Skip to main content

Abstract Abstract Drawings and Watercolors

ABSTRACT STYLE

Beginning in the early 20th century, abstract art became a leading style of modernism. Rather than portray the world in a way that represented reality, as had been the dominating style of Western art in the previous centuries, abstract paintings, prints and sculptures are marked by a shift to geometric forms, gestural shapes and experimentation with color to express ideas, subject matter and scenes.

Although abstract art flourished in the early 1900s, propelled by movements like Fauvism and Cubism, it was rooted in the 19th century. In the 1840s, J.M.W. Turner emphasized light and motion for atmospheric paintings in which concrete details were blurred, and Paul Cézanne challenged traditional expectations of perspective in the 1890s.

Some of the earliest abstract artists — Wassily Kandinsky and Hilma af Klint — expanded on these breakthroughs while using vivid colors and forms to channel spiritual concepts. Painter Piet Mondrian, a Dutch pioneer of the art movement, explored geometric abstraction partly owing to his belief in Theosophy, which is grounded in a search for higher spiritual truths and embraces philosophers of the Renaissance period and medieval mystics. Black Square, a daringly simple 1913 work by Russian artist Kazimir Malevich, was a watershed statement on creating art that was free “from the dead weight of the real world,” as he later wrote.

Surrealism in the 1920s, led by artists such as Salvador Dalí, Meret Oppenheim and others, saw painters creating abstract pieces in order to connect to the subconscious. When Abstract Expressionism emerged in New York during the mid-20th century, it similarly centered on the process of creation, in which Helen Frankenthaler’s expressive “soak-stain” technique, Jackson Pollock’s drips of paint, and Mark Rothko’s planes of color were a radical new type of abstraction.

Conceptual art, Pop art, Hard-Edge painting and many other movements offered fresh approaches to abstraction that continued into the 21st century, with major contemporary artists now exploring it, including Anish Kapoor, Mark Bradford, El Anatsui and Julie Mehretu.

Find original abstract paintings, sculptures, prints and other art on 1stDibs.

67
to
240
2,830
1,535
595
211
1,415
1,089
285
921
614
629
327
338
Overall Height
to
Overall Width
to
916
190
150
72
35
31
29
14
13
10
4
1
1
6
5
5
2
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
713
2,117
1
8
21
31
40
123
120
163
73
82
60
58
48
44
1,880
1,582
1,020
663
530
Item Ships From: USA
Style: Abstract
Brains 1374
Located in New York, NY
Julie Harrison is an artist in New York City who moves between drawing, photography, video, painting, and performance. Museum exhibitions include the Museum of Modern Art in New Yor...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Paper, Printer's Ink, India Ink, Graphite

Play Drawing #3 Contemporary Original Abstract Oil Painting
Located in Roselle Park, NJ
Play Drawing #3 Contemporary Original Abstract Oil Painting This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance o...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Oil Pastel, Oil

Flora - E-coli
Located in New York, NY
DRAWING IS FRAMED. Framed size is 12 x 15 inches Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matt...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Pastel, Pen, Paper

Aubrey Penny Marker Abstract Drawing
Located in Los Angeles, CA
Original drawing signed and dated in pencil by Aubrey Penny January 1971 Reflection Series #6642. Aubrey Penny (American 1917-2000) was an innovative Cal...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Archival Paper, Permanent Marker

American (1917 - 2000) Abstract Drawing, Marker on Paper. Signed & Dated
Located in Los Angeles, CA
Aubrey Penny (1917 - 2000) Abstract Drawing, Marker on Paper. Signed and Dated 64, lower right Titled: "Laws of Chance" Structure Series 11-1513-D, 1964 Aubrey Penny (American 19...
Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Archival Paper, Permanent Marker

Calligraphy Abstract Panorama IV - Japanese Calligraphy on Rice Paper
Located in Soquel, CA
Calligraphy Abstract Panorama IV - Japanese Calligraphy on Rice Paper Landscape and Calligraphy on rice paper by Michael Pauker (American, 20th c). Signed by the artist in the bottom right corner in red pencil, "V - 40 (artist's signature) 2007." Mat Size: 10"H x 20"W Paper Size: 5.63"H x 14.38"W “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957, and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989, he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Watercolor, Rice Paper

