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TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3
Located in New York, NY
TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3
10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy.
Offered here is one of several original drawings by WPA artist David Fredenthal that were first published in the 1940 illustrated edition of the novel TOBACCO ROAD by Erskine Caldwell.
Background on the Drawing
Erskine Caldwell remarked, on seeing the work of David Fredenthal, 26-year-old painter: "That boy could draw my Tobacco Road people." A casual comment, it was enormously productive.
The young painter was just finishing a two-year Guggenhcim Fellowship, preceded by a year's study in Paris, two one-man shows at New York's Downtown Gallery, and a fellowship at the Cranbrook Academy near Detroit. He was out in Colorado Springs when he heard what Caldwell had said about him.
Fredenthal hadn't read Tobacco Road. He had not even seen the play - now breaking all records in its seventh year on Broadway. But he swapped a portrait for a second-hand Ford and headed East.
In New York he learned that Dnell, Sloan & Pearce were bringing out a deluxe edition of Tobacco Road. But he had no entrée to the publishers, and Caldwell, to his disappointment, was out of town. So he drove on to Georgia to have a look at the Tobacco Road people.
He found Dr. I. C. Caldwell, the author's father, in Wrens, Ga., going on his ministerial rounds among people like the Lesters. Fredenthal got a room from a couple who ran a 1-pump filling station...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
FRAGS
By Yulia Pinkusevich
Located in Pine Plains, NY
Based in the Bay Area following studies at Stanford University, Pinkusevich works as a painter and multidisciplinary artist. Born and raised in the USSR, her understanding of rules, ...
Category
2010s Contemporary Landscape Drawings and Watercolors
Materials
Oil Crayon
Composition of Notre Dame, Paris
By Paul Mathey
Located in Genève, GE
Work on watercolor paper
Golden wooden frame with glass pane
51 x 63 x 3 cm
This artwork offers a striking interpretation of an urban landscape, enveloped in a palette of earthy, m...
Category
Early 20th Century Landscape Drawings and Watercolors
Materials
Gouache
Town Hall Square, Paris
Located in Genève, GE
Work on paper
Golden wooden frame with glass pane
42.5 x 51 x 2.5 cm
Category
Early 20th Century French School Landscape Drawings and Watercolors
Materials
Watercolor
"Sunset in the City"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Gershon Benjamin (1899 - 1985)
An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...
Category
1950s Modern Landscape Paintings
Materials
Gouache
Red Tulips Watercolor On Paper
Located in Lake Worth Beach, FL
Red Tulips
Artist signed, watercolor on paper 24x19, framed.
Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of...
Category
1960s Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Machias Seal Island Light
By Wolf Kahn
Located in Milwaukee, WI
Wolf Kahn was commissioned by the Smithsonian to design a postcard for them. He made four designs and they selected a singular one. This drawing here is one of the few rejected designs. This piece was given to the founder, David Barnett, of the David Barnett Gallery...
Category
19th Century American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Pastel
'Garden Entrance' - Architectural Watercolor Painting
Located in Atlanta, GA
"Garden Entrance" is a watercolor painting featuring subtle hues of green, blue and yellow. This work is framed measuring 15.5 by 14 inches.
McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan.
McLean Jenkins is a practicing architect and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture.
The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...
Category
2010s Contemporary Landscape Drawings and Watercolors
Materials
Ink, Watercolor, Graphite
Palmistry Readings / watercolor
Located in Burlingame, CA
'Palmistry Readings' a highly collectable original watercolor 17 3/4 x 21 1/2 inch painting by Internationally acclaimed American Realist James Torlakson. Currently unframed however ...
Category
21st Century and Contemporary American Realist Still-life Drawings and W...
Materials
Watercolor, Archival Paper
"Crossroads A-73, " Hazy Pastel Landscape signed by Jan Richardson-Baughman
Located in Milwaukee, WI
"Crossroads A-73" by Janet Richardson-Baughman is a pastel landscape drawing. The landscape figures a yellow field in the foreground and a cluster of deep green trees in the middle ground, behind which the tiniest strip of water is visible in light blue. On the distant horizon, a dark green hill meets a serene blue sky.
Art size: 16" x 12"
Frame size: 29 1/2" x 25 1/2"
Framed to conservation standards. Matted with a cream-colored acid-free mat board and glazed in UV Clear Glass that filters 99% of UV Rays to inhibit fading. All this is housed in a traditional moulding in a gold finish.
