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Medium: Sumi Ink
Resplendent Rascal - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Mr. Bubbles - Blue Agave - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Mr. Bubbles - Blue Agave...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Watercolor, Sumi Ink, Mulberry Paper, Color Pencil
Sea Fan - Dust Berry - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
Two small octopi are inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an ext...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Watercolor, Sumi Ink, Mulberry Paper, Color Pencil
Sea Fan - Blue Meets Red - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Watercolor, Sumi Ink, Mulberry Paper, Color Pencil
Mr. Bubbles - Plum Bob - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Studio 54 - Bananarama - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Goldilocks, Pastel - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Watercolor, Sumi Ink, Mulberry Paper, Color Pencil
Mr. Bubbles, Goldfinger - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Watercolor, Sumi Ink, Mulberry Paper, Color Pencil
Untitled, 1982 (Cannibal)
By Keith Haring
Located in Greenwich, CT
Untitled, 1982 is a sumi ink on paper, 38.25 x 50" image size, signed and dated verso 'SEPT.21 - 82 + K. Haring' and framed in a custom, gold-leaf frame.
Haring’s image of a man-eating monster is partly influenced by the artist Hieronymus Bosch as Haring often cited Bosch’s The Garden of Earthly...
Category
1980s Pop Art Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink
The Blue Ring of Cape Fourcroy - Gyotaku Painting of Octopus on Nautical Chart
By Jeff Conroy
Located in Chicago, IL
An octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordin...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Color Pencil, Sumi Ink, Watercolor, Mulberry Paper
Autumn Cotilion - Japanese Style Gyotaku Painting on Marbled Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman dating back the mid 1800's. I then tint the images using watercolor. In each piece I hope to translate a sense of movement to give the viewer a sense of calm one might experience watching the living versions lazily meandering around a serene pond. —Jeff Conroy
Several koi swim in a circle while autumn leaves fall on the surface of the water in this Gyo-tako method of painting by artist Jeff Conroy. After inking and taking impressions of the koi, the artist then uses watercolors to enhance their beauty. By using marbled mulberry paper to print on, he has created the illusion of water with the swirls of the mulberry paper. The paper itself has a soft hue and slightly wavy texture adding the overall feel of the artwork. This artwork is unframed. Contact gallery for framing options.
Jeff Conroy
Autumn Cotillion
sumi ink and colored pencil on mulberry paper
25h x 37w in
63.50h x 93.98w cm
JEC103
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Dark Beach Sunrise, Blue Nautical Cyanotype, Watercolor Paper, Vertical Seascape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Dark Beach Sunrise" is a handmade cyanotype print portraying beautiful sunrise reflection on the beach.
Details:
+ Titl...
Category
2010s Realist Sumi Ink Drawings and Watercolor Paintings
Materials
Marble
Two Macks - Gyotaku Style Sumi Ink Painting of Two Mackerel on Paper
By Jeff Conroy
Located in Chicago, IL
A Mackerel is inked and then "printed" with sumi ink in this Japanese style of Gyo-Taku print. The artist then embellishes the fish with colored pencil adding an extraordinary dimen...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Kikusui - Japanese Gyotaku Painting of Orange Koi on Marbled Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Cobalt Canary - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Cobalt Canary
sumi ink and colored pencil on mulberry paper
12.50h x 18.25w in
31.75h x 46.35w cm
JEC122
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Blue Blood - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Blue Blood...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Watercolor, Mulberry Paper, Color Pencil, Sumi Ink
Boo Berry - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Boo Berry
sumi ink and colored pencil on mulberry paper
12.50h x 18.25w in
31.75h x 46.35w cm
JEC116
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Absinthe Makes The Heart Grow Fonder - Octopus, Gyotaku Style Sumi Ink Painting
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Fontainebleau - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Fontainebleau
sumi ink and colored pencil on mulberry paper
12.50h x 18.25w in
31.75h x 46.35w cm
JEC120
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Untitled Abstract Expressionist drawing by sculptor, signed, 1970s
Located in New York, NY
Anthony Padovano
Untitled Abstract Expressionist drawing, 1971
Ink Wash on Paper Drawing
Signed and dated by the artist
Original vintage frame included
Original (unique) signed Abstr...
