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Medium: Charcoal
Gentlemen and Scottie dog at Chess Board
Located in Fort Washington, PA
Signature: Signed Lower Right
Medium: Charcoal on Paper
Sight Size 18.00" x 34.50", Framed 23.5" x 40.25"
This is a preliminary drawing. It’s a masterful drawing that was mounted long long ago and so you’ll see a fold down the center. This was a proposal for a Maxwell House...
Category
1930s Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
MB 815 (Contemporary Seated Male Nude Figurative Drawing, Charcoal on Paper)
By Mark Beard
Located in Hudson, NY
graphite, conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed 'Beard 1999' lower left corner
Atelier stamp in lower right corner
Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...
Category
1990s Modern Charcoal Drawings and Watercolor Paintings
Materials
Conté, Charcoal
Modern Mid-Century Odalisque, Reclining Female Nude.
Located in Cotignac, FR
A mid 20th century modern work on paper of a female nude by Andre Petroff. Signed with monogram bottom right, presented under glass in plain red painted ...
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Crayon, Watercolor, Gouache
Figures - Drawing by Mino Maccari - Mid 20th century
By Mino Maccari
Located in Roma, IT
Figures is an artwork realized by Mino Maccari (1924-1989) in the Mid-20th Century.
Watercolor on paper.
Hand-signed by the artist.
Good conditions.
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Watercolor
Female Nude Study Charcoal and Red Chalk Drawing by Georges Lucien Guyot
Located in Atlanta, GA
French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study.
This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but they give the whole thing a lot of softness and an incredible illusion of movement.
Signed on the bottom left corner: Georges Lucien Guyot.
The artist employed a method known as "sanguine" (red chalk paint) which is red crayon or chalk. The drawing has a blood-red, reddish, or flesh coloration. For centuries, painters from the 15th and 16th centuries, including famous masters like Michelangelo, Raphael, and Leonardo da Vinci, have used it for drawing.
The drawing has an elaborate off-white matte with acrylic glass protection and a modern wood frame with a deep-textured pattern in red and yellow.
Measurements:
With Frame: 20.87 in wide (53 cm) x 28.35 in high (72 cm) x 1 in deep (2.5 cm).
View alone: 11.44 in wide (29 cm) x 18.94 in high (48 cm).
Biography:
Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter.
From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings.
A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...
Category
1930s Art Deco Charcoal Drawings and Watercolor Paintings
Materials
Paper, Chalk, Charcoal, Pencil
Mother and child
Located in Genève, GE
Work on paper
Frame with glass pane and wood and gold plastic edge
37 x 32 x 1 cm
Category
Early 20th Century Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Crayon
Portrait of a Young Woman - Art Deco charcoal pencil drawing
Located in London, GB
A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...
Category
1930s Art Deco Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Carbon Pencil
Rumors, Drawing, Charcoal on Paper
Located in Yardley, PA
Abstract charcoal work composed of shapes in black & white. Framed with glass and passepartout :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity...
Category
2010s Abstract Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Ships at the Harbor - Nautical Seascape with Seagulls in Charcoal on Paper
Located in Soquel, CA
Ships at the Harbor - Nautical Seascape in Charcoal on Paper
Detailed and layered harbor scene by Maude Folmar Ramsey (American, 1908-1993). The viewer is looking out at the harbor, across the water from the docks, buildings, and ships. The pillars, buildings, and masts are jumbled together in a pleasing manner that is almost abstract. Despite the simplified shapes, this piece is full of detail. This piece is executed in a rectilinear style frequently seen in American mid-century modern compositions.
Signed in the lower right corner "Maude Folmar"
Presented in a wood frame with a double mat.
Frame size: 25.25"H x 29.25"W
Image size: 17"H x 21.5"W
Maude Love (Folmar) Ramsey (American, 1908-1993) studied at the School of Fine Arts at Washington University in St. Louis, Missouri. She was the director of the Laguna Gloria Art Museum from 1968-1972. Ramsey was one of the charter members of the “Waterloo...
Category
Mid-20th Century American Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
contemporary figurative black and white charcoal drawing pop art interior female
Located in New York, NY
This is a hand drawn original artwork on heavyweight paper framed in a flat black frame .
Category
2010s Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Studies of Tigers - Original Charcoal Drawing by Willy Lorenz - Mid 20th Century
Located in Roma, IT
Study of Tigers is a beautiful pencil original drawing on ivory-colored paper, realized in XX century by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed in pencil...