Diptych Large Abstract Painting On Paper
Located in Delray Beach, FL
Diptych Large Abstract Painting On paper Abstract watercolor on French Arches rag paper artist signed. Framed under plexiglass. Frank Monaco. Studied and worked with Marilyn Stiles of The Art Institute of Chicago/ Art History Painting, Museum Restoration and Preservation, 1972 – 1976 New York...
Category

1990s Abstract Abstract Drawings and Watercolors

Materials

Watercolor, Archival Paper, Lucite

SAPOE 22
Located in Tulsa, OK
Pascal Pierme SAPOE 22 Water Color, unframed 8.00 X 22.00 in $625.00 French-born sculptor, Pascal Pierme is inspired by his surroundings. For the last 20 years, those surroundings h...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Paper, Watercolor

SAPOE 33
Located in Tulsa, OK
Pascal Pierme, SAPOE 33, Water Color, 11.00 X 11.00 in, $450.00 French-born sculptor, Pascal Pierme is inspired by his surroundings. For the last 20 years, those surroundings have b...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Untitled mid century modern geometric abstraction
By William Fredericksen
Located in New York, NY
William Fredericksen Untitled mid century modern geometric abstraction, 1958-1959 Watercolor and Gouache on Board Hand signed and dated on the front 12 4/5 × 11 7/10 inches Unframed ...
Category

Mid-20th Century Abstract Abstract Drawings and Watercolors

Materials

Mixed Media, Watercolor, Gouache

SAPOE 120
Located in Tulsa, OK
Pascal Pierme, SAPOE 120, Water Color, 5.00 X 14.00 in, $500.00 French-born sculptor, Pascal Pierme is inspired by his surroundings. For the last 20 years, those surroundings have b...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Watercolor, Paper

Untitled Geometric Abstraction (unique graphite drawing gifted to fellow artist)
Located in New York, NY
Peter Halley Untitled Geometric Abstraction, ca. 1990 Graphite and Ink Signed in graphite pencil by Peter Halley; lower right front Frame included: floated and framed in wood frame U...
Category

1990s Abstract Abstract Drawings and Watercolors

Materials

Ink, Graphite

The Lovers "The Eyes Have It" Figurative Abstract Watercolor and Pencil on Paper
Located in Soquel, CA
The Lovers "The Eyes Have It" Figurative Abstract Watercolor and Pencil on Paper A whimsical figurative painting by California-based artist Ricardo de Silva (Brazilian, 20th Century...
Category

1980s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Paper, Pencil

Calligraphy Abstract Panorama III - Japanese Calligraphy on Rice Paper
Located in Soquel, CA
Calligraphy Abstract Panorama III - Japanese Calligraphy on Rice Paper Landscape and Calligraphy on rice paper by Michael Pauker (American, 20th c). Signed by the artist in the bottom right corner in red pencil, "X - 40 (artist's signature) 2007." Mat Size: 10"H x 20"W Paper Size: 5.63"H x 14.38"W “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957, and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989, he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Watercolor, Rice Paper

Framed Watercolor -- Landscape in Brown
Located in Troy, NY
This serene watercolor is a wonderful example of of an abstract landscape. The colors used in this piece create a calm and quiet atmosphere. The landscape itself consists of browns ranging from light beige and soft oranges to deeper browns. Using rich blues, the landscape expands into the brighter hues in the sky which mixed together give a sense of mist. This watercolor is signed by the artist, and will be sold framed. Patricia Kerr Ross...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Watercolor

Study for Pacific Bird Sculpture
Located in New York, NY
Seymour Lipton Study for Pacific Bird Sculpture, 1965 Crayon on paper (Hand Signed & Dated, in Kulicke Frame w/Marlborough-Gerson gallery label) Signed and dated on center right rect...
Category

Mid-20th Century Abstract Abstract Drawings and Watercolors

Materials

Crayon

Provincetown Drawing - Pen & Ink - 1942 - Massachusetts
Located in Rancho Santa Fe, CA
Title: "Provincetown Drawing" Medium: pen and ink on paper Dimensions: 14 x 16 3/4 inches Signed: Initialed and dated 1942 Provenance: Manny Silverman Gallery...
Category

