Impressionist Landscape Drawings and Watercolors

This artwork (California Landscape with House" c.1950 is a watercolor on paper by California artist James March Phillips, 1896-1977. It is signed at the lower right corner by the artist. The artwork size is 14.85 x 11.85 inches, framed size is 24.25 x 20.15 inches. Custom framed in a wood frame, with beige matting. The artwork is in excellent condition, the frame is in very good condition, it have very minor scratches. About the artist: James March Phillips (1913-1981) Born: Fresno, California; Studied: Turner Art Center (San Francisco). James March Phillips studied art in San Francisco. His intructors were Alfred Owles...

A Nestor Fruge watercolor of a French Quarter scene. Born in Bayou Lafourche, Louisiana in 1916, Nestor Hippoyle Fruge spent parts of his painting career ...

San Jose Hills Watercolor on paper An Americana view of the Hills around San Jose by Robert Sugita (American, b- 1938). A Cupertino artist, Robert went ...

Late autumn. 1972. Paper, monotype. 42x61.5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different sea...

Frank Duffield (British, 1908-1982) original watercolour painting on board, unframed size: 10.5 x 13.75 inches condition: overall very good, minor wear to the edges as is normal for ...

Frank Duffield (British, 1908-1982) Signed original watercolour painting on board, unframed size: 18 x 11.5 inches condition: overall very good, minor wear to the edges as is normal ...

Frank Duffield (British, 1908-1982) signed original watercolour painting on card, unframed size: 8 x 10 inches condition: overall very good, minor wear to the edges as is normal for ...

The countryside. 1970ties. Paper, crayons, 24.5x32 cm A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled...

Frank Duffield (British, 1908-1982) signed original watercolour painting on artistic paper, unframed size: 10 x 14 inches condition: overall very good, minor wear to the edges as is ...

"Vaches au paturage sur les bords de la Seine (Cows Grazing on the Banks of the Seine)" is a pastel on paper by Alfred Sisley. The artwork is signed lower left, "Sisley". The framed ...

Lilac, white, pink peonies in the park of the Kuskovo estate create a bright decor. Heavy buds bowed to the ground creating a smooth movement of flowers, a clear form of organic life...

"Sea" is a mixed media artwork created on paper, measuring 15x20 cm. It portrays a colorful seascape with birds, capturing the essence and vibrancy of the ocean environment. The inclusion of birds adds an extra dimension to the artwork, suggesting a connection between the land and the sea, enhancing the overall sense of movement and life within the seascape. Oskars Berzins (1940) Born on September 20, 1940 Education 1970 graduated from Art academy of Latvia Graphics department. Diploma work-holiday poster...

"Mountain Climbers" - Mountain Landscape in Watercolor on Paper Serene mountain landscape by Margie Westcott (American, 1931-2018). The viewer stands...

"Rue St. Marguerite" Montreal Street Scene in Watercolor, Pastel, and India Ink Vibrant drawing of Montreal, Canada, by Richard D. Wilson (Canadian, 1920-1994). A street scene of 1960s Montreal, complete with cars, people walking and crisscrossing telephone and power lines...

Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undulating clouds, and grazing cows - by Thelma Fike Rodenhorst (Americ...

Carmel Mission in Early Spring - Original Watercolor Painting 1983 A vantage point from the backside of Camel Mission's cupola, this watercolor is brightly painted with spring flowe...

Grey Barn and Brown House - Rural California Landscape in Watercolor on Paper Serene country landscape by California artist Alice M. Duke (American, 1921-2012). A brown farmhouse is at the left side of the composition, on top of a slight hill. To the right, there is a grey barn at the base of the hill. Surrounding both buildings, there are lush green trees and wire fences. Titled “Chinese Cemetery Road (Jackson, California.) Presented in a vintage frame with a double mat. Frame size: 16.75"H x 20.75"W Image size: 10"H x 14"W Duke, Alice (American, 1921-2012) was an artist from Jackson, California. She was a student of Dorner Schueler. Memberships: Founding member, Gallery 10. Member, Northern California Arts. Member, Society of Western Artist Shows and Awards: 1999 - Gallery 10, Sutter Creek, CA 1986 - (1st Place, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1985 - (Hon. Mention, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1982 - Sunshine Art...

