Charcoal Figurative Drawings and Watercolors

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

Ronald Brooks Kitaj RA 1932 – 2007 was an American artist with Jewish roots who spent much of his life in England. He became a merchant seaman with a Norwegian freighter when he was 17. He studied at the Akademie der bildenden Künste in Vienna and the Cooper Union in New York City. After serving in the United States Army for two years, in France and Germany, he moved to England to study at the Ruskin School of Drawing and Fine Art in Oxford (1958–59) under the G.I. Bill, where he developed a love of Cézanne, and then at the Royal College of Art in London (1959–61), alongside David Hockney, Derek Boshier, Peter Phillips, Allen Jones and Patrick Caulfield. Richard Wollheim, the philosopher and David Hockney remained lifelong friends. "Through an earlier pre-occupation with turn-of-the-century intellectual life in Vienna (where he had started his art studies in the early 1950s), as well as an admiration for the Warburg Institute approach to the history of art-in-its-intellectual-context (since after Vienna he had moved to Oxford to study with the art historian Edgar Wind, before going on to the Royal College of Art) Kitaj has come to identify most strongly with the central European Jewish writer Franz Kafka, and with his sense of estrangement and of hidden mysteries. Illustrations to Kafka's aphorisms, imaginary portraits of his fiancée Felice and Count West-West who owned The Castle, appear in the Little Pictures, as do rapidly sketched portraits of Karl Kraus, Paul Celan, Leon Trotsky and Ludwig Wittgenstein, representations of Judeo-Christian mysteries of the hidden face of God. Kitaj settled in England, and through the 1960s taught at the Ealing Art...

Certainly one of Bert Long’s more humorous artworks, "A Good Witch" exemplifies affection for sincerity, despite obvious levity. Bert L. Long Jr., was self...

Composed of charcoal and pastel, this drawing is a simple, yet lively expression of Long’s playful sensibility. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. Bert Long...

This minimalist painting on paper is part of a series, which references a mantra of Bhatt’s, “life is a circus.” Floating in space, the characters portrayed in this work play out their roles, while remaining unaware of the full scope of their surroundings. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

This minimalist painting on paper is part of a series, which references a mantra of Bhatt’s, “life is a circus.” Floating in space, the characters portrayed in this work play out their roles, while remaining unaware of the full scope of their surroundings. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

This painting on paper is a playful, yet elegant depiction of a personal mantra of Bhatt’s in which she concedes, “life is a circus.” Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

Watercolor, oil pastel, charcoal, ink, salt and Black 3.0 on watercolor paper, 22.25" high x 29.75" wide Pink, red, peach, orange, purple, black Framing available COA available upon...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Unde...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

"See Looking at See" is an acrylic painting on paper. The primary subject of this work is an abstract organic form with an eye which appears to be looking in the direction of its own physique. As the title intimates, this is perhaps commenting on the capacity of intelligent life to consider the distinction between self and other. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "See Looking at See" 2006 Acrylic and Charcoal on Dutch Stonehenge Paper...

This work bears striking achromatic depiction of a face, contrasted by a vibrant and colorful section of watermelon. The simplicity and levity of the watermelon helps offset the emot...

This work, marked by thin washes of acrylic, depicts a floating figure with Long’s likeness hovering over what appear to be earthly materials below - perhaps an allusion to notions o...

The imagery in this work appears to be a rope pulling a colorless curtain away to reveal a gnarled tree trunk before a crimson background. Bert L. Long Jr., was self-taught artist,...

Artist : Lindsey Meyers Carroll Title : Goliathus Rorschachi 3 Materials : Charcoal, ink, chalk and gouache on paper. Date : 2017 Dimensions : 16 x 18 in. Lindsey Meyers Carroll is a contemporary artist working in magic realism through large-scale charcoal drawings. She received her BA in Fine Arts and Spanish Literature from the University of Montana in Missoula in 2008. Exhibitions include the Art Spirit in Coeur d’Alene, Idaho, Brink Gallery in Missoula, Montana and Turman Larison Contemporary in Helena, Montana. Carroll is a recipient of the Grants to Artist Award from the Myrna Loy Center. Figurative, Animal Drawings, Animal Paintings, Insect Drawings...

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...

Aristide Maillol "Femme de Torse" 1930 Charcoal on Paper Monogrammed Lower Right with Photo Certificate of Authenticity Paper Size: approx 12 x 8 7/8 inches Framed Size: approx 15.25...

A rare, early original figurative charcoal by American artist Robert McIntosh(1916-2010) Robert McIntosh was extremely prolific and exhibited throughout his lifetime, including fi...

A wonderful original charcoal drawing by American artist Emil Kosa Jr. The drawing is unframed, and there is a small tear in the upper right margin, but it does not detract from t...