Drawings and Watercolor Paintings
Drawings and Watercolor Paintings For Sale
Color: Brown
Highland Cattle Beside Stream
By John Barrett
Located in Hillsborough, NC
Scottish Highland mountains, river rapids and heather on the hill with cows, this 19th century impressionist watercolor is bright and fresh. Sign...
Category
19th Century Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
Sketch for mural stock exchange San Francisco.
By Diego Rivera
Located in MADRID, ES
Charcoal on paper.
Drawing
Category
1920s Drawings and Watercolor Paintings
Materials
Charcoal
140
By Russ Havard
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --RUSS HAVARD
Artist Statement
I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...
Category
21st Century and Contemporary American Realist Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Vaches au paturage sur les bords de la Seine
Located in Palm Desert, CA
"Vaches au paturage sur les bords de la Seine (Cows Grazing on the Banks of the Seine)" is a pastel on paper by Alfred Sisley. The artwork is signed lower left, "Sisley". The framed ...
Category
1890s Impressionist Drawings and Watercolor Paintings
Materials
Pastel, Paper
Rococo portrait Nude lady in Royal mantle Early 20th century Pastel drawing
Located in Stockholm, SE
A lady with a porcelain-delicate toasty face, enchants with playful and refined coquetry. The lively movability of the artist's stroke conveys with all tangibility the reflections and the play of light on the surface of the blue satin, and the airiness of the underwear. The professionalism of this work captures with its imagination, grace and harmony of colors. By an unidentified professional painter, vintage pastel drawing...
Category
Early 20th Century Realist Drawings and Watercolor Paintings
Materials
Wood, Paper, Pastel
Nina Ricci 'Petunia' 77
Located in Bristol, CT
Original Nina Ricci watercolor c1960s illustration w/ fabric swatch attached
Provenance: a Beverly Hills, CA estate
Art Sz: 12"H x 8 1/4"W
Frame Sz:16"H x 12"W
Category
1960s Drawings and Watercolor Paintings
Materials
Watercolor, Paper
'Oleta's Hat', Carmel Art Association Exhibit, California Woman Artist, SFMA
Located in Santa Cruz, CA
Signed lower right, 'V. Conroy' for Virginia Conroy (American, 1922-2006) and dated 1985.
Exhibited: Carmel Art Association, 1983 (on original backing...
Category
1980s Modern Drawings and Watercolor Paintings
Materials
Graphite, Paper, Watercolor, Gouache
Jock: The King's Pony w/ Original Cover Artwork by Paul Brown
Located in Bristol, CT
A book by Rowland Johns.
1st Edition
E.P. Dutton And Company, Inc.
1936
[60] pp.
8.75" x 6.5" x 0.5"
Artwork 10.5"H x 7.75"W
Frontispiece "I Shall Be Waiting"
Category
1930s Drawings and Watercolor Paintings
Materials
Gouache, Watercolor
Plant Impression in Locarno - Floral Crescendo -
Located in Berlin, DE
Alexander Frenz (1861 Rheydt - 1941 Düsseldorf). Plant impression in Locarno. Gouache and watercolour. 35 x 23,5 cm (visible size), 49,5 x 38,5 cm (fra...
Category
1890s Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
Nina Ricci 'Capucine' 68
Located in Bristol, CT
Original Nina Ricci watercolor c1960s illustration w/ fabric swatch attached
Provenance: a Beverly Hills, CA estate
Art Sz: 12"H x 8 1/4"W
Frame Sz:16"H x 12"W
Category
1960s Drawings and Watercolor Paintings
Materials
Watercolor
Large Watercolor Painting Israeli Modernist Judaica Two Rabbis
By Moshe Gat
Located in Surfside, FL
A large watercolor painting.
Moshe Gat was born in Haifa in 1935.
in 1952 he began his studies at the Bezalel School, in Jerusalem.
In 1955...
Category
Mid-20th Century Expressionist Drawings and Watercolor Paintings
Materials
Paper, Watercolor
138
By Russ Havard
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --RUSS HAVARD
Artist Statement
I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...