Category
1970s Abstract Expressionist Sumi Ink Drawings and Watercolor Paintings
Materials
Ink, Charcoal, Sumi Ink
Chanel Quilted Black Caviar Ray - Sumi Ink on Mulberry Paper, Gyotaku Original
By Jeff Conroy
Located in Chicago, IL
Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Channel Quilted Black Caviar Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Chanel Quilted Black Caviar Ray
sumi ink and watercolor on mulberry paper
37h x 25w in
93.98h x 63.50w cm
JEC083
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Dippin' Dotopus - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Lemon Meringue - Gyotaku Style Sumi Ink Painting of a Multi-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Lemon Meringue
sumi ink and colored pencil on mulberry paper
12.50h x 18.25w in
31.75h x 46.35w cm
JEC118
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Jungle (Jaguar)
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
Matt Kinney...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Rag Paper
Sprung ( Cat )
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Rag Paper, Sumi Ink
Red Rum - Gyotaku Style Sumi Ink Painting of an Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
Purple Nurple - Gyotaku Style Sumi Ink Painting of a Purple-Colored Octopus
By Jeff Conroy
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Tako print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper, Color Pencil
"Offering, " Morris Graves, American Modernism, Owl, Bird, Gift, Present
Located in New York, NY
Morris Graves
Offering, 1957
Signed and dated lower right
Sumi ink wash and gold leaf on paper
18 x 13 3/8 inches
Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...
Category
1950s Modern Sumi Ink Drawings and Watercolor Paintings
Materials
Gold Leaf
Costa Rica Beach Foam, Shoreline Seascape, Minimal Blue, Limited Edition Print
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam.
Details:
+ Title: Sandy Shore with Foam
+ Edition Size: 100
+ Stamped and Certificate of Aut...
Category
2010s Realist Sumi Ink Drawings and Watercolor Paintings
Materials
Marble
Anim
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
Matt Kinney...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Rag Paper, Sumi Ink
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Archival Paper, Graphite, Wax Crayon, Sumi Ink
Easy, Black Background Calligraphy Painting on Paper, Word Art, Sky Blue, Grey
Located in Barcelona, ES
"Easy" is a hand-painted ink painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by the ...
Category
2010s Pop Art Sumi Ink Drawings and Watercolor Paintings
Materials
Ink, Archival Ink, Sumi Ink, Watercolor, Archival Paper
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Archival Paper, Graphite, Wax Crayon
Savanna 2 (Elephant)
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Rag Paper
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Sleestak Ray - Gyotaku Style Print of a Sting Ray, Enhanced with Bright Greens
By Jeff Conroy
Located in Chicago, IL
From the mind of the artist comes "Sleestak Ray", taken from the extra-dimensional race of reptilian bipedal humanoid species native to the "Land of the Lost". He has combined a childhood favorite television show with a current favorite - fishing. The artist has master the Japanese art of Gyo-Taku printing using sumi ink and then highlights the piece with watercolors. The artist uses Mulberry...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink, Color Pencil
Taurus (Bull)
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category
2010s Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Rag Paper
Two Black Drums - Japanese Style Gyotaku Painting on Mulberry Paper of Two Fish
By Jeff Conroy
Located in Chicago, IL
Artist Jeff Conroy is an avid fisherman. He is also an accomplished artist. He brought these two disciplines together by learning the art of Gyotaku Painting. After having caught ...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Sailboat Journey, Nautical Cyanotype Print on Watercolor Paper, Indigo Seascape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Misty Sailboat Journey" is a handmade cyanotype print portraying a daytime sailboat journey...
Category
2010s Modern Sumi Ink Drawings and Watercolor Paintings
Materials
Marble
Cheetahpus - Gyotaku Style Japanese Sumi Ink Painting, Cheetah Patterned Octopus
By Jeff Conroy
Located in Chicago, IL
A newly discovered sea creature?? No, just an imaginative artist creating a Gyo-Tako print of large octopus by Jeff Conroy entitled "Cheetahpus". To achieve this remarkable painting, the artist inks the octopus using traditional sumi ink then "prints" it onto Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Cheetahpus
sumi ink and watercolor on archival kraft paper
25h x 36.50w in
63.50h x 92.71w cm
JEC080
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Traditional Japanese Scene, Geisha Nude, Ukiyo-e Style, Mixed Media Marbling
By Kind of Cyan
Located in Barcelona, ES
This is a handmade cyanotype print inspired by Hashiguchi Goyo's 1915 print "Woman After a Bath." This image of a Japanese traditional Ukiyo-e print is then hand coated using the sum...
Category
2010s Old Masters Sumi Ink Drawings and Watercolor Paintings
Materials
Emulsion, Ink, Sumi Ink, Watercolor, C Print, Color, Engraving, Other Me...
Hunted (Moose)
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France.
Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork
In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization.
