USA - Paintings

A beautiful and complexly designed original folk art painting by Haitian artist E. A. (Angel) Othello. This work features a tranquil village scene with local people spotted througho...

Fabulous 19th century oil painting on canvas of a group of four racing pigeons pecking in the grass. The work is unsigned but recalls the influence of artist Edward Henry Windred, fa...

Black Americana Antique Folk Art or Outsider Art Portrait Black American Lawyer, Signed June 10, 1862 This is an original historical and detailed hand incised work of art on wood p...

Unique Historical Framed Account Dating to the Early 1800's , signed Quaker Potts This is an original and one-of-a-kind enactment artisticaly presented on wood of George Washington kneeling in prayer at Valley Forge...

Add a touch of warmth and beauty to your space with this exquisite oil on canvas painting titled "Maternidad" by renowned Mexican artist Jesus Mariano Leuus. This stunning piece feat...

Large abstract piece entitled man and paper Jorge Flores has earned several national and international awards and has exhibited in galleries around the ...

Superb Ammi Phillips American Folk Art Portrait painting, circa 1840 We are proud of our acquisition of this authentic masterpiece by Ammi Phillips (1788-1865). The finely rendered portrait depicts an attractive young girl in a delightful lifelike quality. The pretty face is a refreshing change from the stern expressions of most of the paintings showing mature female or male sitters. Phillips palette is dark with a strikingly dramatic use of light to her face. The painting, on its original stretchers, is in untouched condition. The frame is period. This painting is unsigned, as are most of his works, but bares the unmistakable characteristics of a Phillips painting. Portrait of a young girl holding a book and wearing a golden whistle. From the New England estate of the renowned Folk Art Collector and scholar, John Bauer...

Exceptional statement piece with a pair of white cockatoo birds in a realism tropical setting by Jesse Arms Botke. Large wood frame has been painted in a black finish with some imper...

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Mother Mary with the crowned infant Jesus Christ (standing on clouds) in her arms...

The Madonna Della Sedia commonly known as the Madonna of the chair is a painting by an Italian artist Raphael dating back to 1513 -1514. It is currently hou...

A beautiful 19th-century Spanish Colonial Mexican Folk Art ex-voto retablo lámina painting featuring Mother Mary with the infant Jesus Christ (faded and now almost a ghost-like figur...

Abner Dubic original signed painting of Haiti Village. Dubic was born 1944 in Haiti. Started painting in 1966. Exhibitions in Paris, Strasbourg, and US....

A wonderful, beautifully composed, gorgeously colored, quite engaging very large triptych screenprint titled "Black Marlin" by indigenous Australian...

Simeon Gonzales is a contemporary abstract artist born in Cusco, Peru in 1973. His Inka heritage is very present in his works, which are a celebration of bright and strong colors. Go...

Beautiful oil painting on canvas depicting lush colorful jungle scene with parrots, chicken and chicks all surrounded by vines fruit and flowers. Th...

Antique Tanjore Indian painting of Laxmi, the goddess of beauty, wealth and prosperity. She sits resplendently on a lotus flower, symbol of enlightenment. The elephants playfully spr...

A stunning abstract painting by Australian Aboriginal artist Nyurapayia Nampitjinpa (also known as Mrs. Bennett; 1935-2013). Acrylic on Belgium Linen and painted in 2006. Untitled, t...

Joan Miró, Ceramiques, is an original Lithograph made in 1974. It has a printed signature in the lower right of the image. Published and Printed by Maeght, Paris. M.928. Joan Miró w...

Mid 20th Century Balinese Painting on silk fabric, Framed. Vintage large Balinese art painting, from Ubud, Bali acrylic on silk. Beautiful artwork by the Indonesian artist from Ubud. Painted in Peliatan, Ubud Bali by VJ. Kupur as signed on the bottom left hand corner. Balinese Folk Festival ceremonial procession, Ink and acrylic paint on canvas. Batuan painting evolved in the 1930s after a group of local villagers tested different forms with ink-washed paintings upon black backgrounds. These paintings often reveal Batuan’s cultural life, directly through their elements of line, shape, and tone. Meticulous design, craftsmanship, and strong visual impression are characteristic of the style. The painting comprise individual shapes which are painted in a precise and systematic manner that does not leave any empty space. The complexity of the paintings is inevitable as each of the strokes, lines, gradations, the characters or the subjects forms a delicate unity that finely balances the figure-filled canvas. Various gradations of colors separate different sections of the painting. The landscape is enticing and endless. About Bali Art...