1940s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Pen

Untitled
Located in Houston, TX
Jack Davidson Untitled, 2008 Gouache on paper 22.5 x 15 in (57.2 x 38.1 cm) JPHB 5682
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Paper, Gouache

Flag Icon
Located in New York, NY
Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...
Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Pastel, Mixed Media, Graphite

Infanta IV: Figurative Cubist Abstract Graphite Drawing with Antique Frame
Located in Hudson, NY
Figurative abstract cubist style drawing inspired by the Infanta Margarita in an antique gold frame “Infanta IV” by Hudson Valley artist, David Dew Bruner, made in 2015 23 x 18 inch...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Paper, Graphite

Hair Bow with Extension
Located in Houston, TX
Shana Hoehn Hair Bow with Extension, 2022 Colored pencil over woodblock monoprint with paper collage 18 x 28 1/8 in (45.7 x 71.4 cm) JPHB 5679
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Paper, Color Pencil, Woodcut

Untitled Abstract Expressionist drawing by sculptor, signed, 1970s
Located in New York, NY
Anthony Padovano Untitled Abstract Expressionist drawing, 1971 Ink Wash on Paper Drawing Signed and dated by the artist Original vintage frame included Original (unique) signed Abstr...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Ink, Charcoal, Sumi Ink

Oneness, Abstract Painting
Located in San Francisco, CA

Artist Comments
Artist Eric Wilson presents an abstract with energetic ringed color formations. The rich layers of inks beautifully explode on the scene. Vigorous streams of red, turquoise, and yellow merge into a prismatic spectrum. "The rings within the work represent no beginning or ending and are a reflection of our energetic spiritual...

Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink

Untitled Abstract Expressionist Painting
Located in New York, NY
Raymond Parker Untitled Abstract Expressionist Painting, 1974 Acrylic on Canvas (with original Fischbach gallery label on the back of frame) Hand sig...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Canvas, Acrylic

Calligraphy Abstract Panorama I - Japanese Calligraphy on Rice Paper
Located in Soquel, CA
Calligraphy Abstract Panorama I - Japanese Calligraphy on Rice Paper Landscape and Calligraphy on rice paper by Michael Pauker (American, 20th c). Signed by the artist in the bottom right corner in red pencil, "XXVII - 40 (artist's signature) 2007." Mat Size: 10"H x 20"W Paper Size: 5.63"H x 14.38"W “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957, and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989, he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Watercolor, Rice Paper

Study for Gymnast IV (De-Accessioned from the High Museum of Art, Atlanta)
Located in New York, NY
William Tucker Study for Gymnast IV (De-Accessioned from the High Museum of Art, Atlanta), 1985 Oil Stick on Paper Hand signed by the artist on the front Original vintage frame included This study by the modern British sculptor, William Tucker, was done of the bronze sculpture 'Gymnast IV.' The sculpture is currently part of the Tate Galleries Collection in England. It was one of a series of four that the artist completed in 1983. Tucker, along with Isaac Witkin...
Category

1980s Abstract Abstract Drawings and Watercolors

Materials

Paper, Oil Crayon, Mixed Media

Shape 12 (2019) - Abstract shape, minimalist gestural, green & white on paper
Located in Jersey City, NJ
Shape 12 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Untitled Geometric Abstraction, signed and inscribed to designer Robert Vogele
Located in New York, NY
Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Mixed Media, Watercolor, Etching

Untitled (Abstract Expressionist painting on paper)
Located in New York, NY
Raymond Parker Untitled (Abstract Expressionist painting), 1978 Acrylic on Paper. Hand signed, inscribed "For Carl" [Carl Solway, gallerist] and dated 1978 on the upper left front; ...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Paper, Acrylic

Gold Mining, Homestake Mine, South Dakota, 1940s Abstract Landscape Watercolor
Located in Denver, CO
Gouache and watercolor on paper painting, painted in 1948 by Mary Chenoweth (1918-1999). Signed and dated by the artist in the lower right corner. Depicting an abstracted landscape o...
Category

1940s Abstract Abstract Drawings and Watercolors

Materials

Watercolor, Gouache, Archival Paper

"Untitled" Pastel Orange-Toned Abstract Watercolor Painting
Located in Houston, TX
Untitled orange toned abstract watercolor painting by American painter Larry Zox. The work features a pastel orange wash of color accented with black horizontal lines. Signed in penc...
Category