Category
21st Century and Contemporary American Realist Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Watercolor British school 19thcentury Diamond jubilee Portrait Queen Victoria
Located in PARIS, FR
English school from the end of the 19th century Watercolor and gouache 38 x 28 cm (60x49 cm with the frame) Very beautiful late 19th century frame in pitch pine wood. Very good condition
This watercolor was made for the diamond "jubilee" in 1897 of Queen Victoria, crowned on the 20 June 1837 Queen of the United Kingdom of Great Britain and Ireland. She was also Queen of Canada from 1867 and Empress of India from 1876. This watercolor represents two portraits of the Queen, one in 1837 and the other in 1897, as well as a beautiful diamond which reminds of the famous Indian diamond the Koh-i-Nor which was presented in 1850 to Queen Victoria, for the 250th anniversary of the English East India Company, and cut and mounted on a tiara with two thousand other diamonds in 1852. We also recognize in this watercolor the insignia of the Order of the Star of India...
Category
Late 19th Century English School Drawings and Watercolor Paintings
Materials
Watercolor
An eastern market tent, Nile Valley
By Augustus Osborne Lamplough
Located in Los Angeles, CA
The orientalist painting by Lamplough depicts a tent market which is located right along the verdant waters of the Nile. Camels with merchants take up the foreground of the image nea...
Category
1910s Drawings and Watercolor Paintings
Materials
Watercolor
Veiled Series XX , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor, Permanent Marker
Donne con bambini - 1889
Located in Como, IT
Eugenio Spreafico (Monza, 1856 – Magreglio, 1919)
Donne con bambini - 1889
Tecnica mista su carta
Misure: 58x40 cm (80x62 cm inclusa la cornice)
Si forma artisticamente all'Accademia di Brera, dove è allievo di Francesco Hayez...
Category
Late 19th Century Drawings and Watercolor Paintings
Materials
Paper, Mixed Media
Royal Academy Series-3, Pen & Ink on Paper, Modern Artist Atul Bose "In Stock"
Located in Kolkata, West Bengal
Atul Bose - Royal Academy Series-3
Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size)
1924-26 (Delivered Unframed in as is condition)
Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta.
Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque.
Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...
Category
1920s Modern Drawings and Watercolor Paintings
Materials
Ink, Paper, Pen
Original Ronald Shap figure drawing, signed
Located in Columbus, OH
Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude man bent over. 24x18 inches. Signed.
Some p...
Category
1980s Contemporary Drawings and Watercolor Paintings
Materials
Charcoal, Oil Pastel, Gouache
The Mean Hippies (Drawing with Rattlesnake Warrior and Red Rebels) Outsider Art
By Alex O'Neal
Located in Surfside, FL
Paper measures 21 X 33 inches
Born and raised in Mississippi, Alex O'Neal graduated from Rhode Island School of Design and School of the Art Institute of Chicago. In the Eighties, his formal education overlapped regular visits with Mississippi self-taught artists, including Mary T. Smith, Luster Willis, and Son Ford Thomas. He later immersed himself in art brut collections and European art brut in Switzerland, Germany, and France. His work is also inspired by African-American self-taught outsider art. O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S.122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d’Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; LOG at Lump Gallery, Raleigh, NC; and Linda Warren Projects, Chicago. His work is in volumes 16, 38, and 104 of New American Paintings. His paintings and drawings idiosyncratically depict circumstances that associate Americans, i.e. dysfunction, nature worship, cults, homegrown terrorism, Hollywood, reverence for Native America. There is formal influence from stylization found in Romanesque fresco, early American portrait painting...
Category
21st Century and Contemporary Outsider Art Drawings and Watercolor Paintings
Materials
Oil Pastel, Archival Paper
Women's Corner, Along the Cuyahoga River, Early 20th Century Cleveland School
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Women's Corner, Along the Cuyahoga River, c. 1916
Watercolor and graphite on paper
21 x 29 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1910s American Modern Drawings and Watercolor Paintings
Materials
Graphite, Watercolor
Adam and Eve - Drawing - 1849
Located in Roma, IT
Adam and Eve is a drawing realized in 1849 and attributed to the painter and draughtsman Luigi Sabatelli (1772-1850).
Applied on cardboard: 35 x 25 cm
Hand-signed on the lower and ...