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
1990s Contemporary Landscape Drawings and Watercolors
Materials
Paper, Pastel
Majorica - Mid 20th Century Landscape Watercolour on Paper by Muriel Archer
Located in Watford, Hertfordshire
Born on June 25 1911 - she died just before her 100th birthday, fond of drawing and painting from an early age, she did her first drawing when she was four years old. She later studi...
Category
1960s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Harbor Scene - Golden Gate Bridge, Mid-Century Illustration, Female Illustrator
Located in Miami, FL
Original mid-century illustration for the children's book "Good Work" by John G. McCullough, Young Scott Books, N.Y. It depicts a busy harbor filled with commercial and leisure traffic. Notice all the charming little people, busy at work - dotting the docks and boats. Ipcar masterfully designed the work so that your eye effortlessly travels from more prominent foreground elements to more minor elements in the distance. But her color scheme limited only to two colors sets "Harbor Scene" apart from the humdrum and elevates it to a sophisticated children's book illustration. The suspension bridge in the back of the composition is modeled after the Golden Gate. The illustration bears the hallmarks of modernism with its flat shapes and quick painterly style. "Harbor Scene" represents the artist's early style. By the '60s and '70s, her work began to take on a new direction with intricate patterns and depicting animals.
Signed lower right with the artist's label on verso. Dahlov Ipcar...
Category
1940s Contemporary Landscape Drawings and Watercolors
Materials
Watercolor, Pencil
Nest, Highly Detailed Surreal Botanical, Watercolor & Gouache on Paper, Framed
Located in Chicago, IL
This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75.
Christina Haglid
Nest, 2020
watercolor and gouache on paper
11h x 8w in
27.94h x 20.32w cm
CMH051
Artist's Statement
Tiny Sanctuaries
There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences.
At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
Plenty - 1930s British Art Deco design for a Mural by Harry Carleton Attwood
Located in London, GB
HARRY CARLETON ATTWOOD
(1907-1985)
Plenty - Design for Eltham Palace
Chalks
Framed
20.5 by 12 cm., 8 by 4 ¾ in.
(frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in.)
Attwood was born i...
Category
1930s Art Deco Figurative Drawings and Watercolors
Materials
Chalk
“End of Season” Abstract Blue and Grey Toned Watercolor Landscape Painting
Located in Houston, TX
Abstract landscape watercolor painting on paper that incorporates blue and grey tones.
The painting is signed in the lower center and is currently displayed in a beautiful silver fr...
Category
1950s Abstract Landscape Drawings and Watercolors
Materials
Paper, Watercolor
A street in Naples, Large pastel, Signed and Dated
By Giuseppe Casciaro
Located in PARIS, FR
Giuseppe CASCIARO
Ortelle 1861 - Naples 1941
A street in Naples
Pastel on strong paper
1906
Signed and dated lower left
Studio stamp on the back
67 x 43 cm sheet
84 x 60 cm frame
Fr...
Category
Early 1900s Post-Impressionist Landscape Drawings and Watercolors
Materials
Pastel
"Spring Green Variation III, " Mixed Media Watercolor signed by David Barnett
Located in Milwaukee, WI
"Spring Green Variation III" is an original mixed media piece by David Barnett. The artist signed and dated the piece lower right. This piece depicts a landscape in bright colors.
...
Category
Early 2000s Contemporary Landscape Drawings and Watercolors
Materials
Mixed Media, Watercolor
Katz's Delicatessen
Located in Astoria, NY
Charles Fazzino (American, b. 1955), Katz's Delicatessen, Mixed Media on Paper, 1981, ink, marker, and acrylic, signed and dated lower right, cerused wood frame. Image: 9" H x 12" W;...
Category
1980s Pop Art Landscape Drawings and Watercolors
Materials
Paper, Ink, Acrylic, Permanent Marker
Clay jug on a bench - The essence of the clay jar revealed by the sunlight -
By Hans Richard von Volkmann
Located in Berlin, DE
Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V."
- Minimally tanned. Framed behind glass in a passepartout.
About the artwork
Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year.
And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground.
By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow.
The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month.
About the Artist
Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting.
In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892.
In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...
