USA - Landscape Prints

Lithograph on vélin Lafuma Navarre paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the album, Dessins de Henri-Matisse, 1925. Published...

TARNOPOL (Rus. Ternopol), city in Ukraine, formerly in the province of Lvov, Poland. The city of Tarnopol was at times part of Poland, Russia, Galitzia, Austria, and the Western Ukra...

This Limited Edition giclee coastal landscape print by Molly Doe Wensberg is an edition size of 195. The print features a green and light lavender palette, and captures a scene of a ...

This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint. This beautiful Gould hummingbird...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 22 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: Fr...

Artist: David Smith-Harrison– American (1959-) Title: Orchard Year: circa 1988 Medium: Multiple Plate Intaglio etching Plate size: 19.75 x 27.5 inches. Sheet size: 26.5 x 35.5 inches. On Arches Cover White paper Matted size: 28.75 x 37.25 inches Framed Size: 31.25 x 38.75 inches Signature: Signed lower right Edition: 2nd state. Edition of 85. This one: 5/85 Condition: Very good This large etching is by the noted American artist David Smith-Harrison (1959-). It is framed with a light olive green linen mat. It is signed in the lower right and titled and numbered in the lower left margin, all in pencil. The print is in excellent condition, not examined out of the frame. The frame is in very good condition with a few very tiny, virtually invisible nicks. David Smith-Harrison’s approach to printmaking relies on drawing and alludes to past renaissance style architecture. He was awarded the Utah State Sterling Scholarship, before going on to be educated at the South Glamorgan Institute in Cardiff, Wales and at the University of Utah. He has participated in numerous shows, nationally and internationally. Juried exhibitions include Ashland University Printmaking Invitational Exhibition in Ohio, National Printmaking College of New Jersey, Trenton, Tokyo International Mini-Print Triennial, Japan, Society of American Graphic Artists at Federal Plaza, New York and US-UK Print Connection, Barbican Centre in London. COLLECTIONS (partial list) The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan The Cleveland Museum of Art, Cleveland Ohio EDUCATION 1984 University of Utah, Salt Lake City, Utah 1983 South Glamorgan Institute, Cardiff, Wales, U.K. 1977-78, 1981-83 Utah State University, Logan, Utah 1977 Utah State Sterling Scholar SOLO EXHIBITIONS 2014 Old Town Gallery, Park City, Utah 2007 Waterworks Gallery, Friday Harbor, WA 2006 The Dovetail Collection, Healdsburg, CA 2005 Couturier Gallery, Los Angeles, CA 2005 Tula Prints, Cordoba, Spain 1999 The Artful Eye, Calistoga, CA 1998 The Artful Eye, Healdsburg, CA Evolving Space, San Francisco, CA Hallside Gallery, Univerity Medical Center, Salt Lake City, UT 1997 Evolving Space, San Francisco, CA 1996 Couturier Gallery, Los Angeles, CA Evolving Space, San Francisco, CA 1995 Pioneer Memorial Theatre, University of Utah, Salt Lake City, Utah Rasmussen Art Gallery, Pacific Union College, Angwin, CA 1994 J.D. Neumann, San Francisco, CA 1993 Sala d'art Josep Bages, Torre Muntadas, El Prat de Llobregat, Barcelona, Spain LeCelle Gallery, San Anselmo, CA 1990 Loge Gallery, University of Utah, Salt Lake City, Utah 1988 Contemporary Realist Gallery, San Francisco, CA Old Town Gallery, Park City, Utah GROUP EXHIBITIONS (selected) 