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Old Masters More Art

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Style: Old Masters
The Necklace of Jane Seymour, Henry VIII's Third Wife, Limited Edition, Signed
Located in New York, NY
Hiroshi Sugimoto The Necklace of Jane Seymour, Henry VIII's Third Wife, 2000 Limited Edition Signed pendant of silver-plated brass, imitation pearls, Swarovski glass stones, handmade...
Category

16th Century Old Masters More Art

Materials

Metal

Portrait of lady, Mary Hammond in Rich Attire, Jewels, Lace c.1618-22 Historical
By Cornelius Johnson
Located in London, GB
Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite...
Category

17th Century Old Masters More Art

Materials

Oil, Panel

Seventeenth Century Old Master Biblical Oil Painting Joseph recounts his Dream
Located in ludlow, GB
Seventeenth Century Old Master Biblical themed Oil Painting on Panel of Joseph recounting his Dream. A Follower of Rembrandt Harmensz Van Rijn 1606 - 1669. This painting follows a ...
Category

17th Century Old Masters More Art

Materials

Oil

Portrait of Lady, Barbara Herbert, Countess of Pembroke c.1708, Large Painting
Located in London, GB
Portrait of Barbara Herbert, Countess of Pembroke c.1708 Charles d’Agar (1669-1723) This magnificent large-scale portrait, presented by Titan Fine Art, depicts the British court of...
Category

17th Century Old Masters More Art

Materials

Cotton Canvas, Oil

Portrait of a Lady, Mrs Wray in a Silk Dress & Pink Wrap c.1698, Oil on canvas
Located in London, GB
Portrait of a Lady, Mrs Wray in a Silk Dress & Pink Wrap c.1698 Circle of Michael Dahl (1659-1743) This delightful work, presented by Titan Fine Art, is a fine example of British po...
Category

17th Century Old Masters More Art

Materials

Cotton Canvas, Oil

"Le Singe" The Monkey Tapestry
Located in Atlanta, GA
Belgian made, Jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Measurements are approximate.
Category

Late 20th Century Old Masters More Art

Materials

Tapestry

Portrait of Gentleman, Sir Henry Hobart, Blue Cloak & cravat, Wissing oil canvas
By Willem Wissing
Located in London, GB
Portrait of a Gentleman, Sir Henry Hobart Blue Cloak and cravat c.1683-1684 Attributed to Willem Wissing (1656-1687) This impressive portrait, presented by Titan Fine Art, depicts t...
Category

17th Century Old Masters More Art

Materials

Cotton Canvas, Oil

Oil Portrait of a Victorian Lady, c. 1850
Located in Chicago, IL
Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...
Category

Mid-19th Century Old Masters More Art

Materials

Oil

Portrait Gentleman Armour, Blue Cloak, Diamond Brooch c.1700 French Carved Frame
By Joseph Vivien
Located in London, GB
Portrait of a Gentleman in Armour and Azure Cloak with Diamond Brooch c.1700 Attributed to Joseph Vivienne (1657-1735) The sitter in this superb portrait, offered by Titan Fine Art...
Category

17th Century Old Masters More Art

Materials

Oil, Cotton Canvas

Portrait of a Gentleman, David Erskine, 13th Laird of Dun, Wearing Armour c.1700
Located in London, GB
The gentleman in this exquisite oil on canvas portrait, presented by Titan Fine Art, is shown with the grandiloquence characteristic of the English School of painting. He is portray...
Category

17th Century Old Masters More Art

Materials

Oil, Canvas

Portrait of Gentleman in blue, Portrait of Lady, oval pair Fine Carved Frames
Located in London, GB
Portrait of a Gentleman with Blue Cloak and Portrait of a Lady in Russet Dress c.1697 Thomas Murray (1663-1735) These fascinating portraits are exquisite examples of portraiture in ...
Category

17th Century Old Masters More Art

Materials

Oil, Canvas

Dutch Old Master Portrait of Maurits, Prince of Orange-Nassau, Oil on Panel
Located in London, GB
In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...
Category

17th Century Old Masters More Art

Materials

Oil, Wood Panel

The Penance of St. Chrysostom by Albrecht Dürer
Located in New Orleans, LA
Albrecht Dürer 1471-1528 German The Penance of St. Chrysostom Monogrammed in the plate lower center "AD" Copper engraving on laid paper “Whatever was mortal in Albrecht Dürer li...
Category

15th Century and Earlier Old Masters More Art

Materials

Copper

Portrait of Lady Diana Bruce in Blue Dress & Cut Sleeves c.1660-1670, Peter Lely
Located in London, GB
Portrait of Lady Diana Bruce in a Blue Dress with Cut Sleeves c.1660-1670 Circle of Sir Peter Lely (1616-1680) Presented is a captivating portrait of the noble Lady Diana Bruce; it ...
Category

