20th Century Mixed Media

JEAN [HANS] ARP 1886-1966 Strasbourg, France 1886 - 1966 Basel, Switzerland (German/French) Title: Variable Picture (3 x 7 = 21 Shapes) Variables Bild (3 x 7 = 21 Formen), 1964 Te...

Martin Bradley 1931-2023 Untitled (Double Happiness), 1965 circa oil on wood diameter, 182.9 cm (72 in) signed Martin Bradley is a 20th-century painter. Born in London in 1931, fro...

Original piece by David Wojnarowicz. Showing at The Queer Show Part II.

Basquiat Skateboard Decks Set of 3 (2019-2020): Vibrant, superbly rendered Basquiat Skateboard Decks licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar, feat...

Limited Edition Keith Haring spray paint set of 4; published circa 2018 featuring the Estate trademark of Keith Haring. A unique Haring collectible that makes for a fantastic Keith H...

This work is the 10th sheet of the ten-part series ‘Ten Landscapes’ from 1967. Technique: Screenprint on chromogenic photographic print and translucent moiré Rowlux collage, mount...

Barrow Street Robe #3 Jim Dine, American (1935) Date: 1986 Acrylic, Gouache, Pastel and Charcoal on Paper, signed and dated top middle Size: 41 x 29 in. (104.14 x 73.66 cm) Frame Siz...

The image shows an old, worn page titled Memoirs of My Dead Life. Below the title is a small, black botanical element, resembling a pressed or carved leaf or fern, attached to the pa...

The image features a page from a medical or anatomical text titled A Study of the Voluntary Muscles, showing a diagram of a shoulder and arm structure. The diagram is labeled with le...

LeRoy Neiman (American, 1921-2012) Statue of Liberty, July 4, 1986 Signed and Dated Lower Left Acrylic Paint and Chalk 24 x 16 inches 37.5 x 29.25 inches with frame Mr. Neiman's ki...

Follow up photo we be replace the enclosed as all the detail is washed out from the flash. Additional photos if requested . A photo certificate accompanies this painting. It is frame...

Untitled, 1973 - Acrylic on canvas with aluminium and fibreglass construction, British Abstraction - Sandra Blow Signed and dated on canvas overlap Acrylic on canvas with aluminium...

This bouquet is a beautiful work of art by the French Master, Bernard Buffet , painted in the medium of gouache and oil . You can see the art work has raised texture and one can also...

Robert Indiana Classic LOVE (Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framed) Tuft - Multiple 1996/2007 Size: 29.1x29.1in Edition: 10.000 COA provided Ref.: 924802-1819 * could come framed in a black or white frame made from composite wood/plastic. No glass. ** This piece has a lead time of 2-3 weeks Tags: Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framedhy Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal Service...

This unique artwork by Conrad Marca-Relli is offered by CLAMP in New York City.

Available at Madelyn Jordon Fine Art. 'Marblemanandfaith' by Stanley Boxer, 1991. Oil and mixed media on canvas, 8 x 4 in. / Frame: 9 x 4.5 x 2...

Available at Madelyn Jordon Fine Art. 'Marblemanblossom' by Stanley Boxer, 1991. Oil and mixed media on canvas, 6.25 x 4.75 in. / Frame: 7 x 5....

Francisca Sutil is a Chilean painter known for her research of the chromatic surface, the nature of the support and the study of textures and materials that she prepares herself. Born in Santiago de Chile in 1952, she moved to New York where she received an M.F.A. from Pratt Institute in 1981. Since 1992, Sutil has lived and worked in Santiago. Sutil’s work is characterized by its superb construction and unique contemplative qualities. When approaching her paintings, the viewer is immediately captivated by the textures and hues. She proposes a rigorous exercise of painting on support, regardless of its material composition, in search of pictorial depth. It is a mental process from which a neat and pure chromatic production emerges. Intending no specific content in her paintings, she instead asks viewers to respond openly and honestly to her abstractions. She uses her work to provoke emotions and sensations, and in turn, encourages reflection, meditation and lasting thoughts and memories...