Category
1890s Naturalistic Still-life Drawings and Watercolors
Materials
Watercolor
Brewer Street, Soho - 1930s British London Scene by Randolph Schwabe
Located in London, GB
RANDOLPH SCHWABE, RWS, NEAC
(1885-1948)
Austin’s Stores, Brewer Street, Soho
Signed and dated l.r.: R Schwabe 1936
Grisaille watercolour and pen an...
Category
1930s Realist Landscape Drawings and Watercolors
Materials
Watercolor
Remnant
By Russ Havard
Located in Fairfield, CT
NYC & LA --RUSS HAVARD
Artist Statement:
I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish under desolate circumstances. The s...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Paper, Watercolor
Behind the Pines
By Russ Havard
Located in Fairfield, CT
NYC & LA --RUSS HAVARD
Artist Statement:
I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish under desolate circumstances. The s...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Paper, Watercolor
Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism
By Jo Cain
Located in New York, NY
Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism
Jo Cain (1904 - 2003)
Railroad worker
36 ¼ x 27 inches
Oil on paper c. 1930s
S...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Paper, Oil
"Crossroads A-38, " Pastel Landscape signed by Jan Richardson-Baughman
Located in Milwaukee, WI
"Crossroads A-38" by Jan Richardson-Baughman is a pastel drawing on paper. The work is framed and matted with an off-white acid-free mat board. It is signed in the lower right corner and titled in the lower left, both in pencil. The landscape drawing shows a country road starting in the lower left and heading off into a grove of trees in the center. Vivid green grass frames the lower right, offsetting the dark green and red of the trees, while the expansive blue sky takes up the top third of the image.
Art size: 16" x 20"
Frame size: 30" x 26"
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
1990s Contemporary Landscape Drawings and Watercolors
Materials
Paper, Pastel
Holiday End - Color Pencil Drawing, Surreal Christmas Scene, Framed
By John Hrehov
Located in Chicago, IL
The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist presents us with a curious scene. The Holidays are over and the thought of getting rid of the tree is always a chore. Hrehov has chosen to show how to quickly eliminate the tree (and everything around it!). His sense of humor comes out in this small, highly detailed drawing that is matted and framed measuring 14.5 x 16 inches.
John Hrehov
Holiday End
colored pencil on paper
6.50h x 8w in
16.51h x 20.32w cm
JHR005
John Hrehov
Education
1985 MFA-Painting, University of Illinois at Urbana-Champaign
1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH.
Solo Exhibitions
2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN.
2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY.
2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne.
2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY.
Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL.
2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY.
2002 Paintings. Denise Bibro Fine Art, New York, NY.
2001 Charcoal. Indiana University - Purdue University Fort Wayne.
John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL.
2000 The Picture Proper. Denise Bibro Fine Art, New York, NY.
Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN.
Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY.
1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL.
1998 John Hrehov. Denise Bibro Fine Art, New York, NY.
John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL.
1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY.
1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL.
1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne.
Group Exhibitions
2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH.
Out Of The Closet. Denise Bibro Fine Art, New York, NY.
1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN.
2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN.
2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological
Seminary, Fort Wayne, IN.
Norman Bradley...
Category
2010s Surrealist Figurative Drawings and Watercolors
Materials
Archival Paper, Color Pencil
View of Pairs, The Clock Tower And The Conciergerie
Located in PARIS, FR
Geroges-Grançois Guiaud
Paris 1840 - 1887
The clock tower and the Conciergerie in Paris
Around 1870
Watercolor
Signed lower left
54 x 34 cm sheet
66 x 47 cm frame
Frame from the Nap...
Category
1870s French School Landscape Drawings and Watercolors
Materials
Watercolor
HANS HOFMANN Provincetown Drawing - Pen & Ink - 1942 - Massachusetts
By Hans Hofmann
Located in Rancho Santa Fe, CA
Title: "Provincetown Drawing"
Medium: pen and ink on paper
Dimensions: 14 x 16 3/4 inches
Signed: Initialed and dated 1942
Provenance: Manny Silverman Gallery...
Category
1940s Abstract Expressionist Landscape Drawings and Watercolors
Materials
Paper, Ink, Pen
19th Century Warwickshire Country Cottage Watercolour V Jordan
Located in York, GB
V JORDAN (19th Century) A Warwickshire Cottage, watercolour heightened with white, signed, inscribed mounts, size overall 23 x 19 inches approx. painting 9 1/2" x 13 1/2", The waterc...