A wonderful, unique, and very engaging original acrylic on canvas painting titled "Hunting Dreaming" by indigenous Australian Aboriginal artist B...

Mid-20th century Balinese painting on silk fabric, framed. Vintage large Balinese art painting, from Ubud, Bali acrylic on silk. Beautiful artwork by the Indonesian artist from Ubud. Painted in Peliatan, Ubud Bali by W. Kurpelir as signed on the bottom left hand corner. Balinese Folk Festival ceremonial procession, Ink and acrylic paint on canvas. Batuan painting evolved in the 1930s after a group of local villagers tested different forms with ink-washed paintings upon black backgrounds. These paintings often reveal Batuan’s cultural life, directly through their elements of line, shape, and tone. Meticulous design, craftsmanship, and strong visual impression are characteristic of the style. The painting comprise individual shapes which are painted in a precise and systematic manner that does not leave any empty space. The complexity of the paintings is inevitable as each of the strokes, lines, gradations, the characters or the subjects forms a delicate unity that finely balances the figure-filled canvas. Various gradations of colors separate different sections of the painting. The landscape is enticing and endless. About Bali Art...

Fine and rare pair of 18th Century English dummy boards depicting a Cavalier and his Lady, he with a Van Dyke mustache, sword and leather boots, she with ...

George Vempley Burwood, British (1844-1917) signed and dated. Sailing ship, schooner diorama, shadow box with figures and painted background.

Vintage primitive floral still life on reclaimed wooden panels having a lovely curved top. Found in an antique store in Calabria about 30 years ago.

Italian folk art Pyrography picture signed, H. Toscano This is an original and unusual detailed 1690 enactment , and hand incised work of art on wood pan...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

American portrait miniature by Thomas Story Officer, Woman in a White Gown, Signed "T.S. Officer, Pinxt", The 1830s The American portrait miniature signed by Thomas Story Officer depicts a beautiful young woman, her red hair “Coeffure a la Chinoise”, sitting in a red chair confidently looking out towards the painter and us, the viewers.  She wears a white dress with a pin in the center of her chest.  Based on her style of dress and her hair, we believe this was painted while Officer was in Philadelphia. It is signed to the lower right "T.S. Officer, Pinxt" along at edge. The reverse has a small oval glass Dimensions: 3 inches high x 2 3/16 inches wide x 1/4 inch deep Reference: Thomas S. Officer: Miniature and Portrait Painter, Gardner Library,  Author: Merri Lou Schaumann. Born in Carlisle in 1810, this gifted artist trained in Philadelphia, traveled extensively and won awards for his paintings. In 1872, James Miller McKim wrote a series of reminiscences for the Carlisle Herald newspaper about the places and people of Carlisle in an earlier day. He wrote that “David Smith, a boot and shoemaker, had two sons… one of whom early developed a taste for art and finally devoted himself to miniature painting as a profession. He was a contemporary, and for a while, a rival of Mr. Thomas Officer, though I believe he never reached the celebrity attained by that gifted young artist. Mr. Officer, by the way, was one of the last miniature painters of any eminence produced by this country, the daguerreotype and photographer having come in to sweep away the entire profession.” Thomas Story Officer was born in Carlisle on August 15, 1810, to cabinetmaker John Officer and his second wife Margaret. He trained in Philadelphia with the well-known portrait painter Thomas Sully and began his career there in the 1830s. Officer left Philadelphia occasionally to paint portraits in Mobile, Alabama in 1837, in Richmond, Virginia in 1845, and in New York City from 1846-1849 where he became a member of the National Academy of Design. In 1842, Officer intended to travel to Mexico and needed a passport. He asked Attorney Charles B. Penrose, formerly of Carlisle, to write a letter of recommendation for him. In his letter to Fletcher Webster, Esq., Penrose wrote, “This will be handed to you by Thomas S. Officer, Esq., a friend of mine, and a native artist of Pennsylvania, who is a gentleman of great talents and respectability. Intending to visit Mexico, he wishes to procure passports at the State Department…”  Officer was issued a passport in July 1842. He was described as 30 years old, 5’ 11” with a “full and round forehead, bluish-gray eyes, an ordinary nose, medium mouth, ordinary chin, sallow complexion with an oval face and brown hair.” Officer went to Mexico and later to Australia. In 1854, he opened a studio in Sandridge, Australia, and while there he “entered several oil portraits in the 1854 Melbourne Exhibition preparatory to sending them to the 1855 Paris Exhibition.” Officer left Australia, and in 1855 he settled in San Francisco where he would spend the last years of his life. He set up a portrait painting department in James Johnson’s photographic gallery in San Francisco. In 1857, Officer received a bronze medal for his oil portraits exhibited at The First Industrial Exhibition of the Mechanics’ Institute of San Francisco, as well as awards at several other exhibits in 1858. A short piece in the San Francisco newspaper, Alta, on October 30, 1859, read, “Mr. Thomas S. Officer, the talented portrait painter, lies near to death’s door and is in pecuniary distress. Out of the many to whose pleasure he has contributed by his gay, social manners, as well as by his pleasing artistic productions, may there not be found someone who will extend a helping hand?”  Officer died on December 8, 1859. Almost an entire column in the January 18, 1860 edition of the Carlisle Herald, was devoted to a very long and informative obituary of Officer taken from the Alta, California newspaper. Officer was buried in the now defunct Lone Mountain Cemetery in San Francisco. In 2014, the Cumberland County Historical Society received a bequest of a portrait painted by Thomas Officer from the estate of historian John J. Snyder, Jr. It joined a miniature portrait already a part of the Society’s museum collection in Carlisle, not far from where Officer was born. Notes: The May 28, 1834 edition of the Carlisle Weekly Herald reported that Thomas S. Officer had "...within the last few weeks, taken the portraits of several gentlemen of this borough...Mr. O. is principally self-taught, and although young, already evinced a degree of taste, judgment, and talent..." A short biography of Officer can also be found in Early American Portrait Painters in Miniature by Theodore Bolton, published by F. F. Sherman (New York, 1921). The entire book is one line  Bio. of Officer on page 117. See Officer’s portrait...