17th Century Old Masters More Art

Materials

Oil, Canvas

Cuzco School Baptismal Dish
Located in New York, NY
Provenance: Manuel Ortíz de Zevallos y García, Peru; and by descent in the family to: Private Collection, New York. This impressive baptismal dish is an example of eighteenth-cent...
Category

18th Century Old Masters More Art

Materials

Silver

Micromosaic Panel "Casco D’oro (The Man with the Golden Helmet)" After Rembrandt
By Studio Del Mosaico Vaticano
Located in Yardley, PA
An exceptional micromosaic made by the Vatican Mosaic Workshop after Rembrandt’s celebrated “Man in a Golden Helmet.” Composed of thousands of hand-cut glass tesserae, the work captu...
Category

20th Century Old Masters More Art

Materials

Mosaic

Francesco Albani Circle Italian Mythological Painting
Located in Roma, IT
Francesco Albani Circle Italian Mythological Painting This important oil painting on wood depicts a subject that is very rare in the iconography of ancient mythological paintings: the birth of Erittonio. Erichthonius who succeeded Amphictyon becoming the fourth mythological king of Athens and married the naiad Praxithea who made him the father of Pandion. The extremely high quality of this very rare painting suggests that it was painted by an artist who frequented Francesco Albani's studio. The period, the mythological subject, the harmony of the colours and, above all, the sublime quality of the flesh tones all point in this direction. This artwork, never before on the market, comes from an important Italian private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. ERYTHTONIOS (᾿Ερυχϑόνιος, Erychthonios) Born of Hephaestus' love for Athena, from the breast of Ghe, who was impregnated by the god; welcomed by Athena, who placed him in a basket together with one or two snakes, entrusting him to the care of Cecrops' three daughters. Against the goddess's wishes, they opened the chest, from which emerged, according to different versions of the myth, either the child wrapped in snakes or a snake, which, in some versions, killed the girls, while in others, they threw themselves from the Acropolis in fear. Erittonio, in the form of a snake, is welcomed by Athena into her temple and curls up under the goddess's shield. Alongside this myth, of Ionian origin, are others due to the doubling of the figures of E. and Erechtheus The scene of the birth appears in figurative tradition: in a Melian terracotta relief from the early 5th century, Ghe, half-emerging, holds out the baby Erittonio. to Athena, who welcomes him in the presence of Cecrops; the same scene appears on various painted vases, such as a red-figure kölix by the Painter of Kodros, from Tarquinia, in the Berlin Museums, dating from around 440 BC, where Hephaestus also appears alongside Cecrops. A modest red-figure vase from Camiro, in the British Museum, depicts the moment when the fleeing Cecropids discover the cista, from which the infant Erittonio. emerges between two snakes, greeting Athena. The moment when the chest was opened was depicted by Phidias on the xiii and xiv S metopes of the Parthenon, where Cecrops and Pandrosus appear in the first and Erisichthon and Aglaurus with the chest uncovered in the second. A kölix in the style of the Brygos Painter in Frankfurt, on the other hand, depicts the large snake E. chasing the fleeing Cecropids towards their father's palace. Luciano (De dom., 27) recalls a painting depicting the scene of the birth and the representation of the myth in pantomime on the theatre (De salt., 39). Bibliography: Engelmann, in Roscher, cc. 1303-1308, s. v. Erichthonios; P. Jacobstahl, Die Melischen Reliefs, Berlin 1931, pp. 96-98, plate 75 a; W. Züchner, in Jahrbuch, LXV-LXVI, 1950-51, p. 200 ff., figs. 34-35; J. D. Beazley, Red-fig., p. 720; G. Becatti, Problemi fidiaci, Florence 1951, p. 22. Questo Francesco Albani (Bologna, August 17, 1578 – Bologna, October 4, 1660) was an Italian painter. Albani was born in Bologna, Papal States, in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi...
Category

Late 17th Century Old Masters More Art

Materials

Oil, Wood Panel

Veduta del Campidoglio di fianco
Located in New York, NY
Etching. Signed in the plate lower right. From the fourth state, of six, a late 18th / early 19th century impression; first Paris edition. From the Vedute di Rome series. Overall...
Category

1770s Old Masters More Art

Materials

Etching

Portrait of Giuseppe Garibaldi - Original Glass Art - 19th Century
Located in Roma, IT
Portrait of Garibaldi is an admirable piece of art painted on small glass, realized by anonymous artists of the 19th Century. Good condition. The tiny and small piece of glass art,...
Category

19th Century Old Masters More Art

Materials

Glass

Accurata e succinta descrizione topografia delle Antichità di Roma
Located in Roma, IT
Complete title: Accurata e succinta descrizione topografia delle Antichità di Roma dell'Abate Ridolfino Venuti Cortonese Presidente all'Antichità Romane e Membro Onorario della Regia...
Category