Category
19th Century English School Landscape Drawings and Watercolors
Materials
Watercolor
Fernando De Noronha, Brazil.
Located in Douglas, Isle of Man
French School picture circa 1790-1810, the landscape depicts a group of fishermen and appear to be preparing for the journey out to sea, there are fishing boats with nets suggesting ...
Category
Early 19th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Bright Ocean, Highly Detailed Surreal Landscape, Watercolor & Gouache on Paper
Located in Chicago, IL
A paper lantern explodes out of the water, as if propelled by an inner, unknown force. This surreal landscape is done in exacting detail with watercolor and gouache down to the smal...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
"Souvenirs" - pastel drawing, nature, plants, still life, surreal, skull, heart
Located in Atlanta, GA
This piece is framed measuring 46 by 34 inches.
Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....
Category
2010s Contemporary Landscape Drawings and Watercolors
Materials
Pastel, Archival Paper
Emerald - Surreal Landscape, Watercolor and Gouache on Paper, Framed
Located in Chicago, IL
My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
Paysage d’Alger, Frecnh early 20th Century watercolor and ink on paper
By Jules Pascin
Located in New York, NY
Provenance
Estate of the artist David Bunim
Perls Gallery, NY
Private Collection, USA
Literature
This work will be inclued in the forthcoming supplement to the catalogue raisonne in...
Category
Early 20th Century Land Landscape Paintings
Materials
Paper, Watercolor, Ink
Part of the ring-wall of the Taj Mahal, Agra, India, 1914
Located in Amsterdam, NL
Part of the ring-wall of the Taj Mahal, Agra, India, 1914
Signed with initials and dated bottom right
Black chalk on paper, 45.5 x 53 cm
Literature:
Ernst Braches en J.F. Heijbro...
Category
1910s Art Nouveau Landscape Drawings and Watercolors
Materials
Paper, Chalk
Cloud Lake - Highly Detailed Surreal Landscape, Watercolor & Gouache on Paper
Located in Chicago, IL
Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches.
Christina Haglid
Cloud Lake
watercolor and gouache on paper
11h x 8w in
27.94h x 20.32w cm
CMH053
Artist's Statement
Tiny Sanctuaries
There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences.
At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
Filippo in Portofino
Located in Austin, TX
By Tom Shefelman
15" x 21"
Watercolor on Paper
Category
20th Century Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
Gouache Jardin Au Chien by Paul MASCART
Located in Pasadena, CA
Gouache by Paul Edmond Marie Joseph MASCART
Born in 1874 in Condé-sur-l'Escaut (Nord), died in Paris in 1985. Painter of the 19th-20th centuries. Frenc...
Category
Early 20th Century Impressionist Figurative Drawings and Watercolors
Materials
Gouache
"Peaceful Tides, " Abstract Landscape Watercolor Painting
Located in Westport, CT
This abstract landscape painting by Melissa Kircher is made with watercolor and ink on paper. It features intricate line work over washes of paint to create a whimsical coastal hill-scape scene in a cool, earthy palette. The painting itself is 11.5" x 8.5", and measures 18.5" x 16" framed. The paper is matted and professionally framed in a warm silver frame. It is wired and ready to hang.
This piece pairs beautifully with Salt and Sky and Sea View by the same artist. Please see the three hung together in the image gallery. Contact us for more information or to purchase the three paintings together.
Melissa Kircher is a painter and illustrator who enjoys everything bold and beautiful. She works with acrylics, watercolor, and ink to create pieces that invoke her deep love of nature and the human spirit. Kircher graduated with a B.A. in Fine Arts from Gordon College...
Category
2010s Abstract Landscape Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Paysage de l'Aven by Ludovic-Rodo Pissarro - Watercolour, Coastal scene
Located in London, GB
Paysage de l'Aven by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and pencil on paper
27 x 38 cm (10 ⅝ x 15 inches)
Signed lower right, Ludovic Rodo
Executed circa 1904
This work ...
Category
Early 1900s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
"Campo Dei Gesuiti After Sargent" Original watercolor signed by Craig Lueck
By Craig Lueck
Located in Milwaukee, WI
"Campo Dei Gesuiti After Sargent" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's por...