Sophia Vari (born in Athens, Greece) recently deceased, was an established international visual artist known for polychrome sculptures, collages, oil and watercolor paintings. Her ex...

Nicola Bolla is an Italian painter and sculptor. A practicing ophthalmologist and eye surgeon, Bolla divides his time between two passions: art and medicine. Both activities are link...

Largely self-taught, Hutchison has developed and innovated methods and mediums including hand-building and bending Plexiglas forms to facilitate her artistic process. Notably Hutchison's works are constructed of utilitarian, and often re-purposed materials and incorporate ambient light as a primary material. She shares similar concerns with the Light and Space artists...

Again, the versatility in her texture, shapes an palette are reflected in this work.

This work is a great sample of the versatility in use of medium, texture and color. This work is also oil on gessoed paper.

Valerie Hird's work reflects her travels throughout Morocco, her unique palate and textures, really evoke an essence of Morroco and how she perceives it.

Susana Jamie-Mena is a visual artist from Argentina, the uniqueness in her paintings, is that she blurred the lines between painting and sculpture, and her works looked like they cou...

It is a relief, cast stone, hand painted work by Karel Appel, and comes from an edition of 99.

Limited Edition Jean-Michel Basquiat spray paint can set published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. A unique Basquiat collector’s set that makes for...

Robert Kushner (American, b. 1949) Alphonsine, 1983 30 x 22 inches without frame 32.75 x 25 inches with frame Titled Lower Left Signed and dated Mid Lower Right A member of the Patt...

Yellow Store Front, Project, 1980 By. Christo (Bulgarian, 1935-2020) Signed Lower Right Titled Lower Left Unframed: 32 x 23.5 inches Framed: 32.5 x 24 inches An environmental instal...

Ross Bleckner Untitled, 1989 Mixed media on paper 28 x 22 inches (71.1 x 55.9 cm)

Takashi Murakami Flowers Skateboard Decks 2017 & 2019: set of 2 works: A vibrant set of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami ...

A Stroll Through the Village, Two Figures By. Theo Tobiasse (Israeli, French, 1927-2012) Signed Lower Left Unframed: 40" x 27.5" Framed: 55.5" x 42.25" Théo Tobiasse came from a Lithuanian-Jewish immigrant family who moved to Paris in 1931 for economic reasons. Here Tobiasse completed an apprenticeship at the École des Arts Décoratifs, which was interrupted by the outbreak of World War II. The family lived hidden in the French metropolis for over two years without ever leaving the small apartment or even lighting it up. The time was spent reading, drawing and playing chess, and Tobiasse built up a huge pool of drawings from which he could later draw. After the end of the war, he worked as a graphic designer for the Hermès company...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

David Hayes (1931 - 2013) Untitled Paper Collage, 1993 Paper Collage, Mounted on Paper 21.75 x 22.25 in

"Portrait of Victory" By Paul Pletka (1946- ) Image Size: 30" x 23" Framed: 42" x 36" Signed: Lower Right Paul Pletka is a neo-surrealistic painter inspired by his fascination from early childhood with Native Americans of the Southwest. His style, described as neo-surrealistic, "is both realistic and deeply spiritual, being highly sensitive to the inner thoughts of Native Americans." Paul Pletka was born in southern California in 1946 and currently resides in New Mexico. After high school, he won a scholarship to Arizona State University and then transferred to Colorado State University, but feeling disappointed in his college art training, did not paint seriously until the late 1960s. His works of art have been exhibited in one-man shows in Colorado, New Mexico, Arizona, Texas, Illinois, New York, Kansas and Missouri continuously since 1964. Pletka's paintings are in more than 40 private and public art collections including the Albany Museum of Art, Albany, GA; Hallmark Cards, Kansas City, MO; Mel Pfaelzer Collection, University of Northern Illinois, De Kalb; the Norton Gallery & School of Art, West Palm Beach...

