Drawings and Watercolor Paintings

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon LANDSCAPE 1956 Gouache on paper 46,5 x 37 cm. Signed and dated: lower right ‘Quirijn 56’ Provenance: Pri...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon DORPSGEZICHT 1953 Gouache on paper 42 x 60 cm. Signed and dated: lower right ‘Quirijn 53’ Provenance: Pr...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon HAAN MET PAARD 1948 Gouache on paper 54 x 40 cm. Signed: lower left Provenance: Private collection, The...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

Two Women and a Child on the Beach at Provincetown Unsigned. Watercolor on paper, c. 1934 A beautiful Provincetown beach scene, included in the catalogue raisonne. Please see Babcoc...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

An ink drawing Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait of an old Jewish man. Coming over from Europe on a ship crossing. The work is signed "Ben-Zion". Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. In 1920 he settled in America, where he found little interest in his writing. He began teaching Hebrew to support himself and then in the early 1930s returned to painting. He used his art to comment on the rise of fascism in Europe, events he felt could not be adequately explored with words. Largely self-taught, Ben-Zion visited the museums of New York City to learn his new trade. His first painting on a large scale, Friday Evening (1933, Jewish Museum, New York), depicts a Sabbath dinner table as recalled from his family home. Ben-Zion supported himself by working odd jobs until the establishment of the Works Progress Administration's Federal Art Project. Under the auspices of the wpa, Ben-Zion thrived and galleries began to show his work. In 1936, after his first one-man show at the Artists' Gallery in New York Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

In this abstract floral artwork I experience the world of nature through the bright colors of a summer period. While painting, I sought to capture the beauty of nature which is full...

Horse Race - Hand Colored Lithograph in Gouache Dynamic hand-colored lithograph by Eugene Pechaubes (French, 1890-1967). Five horses and their riders are racing directly towards the...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon PEINZENDE MAN 1945 watercolor on paper 36 x 46 cm. Signed and dated: lower left ‘Quirijn van Tiel 45’ Pr...

'Amalfi Coastline, Italy' signed mixed media on paper. Glazed frame 53cmx 42cm painting 36cmx27cm A view of Amalfi, looking down to the shoreline from the hilly landscape that surrou...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon WOMAN ON RIVER 1951 Gouache on paper 41,5 x 59 cm. Signed and dated: lower right ‘Quirijn van Tiel 51’ P...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon CATHEDRAL 1959 Gouache on paper 64 x 52 cm. Signed and dated: lower right ‘Quirijn van Tiel 59’ Provenance: Formal collection P.A. Regna...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon HAAN 1947 Gouache on paper 55 x 33 cm. Signed: lower right Provenance: Private collection, the Netherla...

Explore Mila Francesca Cali's abstract watercolors, inspired by her plein-air studies of space and nature. With echoes of modernist painting in a contemporary context, each piece res...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). A Tight Finish, 1970. Gouache and Watercolor. Signed & Dated Lower Right. Image size 21.5 inches x 29.1 inches ( 54.5cm x 7...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon CHURCH COURT, ST. CIRQUE MADELON 1958 Gouache on paper 57 x 45 cm. Signed and dated: lower left "Quirijn ...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon ROOSTERS 1953 Gouache on paper 40 x 55 cm. signed: lower right

Explore Mila Francesca Cali's abstract watercolors, inspired by her plein-air studies of space and nature. With echoes of modernist painting in a contemporary context, each piece res...

Circular red abstract painting with blue and white accents by artist Robert B. Eaton in 1971.

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Untitled Abstrraction Gouache, watercolor and pigments on paper, c. 1960 Signed lower right in pencil (see photo) Image: 17 x 22 inches Sheet: 25 1/4 x 29 3/4 inches Frame: 25 1/4 x ...

A ca. 1954 watercolor and ink on paper image of a Notre Dame football game by artist Francis Chapin. Francis Chapin, affectionately called the “Dean of...