Late 20th Century Abstract Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Der Hafen von Plit
Located in Palm Desert, CA
"Der Hafen von Plit" is a drawing by Paul Klee. The drawing is signed lower left, "Klee". The framed piece measures 25 1/4 x 30 1/2 x 1 3/8 in. Paul Klee was one of the most import...
Category

1920s Abstract Abstract Drawings and Watercolors

Materials

Ink, Laid Paper, Pen

Monochromatic Still Life Drawing of Stacked Bowls
Located in Houston, TX
Monochromatic abstract still life drawing by Janice Redman. The piece depicts what appears to be a stack of bowls joined by strings. Signed by the artist at the lower right corner. Framed and matted in a modern wooden frame. Dimensions With Frame: H 11 in. x W 8.75 in. Artist Biography: Janice Redman, sculptor, was born in Huddersfield, England and received her BFA from Kingston University, Surrey, and her MFA from the University of Ulster in Belfast, Northern Ireland. She is a former Fellow of the Fine Arts Work Center In Provincetown, Massachusetts,and has been the recipient of many awards, including The Hassam, Speicher, Betts and Symons Purchase Prize from the American Academy of Arts and Letters and a Massachusetts Cultural Council award in sculpture. Her residency programs include Yaddo in Saratoga Springs, New York,and the Core Program at the Museum of Fine Arts In Houston, Texas. Redman’s work has been shown nationally and is represented by Clark Gallery in Lincoln, Massachusetts. Her work can be found in the permanent collections of the DeCordova Museum and Sculpture Park in Lincoln and the Eli and Edythe Broad Art Museum in East Lansing, Michigan. "My work,” Redman says, “is rooted in my everyday experience and my personal history. My mother was a seamstress and a lace maker; my father restored antique clocks...
Category

1990s Abstract Abstract Drawings and Watercolors

Materials

Pencil, Paper, Graphite

Unique drawing Geometric Abstraction on postcard conceptual art (hand signed)
Located in New York, NY
Sol LeWitt Unique Geometric Abstraction on Postcard, 1982 Original drawing done on postcard from the Van Gogh Museum (Amsterdam), mailed, stamped and postmarked (franked) from Spolet...
Category

1980s Abstract Abstract Drawings and Watercolors

Materials

Ink, Postcard, Mixed Media, Offset

Aubrey Penny (1917-2000) Abstract Drawing, Marker on Paper, Signed and Dated
Located in Los Angeles, CA
Aubrey Penny Marker on Paper, Signed and Dated 1971, Lower Right Aubrey Penny "Hyler Reflection" Series July 1971 #5931 Aubrey Penny (American 1917-2000) was an innovative Califor...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Permanent Marker

Late Fall (Spaetherbst) (Abstract, Drawing, Ink)
Located in Kansas City, MO
Michael Schoenholtz Late Fall (Spaetherbst) Ink on Paper Year: 2017 Monogrammed by hand Edition: Unique Size: 8.3×5.9 on 9.1×6.5 inches Monogramed and dated by hand Signed, dated and titled by hand verso COA provided Ref.: 924802-1584 Michael Schoenholtz (April 8, 1937 in Duisburg – September 30, 2019 in Berlin) was a German sculptor. Michael Schoenholtz was born in Duisburg in April 1937. After graduating from high school, he studied German and art history at the University of Cologne from 1956, and from 1957 at the Hochschule der Künste in Berlin, where he was a master student of Ludwig Gabriel Schrieber in 1962/63. From 1971 Schoenholtz taught himself as a professor at the Hochschule (since 2001: University) of the Arts, where he succeeded Schrieber in 1975. Schoenholtz has been a member of the Academy of Arts in Berlin since 1996, from 1997 to 2003 as director of the fine arts section. In 2005 he retired. Schoenholtz was a member of the German Association of Artists, of which he was elected President for two years in 1998. He lived and worked in Berlin and was married to the painter Barbara Keidel...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink

Shape 36 (2019) - Abstract shape, work on paper, minimalist, black & white
Located in Jersey City, NJ
Shape 36 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Black on wh...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Shape 26 (2019) - Abstract shape, minimalist gestural, black & white on paper
Located in Jersey City, NJ
Shape 26 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Archival Paper, Acrylic

Shape 33 (2019) - Abstract shape, work on paper, minimalist, purple & white
Located in Jersey City, NJ
Shape 33 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Deep purple...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Untitled Abstract Expressionist Mid Century Modern unique ink wash on paper
Located in New York, NY
Mary Frank Untitled Abstract Expressionist Mid Century Modern drawing, 1965 Pencil and Ink Wash on Paper Signed and dated 1965 on the front This is a unique work Vintage frame with Christie's label included Original pencil and ink drawing, signed and dated on the front. This work is framed in original vintage frame with Christie's auction label on verso. Mary Frank is represented by the renowned DC Moore. Artist Biography (Courtesy of DC Moore): Born in London, England, in 1933 Mary Frank moved to the United States with her family in 1940. In the early 1950s she studied with Hans Hofmann and Max Beckmann. Frank works across disciplines as a sculptor, painter, photographer and gifted ceramic artist. Without allegiance to any particular way of working or medium, Frank is fueled by her ever present urge for direct and honest expression. Frank's process begins with some form of abstraction from which she teases out what she describes as a pre-existing time and atmosphere where events can take place. Her recurring imagery act as an alphabet, combined in order to evoke feelings of grief, love, sorrow, ecstasy, mourning and exultation. The artist has been the subject of numerous solo museum and gallery exhibitions, including the 2022 retrospective exhibition, Mary Frank: The Observing Heart, at the Samuel Dorsky Museum in New Paltz, NY, accompanied by a catalogue with essay by curator David Hornung, and Mary Frank: Finding My Way Home, which originated at the Asheville Art Museum, Asheville, NC, in 2014 and traveled to the Butler Institute in Youngstown, OH, in 2015. Work by Mary Frank was included in the Whitney Museum’s 2020 exhibition, Making Knowing: Craft in Art, 1950 – 2019, and the Brooklyn Museum’s 2020 exhibition, Out of Place: A Feminist Look at the Collection. Eakins Press Foundation has published two collaborations between Mary Frank and the environmental activist and author Terry Tempest Williams, the 2022 catalogue What My Body Knows and the 2020 catalogue A Burning Testament. Illustrations by Mary Frank were projected during Falling Out of Time, a song cycle composed by Osvaldo Golijov, which premiered in New York in 2022. In 2017, a solo exhibition at DC Moore Gallery coincided with the publication of the monograph, Pilgrimage: Photographs by Mary Frank, by the Eakins Press Foundation with texts by the poet and critic John Yau and Terry Tempest Williams. In 2014, the documentary film, Visions of Mary Frank, was produced and released by filmmaker John Cohen. Mary Frank (née Mary Lockspeiser; born 4 February 1933) is an English visual artist who works as a sculptor, painter, printmaker, draftswoman, and illustrator. Frank first exhibited her drawings in 1958 at the Poindexter Gallery in New York City. In 1969 Frank began her relationship with the Zabriskie Gallery in New York. Frank currently lives and works in Lake Hill and New York City. Since 1995, she has been married to Leo Treitler, a pianist and music scholar. Mary Frank's career spans five decades. She was elected to the American Academy and Institute of Arts and Letters in 1984, the recipient of numerous awards and honors including two Guggenheim Foundation Fellowship Awards in 1973 and 1983, the Lee Krasner Award of the Pollock-Krasner Foundation in 1993 and the Joan Mitchell Grant Award in 1995. In 1990 she was elected into the National Academy of Design as an Associate member, and became a full Academician in 1994. Working as a professor at Bard College, Annandale-on-Hudson, New York, Frank was honored with the title of Milton Avery Chair...
Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Ink, Pencil

Veiled Series XX , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Permanent Marker

Shape 10 (2018) - Abstract shape, minimalist gestural, black & white on paper
Located in Jersey City, NJ
Shape 10 (2018) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Abstract Landscape #8, Painting, Watercolor on Paper
Located in Yardley, PA
I like to delve into the abstract using the influence of nature that surrounds me. This watercolor is painted on 140lb Arches hot pressed paper using artist quality watercolors. It c...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Watercolor