A pair of French Impressionist landscape views by Georges Planes. (Dimensions given are for each painting.) The first painting: is an early 20th Century drawing and watercolour view...

A Walk in the Woods - Original Watercolor Painting 1983 A watercolor of lush, variegated greens make up this forested trail of cypress and oak trees, a natural wonderland for any co...

Represented by George Billis Gallery, NYC & LA -- Represented by George Billis Gallery, NY, Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'...

"A Shady Runlet" Stream in Fall New Jersey Watercolor 1878 A rare and exceptional watercolor of two ladies viewing a New Jersey stream in fall by William C. Bauer (American, 1856- 1...

Big Sur Coast Landscape in Watercolor on Paper Serene coastal landscape by notable artist Paul Dougherty (American, 1877-1947). The viewer looks out ov...

Standing Lincoln: The Man, Lincoln Park, Illinois Watercolor and graphite on paper , c. 1895 Signed in script lower right (see photo) The scene depicts the Augustus Saint-Gaudens bro...

Chinese artist, signed Early 20th century watercolour on paper, unframed size: 6 x 19 inches private collection, England The painting is in overall ver...

Autumn road. Paper, pastel, 25x33 cm "Autumn Road" is a pastel drawing that portrays the beauty of an autumn landscape. Through the use of pastels, the artist captures the vibrancy ...

Small landscape with cows by Carmel artist Cetin (20th Century). Two cows are grazing in the foreground. Beyond the cows, a field stretches out towards a...

Island Forest - Line Drawing Landscape in Ink on Paper Delicate landscape line drawing by listed Maine artist, Laurence Sisson (American, 1928-2015). The viewer stands at the edge o...

Represented by George Billis Gallery, NYC & LA -- Represented by George Billis Gallery, NY, Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Represented by George Billis Gallery, NYC & LA -- Represented by George Billis Gallery, NY, Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'...

Captiva Island, Florida - Beach Landscape in Watercolor on Paper Detailed watercolor of a Florida island beach by unknown artist "Dowst" (American, 20th Century). Scrub brush and ot...

Original Watercolour of Farmhouse in the Northern Ireland Countryside by 20th Century Artist Art measures 8 x 6 inches Frame measures 16 x 15 inches

Theatre Du Chatelet A stunning gouache by one of France's premier artists specialising in Parisian scenes. Eugene Galien LALOUE (1854 - 1941) Eugène Galien Laloue was particularly...

Drypoint etching rawing of a coastal scene with figures drawing a net or boat form the sea by Sir Francis (Frank) Job Short (British, 1857 - 1945) Sir Frank Short, Royal Academy*, was a printmaker and teacher of printmaking. He revived the practices of mezzotint* and aquatint* engraving, and also wrote about printmaking to educate a wider public. Signed "Frank Short" lower right with monogram in the print "S within a shield" Titled lower left "Rough Weather at Blatchington" Lower left "Trial Proof" Image, 8.5"H x 10.88"W Mat, 16"H x 20"W x 0.13 Professionally cleaned and ph nuetral washed by our paper conservator. (new images posting) Francis Job Short was born on 19 June 1857 in Britain, at Stourbridge, Worcestershire. He was educated to be a civil engineer. He was engaged on various works in the Midlands until 1881, when he came to London as assistant to Mr Baldwin Latham in connection with the Parliamentary Inquiry into the pollution of the river Thames. In 1883 he was elected an associate member of the Institution of Civil Engineers. Having worked at the Stourbridge School of Art in his early years he joined the South Kensington School of Art*, in 1883. He also worked at the life class under Professor Fred...

On a light day by the sea. 1966, paper, watercolor, 32x42.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she be...

Scottish Highland mountains, river rapids and heather on the hill with cows, this 19th century impressionist watercolor is bright and fresh. Sign...

Rocky California Seascape in Watercolor on Paper Dramatic coastal landscape by notable artist Paul Dougherty (American, 1877-1947). Waves are churning ...

Represented by George Billis Gallery, NYC & LA -- Represented by George Billis Gallery, NY, Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'...

