Framed Landscape Drawings and Watercolors

The Groves No2 , By Andy Gradwell , signed 2003. Travels in Sardinia. paper 26cm x 28cm Hardwood glazed frame 52cm x5cm. Gradwell has the essense to create a single image of many ...

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

GEORGE PRICE BOYCE, RWS (1826-1897) A Surrey Common in November Signed, inscribed and dated 1866.7; indistinctly signed and inscribed with title and the...

"Italy Residence" is an original watercolor on Holbein Watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's wo...

Recent piece by Gradwell. Fine Minimal immediate reaction to his current philosophy. in paint. 'Excursions' circa 2020/21 . Original mixed media on paper. . Signed in pencil by ...

Excellent condition. Mint. Free US CONTINENTAL shipping, incl Europe and Asia. Thomas Colman Dibdin was an illustrator and painter. Born at Bletchworth, Surrey, on 22 October 1810,...

Signed and titled lower right. Joseph Jicha, commercial artist and watercolorist, was born in Austria-Hungary to Rudolph and Helen (Remesch) Jicha, and came to Cleveland with his fam...

Stone statue in the temple at Madura, India, 1914 Signed with initials and dated, bottom left Pencil on paper, 25.4 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. ...

[CHINESE SCHOOL]. Chinese Craft on the Pearl River. Canton, circa 1810. A pencil, water colour and body colour drawing of craft, heightened with white on paper watermarked ‘J Whatm...

Nude figure by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper board, unframed size: 9.75 x 12.75 inches condition: very good and ready...

Cool Afternoon by Texas artist Julie England is an Ink and Watercolor, Oil on Yupo paper. The size of Cool Afternoon is 11″ x 14″ Image 16″ x 21 3/4″...

This is a one of a kind original impressionist cityscape watercolor painting by southern California artist, Duke Windsor. It is framed as pictured. Its framed dimensions are 20.5" x ...

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To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Doyle (born 1928) Trinity College, Oxford Watercolour 24 x 46 cm Signed lower left. Doyle's striking portrayal of Trinity's architecture, complete with undergraduates variously strolling, sitting, and reading in the foreground. Afternoon sun slants over the immaculately mown lawns. John Doyle was born in London and works in watercolours, pastels, and oils. He studied at the Maidstone School of Art in his 30s, later showing at the Royal Academy Summer Exhibition...

James L. Grabowski (American born 1944) New England Landscape Gouache on paper 27 1/2 x 39 1/2 Signed on the reverse Has a plaque for Arches Paper Award James Grabowski...

'On The Beach Sanibel Island' original watercolor signed and dated by David Barnett David Barnett an artist, collector, appraiser and gallerist has bee...

Henry Yuzuru Sugimoto Suburb of Gif-sur-Yvette, France, circa 1928-32 Signed lower left Watercolor on paper 11 x 14 inches Henry Sugimoto was born in Wakayama, Japan, on March 12, 1900. His father left for the United States shortly after he was born, and his mother joined him some years later, with the result that the young Henry was raised largely by his grandparents. Following the end of World War I, Henry Sugimoto arrived in the United States as a "yobiyose" (child brought over) and settled with his parents in Hanford, California. After attending Hanford High School, he enrolled at the University of California, Berkeley. He soon grew absorbed in art and his parents agreed to let him enroll at the California School of Arts and Crafts. After studying there for four years with a concentration in oil painting, he graduated with honors in 1928. He then moved to the California School for Fine Arts, but after a year there he decided to travel to France, the international artistic capital, for further study. Once arrived in Paris, Sugimoto became close to the circle of Japanese...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Gwyneth...

Artist: Don Davis Title: Police Line Medium: Watercolor on paper, signed lower right Image Size: 18 x 24 inches Frame Size: 24.5 x 30.25 inches The viewer is at the edge of the acti...

Oil on paper - Framed 72 x 102 x 3 cm

Artist: Gillie Cawthorne (English, 1963-) Title: "Raby Castle, Staindrop" *Signed and dated by Cawthorne lower center Year: 2014 Medium: Original Watercolo...