Matt Kinney...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Rag Paper
Figure A7
By Matt Kinney
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Rag Paper
Gucci Ray - Sumi Ink on Mulberry Paper, Original Artwork, Gyotaku Style
By Jeff Conroy
Located in Chicago, IL
Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Gucci Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options.
Jeff Conroy
Gucci Ray
sumi ink and watercolor on mulberry paper
37h x 25w in
93.98h x 63.50w cm
JEC088
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Watercolor, Mulberry Paper, Sumi Ink
Layna by David Mack, Sumi-e brush and ink life drawing
By David Mack
Located in Chicago, IL
Sumi-e brush and ink life drawing of Layna by David Mack, 2012. David Mack is a New York Times Best Selling author, one of the most respected creators in...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Ink
Plum Crooked Carp - Japanese Style Gyotaku Painting of Fish on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
This is a Gyotaku method painting of a fish on a textured mulberry paper background. This fish impression using minimal color is akin to a fossil. The fish is then hand painted in ...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Rhythm Hut #17: abstract ink painting on paper in red & black w/ moon motif
By Antonio Puri
Located in Bryn Mawr, PA
This is a mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. Organizing the composition is a moon motif. This series was creat...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Walnut, Paper, Sumi Ink, India Ink
Rhythm Hut #20: abstract ink painting on paper in red & black w/ moon motif
By Antonio Puri
Located in Bryn Mawr, PA
This is a mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #20", listed separately. Free, combined shipping within the continental US for the purchase of both pieces.
Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections.
Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Walnut, Paper, Sumi Ink, India Ink
Art - Work, Word Art Calligraphy Painting, Acrylic Vivid Blue, Cool Tones
Located in Barcelona, ES
"Art-Work" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by the word art...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Ink, Archival Ink, Sumi Ink, Acrylic, Watercolor, Archival Paper
Grape of Wrath - Gyotaku Style Japanese Sumi Ink Painting, Large Purple Octopus
By Jeff Conroy
Located in Chicago, IL
A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Grapes of Wrath". To achieve this remarkable painting, the artist inks...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Black Mirror - Japanese Style Gyotaku Fish Painting on Mulberry Paper Framed
By Jeff Conroy
Located in Chicago, IL
This is a Gyotaku method painting of two fish on a mulberry paper background. This fish impression using minimal color is akin to a fossil. The mulberry paper has a soft hue and slightly wavy texture adding the overall feel of the artwork. The artwork is framed and matted. The framed dimensions are 25 x 36.5 inches.
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Koi Pond Caucus - Japanese Style Gyotaku Painting on Archival Kraft Paper
By Jeff Conroy
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Archival Paper, Sumi Ink, Watercolor
Koi Pond Conclave - Japanese Style Gyotaku Painting on Archival Kraft Paper
By Jeff Conroy
Located in Chicago, IL
In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Archival Paper
Legs For Days - Three Octopuses in Gyotaku Style Japanese Sumi Ink Painting
By Jeff Conroy
Located in Chicago, IL
Three outstretched octopuses in shades of blue and red are seen here in Jeff Conroy's work entitled "Legs for Days". To achieve this remarkable painting, the artist inks the octopus...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Archival Paper
Orange Crush - Gyotaku Style Japanese Sumi Ink Painting, Large Orange Octopus
By Jeff Conroy
Located in Chicago, IL
A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Orange Crush". To achieve this remarkable painting, the artist inks the octopus using traditional sum...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Black Mirror - Gyotaku Technique Fish Painting with Sumi Ink on Mulberry Paper
By Jeff Conroy
Located in Chicago, IL
Jeff Conroy
Black Mirror, 2018
sumi ink on mulberry paper
25h x 37w in
63.50h x 93.98w cm
[artwork is unframed. Contact gallery for framing options]
Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...
Category
21st Century and Contemporary Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink, Watercolor, Mulberry Paper
Maria, Metropolis by David Mack, Sumi-e brush and ink silent fIlm drawing
By David Mack
Located in Chicago, IL
David Mack’s sumi-e brush and ink drawing of Maria from Fritz Lang’s 1927 German Expressionist sci fi film Metropolis.
"The immediacy of observation and...
Category
2010s Contemporary Sumi Ink Drawings and Watercolor Paintings
Materials
Ink, Sumi Ink
Sumi Ink drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Sumi Ink drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Jeff Conroy, Katherine Filice, Ryan Rivadeneyra, and Kind of Cyan. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Sumi Ink drawings and watercolor paintings, so small editions measuring 0.1 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,595,000, while the average work can sell for $893.
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