Elizabeth Rosemary Ziar. English ( b.1919 - d.2003 ). The North Coast of Cornwall, West Penwith. Watercolor. Signed. Image size 15 inches x 19.1 inches ( 38cm x 48.5cm ). Frame size ...

Blue Minimal Painting. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of the painting are 41 x 29,5 cm. W...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon RUE DE BELLE VILLE II 1960 Gouache on paper 48 x 61 cm. Signed and dated: lower right ‘Quirijn 60’ Herkomst: Private collection, The Net...

Born in Czechoslovakia, Yolanda Fusco came to the United States in 1930. With a full scholarship, Fusco attended the Art Students League in New York where she studied with Vaclav Vyt...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon VILLAGE VIEW 1953 Gouache on paper 38 x 54,5 cm. Signed and dated: lower left

Scandinavian Modern abstract watercolour on paper by Hans Øllgaard. The work is signed in full and dated bottom left. There is an exhibition label to the back panel and a gallery stamp. The painting is presented in a modern silvered frame under glass with a cut card mount. A vivid and colourful painting full of energy and movement. Very distinctive of Øllgaard's abstract style in the 1930s and to which he returned in the 1960s. We can feel the influences of his friends and fellow artists Max Ernst, Jean Arp, Vasily Kandinsky, Paul Klee, Jean Miro, Piet Mondrian and Yves Tanguy. A striking and powerful work by an important artist of his day. Hans Øllgaard, knew early on that he wanted to be a painter. After graduating in 1929 he began his studies, but as he was too young to attend the Academy of Fine Arts he became a private pupil of Aksel Jørgensen, who also became his professor at the academy, where he began in 1933. Although he benefited greatly from teaching early on he developed his own distinctive style. Øllgaard quickly detached himself and sought connection with some of the first abstract Danish artists, Ejler Bille, Vilhelm Bjerke Petersen and Richard Mortensen...

A ca. 1931 delightful still life at a table; a study in yellow by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ontario, Canad...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

A ca. 1931 delightful watercolor still life at a table; a study in yellow by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ont...

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

This is an original graphite pencil drawing with piercing in a pattern and either watercolor, gouache or pastel on it. It is signed in pencil and dated. there is an inventory number verso. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. it bears similarity to works by Cy Twombly and to early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

Standing Nude, Pencil signed and dated March 25, 21. in beautiful vintage frame. George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachusetts. He studied at the Art Students' League in New York City under Kenneth Hayes Miller, Edward Hopper, and George Bellows. His work was exhibited at the Art Institute of Chicago (1923), the Society of Independent Artists (1923), Salons of America (1928 and 1934), Library of Congress (1944-46), the Laguna Beach Art...

This painting makes part of my series dedicated to the scenes of a summer period. This abstract vibrant floral painting called "Floral radiance" is done in a modern contemporary exp...

This painting makes part of my series dedicated to the scenes of a summer period. This abstract vibrant floral painting called "Fusion" is done in a modern contemporary expressive s...

A ca. 1954 watercolor of a football scrimmage at Notre Dame, by artist Francis Chapin. This was a study for a painting he created for the University in 1954. The original painting ...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