Category
1840s Modern Drawings and Watercolor Paintings
Materials
Paper
Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church
Located in New York, NY
Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church
Antonio Petruccelli (1907 – 1994)
Cathedral
New Yorker cover proposa...
Category
1930s American Realist Drawings and Watercolor Paintings
Materials
Board, Gouache
'Out of Hokkaido', Carmel Art Association Exhibit, Japanese portrait, Kimono
Located in Santa Cruz, CA
By Virginia Conroy Dedini (American, 1922-2006). Titled lower left, 'Mitsuko ''Okaido Born''' and dated August 1976.
Exhibited:
Carmel Art Associati...
Category
1970s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Gouache, Graphite
En El Balcon, original lithograph
Located in Belgrade, MT
Emilio Grau Sala (Spanish, 1911-1975) was born in Barcelona and studied at the School of Fine Arts in his native town, in 1929 he moved to France and became part of the Paris School ...
Category
Mid-20th Century Modern Drawings and Watercolor Paintings
Materials
Lithograph
Fall Approaching, Painting, Watercolor on Watercolor Paper
Located in Yardley, PA
I created the colors of Fall instead of the usual fall leaves painting. Textures were created by the granulating watercolors used. Painted on Arch...
Category
2010s Expressionist Drawings and Watercolor Paintings
Materials
Watercolor
Thoughtful Boy Seated in Garden
Located in Fort Washington, PA
Signed by Artist Lower Left
“Tom burst forth as a full-blown hero who had rescued the maiden from a watery grave...”
Book illustration: Jo’s Boys, and How They Turned Out,
by Louisa...
Category
Early 1900s Drawings and Watercolor Paintings
Materials
Charcoal
Union Street Bridge & Pylons
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Represented by George Billis Gallery, NY, Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'...
Category
21st Century and Contemporary Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
Half-length portrait of a Pharisee - In the shadow of betrayal -
Located in Berlin, DE
Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'".
Minor browning, collection stamp on the reverse.
- In the shadow of betrayal -
About the artwork
This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376).
Hermann Prell, Betrayal of Judas, 1886
The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner.
In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk.
As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting.
About the artist
In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions.
Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904).
From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...
Category
1880s Realist Drawings and Watercolor Paintings
Materials
Chalk
Rashomon - A 1950 costume design for the New York Theatre by Oliver Messel
Located in London, GB
OLIVER MESSEL
(1904-1978)
The Medium – Costume Design for Peter Glenville’s Rashomon, Performed at the Music Box, New York, 1959
Signed l.r.: Oliver Messel and inscribed u.r.: The...
Category
Mid-20th Century Realist Drawings and Watercolor Paintings
Materials
Watercolor
Original Woodcut & Printed Colors of Pasture, Emile Antoine Verpilleux, ca. 1920
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964
Pasture, ca. 1920
Original woodcut, printed in colors
12 x 16
Signed in pencil
Category
1920s Drawings and Watercolor Paintings
Materials
Woodcut
Male Torso
By John Koch
Located in London, GB
Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed).
John Koch was an American painter and teacher, and an impo...
Category
1950s American Modern Drawings and Watercolor Paintings
Materials
Paper, Chalk, Pencil, Color Pencil
Royal Academy Series-3, Pen & Ink on Paper, Modern Artist Atul Bose "In Stock"
Located in Kolkata, West Bengal
Atul Bose - Royal Academy Series-3
Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size)
1924-26 (Delivered Unframed in as is condition)
Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta.
Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque.
Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...
Category
1920s Modern Drawings and Watercolor Paintings
Materials
Pen, Ink, Paper
Flemish Old Master, Study of Donkey Carriage, 17th Century, Sanguine Drawing
Located in Greven, DE
This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...
Category
17th Century Baroque Drawings and Watercolor Paintings
Materials
Chalk, Handmade Paper
Seated Woman
By Jules Pascin
Located in New York, NY
Seated Woman by Jules Pascin (1885-1930)
Pen and ink on paper
6 ½ x 6 inches unframed (16.51 x 15.24 cm)
14 x 13 inches framed (35.56 x 33.02 cm)
Inscribed (Pascin Estate 81C) on bot...