Austrian School, 19th century, An Orientalist Portrait of a Turkish Sultan. Oil on Canvas, a very high quality painting, realistically painted of a ...

This amazing folk art tole ware box is in original red painted back round with floral decoration & a embossed bird popping out.

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

This beautiful Haitian painting is a true work of art, showcasing the vibrant colors and intricate details characteristic of Haitian folk art. Created by a talented Haitian artist,...

19th Century shadow box. Ship at center flanked by a steamer and a pilot boat. Profusely painted background depicts the cliffs of Dover and numerous sailin...

John Moulton (from Montana) had a cult following in his later years, his paintings were admired for their warmth, simplicity, and "down to earth" style; portraying rural settings and...

Astonishingly beautiful and monumental mural spanning eleven individual panels which when assembled are 16 feet long by 6 feet high. The panels are reverse paint and applique on sheets of Plexiglass and were painted by Peter Ostuni (American, 1908-1992) in 1951 for the lobby bar of the Savoy-Plaza Hotel at Fifth Avenue between 58th and 59th Street, New York City under design firm Tom Lee...

Moroccan orientalist oil on canvas painting of a 19th century Moroccan rug market scene with an sellers seating on a pile of carpet and two other men wearing traditional colorful robes standing and checking the goods. The background depict an old house with wooden mucharabie and Moorish arches. Contemporary French oil on canvas orientalist painting of a Moroccan market...

Gary Komarin, Blue and White Contemporary 'Cake' Painting, American, 21st C. CAKE by Gary Komarin. On view now and available for sale exclusively through our Americana Manhasset ga...

This signed André Vignoles framed landscape farm painting, is depicting a vibrant countryside scene with rich yellow fields, greenery, and distant farmho...

A striking 19th-century Russian icon depicting the mystical “All-Seeing Eye of God,” symbolizing divine omniscience and protection. This icon features intricate detailing in its port...

An Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

An Oil on Canvas Signed L. Nicolas. A follower of Nicolas Lancret (Paris 1690 - Paris 1743). This wonderfully detailed oil on canvas of mother and child in a solid carved wood frame....