2004 Studio 7 Gallery, Pleasanton, CA 2003 Studio 7 Gallery, Pleasanton, CA Waterworks Gallery, Friday Harbor, WA The Hayward Arts Council, Hayward, CA 2002 Present Art IX, Couturier Gallery, Los Angeles, CA 1999 Richard Reed Armstrong, Chicago, Illinois Ashland University Printmaking Invitational Exhibition, Ashland University, Ashland, OH University of Dallas National Print Invitational, Waco, TX 1998 Waterworks Gallery, Friday Harbor, WA Religious and Spiritual Art of Utah, Springville Museum of Art, Springville, UT Printmaking: People and Process, The California Society of Printmakers, Contra Costa College, CA 1997 Long Beach Museum of Art, Long Beach, CA Pacific Edge Print Exhibition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beauty's Plea, Long Beach Museum of Art, Long Beach, CA Davidson Gallery, Seattle, WA Art and Architecture, Nortel Northern Telecom, Santa Clara, CA Beyond Boundaries Preview Exhibition, Bank of America Concourse Gallery, San Francisco, CA Printwork /96, Barrett House Galleries, Dutchess County Art Association, Poughkepsie, NY Network General, Architecture in Art Exhibit, Menlo Park, CA 1995 Present Art III, Couturier Gallery, Los Angeles, CA Synopsys Inc., Architecture in Art Exhibit, Mountain View, CA Waterworks Gallery, Friday Harbor, WA 1994 Gump's Gallery, San Francisco, CA Bartlett Gallery, Pleasanton, CA 1993 Evergreen Graphic Art Association, Taipei Cultural Center, Taipei, Taiwan Republic of China 1990 Gump's Gallery, San Francisco, CA 1989 Intaglio, New Mexico State University, Las Cruces, NM 1988 Contemporary Works on Paper, William Gallery, St. Helena, CA Ornamentation in Architecture, American Institute of Architects San Francisco Chapter, San Francisco, CA 1987 Intaglio, Lawson Galleries, San Francisco, CA Fine Print Exhibition, Convergence Gallery, San Francisco, CA JURIED EXHIBITIONS (selected) 2005 Impressions: Matrix and Image, Alameda Art Center, Alameda, CA 2004 Delta National Small Prints Exhibition, Arkansas State University 2003 Delta National Small Prints Exhibition, Arkansas State University 1999 Ashland University Printmaking Invitational Exhibition, Ashland, OH 1998 74th Utah Spring Solan, Springville Museum of Art, Springville, UT 1997 The 15th University of Dallas National Print Invitational, University of Dallas, Irving, TX From Coast to Coast, Center for Visual Arts, Oakland, CA Janet Turner National Print Competition, Janet Turner Print Gallery and CA State University, Chico, CA The Fantastic Image, the Art of Intaglio, CA Society of Printmakers, Vallejo Community Arts Foundation, Vallejo, CA 73rd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Edge Print Competition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beyond Boundaries, North America Printmaking Exhibition, San Francisco, CA Printwork 96, Barrett House Galleries, Dutchess County Art Association, Poughkeepsie, NY 72nd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Prints 1996, 8th Biennial Print Competition and Exhibition, Palo Alto, CA 1995 Janet Turner National Print Competition, Janet Turner Print Gallery and CSU Chico, CA Tokyo International Mini-Print Triennial '95, Tokyo, Japan Impressions: The Medium Extended, ProArts, Oakland, CA 71st Utah Spring Salon, Springville Museum of Art, Springville, UT Print & Draw: Biennial, Triton Museum of Art, Santa Clara, CA 1994 10th Annual Exhibition, Part II, Berkeley Art Center Association, Berkeley, CA 1st Internet Art...