Veiled Series XXX, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Permanent Marker

Veiled Series L, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Permanent Marker

Shape 19 (2019) - Abstract shape, work on paper, geometric, minimalist, orange
Located in Jersey City, NJ
Shape 19 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Orange on white. Min...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

'Abstract', Canadian Modernist, Regina Five, Post Painterly Abstraction, NYMOMA
Located in Santa Cruz, CA
Signed lower left, 'A. McKay' for Arthur "Art" Fortescue McKay (Canadian, 1926-2000) and painted circa 1975. An important Canadian painter, draftsman, printmaker and an influential educator, Arthur McKay was born in Saskatchewan and first studied at the Provincial Institute of Technology and Art, Calgary, Alberta, most notably under Jock Macdonald...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Paper, Gouache

Shape 28 (2019) - Abstract shape, minimalist gestural, chartreuse on white paper
Located in Jersey City, NJ
Shape 28 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Calligraphy Abstract Panorama II - Japanese Calligraphy on Rice Paper
Located in Soquel, CA
Calligraphy Abstract Panorama II - Japanese Calligraphy on Rice Paper Landscape and Calligraphy on rice paper by Michael Pauker (American, 20th c). Signed by the artist in the bottom right corner in red pencil, "XXXIX - 40 (artist's signature) 2007." Mat Size: 10"H x 20"W Paper Size: 5.63"H x 14.38"W “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957, and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989, he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery...
Category

21st Century and Contemporary Abstract Abstract Drawings and Watercolors

Materials

Ink, Watercolor, Rice Paper

Shape 35 (2019) - Abstract shape, minimalist gestural, bright chartreuse & white
Located in Jersey City, NJ
Shape 35 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral palette. Yellow-green...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Untitled
Located in Long Island City, NY
Anne Youkeles' work blurs the line between painting and sculpture. Her works on paper, like this one, are made with several folded pieces of paper, cut, colored, and placed together ...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

Shape 32 (2019) - Abstract shape, minimalist work on paper, neutral gray & white
Located in Jersey City, NJ
Shape 32 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

American (1917-2000) Abstract Drawing, Marker on Paper, Signed & Dated
Located in Los Angeles, CA
Aubrey Penny (American 1917 - 2000) Abstract Drawing. Marker on Paper, Signed and Dated 71, lower right. Size: 14 x 17 Titled: "Tyler Reflection" Series #5935 Aubrey Penny (Amer...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Permanent Marker

American (1917-2000) Abstract Drawing, Marker on Paper. Signed and Dated
Located in Los Angeles, CA
Aubrey Penny (1917 - 2000) Abstract, Marker on Paper. Signed and Dated 71, lower right. Size: 14 x 17 Titled: "Hyler Reflection" Series #5929, July 1971 Aubrey Penny (American 19...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Permanent Marker

Veiled Series X , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Permanent Marker

The Blue Earth II, CoBrA movement, Mid-20th Century Danish Watercolor
By Carl-Henning Pedersen
Located in Beachwood, OH
Carl-Henning Pedersen (Denmark, 1913 - 2007) The Blue Earth II, 1971 Watercolor on paper Signed and dated lower right, signed, dated and titled verso 30.5 x 21.5 inches Carl-Hennin...
Category

1970s Abstract Abstract Drawings and Watercolors

Materials

Watercolor

Shape 22 (2019) - Abstract shape, minimalist gestural, deep red & white on paper
Located in Jersey City, NJ
Shape 22 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Abstract Painting by Antonio Carreno, 'Blue Light'
Located in White Plains, NY
'Blue Light' by Antonio Carreno, 2005. Mixed media on paper, 32 x 40 in. / Frame: 34 x 42.25 in. The drawing in Antonio’s paintings evolved into a personal form of graphic expression...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

Abstract abstract drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Abstract abstract drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Martin Reyna , Mila Akopova, Jaanika Peerna, and Sumit Mehndiratta. Frequently made by artists working with Paper, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract abstract drawings and watercolors, so small editions measuring 0.5 inches across are also available. Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $400,000, while the average work sells for $1,502.

Recently Viewed

View All