Category
Mid-20th Century Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
'Lily in Charcoal' abstract expressionism photography edition of 10
Located in London, GB
'Lily in Charcoal' 2023
From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily...
Category
21st Century and Contemporary Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Photographic Film, Charcoal, Archival Ink, Archival Paper
Birch Mystery, trees, female figure, neutral tones, collage on archival paper
Located in Brooklyn, NY
Paper paint charcoal collage
Paper charcoal collage
These collages were created first in the presence of a live model, working quickly, in charcoal and again, later, alone in the stu...
Category
2010s Surrealist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper, Acrylic, Mixed Media
"Back At The Stables (I)" (2024) By James Van Fossan, Original Drawing
Located in Denver, CO
James Van Fossan's "Back At The Stables (II)" (2024) is an original handmade charcoal and graphite drawing on paper that depicts a cowboy about to lean against a sawhorse.
James Va...
Category
2010s Realist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Graphite
Sur l'ile, Charcoal, Black & White figurative Drawing, Contemporary Drawing
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work.
Medium : Charcoal on Archival paper 300Gsm.
Artist : Aurélie Sicas
Subject : Sur l'ile VIII (series - French Title)
Signature...
Category
21st Century and Contemporary Photorealist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper
Nocturne - 21st Century Contemporary Charcoal Drawing of a Nude Woman
Located in Nuenen, Noord Brabant
Rosanna Gaddoni (Italian artist)
Nocturne
65 x 50 cm ( framed in wood frame with museum glass)
Measurement with included frame: 80 x 65 x 3 cm
Charcoal on Paper
The Italian artist R...
Category
2010s Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Native Mexican Women (Cuban Miami artist pastel)
Located in Wilton Manors, FL
Alex (Cuban, b.1949). Indigenous Mexican Women, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches; 31.5 x 41 inches framed. Excellent condition with no damage or...
Category
1980s Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel
Lily in Charcoal No.2 - abstract expressionism photography edition of 10
Located in London, GB
'Lily in Charcoal No.2' 2023
From raw energy to sublime. 'Lily in Charcoal No.2' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....
Category
21st Century and Contemporary Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Photographic Film, Charcoal, Archival Ink, Archival Paper
Mermaid - Charcoal Drawing by Mino Maccari - 1980
By Mino Maccari
Located in Roma, IT
Mermaidt is a Charcoal Drawing realized by Mino Maccari (1924-1989) in 1980s.
Hand-signed on the lower margin.
Good condition on a white paper.
Mino Maccari (Siena, 1924-Rome, Jun...
Category
1980s Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
The Pleiades-Taygete - nude, female, figurative, charcoal and ink on canvas
Located in Bloomfield, ON
Richard Tosczak creates life size paintings and sketches of his models which he then recreates in bronze. This large scale canvas reflects speed, gesture and the effect of capturing ...
Category
2010s Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Archival Ink, Watercolor, Canvas, Charcoal, Acrylic Polymer
Seated Nude in Charcoal on Paper
Located in Soquel, CA
Seated Nude in Charcoal on Paper
Figurative piece with a nude model by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is seated, with one leg bent ...
Category
Early 2000s American Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
"Mass Study III", Layered paper and drawing collage, architectural, dimensional
By Seth Clark
Located in Philadelphia, PA
This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, an...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite
In Isolation Series VII
By Seth Clark
Located in Philadelphia, PA
This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Wood, Paper, Charcoal, Pastel, Acrylic, Graphite
Angels and Demons (Portrait of Giorgio Morandi) - Charcoal and Ink by M. Maccari
By Mino Maccari
Located in Roma, IT
Nice charcoal and ink drawing on paper representing the famous italian painter Giorgio Morandi (friend of Mino Maccari) smoking a cigar with images of a dream/nightmare on background...
Category
1950s Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Ink
"Frammenti" Original black Drawing Large Size- Art by Marilina Marchica
Located in Agrigento, AG
Frammenti
Mineral Oxide on Paper (Fabriano Elle)
50x70 cm
2024
Original Art
Marilina Marchica's research delves into the relationship between Man and Nature and the emotional impl...