Category
Early 2000s Contemporary Landscape Drawings and Watercolors
Materials
Watercolor
Santorini Oia Ammoundi
Located in Wien, 9
- signed, dated and titled lower left
- passepartout cut-out: 18,9 x 26,6 in
Category
Early 2000s Contemporary Landscape Drawings and Watercolors
Materials
Paper, Watercolor
From the Calcina, September (Venice), by Peter Greenham, 1991
Located in Kingsclere, GB
From the Calcina, September (Venice), Watercolour over Pencil Painting, 1991
Additional information:
Medium: Watercolour over pencil
15.2 x 21.6 cm
6 x 8 1/2 in
Signed, dated and titled on the reverse
Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis.
Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson.
After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960.
In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students.
In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...
Category
20th Century Landscape Drawings and Watercolors
Materials
Watercolor
"Behind the Studio" Realist charcoal on paper drawing, trees and shadows, framed
By Edwina Lucas
Located in Sag Harbor, NY
"Behind the Studio" is a realist charcoal on paper drawing. It depicts the treed filled forrest behind the aritst's studio in Sag Harbor, NY.
Frame Dimensions 26 x 34in
Framed und...
Category
21st Century and Contemporary Realist Landscape Drawings and Watercolors
Materials
Paper, Charcoal
Villa of Claudius of Lorraine
Located in Roma, RM
Norberto Pazzini (Verucchio 1856 - 1937), Villa of Claudius of Lorraine
Watercolor on paper 34 x 56 cm signed and dated "91" lower left, at the
back: inscribed "Norberto Pazzini 18...
Category
Late 19th Century Other Art Style Landscape Drawings and Watercolors
Materials
Watercolor
"Lake Scene" - Framed Early 20th Century Watercolor Seascape Painting
Located in New Orleans, LA
(I apologize for the reflections on the glass.) A lovely, gentle watercolor of a quiet lake with the fall trees reflected in the water. In the misty distance rises a cathedral above ...
Category
1920s Romantic Landscape Drawings and Watercolors
Materials
Watercolor
The Powder Tower - illustrative cityscape architecture watercolor paper framed
By David Walker
Located in London, GB
Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...
Category
2010s Contemporary Landscape Drawings and Watercolors
Materials
Paper, Watercolor
High Moorland Landscape in the fog - The world as a transcendent phenomenon -
Located in Berlin, DE
Charles Edward Brittan Jr (1870 Plymouth - 1949). High moor landscape in the fog. Gouache, signed at lower left "Charles E. Brittan", 18 x 34.5 cm (passepartout), 45 x 62 cm (frame)....
Category
Early 20th Century Realist Landscape Drawings and Watercolors
Materials
Watercolor
$1,722 Sale Price
20% Off
Georgian Contemporary Art by Nina Narimanishvili - Exhibition 2/2
Located in Paris, IDF
Mixed media on paper - artwork framed 60 x 45 x 5 cm
Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since chil...
Category
2010s Contemporary Landscape Drawings and Watercolors
Materials
Paper, Mixed Media
1949 Mid Century Finnish Abstract Impressionist Landscape
Located in Soquel, CA
Wonderful watercolor landscape of Finland countryside in Winter during WWII by O. Mokolio (indistinct) (American, 19/20th Century), 1949. Signed and dated lower right corner. Conditi...
Category
1940s Abstract Impressionist Landscape Drawings and Watercolors
Materials
Canvas, Oil
“The Fisherman’s Cottage”
Located in Southampton, NY
Original watercolor on archival paper of a classic fisherman’s cottage on the water with a dory nearby.. Signed lower left and dated 1923. Condition is very good. Under glass. The a...
Category
1920s Academic Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
Tuscan Landscape, Civita la Vigna
Located in PARIS, FR
Louis-Nicolas CABAT
Paris 1802 - 1893 Paris
Tuscan Landscape, Civita la Vigna
Watercolour on pape
r Signed and dated "L Cabat 1837" and located "Civita La Vigna"
23 x 32.5 cm sheet
...
Category
1830s French School Landscape Drawings and Watercolors
Materials
Watercolor
Vase - Watercolor & Gouache on Paper, Purple Glass Vessel, Pale Blue & Beige
Located in Chicago, IL
A small purple vase floats on a dreamy background of pale blues fading into a warm beige. The artist achieves a remarkable delicate quality by multip...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
Painswick, Watercolour Over Pencil Painting by Charles March Gere, 1930s circa
Located in Kingsclere, GB
Painswick, Watercolour Over Pencil Painting by Charles March Gere, 1930s circa
Additional information:
Medium: Watercolour over pencil
15.5 x 29.5 cm
6 1/8 x 11 5/8 in
Signed and titled verso
Charles March Gere RA RWS was an English painter, illustrator of books, and stained glass and embroidery designer associated with the Arts and Crafts movement.
