Early 20th Century Drawings and Watercolor Paintings

Medium: Gouache Painting Signature: Signed Lower Right Contact for exact dimensions.

Born in Paris, France in 1873, artist Auguste Grass-Mick apprenticed under lithography engraver Auguste Lemoine, the Dangler brothers and painter Georges Lavergne. A patron of Paris's cabarets, Le Chat...

Serene watercolor of Den Rode Port (The Red Gate) Overlooking the San Francisco Bay from the Golf Gourse by Alfred J. Garlin (Danish, 1866-1929). Artist's signature is integrated into the piece. Title and artist info on a plaque mounted to wood frame. Frame includes UV-resistant plexiglas. Image size: 18"H x25"W Alfred J. Garlin was a watercolorist born in Denmark in 1866. By 1910 Garlin had settled in San Francisco. An electrician, in his leisure he painted scenes of the Monterey Peninsula, Feather River Canyon, and Mount Tamalpais...

Standing Nude drawing on gray paper Pencil signed and dated April 8, 21. Printmaker, painter and illustrator, George Kenneth Hartwell was born in Fitchburg 1891-1949, Massachusetts. He studied at the Art Students' League in New York City under Kenneth Hayes Miller, Edward Hopper, and George Bellows. His work was exhibited at the Art Institute of Chicago (1923), the Society of Independent Artists (1923), Salons of America (1928 and 1934), Library of Congress (1944-46), the Laguna Beach Art...

A lady with a porcelain-delicate toasty face, enchants with playful and refined coquetry. The lively movability of the artist's stroke conveys with all tangibility the reflections and the play of light on the surface of the blue satin, and the airiness of the underwear. The professionalism of this work captures with its imagination, grace and harmony of colors. By an unidentified professional painter, vintage pastel drawing...

Mary S. Hagarty (1857-1938). Original watercolour. Signed lower right. Presented in a gilt-effect frame with card mount. On paper.

Village in Normandy by Paulémile Pissarro (1884 - 1972) Watercolour, ink and charcoal on paper 40 x 31.2 cm (15 ³/₄ x 12 ¹/₄ inches) Signed lower left, Paulémile Pissarro Executed ...

An original watercolour by British artist Arthur B. Rigby (fl.1902-1926), depicting the bridge at Tal-y-Bont, Gwynedd. The watercolour has been signed by the artist to the lower left...

A delightful Dartmoor landscape scene with the Teignhead clapper bridge in the foreground before a vast view of the mountains. Signed to the lower right. Presented in a gilt frame. O...

Récolte des Pommes by Georges Manzana Pissarro (1871-1961) Mixed media on paper, laid on board 44.5 x 55 cm (17 ½ x 21 ⅝ inches) Signed and dated lower left, Manzana 1906 This work ...

Charcoal on paper, signed and dated (lower right), 33cm x 24cm, (66cm x 56cm framed). The work is framed behind UV glass and stepped gilded frame. Bortnyik was a painter and graphi...

Bears initials of William Cossens Way to the lower left. On paper laid to card .

Paul Colin (1892–1986), a painter, illustrator, set designer, and major poster artist of the 20th century, is renowned for his influence on Art Deco. He grew up in Nancy, a hub of av...

Medium: Charcoal on Paper Signature: Signed Lower Right Illustration from The Saturday Evening Post

Title: "Friends" Artist: Orovida Pissarro Medium: Etching on paper Size: 9.75 x 3.5" Year: 1922 Framed

Rural Industrial Scene Color crayons on cream wove paper 5 x 4.25 inches This work is offered by ClampArt in New York City.

A stunning coastal watercolour by the listed Scottish artist Sir David Scott Murray RA PRI RSW (1849-1933). The scene captures a small group of fishermen mending nets along a rocky s...

9 3/4"H x 6 3/4"W

A painting by Donna Schuster. "Fishing Boats from Monterey" is a waterscape painting, watercolor on paper in a palette of blues, whites and browns by American female artist Donna Sch...

Albert MARQUET Bordeaux 1875 - Paris 1947 Oriental characters, Algeria Around 1920 Indian ink wash Workshop stamp lower right 32,5 x 20,5 cm 55 x 41,5 cm framed

Léonard Tsugouharu FoujitaFujita Tsuguharu?, November 27, 1886 – January 29, 1968) was a Japanese–French painter and printmaker born in Tokyo, Japan who applied Japanese ink techniqu...

Landscape with Gate by Orovida Pissarro (1893-1968) Pencil on paper 25.7 x 20.4 cm (10 ¹/₈ x 8 inches) Executed circa 1917 Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Provenance Estate of the artist David Bunim Perls Gallery, NY Private Collection, USA Literature This work will be inclued in the forthcoming supplement to the catalogue raisonne in...

Gravure Full Page in Woman's Home Companion Magazine A wonderful and very detailed full page art supplement for the September 1922 issue of the Woman's Home Companion. Charles Sheldon's exquisitely detailed portrait of fashion designer Peggy Hoyt...

A delightful scene by the French artist Pierre LeBoeuff, depicting figures going about their day in the city of Angers. Well-presented in a decorative gilt-effect frame with fluted c...

A charismatic watercolour scene depicting a hunting meet searching through boulder's where their prey has disappeared into the rocks. The figures dismount their horses and follow the...

A dramatic 17th century gene scene in watercolours, caught in the manner of British artist Albert Leicester Burroughs (1881-1916). Presented in an elaborated gilt and swept frame wit...