Category
2010s Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel
Adélaide
Located in Chicago, IL
Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Gold Leaf
1940s Charcoal and Pencil Portrait of a Man
Located in Arp, TX
Artist Unknown
"Tie and Glasses"
c. 1940s
Charcoal and pencil on paper
13.5"x17" site 19"x23" rustic wood frame
Unsigned
Category
1940s Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Paper, Carbon Pencil
Birds - Drawing by Mino Maccari - Mid 20th century
By Mino Maccari
Located in Roma, IT
Birds is an artwork realized by Mino Maccari (1924-1989) in mid 20th century.
Charcoal and watercolor on paper.
Signed by the artist.
Good condition.
Mino Maccari (Siena, 1924-R...
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Watercolor
Renaissance Male Nude Figure Study, 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Figure Study
Year: circa 1963
Medium: Original drawing on vélin paper
Size: 23 x 18 inches
Condition: Good
Provenance: Est...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
The Thinker
Located in Miami, FL
A large charcoal-on-paper rendering by arguably one of America's most influential artists. It comes from the pioneering Allan Stone Galleries, who ...
Category
1960s Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Portrait - Drawing by Nicolai Sarguir - Early-20th Century
Located in Roma, IT
The Mirror is a drawing realized by Nicolai Sarguir in the Early-20th Century.
Charcoal ivory-colored paper.
Good conditions with slight foxing.
The artwork is realized through de...
Category
Early 20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Femme Allongée - Charcoal Drawing on Paper - Late 20th Century
Located in Roma, IT
Femme allongée is a superb original charcoal drawing on paper, realized by an unknown French artist in the end of XX century.
A beautiful and sensual woman is laying down on a bed a...
Category
Late 20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Native Mexican Woman (Cuban Miami artist pastel)
Located in Wilton Manors, FL
Alex (Cuban, b.1949). Indigenous Mexican Woman, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches. 31.5 x 41 inches framed. Excellen...
Category
1980s Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel
'Lilly in Charcoal' abstract expressionism photography edition of 20
Located in London, GB
'Lilly in Charcoal' 2023
Abstract expressionism black and white photography of Charcoal abstract drawing and Lilly.
Photograph shot using mid-century large format film camera Linhof...
Category
21st Century and Contemporary Abstract Expressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Photographic Film, Charcoal, Archival Ink, Archival Paper
Abstract composition by Julien Dinou - Charcoal on paper A4 size
By Julien Dinou
Located in Geneva, CH
Work on paper
Black plastic frame with glass pane
31,5 x 41 x 2 cm
Category
Mid-20th Century Abstract Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
1900s Original French Atelier Life Drawing Posed Man Head in Hands
Located in Cirencester, Gloucestershire
Life study drawing
original atelier drawing
by the French artist, Jeanne Nachat (1898-1984)
Nachat attended the prestigious Académie des Beaux-Arts in Pa...
Category
Early 20th Century Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Pencil
Mid Century French Study of a Seated Nude Woman
Located in Cirencester, Gloucestershire
Title: Mid Century French Nude Study
Artist: Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 25 (height) x 19 (width)
Stamped: Ver...
Category
Mid-20th Century Post-Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Pencil
Erotic Scene - Charcoal Drawing by Mino Maccari - 1970
By Mino Maccari
Located in Roma, IT
Erotic Scene is a charcaol Drawing realized by Mino Maccari (1924-1989) in 1970s.
Hand-signed on the lower margin.
Good condition on a little cardboard.
Mino Maccari (Siena, 1924-...
Category
1970s Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Ink
Portrait of an Old Man
Located in Soquel, CA
Portrait of an old man done in charcoal by California artist Ralph Edward Joosten (American, 1928-2009). Signed "R. Joosten 82" lower right. Pre...
Category
1980s American Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Man in a blue and brown coat and Fashion for our Future, Diptych
Located in Miami Beach, FL
The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Gouache, Ink, Watercolor
"Landscape B/W" Minimalist Drawing Large size Made in Italy
Located in Agrigento, AG
Landscape B/W
Mineral oxide on paper (300gr)
Minimalism- Original art
75x55 cm
Frame
90x70 cm
Original Created:2022
Subjects:Landscape
Materials:Paper
Styles:#Abstract #AbstractExp...
Category
2010s Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Paper
Fauvist Lying Nude - Original charcoals drawing, Signed
Located in Paris, IDF
Gaston COPPENS (1909 - 2002)
Fauvist Lying Nude
Original charcoal drawing
Stamp signature
Stamp of the artist on the back
On wove paper 48 x 36 cm (c 18 x 14 inches)
Excellent con...