He painted his signal work in 1897 entitled The Lady of Grey Days.The painting was purchased in 1912 and given to Aurora Howard, a descendant of the Earl of Carlisle (of Castle Howard). It was last seen...
Category
20th Century Landscape Drawings and Watercolors
Materials
Watercolor
Late March - Highly Detailed Surreal Landscape, Watercolor & Gouache on Paper
Located in Chicago, IL
Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches.
Christina Haglid
Cloud Lake
watercolor and gouache on paper
11h x 8w in
27.94h x 20.32w cm
CMH053
Artist's Statement
Tiny Sanctuaries
There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences.
At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
Hopi Village on First Mesa, Arizona: Red, Blue, Orange Mixed Media Landscape Art
Located in Denver, CO
This stunning mixed-media painting by German-American artist Bert Van Bork (1928–2014), titled Walpi #9 (Hopi Village on First Mesa, Arizona), is a vibra...
Category
1990s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Ink, Charcoal
"Chimera" - pastel drawing, figure, skeleton, nude, bright colors, texture
Located in Atlanta, GA
This piece is framed measuring 17 by 14 inches.
Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....
Category
2010s Contemporary Landscape Drawings and Watercolors
Materials
Pastel, Archival Paper
Landscape with Trees, Pencil Drawing by Michael Andrews
Located in Kingsclere, GB
Landscape with Trees, Pencil Drawing by Michael Andrews
Additional information:
Medium: Pencil drawing
12.5 x 19.5 cm
4 7/8 x 7 5/8 in
Michael Andrews was born into a devout Method...
Category
20th Century Landscape Drawings and Watercolors
Materials
Pencil
Josette Urso, That Daffodil, 2019, Ink Brush Drawing, 12 x 13 in
By Josette Urso
Located in Darien, CT
The view from my studio, looking across Brooklyn’s lower lying factory and warehouse buildings toward the tall grandness of Manhattan, is incredibly complex and at times overwhelming...
Category
2010s Abstract Landscape Drawings and Watercolors
Materials
Ink, Archival Paper
Saguaro 15
By Russ Havard
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --RUSS HAVARD
Artist Statement
I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...
Category
21st Century and Contemporary American Realist Landscape Drawings and Wa...
Materials
Paper, Watercolor
Where Wild Hibiscus Grows, Absecon Island, NJ, Watercolor of Jersey Shore 1894
Located in Philadelphia, PA
Peter Caledon Cameron
(American, born Scotland, 1852-c. 1920)
Absecon Island, New Jersey, 1894
Watercolor on paper, 17 1/2 x 27 inches (sight)
FRAMED: 26 1/2 x 36 1/2 inches
Signed and dated at lower left: "ABSECON.ISLAND./ N.J-U.S.A Cameron/1894" N.J-U.S.A Cameron/1894"
Born in Perth, Scotland, Peter Caledon Cameron won awards for drawing and penmanship at a Glasgow public school. He claimed that at the age of fourteen his watercolors were already "in demand," and that before turning twenty he had "crossed every ocean in the world, sketching and painting as he went." He attended the Government School of Design in London and was certified as an art master in 1883. Cameron immigrated to the United States that year, settled in Philadelphia, and commenced work on large history paintings such as Niagara in Winter (unlocated) and Vesuvius in Grand Eruption (unlocated) that he exhibited in various northern cities. He exhibited one painting at the Pennsylvania Academy of the Fine Arts in 1902. Nothing is known of his activities later in life.
In a lengthy inscription that accompanies this watercolor, Cameron noted that Absecon was "a piece of the best sand-dune region characteristic of the whole coast of New Jersey State from Sandy Hook point in the North to Cape May Point in the extreme south." This was one among a number of studies the artist made for a large oil painting titled "Captain Kidd Burying His Treasure" (unlocated). The famous Scottish privateer Captain William Kidd...
Category
1890s Naturalistic Landscape Drawings and Watercolors
Materials
Paper, Watercolor
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