Category
Early 20th Century Expressionist Drawings and Watercolor Paintings
Materials
Ink
Mid Century Modernist Judaica Rabbi Scribe Painting Outsider Art
By Paul Shimon
Located in Surfside, FL
This is a 2 sided painting with a torn paper collage on the second side.
Born in New York, Paul Shimon (1919 - 2011) was both an accomplished artist and composer.
Considered by som...
Category
Late 20th Century American Modern Drawings and Watercolor Paintings
Materials
Mixed Media
erotica al fresco, narrative architectural fantasy w female nudes
Located in Brooklyn, NY
Pastel on toned paper
Category
2010s Surrealist Drawings and Watercolor Paintings
Materials
Paper, Pastel
Large 80s Vibrant Dynamic Drawing/Painting Memphis Milano Era
Located in Surfside, FL
it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...
Category
1980s 85 New Wave Drawings and Watercolor Paintings
Materials
Conté, Charcoal, Gouache, Rag Paper, Graphite
Cabaret Dancers girls Austrian watercolor painting in fraimed 1930s
Located in Stockholm, SE
Signed: by Richard Geiger (1870 – 1945), Austrian - Hungarian painter. Also pencils inscriptions on reverse with date 33 (1933). By the 1920s, he worked illustrating books, bookplates and posters. His paintings included portraits, nudes, genre paintings, and mythological scenes, but he was known for his illustrations, especially his carnival motifs. Spectacular masterwork.
Size app.: 18 x 23.3 cm (roughly 7.1 x 9,2 in), framed 31.7 x 36.4 cm (roughly 12.5 x 14.3 in). Very Good condition, minimal age wear. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Please study good resolution images for overall cosmetic condition. Glass will be removed prior to shipment for safe transit. Weight of app. 0,5 kg (without glass!) is going to measure some 2 kg volume weight packed for shipment.
R. Geiger was born in Vienna. He first attended a drawing school and then studied at the Academy of Fine Arts Vienna, where he studied under Christian Griepenkerl and August Eisenmenger. He studied sculpture with Fritz Klimsch at the Academy of Arts in Berlin. There he took part in the exhibitions of the Academy with his portrait busts and sculptures. In Paris he studied at the Julian Academy and worked in the studio of François Flameng...
Category
1930s Realist Drawings and Watercolor Paintings
Materials
Wood, Paper, Watercolor
LUXEMBOURG GARDENS PARIS.Jean Franck Baudoin (1870-1961) post impressionist
Located in Pollenca, Illes Baleares
Jean-Franck Baudoin (1870 - 1961) was one of the last great French post impressionist painters."Jean-Franck Baudoin was one of the last great French post-impressionist painters. He g...
Category
Late 19th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Pastel
Sensory Experience - original large art by Paula Craioveanu 39x27.5in
Located in Forest Hills, NY
"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse.
Part of Nude in Interior series.
Large drawing. Shipped rolled in a tube, from Florida, US.
Artist Statement
"I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now.
As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space.
My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair.
Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...
Category
2010s Contemporary Drawings and Watercolor Paintings
Materials
Tempera, Pencil
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century c. 1930s
Located in New York, NY
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century
Antonio Petruccelli (1907 - 1994)
Oil Terminal
Lamp Magazine, published, c. 1930s.
15 3/4 X 12 inches (image)
18 X 14 inches board
Gouache on board
Signed lower right
unframed
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Drawings and Watercolor Paintings
Materials
Board, Gouache
Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA
Located in New York, NY
Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA
Antonio Petruccelli (1907 – 1994)
Army Wedding
New Yorker cover proposal, c. 1939
11 1/2 X 8 inches ...
Category
1930s American Realist Drawings and Watercolor Paintings
Materials
Board, Gouache
Summer Heat #2, abstract figure work w bold color
By Tom Bennett
Located in Brooklyn, NY
Oil on paper
About Tom Bennett:
With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic.
Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut.
His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light.
Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa Gallery...
Category
2010s Abstract Impressionist Drawings and Watercolor Paintings
Materials
Oil, Paper
Untitled_Body on the Field #6
Located in Berlin, DE
Untitled_Body on the Field #6, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of t...