Robert David Gauley’s framed landscape painting beautifully captures a serene countryside with a flowing stream and vibrant greenery. The oil on canvas showcases Gauley’s skillful br...

1950s Modern Impressionist Oil On Canvas "circus" by Arnold Benjamin Hodgkins.. Retains original frame .Great use of color.. signed in lower left Arnold Hodgkins was born 1st Marc...

A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999 Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame. Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976). Artist's Biography (Courtesy of Art Gallery NSW) After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists. During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney. Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...

Memorie, #13062, by Italian artist Gianfranco Asveri mixed media on paper, gallery framed in white wood frame and under glass. Depicted are some of his favorite subjects, his mother, his dog, and his cat. Live image measures 19.5 x 11.75 inches. Gianfranco Asveri was born in Fiorenzuola D’Arda, Italy, in 1948. The artist lives and works at Gasperini on the hills between Parma and Piacenza with his beloved dogs. He began to paint in 1969. His first work was merely figurative. In the 1980s he moved closer to the “Art Brut” style. Renowned in Italy, Asveri has just finished a solo exhibition in Genoa at the Medioeval “Commenda” and will be presented in Paris next February during the Contemporary Art Fair in Port de Versailles. Recently, the newspaper “Il Sole 24 Ore” (The Italian Economic newspaper) included Asveri among the artists to watch in terms of investment in the Italian Art Market. An appreciable number of famous critics have written essays about his works: Paolo Bledinger, Luca Beatrice, Flaminio Gualdoni and Martina Corgnati. Most Important Exhibitions: 2016 – Sogni dipinti, Galleria Rotaross, Novara. – Lo sguardo nascosto, Galleria Biffi Arte, Piacenza. 2015 – Abracadabra, Galleria Leonardus, Sestri Levante...

Frank Vincent DuMond painting. Bucolic setting of a woman in a pastoral scene by a river. She is seated reading and dressed in an Edwardian, early 20th century clothing. Signed lower left. "To My Friend Mr.Kempshall, Frank V. DuMond". Frank Vincent DuMond was one of the most influential teacher-painters in 20th century America. He was an illustrator and American Impressionist painter of portraits and landscapes, and a prominent teacher who instructed thousands of art students throughout a career spanning over fifty years. In a teaching career spanning more than fifty years, DuMond taught thousands of artists at the art students league. His students included Norman Rockwell, Georgia O'Keeffe, John Marin, Frank J. Reilly,Charles Webster Hawthorne,Frank Herbert Mason,Ogden Pleissner, Kenneth Hayes Miller, Louis Bouché, Eugene Speicher,Helen Winslow...

Wonderful folk art primitive painting of a saint on distressed wooden panel.

A truly gorgeous, quite large and decorative, engaging South Indian Asian (India) Pichwai and/or gouache painting in a heavy two-sided acrylic frame featuring an evening Maharaja roy...

An original watercolor painting by San Ildefonso (Pueblo) Native American artist, Jose Roybal (1922-1978) depicting the Pueblo Harvest Dance. Presented in ...

A fine contemporary British oil painting on canvas of white roses in a mustard pot displaying a masterful use of color, space, and light, mounted to an attractive gray-washed and sil...

Danish early 19th Century oil painting of a farm house in a period gilded frame.

Vintage pair (2) Folk Art or Outsider Art Portraits of Native Americans. The female displays braided hair and a necklace with pendant of possible an acorn or shell; the male with a ...

Antique seascape with shipwreck on a rocky shore, mid-19th century, a watercolor on paper seascape with a shipwrecked brig on the rocks, with another squall rolling in on horizon, un...

A modern cubist style painting in the manner of Vicente Manansala (1910-1981) of the Philippines. Heavy texture, paint on canvas. 36" x 36" fr...

Perhaps the dropped hand is the most obvious of the Bears 'tells'. But just about every aspect of our painting is Bears, from the landscape background to the positioning of the subje...

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterf...

Charming French oil painting on canvas of a tabby cat staged with curtains and tassels, executed in a naive style that captures the enigmatic feline nature. With "CHAT" written on th...

A beautiful depiction by Pablo Picasso of his final muse Jacqueline Roque with matted frame. Hand numbered 183/375 as part of the limited series of lith...

19th C signed Framed Horse Litho By Olso.