Walks along the River Avon in Somerset. Estuary to the river in Bath and forking to The rivers beyond,. A journey of light, form, sound and essence. A generally graphic approach in ...

Conditions : Very good overall conditions, original canvas with no minor retouching, except on the dress 12mm ( as seen on picture under UV light). The signature is dated 1852 or 53....

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

An old tree already dead overgrown with moss in the forest thicket. The tree trunk has already been eaten by a bug, and its picturesque texture with a variety of tonal nuances attracted me as a researcher. I watch...

George Emerick Essig (American, 1838-1923) Jersey Shore Watercolor on paper, 12 3/4 x 26 x 1/2 inches FRAMED: 22 x 35 1/2 inches (approx.) Signed at lower right: "Geo. E. Essig" Ge...

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Work on paper Gilded wooden frame with glass window 42.5 x 51 x 2.5 cm

Engraving on paper Brown wooden frame with glass pane 62 x 50 x 2 cm

Aquarelle par Emmanuel Costa (1833-1921) Encadré: 41x55 cm Emmanuel Louis Costa naît à Menton, de Charles et de Hyacinthe Costa le 25 décembre 1833. Il semblerait que son père, scul...

Jim’s of Lambertville is proud to offer this artwork. Watercolor. Signed lower left. Complemented by a hand carved and gilt frame. Peter Sculthorpe (b. 1948) Peter Sculthorpe wa...

Thun (Switzerland), Pastel and Pencil Painting by Charles March Gere Additional information: Medium: Pastel and pencil 14 x 15.5 cm 5 1/2 x 6 1/8 in Signed with monogram and title under mount The Town of Thun is in the Canton of Bern in Switzerland, Gere visited on one of his many sketching tours of the Alps. Charles March Gere RA RWS was an English painter, illustrator of books, and stained glass and embroidery designer associated with the Arts and Crafts movement. He painted his signal work in 1897 entitled The Lady of Grey Days.The painting was purchased in 1912 and given to Aurora Howard, a descendant of the Earl of Carlisle (of Castle Howard). It was last seen...

In POSSIBLE, IMPOSSIBLE, POSSIBLE, Peña combines representational elements of a bright green landscape in the background with a more abstracted silhouette of a house in the middle gr...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Ken Messer (1931 - 2018) Dreaming Spires Watercolour 30 x 38 cm Signed lower left. Oxford's skyline, including the Radcliffe Camera...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Ronald T Horley c.1905-? (active 1930s - 1960s) The Gateway to Cornwall Charcoal heightened with white 76 x 53 cm Signed and inscribed lower right 'Architect's Office, 83 Marlborough Place NW8 Marylebone'. Horley attended Radley School, joining in 1918. He painted architectural watercolours. This was produced whilst working for the GWR's own Architect's Office. The Great Western Railway commissioned a series of posters promoting train travel around the UK. This charcoal drawing of the Royal Albert Bridge at Saltash is the artist's original design for a poster encouraging rail travel to Devon and Cornwall. The bridge is known fondly as the 'Gateway to Cornwall'. The Royal Albert Bridge was designed by Isambard Kingdom Brunel...

Artist: Don Davis Title: Dodge and Truck Medium: Watercolor on paper, signed l.r. Image Size: 18 x 24 inches Frame Size: 24.75 x 30.25 inches This watercolor by American artist Don ...

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Artist: Don Davis Title: Palm Tree Medium: Watercolor on paper Image Size: 23.5 x 17.5 inches Frame Size: 30.75 x 24.75 inches In a classic example of nature vs. the city, a Palm sh...