Category
2010s Neo-Expressionist Drawings and Watercolor Paintings
Materials
Paper, Color Pencil
A red chalk study sheet by Baldassare Franceschini, known as Volterrano
Located in PARIS, FR
This fresh sanguine sheet presents various studies placed next to each other in no apparent order. Two of the feet studies are preparatory to the first major commission received by the young Baldassare Franceschini, shortly after his installation in Florence, the frescoes for the Medici Fastes. This cycle was executed between 1636 and 1646 for the Villa La Petraia, a Medici villa on the outskirts of Florence, which allows us to date this sheet to the artist's youth.
1. The Medici Fastes, the first major commission for a young artist
Born in Volterra in 1611, the town from which he took his nickname, Baldassare Franceschini apprenticed with his father, a sculptor of alabaster, one of his home town's specialities, and studied with Cosimo Daddi (1540-1630), a local artist. The Marquis Inghirami, who spotted his talent, sent him to the workshop of Matteo Rosselli (1578 - 1650) in Florence, which was also attended by Francesco Furini (1603 - 1646).
In 1636, Lorenzo de' Medici, the youngest son of Ferdinand Ier and Christine of Lorraine, chose the 25-year-old artist, again on the advice of the Marquis Inghirami, to decorate with frescoes the loggias of the inner courtyard of the Villa La Petraia, which he had just inherited on the death of his mother. The project lasted about ten years and included ten scenes placed symmetrically in two loggias on either side of the courtyard: four main scenes and six placed above the doors, each to the glory of a member of the Medici family.
This decoration was his major secular project, but Volterrano also executed several religious frescoes and a few easel paintings, often with less success. Among the religious commissions, we can cite the dome of the Colloredo chapel dedicated to Saint Lucy...
Category
Mid-17th Century Old Masters Drawings and Watercolor Paintings
Materials
Paper, Chalk
French Contemporary Art by Frédérick Mazoir - Geotropisme 17
Located in Paris, IDF
Indian ink, carbon black, walnut husk, gouaches & blue oil on canson paper
Category
2010s Contemporary Drawings and Watercolor Paintings
Materials
Gouache, Carbon Pencil, Walnut, India Ink
Two Seated Men
Located in New York, NY
“Two Seated Men” by Henri Lebasque (1865-1937)
Pencil and watercolor on paper
6 x 5 inches unframed (15.24 x 12.7 cm)
Signed on bottom right
Description:
In ...
Category
20th Century Drawings and Watercolor Paintings
Materials
Pencil, Watercolor
Body in the Field #5 - Blue, Red, Drawing, Color pencil
Located in Berlin, DE
Body in the Field #5, 2022
coloured pencils on canvas
25 H x 16 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...
Category
2010s Expressionist Drawings and Watercolor Paintings
Materials
Canvas, Color Pencil
Road-workers, Early 20th Century Watercolour
Located in London, GB
Ink and watercolour on paper
Image size: 18 x 19 3/4 inches (46 x 50 cm)
Contemporary style hand made frame
Category
Early 20th Century Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor
René Buignet (1888-1915) La Fontaine Médicis, Paris, two watercolors signed
Located in Paris, FR
René Buignet (1888-1915)
La Fontaine Médicis, Jardin du Luxembourg, Paris
Each one signed lower right
watercolor on paper
size of each : 28.5 x 21 cm
In the same mount and framing :...
Category
Early 1900s Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
American Modernist Peter Macchiarini "Brooch Sketch"
Located in Arp, TX
Peter Macchiarini
"Brooch Drawing"
c. 1950s
Pencil on paper
Site 3.5"x3.5" silver carved wood frame 14.75"x16.75"
Studio stamp lower left
Was born to Italian parents on the Wohler Ranch, a hop yard and vineyard spread on the Russian river near Santa Rosa, Sonoma County on August 27, 1909. I attended grammar school and high schools in Sonoma County until the age of fourteen at which time my parents returned to Italy. There I took preliminary courses in the Italian language and having decided on an artistic career, took the entry examinations for the Art Academy Pietrasanta, Province of Lucca, and was accepted. At the Academy I received basic training in marble carving, clay modeling, architectural drawing and general sciences.