Gaudi XX, (D. 1079), 1979 By. Joan Miro Signed Lower Right Edition 41/50 Lower Left Unframed: 37.5" x 30.75" Framed: 46.5" x 39" Joan Miro was born in Barcelona, Spain on April 20, 1893, the son of a watchmaker. From 1912 he studied at the Barcelona Ecole des Beaux-Arts and the Academie Gali. In the first quarter of the 20th century, Barcelona was a cosmopolitan, intellectual city with a craving for the new in...

Mixed media on Whatman board. Signed (at lower right): WINOLD/REISS

Mixed media on Whatman board. Signed (at lower left): WINOLD/REISS

This intimate, yet highly energetic, artwork is a timeless example of Long’s exceptional style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Bert Long...

Purvis Young (1943 - 2010) Free Her, 1992 Mixed Media 48 x 18 in

Purvis Young (1943 - 2010) Collage Figures, 1990 Mixed Media 43 x 28 in

Medusa Marinara (for Peter Norton Family Christmas Project) 1999 Stamped, verso Ceramic plate (Made by Bernardaud in Limoges, France) 12.5 x 12.5 inche...

Untitled 1999 Signed, dated, and numbered in pencil, recto Iris print (Edition of 100) 30 x 22 inches (76.2 x 55.9 cm), sheet 27 x 18 inches (68.6 x 45.7 cm), image Contact galle...

Jack Smith Do Not Open ‘Til Happy Hour c. 1960s Pen on manila folder 12 x 9.5 inches Contact gallery for price. This work is offered by ClampArt in New York City.

Robert Motherwell Brasileira 1975 Acrylic, graphite and printed paper collage on canvas laid on board 121 x 91 cms (47 5/8 x 35 7/8 ins) Provenance: Ace Gallery, Los Angeles Doug...

This mixed media on paper painting of Jesse Owens is from the seminal artist Artis Lane and is one of the many exquisite pieces done of historical figures ...

Green Projection, 1971 - Work on Paper, British Abstraction - Sandra Blow Signed and dated on canvas overlap on reverse Acrylic on canvas, with aluminium construction 54 x 48 inches ...

Abstract in Browns, 1997 - Work on Paper, British Abstraction - Sandra Blow Signed and dated Gouache on board 12 x 9 1/2 inches Sandra Blow RA (1925-2006) pioneered British abstract...

Yellow Within, 2006 - Work on Paper, British Abstraction - Sandra Blow Signed on reverse Acrylic and mixed media on canvas 24 x 24 inches Sandra Blow RA (1925-2006) pioneered Britis...

This mixed media on paper from the seminal artist Artis Lane is one of the many model pictures from her long and illustrious career. The subject is an older man, whom is called "Anci...

ANATOL BRUSILOVSKY (1932-) Love and power 1999 Collage 37.7 x 27.2 cm signed and dated bottom right; signed, titled, dated, numbered "#8" and inscribed from the cycle "1900-2000" on ...

ANATOL BRUSILOVSKY (1932-) Heart of the people 1982 Collage 35.4 x 27.6 cm signed and dated below right titled, inscribed with measurement: "Collage", signed and dated on reverse

A very early important collage by Anatol Brusilovsky

An early collage from Anatol Brusilovsky

A monumental limited edition Woolen Tapestry of Andy Warhol's iconic "Marilyn" published by Museum Masters International in 1997. Artist: after Andy ...

Sky Over Santa Fe, acrylic on canvas, large painting, blue sky, landscape, by John Hogan John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree and...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

This work resembles a colorful abstraction of a terrarium inhabited by geometric and organic forms alike. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew ...

Medium: Mixed Media on Board Signature: Signed on Verso Contact for dimensions. Maxfield Parrish created the present work as a playbill to commemorate a performance of Ivanhoe, whi...

Mathieu Matégot (1910-2001) Sans titre c.1950s wool tapestry, Manufactura de Tapeçarias de Portalegre 150 x 70 cm signed ‘Matégot’ and with the Manufactura de Tapeçarias de Portalegre monogram (lower right) Price: $11,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF21324) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...