Early 1800s Old Masters More Art

Materials

Paper, Etching

The Artist's Mother Seated at a Table, Looking Left: Three Quarter Length
Located in New York, NY
Etching and drypoint, circa 1630s. Cream laid paper. Narrow margins.
Category

1630s Old Masters More Art

Materials

Etching

17th Century Flemish Sculpture of a Religious Figure
Located in Rochester, NY
Antique carving of a saint or martyr. 17th century Flemish hardwood carving. Wonderful wear and rich color.
Category

17th Century Old Masters More Art

Materials

Wood

Des Enfants Traînant Un Chariot Chargé de Fruits
Located in Milford, NH
A fine oil painting with cherubs and a cart of fruit by French artist Leger Cherelle (1816-1867). Cherelle was born in Versailles, France, a...
Category

1830s Old Masters More Art

Materials

Oil, Board

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18th Century portrait oil painting of a lady in an ermine trimmed cloak
Located in Nr Broadway, Worcestershire
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19th Century Roman Landscape oil on canvas with Giltwood Frame
Located in Rome, IT
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Located in Hillsborough, NC
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17th century Flemish seascape - Stormy Sea with Merchant Vessels and dolphins
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Located in Aartselaar, BE
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Penitent Mary Magdalene c1750 Oil on Copper Old Master
Located in Holywell, GB
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Previously Available Items
Portrait of a Gentleman, Doublet & White Ruff, Gloves Inscribed 1624, on panel
By Frans Pourbus the Younger
Located in London, GB
Titan Fine Art presents this exquisite oil on panel portrait depicting a handsome young gentleman in an exuberant black damask doublet. The pose, with one hand holding gloves and the other akimbo, was one that was well-established for gentleman of the upper echelons of society by the time this work was painted. The principle governing portraits at this time was the recording and defining in visual terms of the position of a sitter in society. In addition to brilliant and complex symbols of luxury, they often contained many symbolic elements too; the inclusion of gloves was often used in portraits that celebrated a betrothal as in ancient times gloves were used to seal a marriage contract. The extraordinary costume of a black shimmering doublet, the brilliant white reticella ruff, and the cuffs edged with lace were immensely costly… this attire proclaims to every onlooker that this is a superior being. The rendering of the reticella lace ruff is exquisite and the artist has recorded the design that runs through the black damask fabric with meticulous attention to detail. The preservation of this black pigment is remarkable considering the age of the work. Black pigments are especially vulnerable to fade and wear over time partly due to environmental condition but also from unprofessional cleaning. This work is an exquisite example from the period. According to the inscription in the upper right, the gentleman was in his 22nd year of age in 1624. The coat of arms, which is displayed without a crest, may be ‘blazoned’ in the language of heraldry, as: Sable on a Chevron between in chief two Roundels and in base a Billet [or possibly Square] Or three Martlets Sable. In plainer English this means a black (Sable) background, spanned by a gold (Or) chevron, above which are two golden solid circles (Roundels), and below which is a gold rectangle (Billet); on the chevron are three small black birds (Martlets). Martlets are a stylised form of heraldic bird, believed to be based on the swift, which are conventionally drawn with small tufts instead of feet. In Continental Europe it is also conventional for them to be drawn without beaks, as appears to be the case here. The birds in this instance also have a vaguely duck-like appearance. Five families have been identified with very close armorial bearings to the one in our portrait. They are the (van) Houthem’s (of Brabant), the Prévinaire’s (of Flanders and Holland), and the Proveneer’s (of Liège) and it must be noted that the locations of these families also fit with the painting’s Flemish origins. However the French Grenières’s (of Île-de-France) and the Jallot’s (of Normandy) are the next closest matches and plausible matches, as Frans Pourbus had settled in Paris just a few years before our portrait was painted. This painting has been assessed by a professional conservator prior to going on sale, and as thus, it can be hung and enjoyed immediately. Frans Pourbus the Younger...
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Portrait of a Gentleman in Grey Coat & White Cravat, Oil on canvas Painting
Located in London, GB
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Located in London, GB
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Located in London, GB
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Located in London, GB
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17th Century Old Masters More Art

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Vintage Black Red Gold Picture Frame Ornate Design
Located in Cirencester, Gloucestershire
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Located in London, GB
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Located in London, GB
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Located in London, GB
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Portrait of Gentleman in Armour by Table & Helmut c.1685 Aristocratic Provenance
By Johann Kerseboom
Located in London, GB
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Old Masters more art for sale on 1stDibs.

Find a wide variety of authentic Old Masters more art available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including (circle of) Pierre Mignard, Thomas Bardwell, (Circle of) Mary Beale, and Mary Beale. Frequently made by artists working with Oil Paint, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters more art, so small editions measuring 0.4 inches across are also available. Prices for more art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $249 and tops out at $48,960, while the average work sells for $10,560.

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