Leaning against the chair, the woman in the plaid beret stares at the viewer in this Pablo Picasso portrait. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Portrait de Femme au Beret Ecossais". The original painting was completed in 1937. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. Portrait de Femme au Beret Ecossais Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph Collection...

Guy Charon, French (1927 - 2021) - Flower Lined Home, Year: circa 1975, Medium: Lithograph on Arches, signed, and numbered in pencil, Edition: 250, EA, Image Size: 22.75 x 18.25 ...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.65 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Artist: Mark Kostabi (1960) Title: Close Call Year: 1986 Edition: 9/10, 40 Arabic Numerals, 10 Roman Numerals, plus proofs. Medium: Silkscreen on Arches paper Size: 40.5 x 30.25 inch...

Alexander Calder Derriere le Miroir #156 (Plate 1) Artist: Alexander Calder Title: (Plate 1) Derriere le Miroir #156 Portfolio: Derriere le Miroir #156 Medium: Original lithograph Ye...

Published By Verkerke Reprodukties, 1988 Printed In The Netherlands Print Measures 24.25 x 36.5 in. In Good Condition

This lithograph is part of my private collection. It is limited in edition artist pencil signed lower right and is in very good condition. Roger Bezombes a print maker born in Paris ...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Mitsuke in Niigata Prefecture, Japan, circa 1850. A figure on horseback...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

WORK ON A FARM… THIS SUMMER; JOIN THE U. S. CROP CORPS. Original World War II vintage poster # 1943-0-520467. Artist: Morgan Douglas. A visual play on Grant Wood’s famous painting, AMERICAN GOTHIC. This World War 2 poster is linen backed with the original fold marks restored. (US Government...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Extracted from the folio, Regar...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the Northern California redwood forest Redwoods by Erik Pawassa...

Michael Knigin, American (1942 - 2011) - Montauk Waves XXXVX, Year: 2004, Medium: Chromogenic Print on Canvas mounted to board, signed, titled, and dated on verso and signed and dat...

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.81 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...

Christo and Jeanne-Claude The Umbrellas, Japan - USA (Hand Signed), 1991 Offset lithograph poster Boldly signed by Christo upper right 25 × 38 inches Unframed This rare vintage poster was published by Christo and Jeanne-Claude to promote and raise funds for Christo's famous Umbrellas Japan-USA project in the early 1990s. It is hand signed boldly in black marker "Christo" on the recto - upper right corner. This work was acquired from the Estate of Jacob and Aviva Baal-Teshuva, collectors, curators, authors, early supporters and good friends of Christo. Authenticity unconditionally guaranteed. ABOUT THE UMBRELLAS JAPAN-USA PROJECT: At sunrise, on October 9, 1991, Christo and Jeanne-Claude's 1,880 workers began to open the 3,100 umbrellas in Ibaraki and California, in the presence of the artists at both sites. This Japan-USA temporary work of art reflected the similarities and differences in the ways of life and the use of the land in two inland valleys, one 12 miles (19 kilometers) long in Japan, and the other 18 miles (29 kilometers) long in the USA. In Japan, the valley is located north of Hitachiota and south of Satomi, 75 miles (120 kilometers) north of Tokyo, around Route 349 and the Sato River, in the Prefecture of Ibaraki, on the properties of 459 private landowners and governmental agencies. In the USA, the valley is located 60 miles (96.5 kilometers) north of Los Angeles, along Interstate 5...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

This artwork titled "Cul de Sac" is an original color lithograph by French artist Alexandre Minguet, 1937-1996. The image size is 7 x 11 inches, framed size is 17.35 x 21.5 inches. I...

FRANCES H. GEARHART and Sisters (THE GEARHARTS) SEA TREASURES...

Original Travel Poster for Belgium - Cities of Art signed by artist Poleff and dated 1932. The image, framed in an archway window, features a woman wearing Byzantine / Middle Ages e...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Night Life at the Moulin Rouge Pen and ink drawing, c. 1890 Signed lower left (see photo) A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous caba...

FARM WOMAN, by JONATHAN GREEN, is a hand drawn, limited edition lithograph printed in 19 colors using hand lithography techniques on archival printmaking paper, 100% acid free. FARM ...

Original Back Our Girls Over There Y.W.C.A. WW1 antique poster: Linen-backed original Beautiful Y.W.C.A. Telephone operator sitting at the control pane...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...

This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...

Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...

This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...

Fly TWA The Orient, an original linen-backed travel poster by David Klein. Size: 25” x 40". Archival linen backed and ready to frame. Excellent condition, Grade A. Standing i...

Artist: Peter Max (1937) Title: Sailboat Series I Year: 1998 Edition: 300/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 7 x 8 inches Condition: Excellent Inscrip...

This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat. The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 15 x 10.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

Artist: Jean Michel Folon, Belgian (1934 - 2005) Title: Editions Lahumiere Year: Circa 1980 Medium: Screenprint on Arches Paper Paper Size: 29.5 in. x 39.5 in. (74.93 cm x 100.33 cm)

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...

Artist/Designer; Manufacturer: Andy Warhol (American, 1928-1987) Marking(s); notes: signed; ed. 236/250; 1974 Materials: screenprint hand-colored with Dr. Martin's aniline watercolor...

Archival pigment print Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare...

This Pablo Picasso print features the head and shoulders of a woman posing for a portrait. With the integration of the solid, sweeping lines, the artist draws attention to the figure...