John Marin New York from the Ferry, 1914 Signed and dated lower right Watercolor and graphite on paper 11 x 12 3/4 inches Provenance: An American Place, New York Kennedy Galleries, Inc., New York Christie's, New York, March 16, 1990, Lot 278 Private Collection (acquired from the above) Sotheby's New York, American Paintings, Drawings, & Sculpture, October 2, 2014, Lot 10 A major figure in early twentieth-century modernism, John Marin captured the colliding energies of the American urban scene and the vibrant contrasts of natural elements in the coastal landscape of Maine and other countryside locales. As one of the premier watercolorists of his era, Marin developed a light, spontaneous style ideally suited to conveying the freshness and flux of city and country experience -- his watercolors are often considered to match in strength those created by Winslow Homer in previous century. At the same time, Marin's sensitivity to mass, form, color, and line and their dynamic interchanges provided a precedent for the Abstract Expressionist movement of the late 1950s. Marin was born in Rutherford, New Jersey, to a family of European descent. After studying mechanical drawing and mathematics for half a year at the Stevens Institute of Technology in New York, Marin worked as a draftsman for several architects. It was not until he was almost thirty years old that he began to study art. He enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901, and at the Art Students League in New York from 1901 to 1903, where his teachers were William Merritt Chase and Frank Vincent Dumond. While Marin was attending the League, the radical ideas of Arthur Wesley Dow were being disseminated and had an impact on the direction Marin would soon take in his art. Marin left for Europe in 1905. The next five years, which he spent abroad, were of tremendous importance to his career. He became a significant figure in the expatriate community in Paris, frequenting the Dôme, a café that served as a meeting place for artists and writers. While in Europe, Marin visited the Louvre and the Rijksmuseum in Amsterdam and, despite his claims that he had been indifferent to the Paris art world, he undoubtedly became aware of the art of Paul Cézanne and Henri Matisse. The works Marin created in Europe most strongly reflect the influence of James McNeill Whistler, especially the pastels he rendered in Venice. In the summer of 1909, Marin met Alfred Stieglitz in Paris. In February of the next year, Marin's work was shown along with that of Alfred Maurer at Stieglitz's gallery, 291. After returning to America in the following year, Marin became one of the most consistent members of Stieglitz's inner circle, showing at all three of his galleries -- 291, The Intimate Gallery, and An American Place. After 1910, Marin developed the routine that he would follow for the rest of his life, creating paintings, drawings, and prints in New York City and surrounding areas during the winter, and in the summer, traveling to the country, where he focused on the particular characteristics of the regions that he visited. He worked mainly in watercolor until 1928, when he began also to use oil. Marin never became purely abstract. He formulated a unique style melding influences of the art of the French Fauves, Cézanne, Matisse, and the French Cubists with a personal style of luminescent colors, agile brushwork, and a simultaneously delicate and strong handling. In city views, he used broken lines, a light touch, fluid color, and rhythmic compositions to convey what he described as the "great forces at work." He expressed the warring of the great and the small through relationships between masses. As he said, he sought to express the "pull forces" of the modern urban scene. Often portraying the new tall buildings of New York seen...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

A ca. 1954 pastel & charcoal on paper drawing of a Notre Dame football game by artist Francis Chapin. Francis Chapin, affectionately called the “D...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note this painting was never matte...

"Eye of the Beholder" 2024, 48"x60" horizontal abstract painting by Argentine-born artist Karina Gentinetta (featured in Elle Decor, Architectural Digest, the New York Times, Traditi...

This is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

Watercolour on paper, signed and dated 'Sept '60' bottom right Image size: 26 x 19 inches (66 x 48 cm) Handmade frame In this painting, Banks has managed to effectively convey the s...

Hans Burkhardt regularly used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1963) Pastel on paper 24" x 19" Signed an...

You are viewing a modernist American watercolor painting by Robert Noel Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and te...

Explore Mila Francesca Cali's abstract watercolors, inspired by her plein-air studies of space and nature. With echoes of modernist painting in a contemporary context, each piece res...

Tim Bulmer is an English Watercolour Painter who specialises in humourous scenes. This is an original watercolour drawing from around the 1990's, depicting a man swilling back red w...

Explore Mila Francesca Cali's abstract watercolors, inspired by her plein-air studies of space and nature. With echoes of modernist painting in a contemporary context, each piece res...

Decorative Composition is an Artwork realized by the Italian Artist Aurelio Mistruzzi in 1905. Pencil Drawing on paper. Good conditions. Aurelio Mistruzzi (1880-1960) studied at t...

Decorative motif  is an Artwork realized by the Italian Artist Aurelio Mistruzzi in 1905. Pencil Drawing on paper. Good conditions. Aurelio Mistruzzi (1880-1960) studied at the Ud...