograph by Terry Stevenson)
City Center, New York, 1981
Poster
37 x 24 inches
Sign...
Category
1980s Contemporary Tri-State Area - More Art
Materials
Offset
Jockey Pipe Rack in Bronze A Bronze by Charles Rumsey
By Charles Cary Rumsey
Located in Brookville, NY
Charles Rumsey was a child prodigy sent to Paris to train in sculpting at age 12. He was not only a prodigy sculptor but an avid horseman and sportsman...
Category
1910s American Impressionist Tri-State Area - More Art
Materials
Bronze
Dodgers Da Brooklyn Bums, Lenticular Print by DJ Leon, 36 x 24 in
By DJ Leon
Located in White Plains, NY
'Dodgers the Brooklyn Bums' by DJ Leon, 2014. The lenticular print measures 36 x 24 inches and incorporates, appropriates, and combines images and text on the Brooklyn Dodgers...
Category
2010s Pop Art Tri-State Area - More Art
Materials
Digital, Lenticular
"Yellow Language" Contemporary Abstract Painting with lavender, blue and violet
By Debra Drexler
Located in New York, NY
60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler.
Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.”
Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Acrylic
DJ Leon, Who Knows. Lenticular text Print 24 x 36 in,
By DJ Leon
Located in White Plains, NY
'Who Knows' by DJ Leon, 2013. The piece measures 36 x 24 inches. This Lenticular print incorporates disjointed words and phrases placed within an orange/red background while encourag...
Category
2010s Pop Art Tri-State Area - More Art
Materials
Digital, Lenticular
Untitled
By David Storey
Located in New York, NY
Edition 6/20.
Category
20th Century Contemporary Tri-State Area - More Art
Materials
Linocut
Aesthetic of Emptiness I
By Pablo Lehmann
Located in New York, NY
Aesthetic of Emptiness I, 2013
Paper Cut Out
18h x 26w in
PL016
Pablo Lehmann was born in 1974 and currently lives and works in Buenos Aires. He has been the subject of solo and gr...
Category
2010s Contemporary Tri-State Area - More Art
Materials
Paper
"Urban Swing" Contemporary Large Scale Abstract Painting
By Debra Drexler
Located in New York, NY
This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet.
Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea.
Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time."
Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Acrylic
Fran Lebowitz
Located in New York, NY
Original Sam Sidney felt collage depicting Fran Lebowitz. The felt collage is mounted on acid free board, within white-painted shadow box frame. Signed ...
Category
2010s Pop Art Tri-State Area - More Art
Materials
Felt
Le Siréne
By Jacques Potin
Located in Rancho Santa Fe, CA
Signed lower left
Titled and signed verso on label
Tapisserie d’Aubusson, woven by Hamot, France
This item is in our New York City warehouse and can be viewed by appointment.
Category
20th Century Modern Tri-State Area - More Art
Materials
Tapestry, Wool
Italian Cookie Platter
By Sam Sidney
Located in New York, NY
Original Sam Sidney felt collage depicting an Italian Cookie Platter. The felt collage is mounted on acid free board, within white-painted shadow box frame...
Category
2010s Pop Art Tri-State Area - More Art
Materials
Felt
Gestural Abstract Large Scale Painting, Vibrant Contemporary "Sapphire Bridge"
By Debra Drexler
Located in New York, NY
48"x72" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Bright, nearly neon orange and pink fields of color are contrasted by an electric blue large path brushstroke. The composition and color are reminiscent of the coral, magenta and rose sunset against a blue body of water.
Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Oil, Acrylic
Contemporary Abstract Painting, "Graphic Splash" (blue, violet, peach)
By Debra Drexler
Located in New York, NY
A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows.
Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.”
Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Oil, Acrylic
"Golden Haze" Large Scale Contemporary Abstract Painting (gold, blues, violets)
By Debra Drexler
Located in New York, NY
60"x84" (signed on reverse) Golden yellow, blue and violet forms are layered in this large scale abstract painting by New York/Hawaii artist, Debra Drexler. This painting is infused...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Oil, Acrylic
Contemporary Abstract Painting, "Verdant Shield" (w/ green, turquoise, blue
By Debra Drexler
Located in New York, NY
"Verdant Shield" is an apt titled for this green toned abstract painting by Debra Drexler. Blues and turquoise create vertical fields of color atop an atmospheric background of pinks and light blue to create an immersive dimensional depth.
Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.”
Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Acrylic
"Violet Canyon" Large Scale Abstract Painting
By Debra Drexler
Located in New York, NY
Vibrant violet and fuchsia pink brushstrokes flow into intense orange fields of color in this abstract painting by Debra Drexler. A large scale painting, Drexler employs methods of gestural abstraction, capturing a warmth in her color palette
Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category
2010s Abstract Tri-State Area - More Art
Materials
Oil, Acrylic
"Azure Fade" Contemporary Abstract Painting
By Debra Drexler
Located in New York, NY
72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. A cool blue pool of col...
Category
2010s Abstract Tri-State Area - More Art
Materials
Canvas, Oil, Acrylic