In 1928 I returned to the United States and was gainfully employed as a stonecarver with several San Francisco Bay Area firms. I continued my art studies in San Francisco at the California School of Fine Arts, taking night courses. In 1936, I worked on projects under Beniamino Bufano and Ralph Stackpole...
Category
1950s Abstract Drawings and Watercolor Paintings
Materials
Archival Paper, Pencil
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Located in New York, NY
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Antonio Petruccelli (1907 – 1994)
Mixing Mortar
12 1/2 X 14 3/4 inche...
Category
1930s American Modern Drawings and Watercolor Paintings
Materials
Board, Gouache
Clay jug on a bench - The essence of the clay jar revealed by the sunlight -
By Hans Richard von Volkmann
Located in Berlin, DE
Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V."
- Minimally tanned. Framed behind glass in a passepartout.
About the artwork
Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year.
And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground.
By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow.
The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month.
About the Artist
Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting.
In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892.
In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...
Category
1890s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
Painting French Landscape 20th century oil on canvas Salt marsh near Noirmoutier
Located in PARIS, FR
"MD-LAQUINTANE" French school of the twentieth century Oil on canvas 32 x 41 cm (50 x 58 cm with the frame) Signed lower left "MD-LAQUINATNE" Beautiful frame
The subject is probably...
Category
20th Century Modern Drawings and Watercolor Paintings
Materials
Oil
Iain Baxter& "Recovering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with music record or disc in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Drawings and Watercolor Paintings
Materials
Mixed Media, Monoprint, Monotype
Drawing Ink 16th 17th Flemish DE VOS Religious Martyrdom of James The Great
Located in PARIS, FR
Flemish school from the beginning of the 17th century (Circle of Martin DE VOS) Drawing Pen and wash 38 x 32 cm (58 x 52 cm with the frame) Inscription "Martin de Vos" Excellent cond...
Category
Early 17th Century Old Masters Drawings and Watercolor Paintings
Materials
Oil
Gold Monet by Lélia Pissarro - Tempera
Located in London, GB
Sold directly on behalf of the artist
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paintings
Materials
Gold
"Palm Beach Villa"
Located in Bristol, CT
Stylish c1996 watercolour by A. Goyette
depicting a glam Palm Beach estate courtyard
Image Sz: 20 1/4"H x 28 1/4"W
Frame Sz: 28"H x 36"W
w/ custom bamboo frame
Category
20th Century Drawings and Watercolor Paintings
Materials
Watercolor
Drawings and Watercolor Paintings
Revitalize your interiors — introduce drawings and watercolor paintings to your home to evoke emotions, stir conversation and show off your personality and elevated taste.
Drawing is often considered one of the world’s oldest art forms, with historians pointing to cave art as evidence. In fact, a cave in South Africa, home to Stone Age–era artists, houses artwork that is believed to be around 73,000 years old. It has indeed been argued that cave walls were the canvases for early watercolorists as well as for landscape painters in general, who endeavor to depict and elevate natural scenery through their works of art.
The supplies and methods used by artists and illustrators to create drawings and paintings have evolved over the years, and so too have the intentions. Artists can use their drawing and painting talents to observe and capture a moment, to explore or communicate ideas and convey or evoke emotion. No matter if an artist is working in charcoal or in watercolor and has chosen to portray the marvels of the pure human form, to create realistic depictions of animals in their natural habitats or perhaps to forge a new path that references the long history of abstract visual art, adding a drawing or watercolor painting to your living room or dining room that speaks to you will in turn speak to your guests and conjure stimulating energy in your space.
When you introduce a new piece of art into a common area of your home — a figurative painting by Italian watercolorist Mino Maccari or a colorful still life, such as a detailed botanical work by Deborah Eddy — you’re bringing in textures that can add visual weight to your interior design. You’ll also be creating a much-needed focal point that can instantly guide an eye toward a designated space, particularly in a room that sees a lot of foot traffic.
When you’re shopping for new visual art, whether it’s for your apartment or weekend house, remember to choose something that resonates. It doesn’t always need to make you happy, but you should at least enjoy its energy. On 1stDibs, browse a wide-ranging collection of drawings and watercolor paintings and find out how to arrange wall art when you’re ready to hang your new works.
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