16th Century Portrait Drawings and Watercolors
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Period: 16th Century
Mythological combat scene with Roman soldiers on horseback.
By Virgil Solis
Located in Middletown, NY
Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...
Category
Old Masters 16th Century Portrait Drawings and Watercolors
Materials
Ink, Laid Paper, Pen
The Holy Family with the Infant Saint John the Baptist
By Raphael (Raffaello Sanzio da Urbino)
Located in Paris, Île-de-France
STUDIO OF RAFFAELLO SANZIO, called RAPHAEL
(Urbino 1483 – Rome 1520)
Title The Holy Family with the Infant Saint John the Baptist
Medium Pen and brown ink, brown wash, over black ch...
Category
Old Masters 16th Century Portrait Drawings and Watercolors
Materials
Ink
The Assumption of Mary Magdalene, Italian School, 16th Century
Located in Middletown, NY
Brownish ink and grayish ink wash with white heightening on handmade cream laid paper, 10 5/8 x 8 1/4 inches (267 x 208 mm)(matrix). Scattered minor losses to top sheet edge (outside...
Category
Old Masters 16th Century Portrait Drawings and Watercolors
Materials
Ink, Handmade Paper, Laid Paper
Italian School, late 16th century - Head of a Man and Écorché Studies of Arms
Located in Paris, Île-de-France
Italian School, late 16th century
Head of a Man and Écorché Studies of Arms
Red chalk on laid paper,
21 x 11 cm
Provenance:
Collection of Michael Jaffé CBE (1923–1997), English art historian and Director of the Fitzwilliam Museum, Cambridge
Private collection, France
This drawing, attributed to the Italian School of the late 16th century, demonstrates the influence of Michelangelo’s approach to anatomy and expression. The sheet combines two distinct studies: an anatomical rendering of arms in the écorché technique, focusing on the musculature and skeletal details, and a head of a man, drawn with careful attention to light and shadow. The use of red chalk lends the work warmth and immediacy, qualities often associated with Renaissance studies of the human form.
The écorché studies reflect the Renaissance fascination with anatomy as both an artistic and scientific pursuit. The detailed depiction of the musculature suggests the artist’s interest in understanding the mechanics of the body, a practice heavily influenced by Michelangelo’s drawings...
Category
Old Masters 16th Century Portrait Drawings and Watercolors
Materials
Chalk
Jacopo Zanguidi Dit Bertoja (1544 - 1574) - Combat of five figures after Raphael
Located in Paris, Île-de-France
Jacopo Zanguidi BERTOJA (1544-1574)
Combat of five figures, bas-relief from the School of Athens after Raphael
Ink on paper
43×34cm
Interesting thing
According to Professor David E...
Category
Renaissance 16th Century Portrait Drawings and Watercolors
Materials
Ink
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Located in London, GB
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Located in London, GB
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Previously Available Items
A fantasy head composed of three bearded faces
Located in Paris, Île-de-France
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(Bologne circa 1530/35 - 1570 Parma)
A fantasy head composed of three bearded faces
Pen and ink on paper
7 x 7 cm
Provenance:
Private col...
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Elizabethan pair of portrait miniatures holding love tokens from the garden
Located in Petworth, West Sussex
English School, 16th Century
A pair of portrait miniatures holding love tokens from the garden
Ink on paper
Frame measures 7.3/8 x 9.3/8 in. (18.8 x 23.8 cm.)
Category
Old Masters 16th Century Portrait Drawings and Watercolors
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Paper, Ink
H 7.38 in W 9.38 in D 2 in