An original graphite and coloured pencil work by the British artist Ernest Parkman (1856-1921). Here, Parkman captures the wonderful exterior of Bishop Lloyd's House on Watergate Str...

A delightful pastoral scene depicting a woman feeding two cows before a picturesque farm landscape. Signed to the lower right. On paper.

Louis Oscar Griffith (1875-1956) was an American painter known for his etchings, paintings, and aquatints of landscapes, especially scenes of Brown County, Indiana, New Orleans, LA and Texas. Griffith was born in Indiana in 1875 but later moved to Dallas, TX with his family. As a teen, he took art lessons with acclaimed landscape artist, Frank Reaugh...

This relaxing seascape depicts three fishermen making repairs to their wooden boats on one of Kintyre's pebbled shores. The watercolour has been signed by the artist to the lower rig...

A charming pastoral scene after British artist Myles Birket Foster (1825-1899). The painting depicts children in a meadow with two on the right playing a game of conkers. Signed with...

A charming watercolour study in the pastoral style of Myles Birket Foster. The scene shows a mother helping her children over a wooden gate into a meadow. Signed with the artist's mo...

Charcoal and pastel on paper Sight: 16 1/2 x 11 1/2 in. Framed: 24 1/2 x 20 1/4 x 1 2/3 in. Signed lower right Inscribed verso

Il figurino di moda è firmato in basso a destra ESacchetti. Raffigura una donna in piedi, con le mani sui fianchi, che indossa uno spezzato con giacca e gonna larga, e un evidente co...

A captivating graphite study of a middle aged woman with short cropped hair. The artist depicts the women from lower angle to best captures her strong features and distant gaze. Sign...

An accomplished watercolour study depicting Sir Thomas Lawrence's portrait of The Duchess of Argyll and Duchess of Sutherland sat together on a Palla...

A finely painted watercolour study by listed British artist Alexander Brantingham-Simpson (fl.1904-1931). The scene shows two ladies in pretty pink dresses, picking berries from the ...

A fine watercolour study depicting workers reaping wheat at harvest time. The worker s gather their crops in the long wheat amongst poppy flowers. The scene looks over a vast valley ...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two apples, still clinging to their leaves. Examples like this show the ability of Spicuzza to draw i...

A delightful watercolour scene depicting a peaceful lake with lily pads and ducks swimming in the distance. Signed to the lower right. presented in a gilt frame and double card mount...

A delightful watercolour painting by the artist Walter Burroughs-Fowler RBA (1860-1930), depicting figures walking through arable fields near Irun. Also pictured in the distance is a...

Pair of classical drawings representing Apollo de Belvedere And Creugante . Classical mythologic subjects. Timeless decoration for your interior . Black pencil on paper . Signe...

A delightful early 20th century watercolour depicting a group of local children leaving church after attending Sunday school. The watercolour has been signed by the artist to the low...

Sloan, John, 1871-1951 The New Hat, c. 1912 graphite on paper 12 X 10 inches signed l.l. “John Sloan (per HFS)” inscribed by Helen Farr Sloan. Sloan-1 Provenance: The artist, Priva...

Marguerite Zorach, 1887-1968 The Card Game, 1912 Ink on paper 9 ¼ x 12 inches Signed and inscribed (on verso): Marguerite Zorach Playing Cards/Calif./1912.” ZoraM-02

Early work when Stuart Davis was an illustrator. Christie's, New York Catalogue Raisonné

Original watercolor by Edward Lamson Henry looking back at barge travel through small New York state towns. Delaware & Hudson Canal, Ellenville N...

Exquisitely painted with delicate line work and a subdued color palette, this Chinese scroll painting is an early 20th century reproduction of a famous...

Medium: Watercolor Painting Signature: Unsigned World War 1 Plane, 1920.

Dédicacé, signé et daté à droite « Hommages respectueux / à Madame Frédérique de Faye / E. Maxence / 1901 » Ce portrait d’une jeune femme au visage doux et mystérieux, portant une c...

Eccezionale disegno dei primi anni 20 stile Simbolista ,Orientalista Anche il Passepartout attorno all'opera è stato realizzato dall'artista. Louise JANIN nasce nel 1893, a Durham...

André Margat is a French artist widely known for his representations of animals. He is a member of the « Groupe des Douze », an association of artists created in 1932 with the aim of...

A thoroughly charming interior scene in watercolour, by early 20th century artist A. Chambers. Here, an elderly man is pictured enjoying a generous cup of tea and a slice of cake in ...

A delightful early 20th century watercolour study of a lily pond by British artist Louis Fairfax Muckley (1862-1926). The watercolour has retained its light and bright nature with co...

A thoroughly charming interior scene in gouache, by early 20th century artist A. Chambers. Here, an elderly women is pictured at her kitchen table, reading today's paper in the morning light. Chambers has managed to capture a wonderful life...

An early work by Charles Burchfield, likely a project for an illustration. A Landscape in pastel colors with a white tree and the text Love and xxx.

ALBERT RUTHERSTON, RWS (1881-1953) The Meeting with Caius Lucius – Illustration for The Tragedie of Cymberline Signed with initials l.r. Pen and ink Unframed 4.5 by 13 cm., 1 ¾ by 5 in. (mount size 39.5 by 33 cm., 15 ½ by 13 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.65 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

A delightful watercolour depicting two fishermen relaxing in a seaside cabin after a day at sea. The elder of the two lights his pipe and the younger man looks on. Well presented in ...