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Henry Ottmann (1877-1927) "Orée du bois par brume", A forest in the mist signed lower right pastel on paper 24 x 32 cm In good condition In a vintage frame : 43.5 x 53 cm The gilding on the frame is missing in many places Henry Ottmann particularly excelled in the pastel technique, as can be seen here. This is due to the fact that this delicate material obviously lends itself very well to the artist's characteristic vaporous style and manner. We should also note the great modernity of this landscape and its fades, which go almost as far as abstraction. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand-Ruel together with Armand Guillaumin, Henri Lebasque and others. In 1912, he exhibited at the gallery Eugène Druet. In 1920, Ottmann exhibited at the gallery Marcel...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 19 x 27 Frame Size: 30.5 x 38.5 Medium: Watercolor Dated 2003 "Lingering Color of Foliage with an Early Dusting of Snow" Aspen CO Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos Markos...

RANDOLPH SCHWABE, RWS, NEAC (1885-1948) Giant’s Head Farm, Cerne Abbas Signed with initials, inscribed Giant’s Head Farm, Cerne Abbas and dated 193...

- signed, dated and titled lower left

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Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

Brown, grey and pink washes on beige paper 4 x 3 3/4 inches (10 x 9.5 cm) Signed: In Nuremberg Provenance Commissioned from the artist by Daniel Wadsworth Coit (1787 – 1876), and th...

The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...

Wotton-under-Edge by LUCIEN PISSARRO (1863-1944) Ink, watercolour and crayon on paper 14.6 x 18.5 cm (5 3⁄4 x 7 1⁄4 inches) Signed with monogram and dated lower left, 1920 Inscribed ...

Barr, Wyatt. NEWRY. Drawing, Charcoal and ink wash on Arches 300lb. Hot Press Watercolor paper, 2014. The subject is a hillside next to Step Falls in Newry, Maine. Signed and dated. ...

"Windmill on the Plains" is an original watercolor and ink on paper painting by acclaimed 20th-century Colorado artist Jenne Magafan (1916–1952). Created in the 1940s, this evocative...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Sir Albert Edward Richardson K.C.V.O., F.R.I.B.A, F.S.A., P.R.A. (1880 - 1964) Cambridge Revisited (1933) Pen, ink, and wash 24 x 35 cm Signed and dated lower right. Renowned for his architectural fantasies, Richardson here depicts Sir Christopher Wren...

In "Firewood Series No. 3," David Morrison uses colored pencils to capture the finest details of a frayed and peeling piece of birch wood. With his careful and methodical handling of...

GERALD MACKENZIE LEET (BRITISH 1913-1998) A Day at the Seaside – Design for a Mural Watercolour and gouache over pencil, arched top Framed 26.5 by 49.5 cm., 10 ½ by 19 ½ in. (frame size 47.5 by 69.5 cm., 18 ¾ by 27 ½ in.) Provenance: The artist’s estate; Harry Moore-Gwyn Fine Art. Gerald Leet was born in South London and studied at Goldsmiths’ School of Art 1929-1934, the Royal Academy of Art 1934-1937 and later at the Courtauld Institute. As a young man he shared a studio with Carel Weight. His first teaching appointment at Ealing School of Art in 1933 where he met fellow art student Denton...

"Leeward", by Christina Haglid, is a meticulously detailed watercolor. In a surreal scene, an orchid stem sprouts from a paper lantern in a boat. The calmness of the water and soft...

Artist: Ching Jang Yao, Taiwanese (1941-2001) Title: Winston (Madison Square Garden) Year: 1976 Medium: Watercolor on paper, signed and dated ...

Italy. Paper, mixed media, 33х24 сm

Vintage 1930s watercolor and ink painting of Estes Park, Colorado, by American artist James Russell Sherman (1906-1989). This captivating work features a detailed view of storefronts...

Street scene village market, well executed watercolor and pencil drawing, artist titled and signed illegibly, attributed to Moisey Kogan Russian 1924-2001. Image size about 27"x18"F...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Bernard Cecil Gotch (1876-1964) The Bodleian Library, Oxford: Passageway into the Old Schools Quandrangle Watercolour 35 x 49 cm Signed in pencil lower right. An enticing view of the passageway leading into the Old Schools Quad of the Bodleian Library. Through the gateway, we see the passageway leading out of the Quad onto the other side, into Radcliffe Square. A glimpse of the Radcliffe Camera...