This artwork "Landscape with Trail" c.1980 is a watercolor on paper by noted American artist Gerald F. Brommer, 1927-2020. It is signed at the lower right corner by the artist. The a...

Image dimensions: 7 ¼ x 10 ½ inches Framed dimensions: 16 ½ x 20 inches To produce his murals, Sargent painted monumental canvases in his studios in London and Boston, adhering them...

"Our Model T Garage" - Watercolor Landscape on Paper A rust-red barn sits below an autumn canopy of trees with contrasting blue background. Cool hues cast deep, brooding shadows opp...

René Buignet (1888-1915) La Fontaine Médicis, Jardin du Luxembourg, Paris Each one signed lower right watercolor on paper size of each : 28.5 x 21 cm In the same mount and framing :...

Only A River's (Gonna Make Things Right), Original Impressionist Landscape Painting 9" x 12" (HxW) Pastel on Paper Hand-signed by the artist. A combination of an impressionist and e...

Reflection of Mt. Fuji on Lake, after Niimi Sei - Watercolor on Paper A serene watercolor in subdued hues of blue and green depicting Japan's iconic Mt. Fuji. The mountain towers be...

Louis Oscar Griffith (1875-1956) was an American painter known for his etchings, paintings, and aquatints of landscapes, especially scenes of Brown County, Indiana, New Orleans, LA and Texas. Griffith was born in Indiana in 1875 but later moved to Dallas, TX with his family. As a teen, he took art lessons with acclaimed landscape artist, Frank Reaugh...

Forest edge 1981. Paper, mixed media, 41x30 cm "Forest edge" is a mixed media artwork created in 1981 on paper, measuring 41x30 cm. It features a colorful depiction of a forest with a variety of trees and foliage. The colors used are vibrant and vivid, giving the piece a lively and energetic feel. Oskars Berzins (1940) Born on September 20, 1940 Education 1970 graduated from Art academy of Latvia Graphics department. Diploma work-holiday poster...

Beautiful soft pastel drawing. Spring flowers and green grass. Very romantic drawing by professional artist Anna Valshchikova. Framing is not included, bu...

Rowboat Outing - Fall Landscape with Rowboats in Watercolor on Paper Serene lakeside landscape by an unknown artist (20th Century). Two birch trees with bright yellow leaves are gro...

Beautiful soft pastel drawing. Autumn flowers and yellow - orange grass. Very romantic drawing by professional artist Anna Valshchikova. Framing is not included, but contact us...

Desert Sunflowers & Petroglyphs - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). Desert sunflowers ...

Six Panel Thumbnail Sketches of Desert and Canyon Landscapes in Ink on Paper Collection of landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). Six ...

Six-Panel Thumbnail Sketches of Desert and Canyon Landscapes in Ink on Paper Collection of landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). Six ...

Fishing Village in Gloucester Harbor, 1950 - Watercolor on Paper In earthy tones, the fishing harbor of Gloucester, Massachusetts is captured with an ethereal fog hovering over the ...

Artist Nestor Fruge (b. 1916) grew up in the small Louisiana town of Bayou Lafourche. His French Quarter scenes are well-known and ubiquitous in New Orlea...

This is a one of a kind original impressionist cityscape watercolor painting by southern California artist, Duke Windsor. It is framed as pictured. Its framed dimensions are 16.5" x ...

Two High Desert Landscapes - Line Drawing in Sepia-Toned Ink on Paper Bold landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). In the top image, giant cumulous clouds hang over the desert plateaus of varying heights. In the bottom image, desert brush fill the foreground with rocky mountains and big clouds towering over. These drawings were likely preparatory sketches for larger paintings. This piece is unsigned, but was acquired from David Sisson, the artist's son. Copy of a signed letter of authentication included Presented in a new orange mat with foam-core backing. Mat size: 19"H x 13"W Image size: 10.63"H x 7.75"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...

Fifteen-Panel Thumbnail Sketches of Desert and Canyon Landscapes in Ink on Paper Collection of landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). ...

An Enlightening Afternoon Near Oregonia - Watercolor Landscape on Paper A cool pond and walking trail sprawl below an autumn canopy of trees in complementary reds and purples accent...