Category
Mid-20th Century Modern Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be shipped rolled in a tube
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
A Drawing of a ca. 1930s Bicycle Race by Artist Francis Chapin
Located in Chicago, IL
Perfect for your cycling enthusiast! A 1930s charcoal on paper drawing of a bicycle race by artist Francis Chapin. Image size: 11" x 14". Archivally matted to 16" x 20". Provenance: Estate of the artist.
Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...
Category
1930s American Modern Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Renaissance Male Hand Figure Study, 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Hand Figure Study
Year: circa 1964
Medium: Charcoal on vélin paper
Size: 18 x 23 inches
Condition: Good
Provenance: Estate of I...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
View of Tallinn, Estonia - Figurative Landscape Panoramic Charcoal Drawing
Located in Soquel, CA
A sweeping view of Tallinn, Estonia by an unknown artist (20th Century). This detailed charcoal landscape drawing shows a panorama of the beautiful coastal city on the Baltic Sea, complete with small figures walking on a pier, boats in the harbor, and the iconic Alexander Nevsky...
Category
Early 20th Century Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Paper, Pastel
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Haven - Original Charcoal on Paper Nude Figure Drawing, Gold Frame
Located in Chicago, IL
Nathan Brad Hall
Haven , 2023
charcoal on paper
18h x 24w
45.72h x 60.96w cm
FRAMED DIMENSIONS
23.50h x 29.50w in
59.69h x 74.93w cm
NBH002
Framing Options Available
Nathan Brad Ha...
Category
2010s Realist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Baby's First Christmas
Located in Fort Washington, PA
Medium: Pencil, Charcoal and Orange Wash on Paper
Signature: Signed "O'Neill" Upper Left
Sight Size 24.00" x 19.50", Framed 35.00" x 29.00"
Illustration for the poem "Baby's First Christmas" by Margaret G. Hayes, published in Harper's Bazar, December 1910.
The artwork is also reproduced within Walt Reed's The Illustrator in America, 1860-2000 (Society of Illustrators, 2001) on page 154.
Exhibited:
Brandywine River...
Category
1910s Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pencil
Sea Coast Landscape, Original Watercolour, Pastel, Gouache, Britany
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work. Not Framed. Museum matting & backing included, ready to be framed in a standard frame 40x30 cm.
Medium : Watercolour, Gouache...
Category
21st Century and Contemporary Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Watercolor, Archival Paper, Pastel, Gouache
Juventus Football Player, Champions League Final vs Ajax, 1996 - 101 x 72 cm
Located in Firenze, IT
Juventus Football Player, Champions League Final vs Ajax, 1996 - 101 x 72 cm
Technique: Charcoal on paper, signed and dated '96
Author: Marco Silombria (Savona, 1936 - Albissola, 20...
Category
Late 20th Century Pop Art Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
French Art Deco watercolour of Mademoiselle Valentine by Jean Isy de Botton
By Jean Isy de Botton
Located in Petworth, West Sussex
A very striking Art Deco watercolour painting of 3 nudes by Jean Isy de Botton, the prolific French painter Jean Isy de Botton. Jean Isy de Botton had a long and prolific career as ...
Category
20th Century Art Deco Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Watercolor
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Man
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Charcoal Drawings and Watercolor Paintings
Materials
Charcoal, Oil
George Washington Hand Studies, Mount Vernon
Located in Greenwich, CT
This stunning study of George Washington's hands is a unique and remarkable drawing pair. Mora was noted as an exceptional draftsman and actually traveled america giving lectures ab...
Category
1910s American Realist Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Renaissance Male Nude Figure Study, 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Figure Study
Year: circa 1964
Medium: Charcoal on vélin paper
Size: 18 x 23 inches
Condition: Good
Provenance: Estate of I...
Category
1960s Renaissance Charcoal Drawings and Watercolor Paintings
Materials
Charcoal
"House Studies Series I", Layered Paper and Drawing Collage, Architecture
By Seth Clark
Located in Philadelphia, PA
This layered paper and drawing collage titled "House Studies Series I" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal
"House Studies Series II", Layered Paper and Drawing Collage, Architecture
By Seth Clark
Located in Philadelphia, PA
This layered paper and drawing collage titled "House Studies Series II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...
Category
21st Century and Contemporary Contemporary Charcoal Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite
Charcoal drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Charcoal drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, pink, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mino Maccari, Ian Hornak, Howard Tangye, and James Shipton. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Charcoal drawings and watercolor paintings, so small editions measuring 0.1 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,595,000, while the average work can sell for $894.
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